There's far more to vintage football programmes than optimistic manager's notes, unreliable teamsheets and grudging opposition 'pen pictures'. Before the era of the standardised corporate brochure, every club's programme had a different, unique personality, and played its part in the precious ritual of going to the match. Last weekend's action shots provided a foretaste of the excitement; the A-Z scoresheet provided a live lookout on the rest of the League, while 'At Home With - ' provided a peephole into a star's domestic life. Remember the allure of the Souvenir Shop ads? Football League Review centrespreads? 'Girl of the Match'? From the 'ground picture' cover era through the 'groovy' and 'colour action' phases to the dawn of clipart, programmes from our nostalgic 60s-90s Golden Age amount to a (slightly crumpled) pocket history of graphic design. Packed with pictures and memories, Fully Programmed offers an irresistible window back into more innocent times.

Catalogue of a Grolier Club exhibition of key works in Scottish literature, held December 15, 1992 - February 20, 1993. Designed by Jerry Kelly, printed at the Stinehour Press in an edition of 1000 copies.

Little is known about William Clarke, the author of this 1819 survey of libraries in Britain, though hints in the opening pages suggest that he was acquainted with the activities of the Roxburghe Club. His object is 'to assist ... the collector in his pursuit of valuable editions of rare books'. A short survey of the major libraries of Europe is followed by descriptions of the collections which make up the British Museum's library, the great 'public' libraries, including those of Oxford and Cambridge, and the libraries of learned societies. Private libraries covered include those of Sir Joseph Banks, William Beckford, and the duke of Marlborough. The final portion of the work describes the content of some great library sales (a fuller list of sales having been given earlier in the book), from the seventeenth century to Clarke's own time. This remains a useful source for bibliographers and those interested in the provenance of books.

A century of Alpine postcards from the Isola Press archive, VINTAGE ALPINE POSTCARDS celebrates Europe's great mountain range. These dispatches from the Alps take us from men in bowler hats with stout ropes nonchalantly crawling over crevasses, through the gilded age of grand hotels and sleigh rides, to the modernist concrete infrastructure of mountaintop restaurants and cable-car stations. They frame the changing way we've experienced landscape and leisure over more than a hundred years - from the intrepid to the banal, sublime to ridculous and brutalist to kitsch. But postcards travel through time as well as space, and they arrive with messages from our former selves. Underlying the Alpenkitsch is a serious examination of our relationship to nature and how we have used and abused the beauties of the natural world. And, like sun-burnished memories of holidays past, their sunlit scenes do not necessarily correspond to reality. Postcard makers have always used artifice to conjure fantastic spaces, worlds in which the sky is always blue, the pine trees resplendent and there is always plenty of fresh powder. Featuring great views, architecture, infrastructure Alpinism, hiking and snow sports, VINTAGE ALPINE POSTCARDS is perfect for skiers, hikers, cyclists and mountain lovers. These skaters, skiers, sledgers and St Bernards will surprise and delight mountain aficionados, transporting them to a high altitude holiday wherever they are.

Music, like books, has attracted collectors for centuries; but whereas book-collecting has been well served by innumerable scholarly monographs and studies, the history and techniques of music-collecting have been largely ignored. In choosing British music collectors as the subject of his Sandars lectures, Mr King did much to redress this neglect; and here, in this 1963 volume, these lectures form the first book on the subject in any language. In the course of four lectures Mr King describes the interests and activities of nearly two hundred collectors. He gives details of the rare or interesting items owned by each, and in doing so says something of the character and purpose of collecting in different periods. His researches into the transmission and location of manuscripts and rare printed items carry us through an absorbing range of musical topics, and reveal a remarkable breadth of taste and interest among amateur collectors.

Paper Jewels is the story of postcards during the Raj, and covers India, Pakistan, Sri Lanka and Burma. It is the first book on the subject and contains some of the most beautiful and popular postcards telling the stories of the first postcard publishers between 1892 and 1947. The essays cover the major cities and regions important to postcard publishing and the key themes-from dancers to religion, to tea, soap, famines, fakirs, humour and warfare. The volume uncovers such gems as the early postcards of the great Indian painter M V Dhurandhar and the Ravi Varma Press, the exceptional work of an early Austrian lithographer in Kolkata and a German one in Mumbai. Many of the images in the book have never been published since their first runs a century ago.

