A sequel to Tomita's A Bibliographical Catalogue of Italian Books Printed in England 1558-1603, this volume provides the data for the succeeding 40 years (during the reign of King James I and Charles I) and contributes to the study of Anglo-Italian relations in literature through entries on 187 Italian books (335 editions) printed in England. The Catalogue starts with the books published immediately after the death of Queen Elizabeth I on 24 March 1603, and ends in 1642 with the closing of English theatres. It also contains 45 Elizabethan books (75 editions), which did not feature in the previous volume. Formatted along the lines of Mary Augusta Scott's Elizabethan Translations from the Italian (1916), and adopting Philip Gaskell's scientific method of bibliographical description, this volume provides reliable and comprehensive information about books and their publication, viewed in a general perspective of Anglo-Italian transactions in Jacobean and part of Caroline England.

A Guide to Early Printed Books and Manuscripts provides an introduction to the language and concepts employed in bibliographical studies and textual scholarship as they pertain to early modern manuscripts and printed texts Winner, Honourable Mention for Literature, Language and Linguistics, American Publishers Prose Awards, 2010 Based almost exclusively on new primary research Explains the complex process of viewing documents as artefacts, showing readers how to describe documents properly and how to read their physical properties Demonstrates how to use the information gleaned as a tool for studying the transmission of literary documents Makes clear why such matters are important and the purposes to which such information is put Features illustrations that are carefully chosen for their unfamiliarity in order to keep the discussion fresh

This book is the second in a continuing series of publications listing and identifying all illustrations contained in English manuscripts from the time of Chaucer to Henry VIII. This was a prolific period in the history of English book production, and the range of subject-matter illustrated is of significance of all historians, whether of art, religion, costume, natural science, and above all social custom. The manuscripts in the Bodleian Library, Oxford, are the first to be catalogued. These are listed here in alphabetical order of the Library's collections, and the present volume deals with all the imagery in collections Dodsworth to Marshall. A third volume will complete all material found in the Bodleian Library. The catalogue is introduced by a helpful User's Guide which explains the basis for research and the categories of subject-matter adopted by the editors. Entries are numbered consecutively for ease of reference, and every illustration is noted, from full-page narrative miniatures and historiated initials to king's heads, marginalia and nota bene signs.

Contains the full texts of Cardinal Francesco Gonzaga's will and the post-mortem inventory of his possessions (1483), together with related correspondence. This book analyzes these texts and provides background information about the man himself and his collections.

A checklist of the Horblit collection of books, tracts, leaflets, and broadsides printed by Sir Thomas Phillipps at his press at Middle Hill, or elsewhere to his order, now in the collection of the Grolier Club. Published to accompany The Collector Collected: The Horblit Archive of Sir Thomas Phillipps at the Grolier Club, held at the Club May 20 - July 31, 1997. Designed by Jerry Kelly, and printed at the Stinehour Press in an edition of 550 copies.

2017 The Association for the Studies of the Present Book Prize Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions. In 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies-including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants-alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.

Following the success of Star Wars (1977) and The Empire Strikes Back (1980), Topps released two brand-new sets of collectable trading cards in 1983 to coincide with Return of the Jedi, the final installment of George Lucas's original Star Wars trilogy. Now, for the first time, all 220 cards and 55 stickers are reprinted in one deluxe volume. As with the previous books in the Topps series, this collection features the fronts and backs of each card, including character profiles, story cards, movie facts, quotes, trivia and puzzles featuring all of your favourite scenes from Return of the Jedi. Also included is the Space Paintings subset featuring production illustrations by concept artist Ralph McQuarrie, four bonus trading cards, rare promotional images and an introduction and commentary by Gary Gerani, the original editor of the Star Wars Topps series.

