With a foreword from Jean-Marie Schaller, founder and creative director of Louis Moinet, this book introduces some of the most elegant watches the horological world has to offer, including several one-of-a-kind pieces that have never before appeared in print. Many of these ateliers handcraft both the watches and their complicated mechanical movements in-house. The level of expertise and craftsmanship involved is truly dazzling. Featuring such stunning timepieces as the 15.48 Driver Watch, the Andreas Strehler Time Shadow and the Antoine Preziuso Chronometer, Tourbillon of Tourbillons, this expertly curated collection of watch profiles will catch the eye of any true enthusiast. Steve Huyton looks beyond the price tag, featuring affordable options of particular artistic merit as well as pieces from the luxury end of the scale. Discover the hidden gems of the watchmaking business - 60 independent artisans counted among the finest makers in the world. Includes the work of: Hajime Asaoka, Felix Baumgartner (Urwerk), Aaron Becsei, Vincent Calabrese, Konstantin Chaykin, Bernhard Lederer (BLU), Masahiro Kikuno, Vianney Halter, Antoine Preziuso and Andreas Strehler, among others.

This beautifully illustrated volume presents an in-depth look at horology, the scientific study of time and timekeeping. Brimming with more than 150 detailed and full-color images, illustrations, charts, and technical drawings, it's a must-have for anyone interested in the art of watchmaking and watch design. But it's also much more. If you've ever wondered how watches work, or thought about how time influences our lives, then this book is also for you. It offers a comprehensive overview of watch styles, movements, complications, and parts, as well as the basics of starting and caring for a watch collection. A multifaceted study, it discusses the philosophy and measurement of time, the possibility of time travel, and the emergent smartwatch industry. A behind-the-scenes peek into the watch industry, plus pricing and market data, rounds out the contents. Readers will leave these pages with a newfound, renewed, or enhanced love of watchmaking, as well as an increased appreciation for the value of time.

There are names in horological history that echo much more than just watches... Such is the case of Jaquet-Droz, 18th Swiss watchmakers with an international horizon, whose ceremonial clocks, prodigious androids, fashionable birdcages, pocket watches with moving scenes or collector's snuffboxes remain the stuff of dreams for passionate enthusiasts. Today, the Maison Jaquet Droz continues to draw its inspiration from this rich heritage in order to reinterpret techniques and aesthetics, pushing back the boundaries of watchmaking and representing a perpetual source of fascination for collectors. Based on the latest research on the subject and published on the occasion of the 300th anniversary of the birth of Pierre Jaquet-Droz (1721-2021), this book offers a deep dive into the history of characters with a captivating journey. Born in La Chaux-de-Fonds, in what was then the principality of Neuchatel, Pierre Jaquet-Droz founded a watchmaking workshop and developed it through a combination of technical, artistic and commercial skills enabling it to reach international markets. His son Henry-Louis developed the family business and further diversified production, a significant portion of which found its way to China and its dignitaries, devotees of luxurious and ingenious mechanical marvels. This richly illustrated book aims to enable a rediscovery of their mechanical masterpieces as well as those of the Maison Jaquet Droz, whose rebirth and recent history are recounted here. These splendid historical and contemporary pieces embody a love of technical challenges and a taste for artistic refinement, adhering as much as possible to the sources of inspiration offered by nature. The Worlds of Jaquet Droz thus reveals part of the expansive universe of pre-industrial watchmaking while drawing parallels between past and present productions.

A long-awaited reprint of an important illustrated reference work on the general history of the watch from 1500 to 1980. When Watches was first published in 1965 it quickly gained for itself a reputation as the foremost general history of the subject and, following the expanded edition in 1979 which covered recent years past 1830, this has remained unchallenged in horological history. In this long-awaited reprinted edition, collectors and horological students can again make use of the reference illustrations and history in this work as approached by the leading horology historians and clockmakers of the twentieth century. Clutton and Daniels write expertly on the vast history of watches, through the changing tastes and styles of collectors and makers, as well as imparting their own knowledge on various technical aspects within the watches. The expansive historical section encompasses both decorative and mechanical aspects of mid-sixteenth to late twentieth century watches, including those by George Daniels himself, detailing the rich history behind more modern designs and fascinations. These later years include a variety of semi-experimental escapements, as well as covering the development of the precision watch and work leading to it by Ferdinand Berthoud and Pierre Le Roy, discussed alongside John Arnold in England, to satisfy the technical-minded collector. Horology and collecting have grown with the changing technologies, and watches continue to be produced to an exceptional technological standard. Precision watches from the 1730-1930 period are covered in detail, as well as high standard Swiss and American watches of the last hundred years; these highly complicated watches benefit greatly from having both colour and mono illustrations to clarify the details. For a truly comprehensive understanding of escapements, photographs of these have been included alongside a critical approach to this essential mechanism. Since its first publication, Watches has provided an essential work of reference and history behind some of the most renowned minds and creations. Now reprinted for a new generation of collectors and students, and featuring over 600 illustrations, the technical and decorative elements of historical watches can be studied and enjoyed once more.

