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Books > Social sciences > Psychology > Philosophy & theory of psychology > Cognitive theory
An argument that the meaning of written or auditory linguistic signals is not derived from the input but results from the brain's internal construction process. When we read a text or listen to speech, meaning seems to be given to us instantaneously, as if it were part of the input. In Meaning in the Brain, Giosue Baggio explains that this is an illusion created by the tremendous speed at which sensory systems and systems for meaning and grammar operate in the brain. Meaning, Baggio argues, is not derived from input but results from the brain's internal construction process. With this book, Baggio offers the first integrated, multilevel theory of semantics in the brain, describing how meaning is generated during language comprehension, production, and acquisition. Baggio's theory draws on recent advances in formal semantics and pragmatics, including vector-space semantics, discourse representation theory, and signaling game theory. It is designed to explain a growing body of experimental results on semantic processing that have accumulated in the absence of a unifying theory since the introduction of electrophysiology and neuroimaging methods. Baggio argues that there is evidence for the existence of three semantic systems in the brain-relational semantics, interpretive semantics, and evolutionary semantics-and he discusses each in turn, developing neural theories of meaning for all three. Moreover, in the course of his argument, Baggio addresses several long-standing issues in the neuroscience of language, including the role of compositionality as a principle of meaning construction in the brain, the role of sensory-motor processes in language comprehension, and the neural and evolutionary links among meaning, consciousness, sociality, and action.
Why your worst nightmares about watching horror movies are unfounded Films about chainsaw killers, demonic possession, and ghostly intruders make some of us scream with joy. But while horror fans are attracted to movies designed to scare us, others shudder already at the thought of the sweat-drenched nightmares that terrifying movies often trigger. The fear of sleepless nights and the widespread beliefs that horror movies can have negative psychological effects and display immorality make some of us very, very nervous about them. But should we be concerned? In this book, horror-expert Mathias Clasen delves into the psychological science of horror cinema to bust some of the worst myths and correct the biggest misunderstandings surrounding the genre. In short and highly readable chapters peppered with vivid anecdotes and examples, he addresses the nervous person's most pressing questions: What are the effects of horror films on our mental and physical health? Why do they often cause nightmares? Aren't horror movies immoral and a bad influence on children and adolescents? Shouldn't we be concerned about what the current popularity of horror movies says about society and its values? While media psychologists have demonstrated that horror films indeed have the potential to harm us, Clasen reveals that the scientific evidence also contains a second story that is often overlooked: horror movies can also help us confront and manage fear and often foster prosocial values.
This book introduces readers to the state-of-the-art neuroscientific research that is revolutionizing our understanding of language. Interest in the brain bases of language goes back to the birth of the modern neurosciences in the late nineteenth century. Today, tools such as fMRI and EEG allow us to study brain activity non-invasively as people perform complex cognitive tasks like talking or reading. In this book, Jonathan Brennan shows how brain signals are connected with the intricate cognitive structures that underlie human language. Each chapter focuses on specific insights including the neural codes for speech perception, meaning, and sentence structure. The book also explores larger themes such as how to connect abstract notions like "knowing a language" to concrete signals that are measured in a laboratory, and how to reconcile apparently conflicting pieces of data that arise from different experiments. Written in an accessible, conversational style, and featuring a glossary of key terms, this slim guide will appeal to a wide range of readers interested in how the human brain allows us to use language.
Synthesizing thirty years of research, psychologist and science historian Michael Shermer upends the traditional thinking about how humans form beliefs about the world. Simply put, beliefs come first and explanations for beliefs follow. The brain, Shermer argues, is a belief engine. Using sensory data that flow in through the senses, the brain naturally begins to look for and find patterns, and then infuses those patterns with meaning, forming beliefs. Once beliefs are formed the brain begins to look for and find confirmatory evidence in support of those beliefs, accelerating the process of reinforcing them, and round and round the process goes in a positive-feedback loop. In "The Believing Brain, "Shermer provides countless real-world examples of how this process operates, from politics, economics, and religion to conspiracy theories, the supernatural, and the paranormal. And ultimately, he demonstrates why science is the best tool ever devised to determine whether or not our beliefs match reality.
