All human beings encounter loss and death, as well as the grief associated with these experiences. It is therefore important for children and adolescents to understand that such events are inevitable and to learn how to accept loss and cope with their emotions. In order to help children through their pain, parents and caregivers need access to the proper resources that will help them discuss these topics, and educational professionals need reliable resources for creating courses of study on these subjects. In Death, Loss, and Grief in Literature for Youth, Alice Crosetto and Rajinder Garcha identify hundreds of resources that will help educators, professionals, parents, siblings, guardians, and students learn about coping with the loss of a loved one and the grief process. These resources include books, Internet sites, and media titles aimed at students and those helping them through the grieving process. Chapters in this volume include fiction and non-fiction titles about the loss of a family member, a friend, and a pet, as well as general reference resources, curricular resources, and websites. Annotations provide complete bibliographical descriptions of the entries, and each entry is identified with the grade levels for which it is best suited. Reviews from recognized publications are also included wherever possible. Anyone interested in locating helpful resources regarding death and grieving will find much of value in this essential tool.

This book features a cutting edge approach to the study of film adaptations of literature for children and young people, and the narratives about childhood those adaptations enact. Historically, film media has always had a partiality for the adaptation of 'classic' literary texts for children. As economic and cultural commodities, McCallum points out how such screen adaptations play a crucial role in the cultural reproduction and transformation of childhood and youth, and indeed are a rich resource for the examination of changing cultural values and ideologies, particularly around contested narratives of childhood. The chapters examine various representations of childhood: as shifting states of innocence and wildness, liminality, marginalisation and invisibility. The book focuses on a range of literary and film genres, from 'classic' texts, to experimental, carnivalesque, magical realist, and cross-cultural texts.

Young adult literature featuring LGBTQ characters is booming. In the 1980s and 1990s, only a handful of such titles were published every year. Recently, these numbers have soared to over one hundred annual releases. Queer characters are also appearing more frequently in film, on television, and in video games. This explosion of queer representation, however, has prompted new forms of longstanding cultural anxieties about adolescent sexuality. What makes for a good "coming out" story? Will increased queer representation in young people's media teach adolescents the right lessons and help queer teens live better, happier lives? What if these stories harm young people instead of helping them? In Queer Anxieties of Young Adult Literature and Culture, Derritt Mason considers these questions through a range of popular media, including an assortment of young adult books; Caper in the Castro, the first-ever queer video game; online fan communities; and popular television series Glee and Big Mouth. Mason argues themes that generate the most anxiety about adolescent culture - queer visibility, risk taking, HIV/AIDS, dystopia and horror, and the promise that "It Gets Better" and the threat that it might not - challenge us to rethink how we read and engage with young people's media. Instead of imagining queer young adult literature as a subgenre defined by its visibly queer characters, Mason proposes that we see "queer YA" as a body of transmedia texts with blurry boundaries, one that coheres around affect - specifically, anxiety - instead of content.

Young adults often struggle with confusion or guilt because they perceive themselves as different from others, especially their peers. For some of these individuals, the arts can help them cope with adolescent turmoil, allowing them to express their emotions in poems, stories, painting, songs, and other creative outlets. Sensitive teachers and parents know how important it is for young people to realize that they are not alone in their quest for self-knowledge and finding their way in the world. It can make a difference when readers find something in a book that helps them understand more about who they are and helps them understand others. In Portrait of the Artist as a Young Adult: The Arts in Young Adult Literature, Lois Thomas Stover and Connie S. Zitlow examine books in which the coming-of-age for young adults is influenced by the arts. Stover and Zitlow consider the connection between the arts and a young person s developing sense of self, the use of art to cope with loss and grief, and how young adults can use art to foster catharsis and healing. The young people in these books either identify as artists or use the arts in intentional ways to explore their identities. They often have artistic gifts that make them stand outside the norms of teenage life, yet those gifts also help them find a sense of community. Artists considered in this book include painters, photographers, sculptors, actors, directors, choreographers, dancers, composers, musicians, graffiti artists, and others. The books discussed also explore the ways adults can nurture the artist s development and understand the way young people sometimes use the arts to form their unique identity. Included is an annotated bibliography organized by art discipline, as well as an appendix about using the arts pedagogically, making Portrait of the Artist as a Young Adult a valuable resource for educators, parents, librarians, and young adults."

