In a world of conflict in which religious differences play a significant role, reconciliation grows increasingly important. The Ministry of Reconciliation shows how with a spirituality of reconciliation we can create the spaces in which reconciliation can happen, and with human strategies, how the process of reconciliation can move forward.

From wide-ranging travels Schreiter has gained a profound wisdom and hope as well as the questions and struggles to be faced. In Part One, "Reconciliation as Spirituality, " Schreiter poses this key question: "If God did indeed raise Jesus up to a new life that breaks the grip of violence and sin on the world, what should be the concrete object of our hope?" Each of the next six chapters then meditates on post-Easter appearances as recorded in Scripture. Schreiter's explorations of such events as "the breakfast at the seashore" (John 21:1-17) and "what the women saw" (Mark 16:1-8; John 20:1-18) reveal a direct pastoral style reminiscent of Rahner and Barth at their best.

From this profound and hope-filled beginning Schreiter goes on to emphasize how a spirituality of reconciliation without sound social and theological reflection on its implementation will fail. Part Two, "Elements of a Strategy for Reconciliation, " tackles such vexing questions as individual and social responsibility; truth and justice; amnesty and pardon; and how the church can aid in reconciliation. Schreiter explores questions as: How can forgiveness happen? What is justice, and how should it be sought and administered? How can a society be rebuilt that includes the perpetrators of evil?

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Few words cannot adequately praise this scholarly and uplifting work. Father Jerome Nyathi's treatise on the theology of priesthood and the role of the Father in society is indeed a triumphant first in its field. After an analysis of 'father' and 'priest-father' in linguistic terms and in the broader African context, the author moves on to examine paternalistic religions and a 'male' gendered God, with reference to feminism and structuralist approaches. There is also a section on the family and fatherhood - both in the spiritual and biological sense - offering hope in the face of acute challenges from materialism and the new culture of individualism. The author asks, How can the Church claim to be a 'family in Christ' and her workers in the field 'Fathers of a Christian family when fathers and families have become stigmatised concepts? Furthermore, the author gives well-researched answers to these problems and discusses the call to priesthood with reference to Presbyterorum Ordinis and other Vatican encyclicals. Here we find a message full of intelligence, humanity and optimism, with excellent advice for seminarians and working priest for the new millennium.

Ken Gardiner has a passion for Jesus Christ and a passion for truth. Drawing on his rich life experiences of God and his deep biblical knowledge, Ken invites us to re-examine the essence of the Christian faith. Creatively retelling the story of God's self-revelation through the Scriptures, Ken questions familiar understandings with intelligence and wry humour while remaining faithful to the text and evangelical tradition. The writer discusses the nature of sin and atonement, the effect of baptism and Communion, the role of Scripture and the guidance of the Holy Spirit, the significance of Jesus' resurrection appearances, the meaning of the two Trees in the Garden, and heaven and hell. This book is ideal for individual or group study. Join Ken as he shares his insight and passion for a God who has continually surprised him, ever revealing Himself, in the mundane as well as the profound, to be far more wonderful than he could have ever begun to imagine. "This is a patient, involved, wise interpretation of the Christian story ...I have a feeling some people are going to have their lives changed through the reading of it." The Venerable Simon Burton-Jones, Archdeacon of Rochester

This, the second volume of the series, is a selected set of revised versions of the scriptures of the 'less supported' established religions of the world: Jainism, Sikhism, Sufism, Shintoism, Baha'ism, Neo-Paganism; together with works of later mystics and poets, sundry esotera, the Gnostic gospels from Christianity, a couple of apocryphal pieces from Judaism, a conflation of parts of the Kabbalah with Neo-Christian reincarnationist traditions, a heterodox sutra from Hinduism, and a replacement for Psalms. All the texts been transliterated to conform, insofar as that is possible, with modern scientific understanding and a liberal, in its widest sense, political agenda, and hopefully to make them easier to read.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.