With the progress of artificial intelligence, the digitalization of the lifeworld, and the reduction of the mind to neuronal processes, the human being increasingly appears to be just a product of data and algorithms. That is, we conceive ourselves "in the image of our machines", and conversely, we elevate our machines and our brains to new subjects. At the same time, demands for an enhancement of human nature culminate in transhumanist visions of taking human evolution to a new stage. Against this self-reification of the human being, this book defends a humanism of embodiment: our corporeality, vitality, embodied freedom are the foundations of a self-determined existence, which uses these new technologies only as a means, instead of letting them rule us. In Defence of the Human Being offers an array of interventions directed against a reductionist naturalism or transhumanism in various areas of science and society. As alternative it offers an embodied and enactive account of the human person: we are neither pure minds nor brains, but primarily embodied, living beings in relation with others. Fuchs applied this concept to issues such as artificial intelligence, transhumanism and enhancement, virtual reality, neuroscience, embodied freedom, psychiatry, and finally to the accelerating dynamics of current society which lead to an increasing disembodiment of our everyday conduct of life. Cutting across neuroscience, philosophy, and psychiatry, this important new book applies cutting-edge concepts of embodiment and enactivism to the current scientific, technological and cultural tendencies that will crucially influence our society's development in the 21st century.
A work that reveals the profound links between the evolution, acquisition, and processing of language, and proposes a new integrative framework for the language sciences. Language is a hallmark of the human species; the flexibility and unbounded expressivity of our linguistic abilities is unique in the biological world. In this book, Morten Christiansen and Nick Chater argue that to understand this astonishing phenomenon, we must consider how language is created: moment by moment, in the generation and understanding of individual utterances; year by year, as new language learners acquire language skills; and generation by generation, as languages change, split, and fuse through the processes of cultural evolution. Christiansen and Chater propose a revolutionary new framework for understanding the evolution, acquisition, and processing of language, offering an integrated theory of how language creation is intertwined across these multiple timescales. Christiansen and Chater argue that mainstream generative approaches to language do not provide compelling accounts of language evolution, acquisition, and processing. Their own account draws on important developments from across the language sciences, including statistical natural language processing, learnability theory, computational modeling, and psycholinguistic experiments with children and adults. Christiansen and Chater also consider some of the major implications of their theoretical approach for our understanding of how language works, offering alternative accounts of specific aspects of language, including the structure of the vocabulary, the importance of experience in language processing, and the nature of recursive linguistic structure.
Luciano Floridi presents an innovative approach to philosophy, conceived as conceptual design. He explores how we make, transform, refine, and improve the objects of our knowledge. His starting point is that reality provides the data, to be understood as constraining affordances, and we transform them into information, like semantic engines. Such transformation or repurposing is not equivalent to portraying, or picturing, or photographing, or photocopying anything. It is more like cooking: the dish does not represent the ingredients, it uses them to make something else out of them, yet the reality of the dish and its properties hugely depend on the reality and the properties of the ingredients. Models are not representations understood as pictures, but interpretations understood as data elaborations, of systems. Thus, he articulates and defends the thesis that knowledge is design and philosophy is the ultimate form of conceptual design. Although entirely independent of Floridi's previous books, The Philosophy of Information (OUP 2011) and The Ethics of Information (OUP 2013), The Logic of Information both complements the existing volumes and presents new work on the foundations of the philosophy of information.
Emotional disorders such as anxiety, depression, and dysfunctional
patterns of eating are clearly among the most devastating and
prevalent confronting practitioners, and they have received much
attention from researchers--in personality, social, cognitive, and
developmental psychology, as well as in clinical psychology and
psychiatry. A major recent focus has been cognitive vulnerability,
which seems to set the stage for recurrences of symptoms and
episodes. In the last five years there has been a rapid
proliferation of studies.
Do you want to go beyond small talk with colleagues, friends, family, or strangers? This is your game to truly connect with people. Imagine a red car, I'll do the same. Now describe it to me. No red car would ever be the same. No thought, or story ever is. We listen. We might smile. We nod. But, do we really understand each other? The human mind predicts and assumes to make sense of the world, and to understand people. There's often more to discover than we assume to know. The Empathy Game connects the dots. It engages people to share, listen, and engage with stories beyond their own frame of reference. There's more to discover and learn. Let's play. EXAMPLE QUESTIONS Memory How different was your life one year ago? What is special about the place you grew up in? Who is I? What do you admire/value in others? What is the best day on the calendar? Imagine If you could invent anything, what would it be? If someone could give you the answer to any unresolved question, what would you ask?