This collection of essays explores the remarkable range and cultural significance of the engagement with 'infancy' during the Romantic period. Taking its point of departure in the commonplace claim that the Romantics invented childhood, the book traces that engagement across national boundaries, in the visual arts, in works of educational theory and natural philosophy, and in both fiction and non-fiction written for children. Essays authored by scholars from a range of national and disciplinary backgrounds reveal how Romantic-period representations of and for children constitute sites of complex discursive interaction, where ostensibly unrelated areas of enquiry are brought together through common tropes and topoi associated with infancy. Broadly new-historicist in approach, but drawing also on influential theoretical descriptions of genre, discipline, mediation, cultural exchange, and comparative methodologies, the collection also seeks to rethink the idea of a clear-cut dichotomy between Enlightenment and Romantic conceptions of infancy.

This book demonstrates how the roles of "author," "marketer," and "reviewer" are being redefined, as online environments enable new means for young adults to participate in the books they love. Prior to the expansion of digital technologies around reading, teachers, parents and librarians were the primary gatekeepers responsible for getting books into the hands of young people. Now publishers can create disintermediated digital enclosures in which they can communicate directly with their reading audience. This book exposes how teens contribute their immaterial and affective labor as they engage in participatory reading experiences via publishers' and authors' interactive websites and use of social media, and how in turn publishers are able to use such labor as they get invaluable market research, peer-to-peer recommendations, and even content which can be used in other projects all virtually free-of-charge.

This book analyzes American Indian characters and themes in young adult literature, outlining plots and evaluating content from a native perspective. Teachers, librarians, parents, and young adult readers will find essential analytical information about a cross-section of literature with American Indian protagonists, narratives, and settings. Reviews of young adult publications with American Indian themes are also examined, demonstrating how too many reviewers reinforce, and even honor, stereotypical works. Divided into three sections centering on a range of fiction and nonfiction featuring richly diverse tribal groups across a variety of settings and time periods, the book begins with contemporary selections, examining young adult fiction by non-Indian authors as well as a growing number of native authors. The next section is devoted to historical fiction, the most popular American Indian-themed novels for young adults. The last section examines nonfiction work, including memoirs, biographies, autobiographies, and poetry. A rich bibliography leads readers to other resources.

Democracy in Picturebooks from Sweden and the United States, 2000-2020 explores democracy-themed picturebooks written for children between the ages of three and ten. With multiple analyses of picturebooks throughout the twenty-first century, the authors illustrate how picturebooks can play a vital role in the development of children's perceptions about the different principles of democracy. From a holistic perspective, these books can be seen as the starting point for socializing children who will come to lead and participate in democratic societies themselves. The multi-pronged approach in this research introduces: (a) concepts underlying the role of picturebooks in familiarizing children with concepts about democracy, (b) research methods for picturebook analyses, (c) exploration of specific exemplar picturebooks that address democratic principles, (d) how picturebooks link democracy with human qualities, (e) utilizing democracy-themed picturebooks in the home and the school. This project holds the promise of promoting meaningful instruction of democracy through the use of picturebooks.

Mixed-heritage people are one of the fastest-growing groups in the United States, yet culturally they have been largely invisible, especially in young adult literature. Mixed Heritage in Young Adult Literature is a critical exploration of how mixed-heritage characters (those of mixed race, ethnicity, religion, and/or adoption) and real-life people have been portrayed in young adult fiction and nonfiction. This is the first in-depth, broad-scope critical exploration of this subgenre of multicultural literature. Following an introduction to the topic, author Nancy Thalia Reynolds examines the portrayal of mixed-heritage characters in literary classics by James Fenimore Cooper, Mark Twain, and Zora Neale Hurston staples of today's high school English curriculum along with other important authors. It opens up the discussion of young-adult racial and ethnic identity in literature to recognize and focus on those whose heritage straddles boundaries. In this book teachers will find new tools to approach race, ethnicity, and family heritage in literature and in the classroom. This book also helps librarians find new criteria with which to evaluate young adult fiction and nonfiction with mixed-heritage characters."

When Harry Potter first boards the Hogwarts Express, he journeys to a world which Rowling says has alchemy as its "internal logic." The Philosopher's Stone, known for its power to transform base metals into gold and to give immortality to its maker, is the subject of the conflict between Harry and Voldemort in the first book of the series. But alchemy is not about money or eternal life, it is much more about the transformations of desire, of power and of people-through love. Harry's equally remarkable and ordinary power to love leads to his desire to find but not use the Philosopher's Stone at the start of the series and his wish to end the destructive power of the Elder Wand at the end. This collection of essays on alchemical symbolism and transformations in Rowling's series demonstrates how Harry's work with magical objects, people, and creatures transfigure desire, power, and identity. As Harry's leaden existence on Privet Drive is transformed in the company of his friends and teachers, the Harry Potter novels have transformed millions of readers, inspiring us to find the gold in our ordinary lives.

