In this unprecedented introduction to Byzantine monasticism, based on the Conway Lectures she delivered at the University of Notre Dame in 2014, Alice-Mary Talbot surveys the various forms of monastic life in the Byzantine Empire between the ninth and fifteenth centuries. It includes chapters on male monastic communities (mostly cenobitic, but some idiorrhythmic in late Byzantium), nuns and nunneries, hermits and holy mountains, and a final chapter on alternative forms of monasticism, including recluses, stylites, wandering monks, holy fools, nuns disguised as monks, and unaffiliated monks and nuns. This original monograph does not attempt to be a history of Byzantine monasticism but rather emphasizes the multiplicity of ways in which Byzantine men and women could devote their lives to service to God, with an emphasis on the tension between the two basic modes of monastic life, cenobitic and eremitic. It stresses the individual character of each Byzantine monastic community in contrast to the monastic orders of the Western medieval world, and yet at the same time demonstrates that there were more connections between certain groups of monasteries than previously realized. The most original sections include an in-depth analysis of the challenges facing hermits in the wilderness, and special attention to enclosed monks (recluses) and urban monks and nuns who lived independently outside of monastic complexes. Throughout, Talbot highlights some of the distinctions between the monastic life of men and women, and makes comparisons of Byzantine monasticism with its Western medieval counterpart.

Ana de San Bartolome (1549-1626), a contemporary and close associate of St. Teresa of Avila, typifies the curious blend of religious activism and spiritual forcefulness that characterized the first generation of Discalced, or reformed Carmelites. Known for their austerity and ethics, their convents quickly spread throughout Spain and, under Ana's guidance, also to France and the Low Countries. Constantly embroiled in disputes with her male superiors, Ana quickly became the most vocal and visible of these mystical women and the most fearless of the guardians of the Carmelite Constitution, especially after Teresa's death.Her autobiography, clearly inseparable from her religious vocation, expresses the tensions and conflicts that often accompanied the lives of women whose relationship to the divine endowed them with an authority at odds with the temporary powers of church and state. Translated into English for the first time since 1916, Ana's writings give modern readers fascinating insights into the nature of monastic life during the highly charged religious and political climate of late-sixteenth- and early-seventeenth-century Spain.

Spanning two thousand years of Christian religious women's quest for spiritual and vocational fulfillment, Sisters in Arms is the first definitive history of Catholic nuns in the Western world. Unfolding century by century, this epic drama encompasses every period from the dawn of Christianity to the present. History has until recently minimized the role of nuns over the centuries. In this volume, their rich lives, their work, and their importance to the Church are finally acknowledged. Jo Ann Kay McNamara introduces us to women scholars, mystics, artists, political activists, healers, and teachers--individuals whose religious vocation enabled them to pursue goals beyond traditional gender roles. They range from Thecla, the legendary companion of Paul, who baptized herself in preparation for facing the lions in the Roman arena, to Hildegard of Bingen, whose visions unlocked her extraordinary talents for music, medicine, and moral teaching in the twelfth century. They also include Sister Mary Theresa Kane, who stood before the pope--and an American television audience-in 1979 and urged him to consider the ordination of women. By entering the convent, McNamara shows, nuns gained a community that allowed them to evolve spiritually, intellectually, and emotionally; but the convent was never a perfect refuge. Women's struggles continued against the male church hierarchy, the broader lay community, and the larger cultural and historical forces of change. The history of nuns is an important part of the larger story of western women whose gender provoked resistance to their claims to autonomy and power. As we enter the third millennium, this groundbreaking work pays fitting tribute to the sisters who have labored with prayer and service for two thousand years, who have struggled to achieve greater recognition and authority, and who have forged opportunities for all women while holding true to the teachings of the Gospel.

A Monk's Confession is the first completely new English translation of Guibert of Nogent's remarkable memoirs in over seventy years. Written around the year 1115, they offer an unparalleled look at the life of a monk in the Middle Ages. Guibert, who lived his entire life in northern France, called these memoirs his book of monodiae, or solitary songs. Many scholars consider them the first Latin autobiography in the West after Augustine's Confessions.