When does a book that is merely old become a rarity and an object of desire? David McKitterick examines, for the first time, the development of the idea of rare books, and why they matter. Studying examples from across Europe, he explores how this idea took shape in the sixteenth and seventeenth centuries, and how collectors, the book trade and libraries gradually came together to identify canons that often remain the same today. In a world that many people found to be over-supplied with books, the invention of rare books was a process of selection. As books are one of the principal means of memory, this process also created particular kinds of remembering. Taking a European perspective, McKitterick looks at these interests as they developed from being matters of largely private concern and curiosity, to the larger public and national responsibilities of the first half of the nineteenth century.

In the less than eight decades since Superman's debut in 1938, comic book superheroes have become an indispensible part of American society and the nation's dominant mythology. They quickly expanded from their sequential art origins to become a part of nearly every portion of society, from film and television to art and academia. They represent America's hopes, dreams, fears, and needs and have become ingrained in the nation's social and cultural fabric. As a form of popular literature, superhero narratives have closely mirrored and molded social trends and changes, influencing and reflecting political, social, and cultural events. This study provides a decade by decade chronicle of American history from 1938 to 2010 through the lens of superhero comics, revealing the spandex-clad guardians to be not only fictional characters but barometers of the place and time in which they reside.

Literary archives differ from most other types of archival papers in that their locations are more diverse and difficult to predict. Acquiring institutions for literary papers have historically had very little by way of collecting policies and consequently the collecting of literary papers has often been opportunistic and serendipitous. The essays collected in this book all derive or continue from the recent work of the Diasporic Literary Archives Network, which takes a comparative, transnational and internationalist approach to studying literary manuscripts, their uses and their significance. The focus on diaspora provides a philosophical framework which gives a highly original set of points of reference for the study of literary archives, including concepts such as the natural home, the appropriate location, exile, dissidence, fugitive existence, cultural hegemony, patrimony, heritage, and economic migration.

This is the first Dictionary of English Manuscript Terminology ever to be published. Dealing with the subject of documentation - which affects everyone's lives (from every-day letters, notes, and shopping lists to far-reaching legal instruments, if not autograph literary masterpieces) - Peter Beal defines, in a lively and accessible style, some 1,500 terms relating to manuscripts and their production and use in Britain from 1450 to the present day. The entries, which range in length from one line to nearly a hundred lines each, cover terms defining types of manuscript, their physical features and materials, writing implements, writing surfaces, scribes and other writing agents, scripts, postal markings, and seals, as well as subjects relating to literature, bibliography, archives, palaeography, the editing and printing of manuscripts, dating, conservation, and such fields as cartography, commerce, heraldry, law, and military and naval matters. The book includes 96 illustrations showing many of the features described.