Introduced into a skeptical American marketplace early in the twentieth century, the wristwatch soon caught the consumer's imagination. It was not long before American watch manufacturers adopted the form and brought their ingenuity and creativity to bear on the style and design of the wristwatch. Fifty years of innovation and beauty follow, and this beautiful book brings you the story in word and picture. Illustrated with over 600 full color pictures, the authors have traced the history of the American wristwatch. Their original research brings life to some of the persons who influenced its development. Design periods are defined and the watches they engendered are amply illustrated giving the reader knowledge that is valuable, both for the appreciation and the collecting of these wristwatches.

Twentieth century Russian wristwatches are too costly for many native buyers, but they are still inexpensive for Western Collectors, and are becoming extremely popular. Watch faces commemorate all the great moments of Russian and Soviet history-from Yuri Gagarin's space flight to the Summit meeting between Gorbachev and George Bush-and celebrate Russian culture with images of native costumes from Chechnya to the Ukraine. Collectors have long clamored for a definitive reference and this new book will satisfy even the most avid enthusiast, with photographs of over 500 watches manufactured in Russia and the USSR during the second half of this century, and explanations of their styles, workings, and manufacturers. Poljot, Wostok, and Slava wristwatches are covered, along with a sampling of pocket watches, deck watches, and marine chronometers. This book is a must for serious collectors in the growing field of Russian timekeepers.

All in Good Time is the remarkable story of George Daniels (1926-2011), the master craftsman, who was born into poverty but raised himself to become the greatest watchmaker of the twentieth century. Daniels stands alone in modern times as the inventor of the revolutionary co-axial escapement, the first substantial advance in portable mechanical timekeeping over the lever escapement, which has dominated ever since its invention in 1759. Daniels's love of mechanics embraced not only the minute, however - he was also a passionate collector and driver of historic motorcars. This revised and expanded edition of his autobiography also contains a new section that illustrates and discusses over thirty of the pocket and wrist-watches Daniels himself made over the years. Witness here the triumph of intelligence, ingenuity, matchless skill and singularity of purpose over the most unpromising of beginnings.

An exciting area of collecting for clock and watch enthusiasts is literally opened up with this book. On the outside the automatic wristwatch is like its counterpart, but once the case is opened a different world appears. Here 200 watches are shown, each with three photos to show the dial, and the complete and partly disassembled movement. The book introduces all the Swiss manufacturers and provides an historical overview of the development of automatic watches from 1926 to 1978. Information on the functioning mechanism and construction of each design is offered along with the data needed to locate the watches chronologically.

Margaret Gatty (1809 1873) was an English writer best known for her researches on sundials and British seaweeds. After marrying the Rev. Alfred Gatty in 1839, she moved to Ecclesfield, Yorkshire, where she pursued her literary and scientific studies. This volume, first published in 1872, contains detailed descriptions of various styles of sundials, many taken from Gatty's own collection. Over 350 sundials from across Britain and Europe are described, and each sundial's location is noted in this work, which was one of the first popular books on the subject. Examples included range from portable sundials to early Saxon sundials, as well as the more familiar church sundials. This volume is one of Gatty's best known works, and remains a valuable reference for the various types of sundials and the variations and similarities in their mottoes. For more information on this author, see http: //orlando.cambridge.org/public/svPeople?person_id=gattma"

With Wristwatch Annual, collectors have at hand a wealth of information on the latest offerings from today’s most important watch producers, from Swiss mainstays like Rolex and Patek Philippe to the maverick independent brands springing up across Europe and the U.S. The book is arranged alphabetically by producer, and the movement, functions, case, band, price, and variations of each pictured watch are fully described. This year’s edition, like its predecessors, will feature a variety of additional articles on independent watchmaking, key personalities in the watch world, and the technical aspects of horology. An illustrated glossary and a primer on watch care help acclimate the reader to the world of fine timepieces.