The Byzantines used imagery to communicate a wide range of issues. In the context of Iconoclasm - the debate about the legitimacy of religious art conducted between c. AD 730 and 843 - Byzantine authors themselves claimed that visual images could express certain ideas better than words. Vision and Meaning in Ninth-Century Byzantium deals with how such visual communication worked and examines the types of messages that pictures could convey in the aftermath of Iconoclasm. Its focus is on a deluxe manuscript commissioned around 880, a copy of the fourth-century sermons of the Cappadocian church father Gregory of Nazianzus which presented to the Emperor Basil I, founder of the Macedonian dynasty, by one of the greatest scholars Byzantium ever produced, the patriarch Photios. The manuscript was lavishly decorated with gilded initials, elaborate headpieces and a full-page miniature before each of Gregory's sermons. Forty-six of these, including over 200 distinct scenes, survive. Fewer than half however were directly inspired by the homily that they accompany. Instead most function as commentaries on the ninth-century court and carefully deconstructed both provide us with information not available from preserved written sources and perhaps more important show us how visual images communicate differently from words.

Contributions by Jani L. Barker, Rudine Sims Bishop, Julia S. Charles-Linen, Paige Gray, Dianne Johnson-Feelings, Jonda C. McNair, Sara C. VanderHaagen, and Michelle Taylor Watts The Brownies' Book occupies a special place in the history of African American children's literature. Informally the children's counterpart to the NAACP's The Crisis magazine, it was one of the first periodicals created primarily for Black youth. Several of the objectives the creators delineated in 1919 when announcing the arrival of the publication-"To make them familiar with the history and achievements of the Negro race" and "To make colored children realize that being 'colored' is a beautiful, normal thing"-still resonate with contemporary creators, readers, and scholars of African American children's literature. The meticulously researched essays in A Centennial Celebration of "The Brownies' Book" get to the heart of The Brownies' Book "project" using critical approaches both varied and illuminating. Contributors to the volume explore the underappreciated role of Jessie Redmon Fauset in creating The Brownies' Book and in the cultural life of Black America; describe the young people who immersed themselves in the pages of the periodical; focus on the role of Black heroes and heroines; address The Brownies' Book in the context of critical literacy theory; and place The Brownies' Book within the context of Black futurity and justice. Bookending the essays are, reprinted in full, the first and last issues of the magazine. A Centennial Celebration of "The Brownies' Book" illuminates the many ways in which the magazine-simultaneously beautiful, complicated, problematic, and inspiring-remains worthy of attention well into this century.

This is the first Dictionary of English Manuscript Terminology ever to be published. Dealing with the subject of documentation - which affects everyone's lives (from every-day letters, notes, and shopping lists to far-reaching legal instruments, if not autograph literary masterpieces) - Peter Beal defines, in a lively and accessible style, some 1,500 terms relating to manuscripts and their production and use in Britain from 1450 to the present day. The entries, which range in length from one line to nearly a hundred lines each, cover terms defining types of manuscript, their physical features and materials, writing implements, writing surfaces, scribes and other writing agents, scripts, postal markings, and seals, as well as subjects relating to literature, bibliography, archives, palaeography, the editing and printing of manuscripts, dating, conservation, and such fields as cartography, commerce, heraldry, law, and military and naval matters. The book includes 96 illustrations showing many of the features described.

Most of the everyday writing from the ancient world--that is, informal writing not intended for a long life or wide public distribution--has perished. Reinterpreting the silences and blanks of the historical record, leading papyrologist Roger S. Bagnall convincingly argues, however, that ordinary people--from Britain to Egypt to Afghanistan--used writing in their daily lives far more extensively than has been recognized. Marshalling new and little-known evidence, including remarkable graffiti recently discovered in Smyrna, Bagnall presents a fascinating analysis of writing in different segments of society. His book offers a new picture of literacy in the ancient world in which Aramaic rivals Greek and Latin as a great international language, and in which many other local languages develop means of written expression alongside these metropolitan tongues.

This book reappraises the work of early-seventeenth-century collectors of English Renaissance poetry in manuscript. The verse miscellanies, or poetry anthologies, of these collectors have long attracted the attention of literary editors looking for texts by individual, major authors, and they have more recently interested historians for their poems on affairs of state, called verse libels. By contrast, this book investigates the relationships that the compilers of miscellanies established between such presumably literary and political texts. It focuses on two of the most popular, and least printable, literary genres that they collected: libels, and anti-courtly love poetry, a literary mode that the collectors of John Donne's poems played a major role in establishing. They made Donne the most popular poet in manuscripts of the period, and they demonstrated a special affinity for his most erotic or obscene poems, such as 'To his Mistress going to bed' and 'The Anagram'.
Donne collectors also exhibited the similarities between these Ovidian love elegies and the sexually explicit or counter-Petrarchan verse of other authors, thereby organizing a literary genre opposed to the conventions of courtly love lyrics. Furthermore, collectors politicized this genre by relating examples of it to libels. In so doing, manuscript verse collectors demonstrated a type of literary and political activity distinct from that of authors, stationers, and readers. Based on a thorough investigation of manuscript verse miscellanies, the book appeals to scholars and students of early modern English literature and history, Donne studies, manuscript studies, and the history of the book.