The purpose of the book is to emphasize the role of some women writers (who lived from 19th century to the present) who have devoted a large part of their editorial production to the field of children's literature. Specifically, the research aims at highlighting how the female contribution has modified the antiquated structures and categories used within the literature for childhood. These writers proposed in their books dissonant and divergent characters compared to the custom of having courageous boys and silent and submissive girls as protagonists. Finally, the pedagogical value of some topics that appear repeatedly in their works is emphasized in order to make them fully usable at an educational level. The chapters also offer a comparative look at some European realities thanks to the scientific contribution of researchers from various geographical and scientific areas such as Italy, Slovenia, Russia, Greece, Austria, Germany, Poland, Portugal, UK and USA.

The goal of the book is to investigate mediating practices used in translation of children's and young adults' fiction, focusing on transfer of contents considered controversial or unsuitable for young audiences. It shows how the macabre and cruelty, swear words and bioethical issues have been affected in translation across cultures and times. Analysing selected key texts from Grimms' tales and Hoffmann's Struwwelpeter to Roald Dahl's fiction, it shows that mediating approaches, sometimes infringing upon the integrity of source texts, are still part of contemporary translation practices. The volume includes contributions of renowned TS scholars and practitioners, working with a variety of approaches from descriptive translation studies and literary criticism to translation pedagogy and museum studies. "The angle of looking into the topics is fresh and acute and I whole-heartedly recommend the book for readers from scholars to parents and school-teachers, for all adults taking a special interest in and cherishing children and their literature". Riitta Oittinen, Tampere University, Finland

Die Beitrage des Bandes erkunden die Moeglichkeiten und Bedingungen kultureller Diversitat und Alteritatserfahrungen in der Kinder- und Jugendliteratur. Es wird der Frage nachgegangen, wie sich in kinderliterarischen Texten die Heranfuhrung an das Fremde vollzieht und kulturelle Vielfalt eingeubt wird, oder aber die Begegnung mit anderen Kulturen kanalisiert, instrumentalisiert und ideologisiert wird. Die Beitrage diskutieren Rezeptionsbarrieren aufgrund kultureller Asymmetrien und Tabu-Themen sowie Ideologisierung der Kinder- und Jugendliteratur. Eroertert werden Purifikationen in der UEbersetzung, Graphic Novels und illustrierte Kinderbucher im Kulturtransfer sowie der Status von Kinderliteratur zwischen National- und Weltliteratur.

First published in 1998, this volume explores how the genre of school stories had become firmly established by the turn of the twentieth century, having been built on the foundations laid by writers such as Thomas Hughes and F.W. Farrar. Stories for girls were also taking on a more exciting complexion, inspired by the 'Katy' books of Susan Coolidge. The first five decades of the twentieth century saw further developments in children's fiction. In this comprehensive volume, John and Jonathan Cooper examine each decade in turn, with alphabetically arranged entries on popular children's writers that published works in English during that period. 206 different authors are covered, many from the United States and Canada. Each entry provides information on the author's pseudonyms, date of birth, nationality, titles of works, place and date of publication and the publisher's name. The artist responsible for a book's illustrations is also identified where possible. With over 200 illustrations of cover designs and dustwrappers, many of which are now rare and have never before been published, this book will delight collectors, dealers, scholars, librarians, parents and all those who simply enjoy reading children's fiction.

Stories are told today through many formats and young interpreters bring multimedia experience to bear on every narrative format they encounter. In this book, twelve young people read a novel, watch a film and play a video game from beginning to end. Their responses inform a new framework of contemporary themes of narrative comprehension.

From Struwwelpeter to Peter Rabbit, from Alice to Bilbo-this collection of essays shows how the classics of children's literature have been transformed across languages, genres, and diverse media forms. This book argues that translation regularly involves transmediation-the telling of a story across media and vice versa-and that transmediation is a specific form of translation. Beyond the classic examples, the book also takes the reader on a worldwide tour, and examines, among other things, the role of Soviet science fiction in North Korea, the ethical uses of Lego Star Wars in a Brazilian context, and the history of Latin translation in children's literature. Bringing together scholars from more than a dozen countries and language backgrounds, these cross-disciplinary essays focus on regularly overlooked transmediation practices and terminology, such as book cover art, trans-sensory storytelling, ecart, enfreakment, foreignizing domestication, and intra-cultural transformation.