This book is a scholarly study of a virtually unknown aspect of the history of horology (timekeeping), compiled from Chinese and Japanese historical and literary records, some of which are translated and published here for the first time. Incense timekeepers played an important role in early Chinese social and technological history, in addition to their use for time measurement. They were used in temples for religious rites, in agricultural regions for regulating water for irrigation, in palaces and government offices, and in the studies of scholars. A fascinating compendium of knowledge about a neglected aspect of Oriental culture, this book will appeal not only to historians of China and Japan, but to the growing number of collectors and museum curators who are interested in incense clocks. It is illustrated with black and white halftones of a large number of the clocks, which are renowned for their beauty of design and quality of workmanship. The book also includes a catalogue of incense clocks which have appeared in auction houses and museums.

Wrist chronographs are mechanical wristwatches that, in addition to their normal clockwork, have a mechanism that allows them to time short-term events. They are one of the most popular collecting areas in the broad spectrum of wristwatches because they are not yet too expensive and are available in large numbers. Until now they have not been studied systematically. Now Land and Meis offer this outstanding identification book. The text deals with the dial of the chronograph and all the indications that can possibly be read from it. There is also a technical section that shows the historical development of the chronograph mechanism. With collectors in mind the authors have arranged the illustrations by the indications on the dials. Pictures of the movements are always included with those of the chronographs. This book is a particularly useful identification book for collectors, dealers, and auction houses.

For all those who are interested in horology, whether as a hobby or within the trade, this user-friendly guide is invaluable as a wealth of information for the internal workings of clocks. Eric Smith provides a fully comprehensive manual to the repair of clocks, whether modern or antique. Lucid language accompanies practical diagrams and photographs to bring clarity to what is often a highly complex task. The author recognises the curiosity which many feel about the workings of clocks. It is for this reason that the author has written a guide which does not depict horology as too complex for those outside the trade, but rather as a fascinating and accessible occupation. The ten chapters go through the practical stages of how different clocks work and the tools and materials needed. Pendulum clocks, 30-hour, 8-day and 400-day clocks, chiming, striking, and electric and alarm clocks are all covered in detail. This new revised edition includes a chapter on working with more advanced tools including the lathe. The first chapter addresses the tools and materials which are required for repair, whilst the second chapter provides an explanation of the principles of clock mechanisms. The author subsequently takes the reader through specific aspects of clocks in each chapter, from the pendulums and balance wheels to cases and hands. A chapter on electric clocks gives advice on a significant sector of the clock market. In addition, this volume includes a glossary of terms, a bibliography and a list of suppliers of materials. It is also fully indexed. The author recognises that there is much in horology which cannot be self-taught from a book, yet Clocks and Clock Repairing is both a book to stimulate interest and a handy reference guide.

Dealing with a complicated watch used to be a rare job for the watch repairer, but with the popularity of the automatic, it is almost commonplace. Furthermore, the increased interest in calendar work, alarm watches, and chronographs will undoubtedly bring more and more complicated work into the workshop. This book deals with complicated work essentially from the repairer's point of view. The action of each mechanism is briefly and clearly described because understanding this is essential to proper servicing, repair and testing for functioning. Dismantling and assembly instructions are given, as well as oiling charts and - most important - hints on fault-finding and their rectification. Another essential feature of the book is that it deals with all complicated work - from the relatively simple automatic to the triple-complicated watch with chronograph, calendar and repeater work, and the very complicated clock watch. Exceptional care has been taken in the preparation of diagrams, which have been drawn from actual movements in various stages of assembly, so that the reader can actually work with the book illustrations beside the watch itself. As always with books by Donald de Carle, instructions are easy to follow and there is no reason why anyone well versed in ordinary work and able to use watchmakers' tools should not become a specialist in complicated watches and their repair.

