Ken Gardiner has a passion for Jesus Christ and a passion for truth. Drawing on his rich life experiences of God and his deep biblical knowledge, Ken invites us to re-examine the essence of the Christian faith. Creatively retelling the story of God's self-revelation through the Scriptures, Ken questions familiar understandings with intelligence and wry humour while remaining faithful to the text and evangelical tradition. The writer discusses the nature of sin and atonement, the effect of baptism and Communion, the role of Scripture and the guidance of the Holy Spirit, the significance of Jesus' resurrection appearances, the meaning of the two Trees in the Garden, and heaven and hell. This book is ideal for individual or group study. Join Ken as he shares his insight and passion for a God who has continually surprised him, ever revealing Himself, in the mundane as well as the profound, to be far more wonderful than he could have ever begun to imagine. "This is a patient, involved, wise interpretation of the Christian story ...I have a feeling some people are going to have their lives changed through the reading of it." The Venerable Simon Burton-Jones, Archdeacon of Rochester

What do Christians hope for? To leave this wicked world and go to 'heaven' For the 'kingdom of God' to grow gradually on earth? What do we mean by the 'resurrection of the body', and how does that fit with the popular image of sitting on clouds playing harps? And how does all this affect the way we live in the here and now? Tom Wright, one of our leading theologians, addresses these questions in this provocative and wide-ranging new book. He outlines the present confusion about future hope in both church and world. Then, having explained why Christians believe in the bodily resurrection of Jesus himself, he explores the biblical hope for 'new heavens and new earth', and shows how the 'second coming' of Jesus, and the eventual resurrection, belong within that larger picture, together with the intermediate hope for 'heaven'. For many, including many Christians, all this will come as a great surprise. Wright convincingly argues that what we believe about life after death directly affects what we believe about life before death. For if God intends to renew the whole creation - and if this has already begun in Jesus' resurrection - the church cannot stop at 'saving souls', but must anticipate the eventual renewal by working for God's kingdom in the wider world, bringing healing and hope in the present life. Lively and accessible, this book will surprise and excite all who are interested in the meaning of life not only after death but before it.

This, the second volume of the series, is a selected set of revised versions of the scriptures of the 'less supported' established religions of the world: Jainism, Sikhism, Sufism, Shintoism, Baha'ism, Neo-Paganism; together with works of later mystics and poets, sundry esotera, the Gnostic gospels from Christianity, a couple of apocryphal pieces from Judaism, a conflation of parts of the Kabbalah with Neo-Christian reincarnationist traditions, a heterodox sutra from Hinduism, and a replacement for Psalms. All the texts been transliterated to conform, insofar as that is possible, with modern scientific understanding and a liberal, in its widest sense, political agenda, and hopefully to make them easier to read.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"What are Christians to make of their mission in an pluralistic world?" asks Paul F. Knitter, author of the landmark work in interfaith dialogue No Other Name? As a recognized scholar and participant in interfaith dialogue, Knitter is in a unique position to explore the key concept of what Christian mission must entail in a world that will remain a world of many religious faiths for the foreseeable future. From the first chapter of Jesus and the Other Names, which recounts his own theological and dialogical odyssey, Knitter constructs what he calls a "correlational, globally-responsible theology of religions" as a necessary correction to traditional pluralist and exclusivist approaches. By anticipating and addressing his critics - both conservative and liberal - Knitter makes a powerful argument for a reconstruction of mission faithful to the Christian imperative and dynamically attuned to the plurality of the world. Jesus and the Other Names will give pause to those who believe Christian mission can be carried on as it was in the modern era. Sure to inspire debate as well as dialogue it offers a more humble, but perhaps more "Christic", postmodern approach to mission in the new millennium that has little to do with earthly glory and nothing to do with the sense of cultural superiority that has so often - and often so tragicallyaccompanied modern missionary movements. Theologians, missiologists, Christian historians, can all benefit from its thoughtful and timely message.

When he talked about the Kingdom of God, Jesus was speaking about an utterly different way of relating to human society as we know it. He lays out a blueprint for this new life in his best-known teaching, the Sermon on the Mount. From the Beatitudes onward, the Sermon on the Mount overturns conventional wisdom and traditional power structures, offering a plan for an alternative way of being. Richard Rohr explores the implications of this vision in Jesus' Alternative Plan. Going through the teachings of the sermon, he explains the historical and cultural context of each verse, and offers guidance for what the sermon means for Christians today. The result is a clear, yet challenging look at the alternative plan laid out by Jesus for all to see. This updated edition of Jesus' Plan for a New World will inspire Christians who long for a transformative understanding of Jesus' teachings as they seek the true heart of their faith.