In the World Library of Educationalists series, international experts themselves compile career-long collections of what they judge to be their finest pieces - extracts from books, key articles, salient research findings, major theoretical and practical contributions - so the world can read them in a single manageable volume. Readers will be able to follow the themes and strands and see how their work contributes to the development of the field. This volume brings together articles, essays, poetry, and artwork from Jerome C. Harste's extensive career across the field of literacy studies. This book addresses his contributions to early literacy, reading comprehension, ways of knowing, inquiry-based education, and creating critical classrooms - among other topics - in his characteristically whimsical tone. Following the chronology of his career, each section of the book reflects an important theme of Harste's work and documents the impact of his contributions on the field. Combining his key articles with historical notes, fun facts, and professional tips, Harste tells stories about encounters with colleagues, and covers everything from seminars he developed and taught, the importance of collaboration, how his thinking and teaching have grown and evolved, ways his scholarship was enhanced through participation in professional organizations, as well as pithy words of advice for fellow scholars. The articles in this collection trace the development of a thought collective which Harste helped create and which continues to shape research and practice in the field of literacy education.

While we owe much to twentieth and twenty-first century researchers' careful studies of children's linguistic and dramatic play, authors of literature, especially children's literature, have matched and even anticipated these researchers in revealing play's power-authors well aware of the way children use play to experiment with their position in the world. This volume explores the work of authors of literature as well as film, both those who write for children and those who use children as their central characters, who explore the empowering and subversive potentials of children at play. Play gives children imaginative agency over limited lives and allows for experimentation with established social roles; play's disruptive potential also may prove dangerous not only for children but for the society that restricts them.

From Jo March of Little Women (1868) to Katniss Everdeen of The Hunger Games (2008), the American tomboy figure has evolved into an icon of modern girlhood and symbol of female empowerment. Battling Girlhood: Sympathy, Social Justice, and the Tomboy Figure in American Literature traces the development of the tomboy figure from its origins in nineteenth-century sentimental novels to twentieth- and twenty-first-century literature and film.

This book is designed to meet the needs of professionals working with children and their books. Intented for use as a reference book for library assistants and librarians, in children's libraries, school libraries, resource centres, and general reference libraries, it should also to provide sound information for trainee librarians, teachers and parents. The primary function of this book is to serve as a guide to the selection of books for children, recognising the vast range of books published and the individual rates of reading and social development of different children.The first section focuses on 'The Child: Growing and Knowing through Books', applying reading development theories of the 20th and 21st century to the selection of specific books and covering the characteristics of the various genres of children's literature, including the classics and award winners.There is also coverage of books for special situations and dilemmas and for children who are reluctant to read, along with a section on electronic formats.The second section focuses on 'The Professional: Knowing and Growing', providing ideas for book promotion within the children's library or school library and classroom.This section includes a contribution from Tricia Kings and covers the selection of books for children from ethnic groups communities through out the world.There are also ideas for books for fathers and sons to enjoy reading together.

Der 90. Geburtstag im Jahr 2019 hat Michael Ende (1929-1995) erneut in die OEffentlichkeit geruckt und auch die wissenschaftliche Auseinandersetzung mit seinem literarischen Schaffen beflugelt. In dessen Zentrum steht die Unendliche Geschichte (1979) mit ihrer Idee einer Rettung des mythologischen Menschheitserbes. Aufmerksamkeit erlangen auch Endes Erzahlbande allein fur Erwachsene mit ihrer Nahe zu Franz Kafka und Jorge Luis Borges. Beachtung findet ebenfalls das musikdramatische Schaffen und Endes Werkgemeinschaft mit dem Komponisten Wilfried Hiller. Dass Ende zu den weltweit rezipierten deutschen Schriftstellern gehoert, belegen elf Landerartikel, die einen Bogen von Japan uber die arabische Welt und Europa bis nach Brasilien schlagen.

'The Right Thing to Read': A History of Australian Girl-Readers, 1910-1960 explores the reading habits, identity, and construction of femininity of Australian girls aged between ten and fourteen from 1910 to 1960. It investigates changing notions of Australian girlhood across the period, and explores the ways that parents, teachers, educators, journalists and politicians attempted to mitigate concerns about girls' development through the promotion of 'healthy' literature. The book also addresses the influence of British publishers to Australian girl-readers and the growing importance of Australian publishers throughout the period. It considers the rise of Australian literary nationalism in the global context, and the increasing prominence of Australian literature in the period after the Second World War. It also shows how access to reading material improved for girls over the first half of the last century.