The Academy of Independent Creators in Watchmaking (Academie Horlogere des Createurs Independants, AHCI) is celebrating its 35th anniversary in 2020: that's over one-third of a century of total independence, creativity, exhibitions, and sharing watchmaking craftsmanship. Here, AHCI, the oldest organisation in the world devoted to protecting independent, artisanal watchmaking, presents an inside portrait of its members and candidates. They share their most iconic creations and their knowhow, give guided tours of their workshops, and offer a glimpse into their own private world. This dive into the beating heart of independent watchmaking is for all lovers of creativity and authenticity, be they connoisseurs of fine craftsmanship or experienced collectors willing to take the road less travelled.

Timekeeping is an essential activity in the modern world, and we take it for granted that our lives our shaped by the hours of the day. Yet what seems so ordinary today is actually the extraordinary outcome of centuries of technical innovation and circulation of ideas about time.
Shaping the Day is a pathbreaking study of the practice of timekeeping in England and Wales between 1300 and 1800. Drawing on many unique historical sources, ranging from personal diaries to housekeeping manuals, Paul Glennie and Nigel Thrift illustrate how a particular kind of common sense about time came into being, and how it developed during this period.
Many remarkable figures make their appearance, ranging from the well-known, such as Edmund Halley, Samuel Pepys, and John Harrison, who solved the problem of longitude, to less familiar characters, including sailors, gamblers, and burglars.
Overturning many common perceptions of the past-for example, that clock time and the industrial revolution were intimately related-this unique historical study will engage all readers interested in how "telling the time" has come to dominate our way of life.

This book's contents include: general condition of the movement; cleaning and oiling; balance pivots; fitting a flat balance spring; fitting a breguet balance spring; positional timing; further considerations when fitting a spring and observing the point of attachment; general notes on springing and timing; other methods of positional adjustment; and, timing machines. "No writer can have added more volumes to the horological bookshelf than Donald de Carle, and his careful and detailed approach to the technical side of the craft has done a great deal to improve the standard of knowledge of a host of craftsmen, and has gained him readers in every part of the world. The many craftsmen who are already familiar with Mr de Carle's earlier work, Practical Watch Repairing, will note a great similarity in the attitude of mind behind both books, and, indeed, this latest volume is, to some extent, a companion and a follow-on from the previous book, for it carries the reader into what is, undoubtedly, the most exacting and skillful aspect of all work on watches." Horological Review

Twenty-eight years after its first publication, the best-selling Watchmaking continues to inspire and encourage the art of watchmaking, especially among new generations of enthusiasts. As a supreme master of his art, George Daniels' advice is constantly sought by both students and watch repairers, his understanding of the problems that can beset the would-be watchmaker, especially in an age of mass production, and his expert knowledge of the history of watchmaking being second to none. Here, the making of the precision timekeeper is described step-by-step and illustrated at each stage with line drawings and brief explanatory captions. The text is easy to follow and care has been taken to avoid complicated technical descriptions. As Daniels is particularly interested in the development of the escapement - many are described in this book, several of his own design - the reader is encouraged to explore this aspect of watchmaking in even greater detail. This classic handbook still remains indispensable to generations of watchmakers and repairers, and also provides a fascinating insight to the enthusiast and watch-collector who, until its publication, had rarely been able to admire the superb craftsmanship of a fine watch without understanding how it works.

A beautiful book for those who love fine wristwatches. In Time in Gold, the histories of the seventeen leading luxury wristwatch companies of Switzerland are presented together for the first time, Beautifully illustrated with color and black and white photographs, Time in Gold contains over 450 important and elegant watches by these fine makers. 200 years later, the resulting wristwatches are among the most exquisite in the world today. The following companies are each presented as separate chapters: Audemars Piguet Blancpain Baume & Mercier Breguet Gerald Genta Cartier Vacheron Constantin Chopard Girard-Perregaux Corum IWC Ebel Jaeger-LeCoultre Rolex Patek Philippe Piaget Ulysse Nardin

Many clock repairers carry out excellent work but avoid cutting their own wheels and pinions, fearing it is too complicated and involved. This book, written by an experienced clock and tool maker, dispels those fears and gives a step-by-step guide to an extremely satisfying aspect of horology. This book is written for both the amateur and professional involved in the making and restoring of clocks, and for anyone who intends to start building up a workshop and requires a guide to the equipment and how to use it.

