From the origins of modern copyright in early eighteenth-century culture to the efforts to represent nature and death in postmodern fiction, this pioneering book explores a series of problems regarding the containment of representation. Stewart focuses on specific cases of "crimes of writing"--the forgeries of George Psalmanazar, the production of "fakelore," the "ballad scandals" of the eighteenth and nineteenth centuries, the imposture of Thomas Chatterton, and contemporary legislation regarding graffiti and pornography. In this way, she emphasizes the issues which arise once language is seen as a matter of property and authorship is viewed as a matter of originality. Finally, Stewart demonstrates that crimes of writing are delineated by the law because they specifically undermine the status of the law itself: the crimes illuminate the irreducible fact that law is written and therefore subject to temporality and interpretation.

Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world.

At first glance, esthetic experience and editing appear to have very little in common. But even on such apparently safe ground as philological editing this impression turns out to be wrong. An editor who ignores the esthetic richness of the material he is working on may divert the attention of his edition's recipient away from essential features of the work of art in question. This collection is the fruit of a conference at which numerous editors and editing experts from various disciplines discussed the theoretical and practical consequences of such a constellation and their implications for the history of scholarship.

Customers in the US and Canada can purchase the link here: https://bit.ly/2M3fDa7 This volume presents six papers from a one-day colloquium held at the Warburg Institute in February 2015 on the legacy of Aldus Manutius, marking the 500th anniversary of his death, together with three additional contributions. Rather than examining Aldus's own output, the nine papers focus on how the notion of `Aldine books' has changed over 500 years in Europe and North America, from the early days of the Aldine press to modern and contemporary book collecting and the antiquarian trade. The volume also includes a catalogue of the exhibition `Collecting the Renaissance: The Aldine Press (1494-1598)', held in the British Library in conjunction with the colloquium. Addressing a wide readership of scholars, booksellers and collectors, The Afterlife of Aldus aims to stimulate further research on areas fundamental for understanding Aldus's long-lasting fortuna. The conference, the exhibition and this volume have received generous financial support from the Bibliographical Society, CERL and Bernard Quaritch Ltd.

A sequel to Tomita's A Bibliographical Catalogue of Italian Books Printed in England 1558-1603, this volume provides the data for the succeeding 40 years (during the reign of King James I and Charles I) and contributes to the study of Anglo-Italian relations in literature through entries on 187 Italian books (335 editions) printed in England. The Catalogue starts with the books published immediately after the death of Queen Elizabeth I on 24 March 1603, and ends in 1642 with the closing of English theatres. It also contains 45 Elizabethan books (75 editions), which did not feature in the previous volume. Formatted along the lines of Mary Augusta Scott's Elizabethan Translations from the Italian (1916), and adopting Philip Gaskell's scientific method of bibliographical description, this volume provides reliable and comprehensive information about books and their publication, viewed in a general perspective of Anglo-Italian transactions in Jacobean and part of Caroline England.

A Guide to Early Printed Books and Manuscripts provides an introduction to the language and concepts employed in bibliographical studies and textual scholarship as they pertain to early modern manuscripts and printed texts Winner, Honourable Mention for Literature, Language and Linguistics, American Publishers Prose Awards, 2010 Based almost exclusively on new primary research Explains the complex process of viewing documents as artefacts, showing readers how to describe documents properly and how to read their physical properties Demonstrates how to use the information gleaned as a tool for studying the transmission of literary documents Makes clear why such matters are important and the purposes to which such information is put Features illustrations that are carefully chosen for their unfamiliarity in order to keep the discussion fresh

The turn of the twentieth century was an extraordinarily difficult period for African Americans, a time of unchecked lynchings, mob attacks, and rampant Jim Crow segregation. During these bleak years, Emma Crawford, a young African American woman living in Pennsylvania, corresponded by postcard with friends and family members and collected the cards she received from all over the country. Her album-spanning from 1906 to 1910 and analyzed in Emma's Postcard Album-becomes an entry point into a deeply textured understanding of the nuances and complexities of African American lives and the survival strategies that enabled people "to make a way from no way." As snippets of lived experience, eye-catching visual images, and reflections of historical moments, the cards in the collection become sources for understanding not only African American life, but also broader American history and culture. In Emma's Postcard Album, Faith Mitchell innovatively places the contents of this postcard collection into specific historic and biographical contexts and provides a new interpretation of postcards as life writings, a much-neglected aspect of scholarship. Through these techniques, a riveting world we know far too little about is revealed, and we gain new insights into the perspectives and experience of African Americans-in their own words. Capping off these contributions, the text is a visual feast, illustrated with arresting images from the Golden Age of postcards as well as newspaper clippings and other archival material.

There's no such thing as too many books, simply not enough places to put them Decluttering is all the rage, but what do you do when your preferred interior decor is miles of overstuffed bookshelves? If you can't bring yourself to clear your collection, SHELF RESPECT will validate your life choices. Do you alphabetise your books or organise by genre... or (heaven forbid) colour? Have you merged your collection with your other half's? (And do you write your name inside the cover, just in case?) Do you keep all the books you've read, or only the most cherished? Is there such a thing as too many books? (No.) Bound to provoke (good-natured) debate between Bibliophiles, SHELF RESPECT is a charmingly illustrated book in defence of towering TBR piles and overflowing shelves... no matter how you choose to organise them.