A pioneering text in its first edition, this revised publication of Cognitive Poetics offers a rigorous and principled approach to literary reading and analysis. The second edition of this seminal text features: * updated theory, frameworks, and examples throughout, including new explanations of literary meaning, the power of reading, literary force, and emotion; * extended examples of literary texts from Old English to contemporary literature, covering genres including religious, realist, romantic, science fictional, and surrealist texts, and encompassing poetry, prose, and drama; * new chapters on the mind-modelling of character, the building of text-worlds, the feeling of immersion and ambience, and the resonant power of emotion in literature; * fully updated and accessible accounts of Cognitive Grammar, deictic shifts, prototypicality, conceptual framing, and metaphor in literary reading. Encouraging the reader to adopt a fresh approach to understanding literature and literary analyses, each chapter introduces a different framework within cognitive poetics and relates it to a literary text. Accessibly written and reader-focused, the book invites further explorations either individually or within a classroom setting. This thoroughly revised edition of Cognitive Poetics includes an expanded further reading section and updated explorations and discussion points, making it essential reading for students on literary theory and stylistics courses, as well as a fundamental tool for those studying critical theory, linguistics, and literary studies.
In this ground-breaking synthesis of art and science, Diana Deutsch, one of the world's leading experts on the psychology of music, shows how illusions of music and speech-many of which she herself discovered-have fundamentally altered thinking about the brain. These astonishing illusions show that people can differ strikingly in how they hear musical patterns-differences that reflect variations in brain organization as well as influences of language on music perception. Drawing on a wide variety of fields, including psychology, music theory, linguistics, and neuroscience, Deutsch examines questions such as: When an orchestra performs a symphony, what is the "real" music? Is it in the mind of the composer, or the conductor, or different members of the audience? Deutsch also explores extremes of musical ability, and other surprising responses to music and speech. Why is perfect pitch so rare? Why do some people hallucinate music or speech? Why do we hear phantom words and phrases? Why are we subject to stuck tunes, or "earworms"? Why do we hear a spoken phrase as sung just because it is presented repeatedly? In evaluating these questions, she also shows how music and speech are intertwined, and argues that they stem from an early form of communication that had elements of both. Many of the illusions described in the book are so striking and paradoxical that you need to hear them to believe them. The book enables you to listen to the sounds that are described while reading about them.
We remember in social contexts. We reminisce about the past together, collaborate to remember shared experiences, and, even when we are alone, we remember in the context of our communities and cultures. Taking an interdisciplinary approach throughout, this text comprehensively covers collaborative remembering across the fields of developmental psychology, cognitive psychology, social psychology, discourse processing, philosophy, neuropsychology, design, and media studies. It highlights points of overlap and contrast across the many disciplinary perspectives and, with its sections on 'Approaches of Collaborative Remembering' and 'Applications of Collaborative Remembering', also connects basic and applied research. Written with late-stage undergraduates and early-stage graduates in mind, the book is also a valuable tool for memory specialists and academics in the fields of psychology, cognitive science and philosophy who are interested in collaborative memory research.
The relationship between brain and mind is one of the most baffling problems in science but potentially one of the most interesting. First published in 1985, this collection of original essays traces the development of mind in animals and human beings from its origins in the evolution of larger brains with a capacity for creating mental models of the environment. Examples are given of the way in which the brain may use this increased capacity to represent both the physical and social worlds, and the authors suggest that this type of mental activity might underly what human beings recognize in themselves as 'awareness' or 'consciousness'. Brain and Mind brings together much of the latest research and provides a useful framework for the study of this increasingly important subject. The contributors are experts in a wide range of disciplines and draw their conclusions from a broad base of clinical and experimental evidence. Students of psychology, zoology, anatomy, medicine and philosophy, as well as anyone who has wondered about their own mind and its relation to the brain, will find this a fascinating and stimulating source.
Uniting Thomas Lawson's essays on the cognitive science of religion, this volume explores theoretical issues in the study of cultural phenomena such as religion, the role of imagination, and the experiments that emerge from these theories. The book begins with Lawson's influential essay “Towards a Cognitive Science of Religion,” which was the first to employ the phrase, and has since become widely adopted in many different disciplines. It signals to scholars in the humanities that the cognitive revolution has finally reached them and serves to introduce them to the world of science. The rest of the book focuses on theoretical issues in the study of cultural phenomena and describes experiments by scholars working on the connections between cognition and culture. Described as "the grandfather of the cognitive science of religion," Lawson offers a unique perspective on the development of the field and the principles that underlie it, which will be relevant to both newcomers and established scholars.