This is the story of Rupert T. Gould (1890-1948), the polymath and horologist. A remarkable man, Lt Cmdr Gould made important contributions in an extraordinary range of subject areas throughout his relatively short and dramatically troubled life. From antique clocks to scientific mysteries, from typewriters to the first systematic study of the Loch Ness Monster, Gould studied and published on them all. With the title The Stargazer, Gould was an early broadcaster on the BBC's Children's Hour when, with his encyclopaedic knowledge, he became known as The Man Who Knew Everything. Not surprisingly, he was also part of that elite group on BBC radio who formed The Brains Trust, giving on-the-spot answers to all manner of wide ranging and difficult questions. With his wide learning and photographic memory, Gould awed a national audience, becoming one of the era's radio celebrities.
During the 1920s Gould restored the complex and highly significant marine timekeepers constructed by John Harrison (1693-1776), and wrote the unsurpassed classic, The Marine Chronometer, its History and Development. Today he is virtually unknown, his horological contributions scarcely mentioned in Dava Sobel's bestseller Longitude. The TV version of Longitude, in which Jeremy Irons played Rupert Gould, did at least introduce Gould's name to a wider public.
Gould suffered terrible bouts of depression, resulting in a number of nervous breakdowns. These, coupled with his obsessive and pedantic nature, led to a scandalously-reported separation from his wife and cost him his family, his home, his job, and his closest friends.
In this first-ever biography of Rupert Gould, Jonathan Betts, the Royal Observatory Greenwich's Senior Horologist, has given us a compelling account of a talented but flawed individual. Using hitherto unknown personal journals, the family's extensive collection of photographs, and the polymath's surviving records and notes, Betts tells the story of how Gould's early life, his naval career, and his celebrity status came together as this talented Englishman restored part of Britain's - and the world's - most important technical heritage: John Harrison's marine timekeepers.

The public spaces and buildings of the United States are home to many thousands of timepieces--bells, time balls, and clock faces--that tower over urban streets, peek out from lobbies, and gleam in store windows. And in the streets and squares beneath them, men, women, and children wear wristwatches of all kinds. Americans have decorated their homes with clocks and included them in their poetry, sermons, stories, and songs. And as political instruments, social tools, and cultural symbols, these personal and public timekeepers have enjoyed a broad currency in art, life, and culture. In Marking Modern Times, Alexis McCrossen relates how the American preoccupation with time led people from across social classes to acquire watches and clocks. While noting the difficulties in regulating and synchronizing so many timepieces, McCrossen expands our understanding of the development of modern time discipline, delving into the ways we have standardized time and describing how timekeepers have served as political, social, and cultural tools in a society that doesn't merely value time but regards access to time as a natural-born right, a privilege of being an American.

Paul Newman wore his Daytona Rolex every single day for 35 years until his death in 2008. The iconic timepiece, probably the single most sought-after watch in the world, is now in the possession of his daughter Clea, who wears it every day in his memory. Franklin Roosevelt wore an elegant gold Tiffany watch, gifted to him by a friend on his birthday, to the famous Yalta Conference where he shook the hands of Joseph Stalin and Winston Churchill. JFK's Omega worn to his presidential inauguration, Ralph Lauren's watch purchased from Andy Warhol's personal collection, Sir Edmund Hillary's Rolex worn during the first-ever summit of Mt. Everest...these and many more compose the stories of the world's most coveted watches captured in A Man and His Watch. Matthew Hranek, a watch collector and NYC men's style fixture, has travelled the world conducting firsthand interviews and diving into exclusive collections to gather the never-before- told stories of 76 watches, complete with stunning original photography of every single piece.

A revolution in clock technology in England during the 1660s allowed people to measure time more accurately, attend to it more minutely, and possess it more privately than previously imaginable. In "Telling Time," Stuart Sherman argues that innovations in prose emerged simultaneously with this technological breakthrough, enabling authors to recount the new kind of time by which England was learning to live and work.
Through brilliant readings of Samuel Pepys's diary, Joseph Addison and Richard Steele's daily "Spectator," the travel writings of Samuel Johnson and James Boswell, and the novels of Daniel Defoe and Frances Burney, Sherman traces the development of a new way of counting time in prose--the diurnal structure of consecutively dated installments--within the cultural context of the daily institutions which gave it form and motion. "Telling Time" is not only a major accomplishment for seventeenth- and eighteenth-century literary studies, but it also makes important contributions to current discourse in cultural studies.