Readers will be stirred and surprised by Guibert's intense preoccupation with the sinfulness of his soul, his visions of demons and necromancy, and his frank struggle to come to terms with his sexuality. But Guibert is also a valuable witness to his age. In addition to his personal history, his memoirs give a brief chronicle of the abbey of Nogent--where he served as abbot for some twenty years--and a vivid account of the bloody uprising of the Laon Commune in 1112. His observations give precious insight into education, monastic life, and the beginnings of the great medieval towns.

Paul J. Archambault's translation successfully renders Guibert's Latin--at times stylish, at times rustic--into lively, modern English. He consulted Edmond-Rene Labande's authoritative 1981 Latin edition with French translation. He provides a complete introduction and annotation that help situate Guibert within the history and literature of the Middle Ages while permitting readers to judge for themselves how to interpret this fascinating voice from the past.

Seeking insight from the real-life development of the earliest expressions of emerging church from their birth, through times of adolescent angst and into the reality of adulthood, this book offers a unique insight into the long-term sustainability of fresh expressions. Presenting the lived practice of the church in mission through a longitudinal lens, and eschewing the rose-tinted approach, it considers the reality of emerging churches - their birth and death, their creativity and conflict, their dreams and despair. A picture of a church that is neither gathered and parish nor independent and networked emerges as the biographies of mission are brought into dialogue with a very ancient expression of mission, the birth of Philippians as a first expression of church in Europe..

Born in the dark days of the great crusades, the warrior monks of the Knights Templar vowed to defend pilgrims traveling to the Holy Land. Yet strangely, there are few historical records of the Templars ever fulfilling this task. Instead, their history is one of bloodshed and conquest, wealth and power, dark secrets and conspiracies. Today, the story of the Knights Templar is intimately linked with the story of the Holy Grail. But what exactly is this ancient artifact, and how has it been used to manipulate history for the last one thousand years? This book, based on the notes of the recently deceased historian, Dr. Emile Fouchet, attempts to unlock the secrets of the Knights Templar. It begins with an examination of their historical origins, their growth in the early middle-ages, and their supposed destruction under the charges of heresy. From there, it uses the clues left by the Templars themselves to reconstruct their secret journeys as they moved the Holy Grail from Europe to the New World and back. It also charts the secret, three-way war that is still being fought between the Templars, the Freemasons, and the Catholic Church. Finally, the book reveals the greatest of all Templar conspiracies, the attempt to found a new world order under the auspices of the European Union.

This book combines a rich description of the (Lutheran) Formula of Concord (1577) with experiences in today's Lutheran parishes to demonstrate how confessional texts may still come to life in modern Christian congregations. Timothy Wengert takes the Formula of Concord, traditionally used as ammunition in doctrinal disagreements, back to its historical home, the local congregation, giving pastors, students, and theologians a glimpse into the original debates over each article. The most up-to-date English commentary on the Formula of Concord, A Formula for Parish Practice provides helpful, concise descriptions of key theological debates and a unique weaving of historical and textual commentary with modern Lutheran experience. Covering the entire Formula of Concord the book includes discussion questions at the end of each chapter.

Sister Wendy, who has been dedicated to a life of prayer for more than half a century, has always resisted writing a book on the subject. Her reasons mix humility with a conviction that prayer is simple: books about prayer can be a dangerous distraction. Yet, when she does speak about prayer, often in response to the questions of ordinary people, she does so with an eloquence that speaks directly to her hearers in ways that make practical sense. Now, in her older age, Sister Wendy is willing to set down some of what she has learnt over a lifetime in a series of meditations. The format of the book is deliberately non-linear: where prayer is concerned, Sister Wendy says, it is simply a matter of trying to turn to God as honestly as the person you are in the circumstances you find yourself in. Her co-author, David Willcock, who has worked with Sister Wendy for many years producing her television programmes, adds to her text a biographical sketch about being a nun and at the same time one of the art world's most acute and revered commentators and a TV personality. Illustrating this unique book are a dozen pieces of artwork: no book by Sister Wendy would be complete without this dimension.