Over the last few decades, our knowledge of how the human mind and brain works increased dramatically. The field of cognitive science enables us to understand religious traditions, rituals, and visionary experiences in novel ways. This has implications for the study of the New Testament and early Christianity. How people in the ancient Mediterranean world remembered sayings and stories, what they experienced when participating in rituals, how they thought about magic and miracle, and how they felt and reasoned about moral questions-all of that can be now better understood with the help of insights from cognitive science. Istvan Czachesz argues that the field of New Testament Studies witnesses the beginning of a cognitive turn. He surveys relevant developments in the Cognitive Science of Religion and explores the field of cognitive and behavioral sciences in search of opportunities of gaining new insights about biblical materials. Czachesz presents some methodological tools and initial steps, together with a large number of examples of applying the cognitive approach to the New Testament and related ancient literature.
Analysing language data systematically and looking closely at how people formulate their thoughts can reveal astonishing insights about the human mind. Without presupposing specific subject knowledge, this book gently introduces its readers to theoretical insights as well as practical principles for systematic linguistic analysis from a cognitive perspective. Drawing on Thora Tenbrink's twenty years' experience in both linguistics and cognitive science, this book offers theoretical guidance and practical advice for doing cognitive discourse analysis. It covers areas of analysis as diverse as attention, perspective, granularity, certainty, inference, transformation, communication, and cognitive strategies, using inspiring examples from many different projects. Simple techniques and tools are used to allow readers new to the subject easy ways to apply the methods, without the need for complex technologies, whilst the cross-disciplinary approach can be applied to a diverse range of research purposes and contexts in which language and thought play a role.
Egoicism, a mindset that places primary focus upon oneself, appears to be rampant in contemporary Western cultures as commercial advertisements, popular books, song lyrics, and mobile software applications consistently promote self-interest. Although a focus on oneself has adaptive value for physical preservation, decision making, and planning, researchers have begun to address the psychological, interpersonal, and broader societal costs of excessive egoicism. In an increasingly crowded and interdependent world, there is a pressing need for investigation of alternatives to a "me and mine first" mindset. For centuries, scholars, spiritual leaders, and social activists have advocated a "hypo-egoic" way of being that is characterized by less self-concern in favor of a more inclusive, "we first" mode of functioning. In recent years, investigations of hypo-egoic functioning have been taken up by philosophers, cognitive scientists, neuroscientists, and psychologists. Edited by Kirk Warren Brown and Mark Leary, The Oxford Handbook of Hypo-egoic Phenomena brings together these vital lines of inquiry, distilling current knowledge about hypo-egoicism into a single source book. The authors of each chapter have conducted high-quality research and written authoritatively about topics that involve hypo-egoicism, all together providing an authoritative account of theory, research, and applications of hypo-egoic functioning. Part I of the book offers theoretical perspectives from philosophy and several major branches of psychology to inform our understanding of the nature of hypo-egoicism and its expressions in various domains of life. Part II presents psychological research findings regarding particular psychological phenomena in which hypo-egoicism is a prominent feature, demonstrating the implications of hypo-egoicism for well-being, emotion regulation, adaptive decision-making, positive social relations, and other markers of human well-being. Each chapter reviews the research literature regarding a particular hypo-egoic phenomenon and offers constructive criticism of the current limits of the research and important agendas for future investigation. Thus, this Handbook offers the most comprehensive and thoughtful analyses of hypo-egoicism to date.
The Renaissance Extended Mind explores the parallels and contrasts between current philosophical notions of the mind as extended across brain, body and world, and analogous notions in literary, philosophical, and scientific texts circulating between the fifteenth century and early-seventeenth century.
In Exploring Robotic Minds: Actions, Symbols, and Consciousness as Self-Organizing Dynamic Phenomena, Jun Tani sets out to answer an essential and tantalizing question: How do our minds work? By providing an overview of his "synthetic neurorobotics" project, Tani reveals how symbols and concepts that represent the world can emerge in a neurodynamic structure-iterative interactions between the top-down subjective view, which proactively acts on the world, and the bottom-up recognition of the resultant perceptual reality. He argues that nontrivial problems of consciousness and free will could be addressed through structural understanding of such iterative, conflicting interactions between the top-down and the bottom-up pathways. A wide range of readers will enjoy this wonderful journey of the mind and will follow the author on interdisciplinary discussions that span neuroscience, dynamical systems theories, robotics, and phenomenology. The book also includes many figures, as well as a link to videos of Tani's exciting robotic experiments.
