New Testament I and II represents Vol. I/15 and I/16 in the Works of Saint Augustine: A Translation for the 21st Century. The present volume contains the translations of four works, all of which are exegetical treatises of one sort or another: The Lord's Sermon on the Mount, Agreement among the Evangelists, Questions on the Gospels and Seventeen Questions on Matthew. Each of the four works are accompanied by its own introduction, general index, and scripture index. The Lord's Sermon on the Mount (translated by Michael Campbell, OSA) is an exegesis of chapters five through seven of Matthew's Gospel, but Augustine's explanation of the Sermon is more a charter of Christian morality and spirituality than mere exegesis of the text and brings a unity to the lengthy discourse that goes far beyond an account of what the text says. Augustine wrote Agreement among the Evangelists in 400, contemporaneously with the composition of his Confessions (397 - 401).The treatise, translated by Kim Paffenroth, is an attempt to defend the veracity of the four evangelists in the face of seeming incompatibilities in their record of the gospel events, especially against some pagan philosophers who raised objections to the gospel narratives based on alleged inconsistencies. Questions on the Gospels and Seventeen Questions on Matthew are translated by Roland Teske, SJ. Questions on the Gospels is a record of questions that arose when Augustine was reading the Gospels of Matthew and Luke with a disciple. The answers to the questions are not intended to be commentaries on the Gospels in their entirety but merely represent the answers to the questions that arose for the student at the time. Seventeen Questions on Matthew is similarly in the question-and-answer genre and is most likely by Augustine, but it includes some paragraphs at the end that are certainly not his. For all those who are interested in the greatest classics of Christian antiquity, Augustine's works are indispensable. This long-awaited translation makes Augustine's monumental work approachable.ABOUT THE AUTHOR Augustine of Hippo (354-430) is one of the greatest thinkers and writers of the Western world. After he converted to Christianity he became bishop of Hippo in North Africa, where he was influential in civil and church affairs. His writings have had a lasting impact on Western philosophy and culture.

The author of "The Gospel of" "Inclusion" continues to rouse organized religion as he raises controversial issues and provides enlightening answers to the deepest questions about God and faith.

What is God? Where is God? Who is the one true God? Questions such as these have driven a thousand human struggles, through war, terrorism, and oppression. Humanity has responded by branching off into multiple religions, including Christianity, Judaism, Islam--each one pitted against the other. But it doesn't have to be that way.
In "God Is Not a Christian, nor a Jew, Muslim, Hindu" . . ., the provocative and acclaimed Bishop Carlton Pearson follows up on his celebrated first book, "The Gospel of Inclusion," to tackle these questions and many more, exploring new ideas about God and faith and putting forth the stunning assertion that God belongs to no particular religion but is an ever-loving presence available to all. For these beliefs, Bishop Pearson lost his thriving Pentecostal ministry but was catapulted instead into a greater pulpit. His readership has grown through appearances on national television and an extensive speaking schedule. With the world in the midst of a holy war, there is no better time for the wisdom of Bishop Pearson to reach a global audience.
Bishop Pearson's many loyal fans, along with new readers, will surely welcome this provocative and eye-opening exploration of a deeper faith, one that goes far beyond any fundamentalist way of thinking, be it Christian, Jewish, Muslim, Hindu, etc. Simply put, Bishop Pearson dares to tell the truth so many others are too afraid to face.

This accessible introduction to Christian worldview explores how Christians can live faithfully at the crossroads of Scripture and postmodern culture.

"Living at the Crossroads" first lays out a brief summary of the biblical story and the most fundamental beliefs of Scripture. The book then tells the story of Western culture from the classical period to postmodernity. Authors Michael Goheen and Craig Bartholomew next provide an analysis of how Christians live in the tension that exists at the intersection of the biblical and cultural stories. They proceed to tease out the implications for key areas of life, such as education, scholarship, economics, politics, and church. The result is a deeply thoughtful yet approachable book that draws on the rich tradition of Reformational thinking but contextualizes it to a postmodern setting.

"In this book, the authors show students how to recognize and gradually understand more fully the relevance of the living Word of God for their living, working, and studying in these complex and often bewildering times. If I still had university-age children, I would be very pleased if they received their basic introduction in academics from these two trustworthy and deeply engaged Christian educators."--Bob Goudzwaard, professor emeritus, Free University of Amsterdam

"The concept of 'Christian worldview, ' let alone 'biblical worldview, ' has more often been invoked than helpfully defined. In this stimulating, well-informed, and practical sequel to "The Drama of Scripture," Goheen and Bartholomew once again demonstrate their remarkable effectiveness at articulating accessibly an understanding of Christian identity in the West that is both scripturallygrounded and, notably, shaped by the Reformed intellectual tradition in its ecumenical context."--David L. Jeffrey, author of "Houses of the Interpreter: Reading Scripture, Reading Culture"

Christian theatre has rich roots, from ancient Hebrew dramas to medieval plays, but where does it fit in today's media-saturated society?
"Performing the Sacred "is a fascinating dialogue between a theologian and theatre artist, offering the first full-scale exploration of theatre and theology. The authors illuminate the importance of live performance in a virtual world, of preserving the ancient art form of storytelling by becoming the story. Theologically, theatre reflects Christianity's central doctrines--incarnation, community, and presence--enhancing the human creative experience and simultaneously engaging viewers on multiple levels.
This Engaging Culture series title will be a key volume for those interested in theatre as well as drama practitioners, worship leaders, and culture makers.