Our second volume begins with "Peanuts' third full year and a cast of eight: Charlie Brown, Shermy, Patty, Violet, Schroeder, Lucy, the recently born Linus, and Snoopy. By the end of 1954, this will have expanded to nine. Linus still doesn't speak (except, on a few occasions, to himself), but Schulz begins laying the foundation for his emergence as the most complex and arguably most endearing character in the strip: garrulous and inquisitive, yet gentle and tolerant. And he evens acquires his "security blanket" in this volume! Meanwhile, Lucy, an infant just a year ago, has forcefully elbowed herself to the front of the cast, proudly wearing her banner as a troublemaker or, in Schulz's memorable phrase, "fussbudget," The strong, specific relationships she sets up with each character further contributes to making her central to the strip. (She has earned her cover status on this volume.) Charlie Brown is clearly in transition. Although his eventual, best-known persona (the lovable, perpetually humiliated round-headed loser) is in evidence in many strips, his brasher, more prankish side as seen in the previous volume (foreshadowing Bill Watterson's future Calvin) shows up, too. This period's significant new character is Pigpen, who would remain one of the main cast members throughout the decade. And then there's Snoopy. To readers unfamiliar with the early days of the strip, Snoopy's appearances here will no doubt come as the biggest surprise. Although Snoopy has started thinking to himself, he does no imitations (except for one brief shark impression), he doesn't sleep atop his doghouse (much less type or fly a Sopwith Camel), and has no fantasy life--in fact, he doesn't even walkupright! But as we know, he is merely biding his time, and his evolution continues its fascinating course within these pages. This book collects 730 daily and Sunday comic strips, the vast majority of which are not currently available in any in-print "Peanuts collection, and over one hundred of which have never been reprinted since their initial appearance in papers over 50 years ago. "The Complete Peanuts is produced in full cooperation with United Media, Charles M. Schulz Creative Associates, and Mr. Schulz's widow, lean Schulz. Each volume in the series presents two years of strips along with supplementary material in a three-tier page format that accommodates three dailies or one Sunday strip per page. Award-winning graphic novelist Seth is designing the series so that each individual book is sharply recognizable and yet clearly part of a consistent series. Using archival-quality syndicate proofs for virtually every strip in its history, the series boasts the best-looking, crispest reproduction for a classic comic strip ever achieved. "Peanuts is the most successful comic strip in the history of the medium as well as one of the most acclaimed strips ever published. Charles Schulz's characters have become American icons. "A Charlie Brown Christmas is as much an annual holiday ritual for families as "It's A Wonderful life. A United Media poll in 2002 found "Peanuts to be one of the most recognizable cartoon properties in the world, recognized by 94 percent of the total U.S. consumer market and a close second only to Mickey Mouse (96 percent), and higher than other familiar cartoon properties like Spider-Man (75 percent) or the Simpsons (87 percent). In "T.V. Guide's "Top 50 GreatestCartoon Characters of All-Time" list, Charlie Brown and Snoopy ranked #8.

In Praise of Scribes is a major contribution to the field of manuscript studies in the late sixteenth and seventeenth centuries. This profusely illustrated book argues for the significant role played by clerks and scriveners both in contemporary society and in the transmissional history of literary texts. Specific case studies are offered of a remarkably industrious contributor to the ferment of ideas leading to the Civil War (the so-called 'Feathery Scribe'), as well as of the notorious 'Captain' Robert Julian in the Restoration period. Other case studies exemplify the wide-ranging empirical use which is to be made of material texts, and shed new light on works by Sir Philip Sidney, John Donne, and Katherine Philips, writers who flourished in a manuscript culture. The book explores questions about the nature of that culture vis a vis print culture, about constructions of authorship, and about the complex nature of texts themselves in an evolving society and changing readership.

This innovative study investigates the reception of medieval manuscripts over a long century, 1470-1585, spanning the reigns of Edward IV to Elizabeth I. Members of the Tudor gentry family who owned these manuscripts had properties in Willesden and professional affiliations in London. These men marked the leaves of their books with signs of use, allowing their engagement with the texts contained there to be reconstructed. Through detailed research, Margaret Connolly reveals the various uses of these old books: as a repository for family records; as a place to preserve other texts of a favourite or important nature; as a source of practical information for the household; and as a professional manual for the practising lawyer. Investigation of these family-owned books reveals an unexpectedly strong interest in works of the past, and the continuing intellectual and domestic importance of medieval manuscripts in an age of print.

Learn when to hold 'em and when to fold 'em with Card Night, a collection of 52 classic card games, including rules and strategies. Featuring step-by-step, illustrated instructions, and two indexes that organize each game by difficulty and number of players needed, Card Night includes directions for playing all the most popular card games, including Hearts and Bridge, Rummy and Go Fish. In addition to providing the rules of standard game play, Card Night also details the fascinating stories and peculiarities behind some of the world's most famous card decks, some of which were used as currency, tools for propaganda, and even as a means for sending coded messages. Offering one game for each week of the year, Card Night is the go-to companion for weekly game nights, long car rides, and rainy days spent at home. Wow your friends and family with your game playing prowess and keep them entertained with fascinating details from playing card history.

Includes full descriptions of over 100 items on show at the Grolier Club, January 26-March 10, 2006. Designed by Jerry Kelly, and printed in an edition of 525 copies.