The cardinal role of Anglo-Saxon libraries in the transmission of classical and patristic literature to the later middle ages has long been recognized, for these libraries sustained the researches of those English scholars whose writings determined the curriculum of medieval schools: Aldhelm, Bede, and Alcuin, to name only the best known. Yet this is the first full-length account of the nature and holdings of Anglo-Saxon libraries from the sixth century to the eleventh.
The early chapters discuss libraries in antiquity, notably at Alexandria and republican and imperial Rome, and also the Christian libraries of late antiquity which supplied books to Anglo-Saxon England. Because Anglo-Saxon libraries themselves have almost completely vanished, three classes of evidence need to be combined in order to form a detailed impression of their holdings: surviving inventories, surviving manuscripts, and citations of classical and patristic works by Anglo-Saxon authors themselves.
After setting out the problems entailed in using such evidence, the book provides appendices containing editions of all surviving Anglo-Saxon inventories, lists of all Anglo-Saxon manuscripts exported to continental libraries during the eighth century and then all manuscripts re-imported into England in the tenth, as well as a catalogue of all citations of classical and patristic literature by Anglo-Saxon authors.
A comprehensive index, arranged alphabetically by author, combines these various classes of evidence so that the reader can see at a glance what books were known where and by whom in Anglo-Saxon England. The book thus provides, within a single volume, a vast amount of information on the books andlearning of the schools which determined the course of medieval literary culture.

Miniature books, handwritten or printed books in the smallest format, have fascinated religious people, printers, publishers, collectors, and others through the centuries because of their unique physical features, and continue to captivate people today. The small lettering and the delicate pages, binding, and covers highlight the material form of texts and invite sensory engagement and appreciation. This volume addresses miniature books with a special focus on religious books in Jewish, Christian, Muslim, Hindu and Buddhist traditions. The book presents various empirical contexts for how the smallest books have been produced, distributed, and used in different times and cultures and also provides theoretical reflections and comments that discuss the divergent formats and functions of books.

This book reconstructs and studies the music, liturgy, and illustrations of a twelfth-century manuscript from the Austrian monastery in Lambach. The manuscript was taken apart in the fifteenth century and subsequently sold to various collectors in the twentieth century. The pages are here brought together (albeit photographically) for the first time since the original manuscript was dismantled five centuries ago. The book includes a black-and-white facsimile of the recovered portion of the manuscript. Charts and tables are used to demonstrate how it compares to other twelfth-century liturgical manuscripts.

Catalogue of the landmark exhibition at the Grolier Club, September 20-November 23, 1994. On show were over 100 books, manuscripts, and images chronicling the evolution of medical knowledge, from antiquity to the invention of the CAT scan. Included were original editions of Andreas Vesalius, William Harvey, Edward Jenner, and Alexander Fleming, among others. The catalogue traces the dissemination of formative medical discoveries from the ancient world to the present, from the writings of Hippocrates to those of James Watson and Francis Crick. It is the latest in a series of milestone "Grolier One Hundred" catalogues which delineate a limited number of consequential publications in a particular field shown in special Club exhibitions over the last century--a successor to One Hundred Books Famous in English Literature (1902), One Hundred Influential American Books (1947), and One Hundred Books Famous in Science (1958). Described in full bibliographical detail are notable and, in many cases, unique copies--dedication copies, those bound by eminent bookbinders, those with uncommon illustrations, and those once owned by well-known physicians, scien-tists, or bibliophiles. Written by experts in the history of medicine, the catalogue was edited by Hope Mayo under the direction of Haskell F. Norman, M.D., the curator of the exhibition, whose own celebrated library of science and medicine was sold at auction in 2000. Designed by Jerry Kelly, printed at the Stinehour Press.

Between the Lines: Early Advertising in Singapore welcomes us to the rush world of early print advertising in Singapore. This comprehensive pictorial collection not only gives us a vivid overview of two centuries' worth of advertising copy and artwork but also acts as a fascinating insight into the shifting social dynamics of Singapore as the nation underwent fundamental change. The book is composed of eight sections, with each taking a deep dive into the advertising of a particular product or service, including hospitality, entertainment, fashion, household and travel. Readers can see how icons like Raffles Hotel and the Adelphi were promoted to discerning travellers of the 1930s, or how postwar homemakers were first targeted by ads for newfangled gadgets like refrigerators and vacuum cleaners. The more than 400 ad images are complemented by insightful commentaries that provide valuable context to the campaigns, helping us understand the minds of both advertiser and consumer, which, by extension, opens a window to the social conditions of Singapore.