In recent years scholars in a range of disciplines have begun to re-evaluate the history of the Society of Jesus. Approaching the subject with new questions and methods, they have reconsidered the importance of the Society in many sectors, including those related to the sciences and the arts. They have also looked at the Jesuits as emblematic of certain traits of early modern Europeans, especially as those Europeans interacted with 'the Other' in Asia and the Americas. Originating in an international conference held at Boston College in 1997, the thirty-five essays here reflect this new historiographical trend. Focusing on the Old Society- the Society before its suppression in 1773 by papal edict- they examine the worldwide Jesuit undertaking in such fields as music, art, architecture, devotional writing, mathematics, physics, astronomy, natural history, public performance, and education, and they give special attention to the Jesuits' interaction with non-European cultures, in North and South America, China, India, and the Philippines. A picture emerges not only of the individual Jesuit, who might be missionary, diplomat, architect, and playwright over the course of his life in the Society, but also of the immense and many-faceted Jesuit enterprise as forming a kind of 'cultural ecosystem'. The Jesuits of the Old Society liked to think they had a way of proceeding special to themselves. The question, Was there a Jesuit style, a Jesuit corporate culture? is the thread that runs through this interdisciplinary collection of studies.

The 1950s and 60s were times of extraordinary social and political change across North America that re-drew the boundaries between traditional and progressive, conservative and liberal. Nowhere is this more apparent than in the history of Catholic nuns. During these two decades, nuns boldly experimented with their role in the church, removing their habits, rejecting the cloister, and fighting for social justice. The media quickly took to their cause and dubbed them 'the new nuns,' modern exemplars of liberated but sexually contained womanhood. With Visual Habits, Rebecca Sullivan brings this unexamined history of nuns to the fore, revisiting the intersection of three distinct movements - the Second Vatican Council, the second wave of feminism, and the sexual revolution - to explore the pivotal role nuns played in revamping cultural expectations of femininity and feminism. From The Nun's Story to The Flying Nun to The Singing Nun, nuns were a major presence in the mainstream media. Charting their evolving representation in film and television, popular music, magazines, and girls' literature, Sullivan discusses these images in the context of the period's seemingly unlimited potential for social change. In the process, she delivers a rich cultural analysis of a topic too long ignored.

In today's hectic, changing world, being an oblate offers a rich, spiritual connection to the stability and wisdom of an established monastic community.

The mendicant friars of the Franciscan and Dominican orders played a unique and important role in medieval society. In the early thirteenth century, the Church was being challenged by a confident new secular culture, associated with the growth of towns, the rise of literature and articulate laity, the development of new sciences and the creation of the first universities. The mendicant orders which developed around the charismatic figures of Saint Francis of Assisi (founder of the Franciscans) and Saint Dominic of Osma (founder of the Dominicans) confronted this challenge by encouraging preachers to go out into the world to do God's work, rather than retiring into enclosed monasteries. C.H. Lawrence here analyses the origins and growth of these orders, as well as the impact which they had upon the medieval world - in the areas of politics and education as well as religion. His study is essential reading for all scholars and students of medieval history.

In May 1555, a broadsheet was produced in Rome depicting the torture and execution in London and York of the Carthusians of the Charterhouses of London, Axeholme, Beauvale and Sheen during the reign of Henry VIII. This single-page martyrology provides the basis for an in-depth exploration of several interconnected artistic, scientific and scholarly communities active in Rome in 1555 which are identified as having being involved in its production. Their work and concerns, which reflect their time and intellectual environment, are deeply embedded in the broadsheet, especially those occupying the groups and individuals who came to be known as Spirituali and in particular those associated with Cardinal Reginald Pole who is shown to have played a key role in its production. Following an examination of the text and a discussion of the narrative intentions of its producers a systematic analysis is made of the images. This reveals that the structure, content and intention of what, at first sight, seems to be nothing more than a confessionally charged Catholic image of the English Carthusian martyrs, typical of the genre of propaganda produced during the Reformation, is, astonishingly, dominated by the most celebrated name of the Italian Renaissance, the artist Michelangelo Buonarotti. Not only are there direct borrowings from two works by Michelangelo which had just been completed in Rome, The Conversion of St Paul and The Crucifixion of St Peter in the Pauline Chapel but many other of his works are deliberately cited by the broadsheet's producers. Through the use of a variety of artistic, scientific and historical approaches, the author makes a compelling case for the reasons for Michelangelo's presence in the broadsheet and his influence on its design and production. The book not only demonstrates Michelangelo's close relationship with notable Catholic reformers, but shows him to have been at the heart of the English Counter Reformation at its inception. This detailed analysis of the broadsheet also throws fresh light on the Marian religious policy in England in 1555, the influence of Spain and the broader preoccupations of the Counter Reformation papacy, while at the same time, enriching our understanding of martyrology across the confessional divide of the Reformation.