The American Comic Book Chronicles continues its ambitious series of FULL-COLOR HARDCOVERS, where TwoMorrows' top authors document every decade of comic book history from the 1940s to today! Keith Dallas headlines this volume on the 1980s, covering all the pivotal moments and behind-the-scenes details of comics during the Reagan years! You'll get a year-by-year account of the most significant publications, notable creators, and impactful trends, including: The rise and fall of Jim Shooter at Marvel Comics! The ascendancy of Frank Miller as a comic book superstar with works like Daredevil, Ronin and The Dark Knight! DC Comics' reboot with Crisis on Infinite Earths and its Renaissance with a British invasion of talent like Alan Moore, Grant Morrison, and Neil Gaiman! The emergence of Direct Market-exclusive publishers like Eclipse Comics, Pacific Comics, First Comics, Comico, Dark Horse Comics and others! These are just a few of the events chronicled in this exhaustive, full-color hardcover.Taken together, American Comic Book Chronicles forms a cohesive, linear overview of the entire landscape of comics history, sure to be an invaluable resource for ANY comic book enthusiast!

This book is the second in a continuing series of publications listing and identifying all illustrations contained in English manuscripts from the time of Chaucer to Henry VIII. This was a prolific period in the history of English book production, and the range of subject-matter illustrated is of significance of all historians, whether of art, religion, costume, natural science, and above all social custom. The manuscripts in the Bodleian Library, Oxford, are the first to be catalogued. These are listed here in alphabetical order of the Library's collections, and the present volume deals with all the imagery in collections Dodsworth to Marshall. A third volume will complete all material found in the Bodleian Library. The catalogue is introduced by a helpful User's Guide which explains the basis for research and the categories of subject-matter adopted by the editors. Entries are numbered consecutively for ease of reference, and every illustration is noted, from full-page narrative miniatures and historiated initials to king's heads, marginalia and nota bene signs.

Contains the full texts of Cardinal Francesco Gonzaga's will and the post-mortem inventory of his possessions (1483), together with related correspondence. This book analyzes these texts and provides background information about the man himself and his collections.

Bourgeois scholarship as disguise: “Fake books” are objects that simulate the most important carriers of knowledge and culture by subverting fundamental functions such as visualization, information or entertainment. Most of these “book simulators” are beautiful containers, which serve for storing – or hiding – approximately everything. The viewer is always confronted by the discrepancy between appearance and being, between form and function.

Armin Müller has collected book dummies of very different sizes, styles and provenances from different eras: art-historically valuable, technically sophisticated and historically exciting pieces, but also kitsch of all kinds. The imaginative and creative richness of camou-flage and illusion seems to be inexhaustible.

In his national bestseller, A Gentle Madness, Nicholas Basbanes explored the sweet obsession people feel to possess books. Now, Basbanes continues his adventures among the "gently mad" on an irresistible journey to the great libraries of the past -- from Alexandria to Glastonbury -- and to contemporary collections at the Vatican, Wolfenbüttel, and erudite universities. Along the way, he drops in on eccentric book dealers and regales us with stories about unforgettable collectors, such as the gentleman who bought a rare book in 1939 "by selling bottles of his own blood."

Taking the book's grand title from the marble lions guarding the New York Public Library at 42nd Street, Basbanes both entertains and delights. And once again, as Scott Turow aptly noted, "Basbanes makes you love books, the collections he writes about, and the volume in your hand."

A checklist of the Horblit collection of books, tracts, leaflets, and broadsides printed by Sir Thomas Phillipps at his press at Middle Hill, or elsewhere to his order, now in the collection of the Grolier Club. Published to accompany The Collector Collected: The Horblit Archive of Sir Thomas Phillipps at the Grolier Club, held at the Club May 20 - July 31, 1997. Designed by Jerry Kelly, and printed at the Stinehour Press in an edition of 550 copies.

In The Codex, published in 1954, C.H. Roberts studied the process by which in the early centuries of our era the roll as the vehicle for literature was replaced by the codex, which has remained the format of the book ever since. New evidence that has accumulated in the last thirty years has set some of the problems in a new light and in this book, published here for the first time in paperback, the authors re-examine these and offer a different explanation for the remarkable part in the transformation played by the early Church.

2017 The Association for the Studies of the Present Book Prize Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions. In 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies-including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants-alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.

2017 The Association for the Studies of the Present Book Prize Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions. In 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies-including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants-alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.

When does a book that is merely old become a rarity and an object of desire? David McKitterick examines, for the first time, the development of the idea of rare books, and why they matter. Studying examples from across Europe, he explores how this idea took shape in the sixteenth and seventeenth centuries, and how collectors, the book trade and libraries gradually came together to identify canons that often remain the same today. In a world that many people found to be over-supplied with books, the invention of rare books was a process of selection. As books are one of the principal means of memory, this process also created particular kinds of remembering. Taking a European perspective, McKitterick looks at these interests as they developed from being matters of largely private concern and curiosity, to the larger public and national responsibilities of the first half of the nineteenth century.