The problem of consciousness continues to be a subject of great debate in cognitive science. Synthesizing decades of research, The Conscious Brain advances a new theory of the psychological and neurophysiological correlates of conscious experience. Prinz's account of consciousness makes two main claims: first consciousness always arises at a particular stage of perceptual processing, the intermediate level, and, second, consciousness depends on attention. Attention changes the flow of information allowing perceptual information to access memory systems. Neurobiologically, this change in flow depends on synchronized neural firing. Neural synchrony is also implicated in the unity of consciousness and in the temporal duration of experience. Prinz also explores the limits of consciousness. We have no direct experience of our thoughts, no experience of motor commands, and no experience of a conscious self. All consciousness is perceptual, and it functions to make perceptual information available to systems that allows for flexible behavior. Prinz concludes by discussing prevailing philosophical puzzles. He provides a neuroscientifically grounded response to the leading argument for dualism, and argues that materialists need not choose between functional and neurobiological approaches, but can instead combine these into neurofunctional response to the mind-body problem. The Conscious Brain brings neuroscientific evidence to bear on enduring philosophical questions, while also surveying, challenging, and extending philosophical and scientific theories of consciousness. All readers interested in the nature of consciousness will find Prinz's work of great interest.
Thomas G. Bever's now iconic sentence, The horse raced past the barn fell, first appeared in his 1970 paper "The Cognitive Basis of Linguistic Structures". This 'garden path sentence', so-called because of the way it leads the reader or listener down the wrong parsing path, helped spawn the entire subfield of sentence processing. It has become the most often quoted element of a paper which spanned a wealth of research into the relationship between the grammatical system and language processing. Language Down the garden Path traces the lines of research that grew out of Bever's classic paper. Leading scientists review over 40 years of debates on the factors at play in language comprehension, production, and acquisition (the role of prediction, grammar, working memory, prosody, abstractness, syntax, and semantics mapping); the current status of universals and narrow syntax; and virtually every topic relevant in psycholinguistics since 1970. Written in an accessible and engaging style, the book will appeal to all those interested in understanding the questions that shaped, and are still shaping, this field and the ways in which linguists, cognitive scientists, psychologists, and neuroscientists are seeking to answer them.
How do we appreciate a work of art? Why do we like some artworks but not others? Is there no accounting for taste? Awarded a Guggenheim Fellowship to explore connections between art, mind, and brain, Shimamura considers how we experience art. In a thoughtful and entertaining manner, the book explores how the brain interprets art by engaging our sensations, thoughts, and emotions. It describes interesting findings from psychological and brain sciences as a way to understand our aesthetic response to art. Beauty, disgust, surprise, anger, sadness, horror, and a myriad of other emotions can occur as we experience art. Some artworks may generate such feelings rather quickly, while others depend on thought and knowledge. Our response to art depends largely on what we know-from everyday knowledge about the world, from our cultural backgrounds, and from personal experience. Filled with artworks from many traditions and time points, "Experiencing Art" offers insightful ways of broadening one's approach and appreciation of art.
The Roots of Cognitive Neuroscience takes a close look at what we can learn about our minds from how brain damage impairs our cognitive and emotional systems. This approach has a long and rich tradition dating back to the 19th century. With the rise of new technologies, such as functional neuroimaging and non-invasive brain stimulation, interest in mind-brain connections among scientists and the lay public has grown exponentially. Behavioral neurology and neuropsychology offer critical insights into the neuronal implementation of large-scale cognitive and affective systems. The book starts out by making a strong case for the role of single case studies as a way to generate new hypotheses and advance the field. This chapter is followed by a review of work done before the First World War demonstrating that the theoretical issues that investigators faced then remain fundamentally relevant to contemporary cognitive neuroscientists. The rest of the book covers central topics in cognitive neuroscience including the nature of memory, language, perception, attention, motor control, body representations, the self, emotions, and pharmacology. There are chapters on modeling and neuronal plasticity as well as on visual art and creativity. Each of these chapters take pains to clarify how this research strategy informs our understanding of these large scale systems by scrutinizing the systematic nature of their breakdown. Taken together, the chapters show that the roots of cognitive neuroscience, behavioral neurology and neuropsychology, continue to ground our understanding of the biology of mind and are as important today as they were 150 years ago.
"The question for me is how can the human mind occur in the
physical universe. We now know that the world is governed by
physics. We now understand the way biology nestles comfortably
within that. The issue is how will the mind do that as
well."--Allen Newell, December 4, 1991, Carnegie Mellon University
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