The cardinal role of Anglo-Saxon libraries in the transmission of classical and patristic literature to the later middle ages has long been recognized, for these libraries sustained the researches of those English scholars whose writings determined the curriculum of medieval schools: Aldhelm, Bede, and Alcuin, to name only the best known. Yet this is the first full-length account of the nature and holdings of Anglo-Saxon libraries from the sixth century to the eleventh.
The early chapters discuss libraries in antiquity, notably at Alexandria and republican and imperial Rome, and also the Christian libraries of late antiquity which supplied books to Anglo-Saxon England. Because Anglo-Saxon libraries themselves have almost completely vanished, three classes of evidence need to be combined in order to form a detailed impression of their holdings: surviving inventories, surviving manuscripts, and citations of classical and patristic works by Anglo-Saxon authors themselves.
After setting out the problems entailed in using such evidence, the book is provided with appendices containing editions of all surviving Anglo-Saxon inventories, lists of all Anglo-Saxon manuscripts exported to continental libraries during the eighth century and then all manuscripts re-imported into England in the tenth, as well as a catalogue of all citations of classical and patristic literature by Anglo-Saxon authors.
A comprehensive index, arranged alphabetically by author, combines these various classes of evidence so that the reader can see at a glance what books were known where and by whom in Anglo-Saxon England. The book thus provides, within a single volume, a vast amount of information on thebooks and learning of the schools which determined the course of medieval literary culture.

This book studies and compares two sixteenth-century libraries. Jean Grolier's was a bibliophilic "cabinet" of fine books. Hurtado de Mendoza's was a much larger and more scholarly collection; a full Catalogue is provided for the first time. Books commissioned by Jean Grolier, "the Prince of Bibliophiles", have long been famous. Hurtado de Mendoza was a poet and historian, a Greek scholar and Arabist. This book contains valuable information on Grolier and Hurtado de Mendoza's work, including catalogues, lists of bindings and indexes of printers, publishers, editors, commentators and translators.

This book centers on the copy of the Homilies of Gregory of Nazianzus produced in Constantinople around 880 for the emperor Basil I as a gift from the patriarch Photios. The manuscript includes forty-six full page miniatures, most of which do not directly illustrate the text they accompany, but instead provide a visual commentary. Vision and Meaning in Ninth-Century Byzantium deals with how such communication worked, and examines the types of messages that pictures could convey in ninth-century Byzantium.

2017 The Association for the Studies of the Present Book Prize Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions. In 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies-including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants-alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.

Clement of Alexandria (ca A.D. 150-215) is one of the leading Church Fathers and the first Christian philosopher. His early "Protrepticus" is of great significance for Patristics, Classical scholarship, Greek philosophy and religion. The treatise is preserved virtually in a single manuscript --the famous Codex Arethae, Parisinus graecus 451, copied in 913-914, -- which proves to be lacunose, corrupt, interpolated and dislocated. The only critical edition of the "Protrepticus" was prepared back in 1905 by Otto Stahlin (G.C.S., Volume 12). The present edition is based on a thorough in-depth study of the Parisinus, on the inclusion of the entire opus of Clement, on an extended and updated "Quellenforschung," and finally, on a more sensitive approach to meaning and textual criticism. The edition includes the "Scholia,"

The encyclopedic compilation Liber Floridus, created by the Flemish canon Lambert of Saint-Omer in the early twelfth century, survives not only in the form of his famous autograph, but also in a considerable number of later manuscripts which transformed the knowledge assembled by him and which became starting points for new appraisals of their texts and images. Shaping Knowledge examines the processes which determined this transfer over the centuries and evaluates the specific achievements of the different generations of scribes and illuminators. Taking account of the full range of manuscripts which transmit material from the Liber Floridus and focusing in more detail on three of them - now in the Herzog August Bibliothek in Wolfenbuttel, in the Universiteitsbibliotheek Leiden and in the Abdijarchief of Tongerlo - it shows that the makers of these manuscripts did not merely select and copy material from the Liber Floridus, but also organized images and texts in new ways, sought out different exemplars for them and embarked on compilatory activities of their own. These relationships at the textual, visual and conceptual levels are lenses through which we can observe the networks subsisting among the manuscripts linked to the Liber Floridus and the much broader group of encyclopedic compilations to which they belong. Sixteen colour plates and one hundred black-and-white figures document the role of the visual and material dimensions of the manuscripts in the processes of transmission.

With meticulous care, Judith G. Raymo presents an impressive array of Sylvia Plath's published and personal writings. As Raymo notes in her insightful introduction, Plath's journals, when read in tandem with her correspondence to her mother, friends, and family "provide us with an abundant record of a writer's interior and private life and its many turning points." Expanding on an exhibition held at the Grolier Club, this catalogue includes an essay by Plath's award-winning biographer Heather Clark.