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Books > Social sciences > Psychology > Philosophy & theory of psychology > Cognitive theory
How does the brain function in communion with the body to create complex thought and emotion? Mind Embodied: The Evolutionary Origins of Complex Cognitive Abilities in Modern Humans begins with an investigation of the embodied basis of complex cognitive abilities and sets out a theory of their evolutionary and developmental origins, their autochthonous beginnings in other species, their appearance at the margins of humankind, and their culmination in a panoply of highly elaborated abilities and skills in present-day hominins. This book explores and examines music, aesthetic movement, the visual arts, creative abilities, language and communication, sociality, narrative and conceptual thought, the beginnings of artificial intelligence augmentation, and even the finesse and tastes of an oenophile.
Thomas G. Bever's now iconic sentence, The horse raced past the barn fell, first appeared in his 1970 paper "The Cognitive Basis of Linguistic Structures". This 'garden path sentence', so-called because of the way it leads the reader or listener down the wrong parsing path, helped spawn the entire subfield of sentence processing. It has become the most often quoted element of a paper which spanned a wealth of research into the relationship between the grammatical system and language processing. Language Down the garden Path traces the lines of research that grew out of Bever's classic paper. Leading scientists review over 40 years of debates on the factors at play in language comprehension, production, and acquisition (the role of prediction, grammar, working memory, prosody, abstractness, syntax, and semantics mapping); the current status of universals and narrow syntax; and virtually every topic relevant in psycholinguistics since 1970. Written in an accessible and engaging style, the book will appeal to all those interested in understanding the questions that shaped, and are still shaping, this field and the ways in which linguists, cognitive scientists, psychologists, and neuroscientists are seeking to answer them.
Why does the world look to us as it does? Generally speaking, this question has received two types of answers in the cognitive sciences in the past fifty or so years. According to the first, the world looks to us the way it does because we construct it to look as it does. According to the second, the world looks as it does primarily because of how the world is. In The Innocent Eye, Nico Orlandi defends a position that aligns with this second, world-centered tradition, but that also respects some of the insights of constructivism. Orlandi develops an embedded understanding of visual processing according to which, while visual percepts are representational states, the states and structures that precede the production of percepts are not representations. If we study the environmental contingencies in which vision occurs, and we properly distinguish functional states and features of the visual apparatus from representational states and features, we obtain an empirically more plausible, world-centered account. Orlandi shows that this account accords well with models of vision in perceptual psychology - such as Natural Scene Statistics and Bayesian approaches to perception - and outlines some of the ways in which it differs from recent 'enactive' approaches to vision. The main difference is that, although the embedded account recognizes the importance of movement for perception, it does not appeal to action to uncover the richness of visual stimulation. The upshot is that constructive models of vision ascribe mental representations too liberally, ultimately misunderstanding the notion. Orlandi offers a proposal for what mental representations are that, following insights from Brentano, James and a number of contemporary cognitive scientists, appeals to the notions of de-coupleability and absence to distinguish representations from mere tracking states.
The Roots of Cognitive Neuroscience takes a close look at what we can learn about our minds from how brain damage impairs our cognitive and emotional systems. This approach has a long and rich tradition dating back to the 19th century. With the rise of new technologies, such as functional neuroimaging and non-invasive brain stimulation, interest in mind-brain connections among scientists and the lay public has grown exponentially. Behavioral neurology and neuropsychology offer critical insights into the neuronal implementation of large-scale cognitive and affective systems. The book starts out by making a strong case for the role of single case studies as a way to generate new hypotheses and advance the field. This chapter is followed by a review of work done before the First World War demonstrating that the theoretical issues that investigators faced then remain fundamentally relevant to contemporary cognitive neuroscientists. The rest of the book covers central topics in cognitive neuroscience including the nature of memory, language, perception, attention, motor control, body representations, the self, emotions, and pharmacology. There are chapters on modeling and neuronal plasticity as well as on visual art and creativity. Each of these chapters take pains to clarify how this research strategy informs our understanding of these large scale systems by scrutinizing the systematic nature of their breakdown. Taken together, the chapters show that the roots of cognitive neuroscience, behavioral neurology and neuropsychology, continue to ground our understanding of the biology of mind and are as important today as they were 150 years ago.
A new theory is taking hold in neuroscience. It is the theory that the brain is essentially a hypothesis-testing mechanism, one that attempts to minimise the error of its predictions about the sensory input it receives from the world. It is an attractive theory because powerful theoretical arguments support it, and yet it is at heart stunningly simple. Jakob Hohwy explains and explores this theory from the perspective of cognitive science and philosophy. The key argument throughout The Predictive Mind is that the mechanism explains the rich, deep, and multifaceted character of our conscious perception. It also gives a unified account of how perception is sculpted by attention, and how it depends on action. The mind is revealed as having a fragile and indirect relation to the world. Though we are deeply in tune with the world we are also strangely distanced from it. The first part of the book sets out how the theory enables rich, layered perception. The theory's probabilistic and statistical foundations are explained using examples from empirical research and analogies to different forms of inference. The second part uses the simple mechanism in an explanation of problematic cases of how we manage to represent, and sometimes misrepresent, the world in health as well as in mental illness. The third part looks into the mind, and shows how the theory accounts for attention, conscious unity, introspection, self and the privacy of our mental world.
How do we appreciate a work of art? Why do we like some artworks but not others? Is there no accounting for taste? Awarded a Guggenheim Fellowship to explore connections between art, mind, and brain, Shimamura considers how we experience art. In a thoughtful and entertaining manner, the book explores how the brain interprets art by engaging our sensations, thoughts, and emotions. It describes interesting findings from psychological and brain sciences as a way to understand our aesthetic response to art. Beauty, disgust, surprise, anger, sadness, horror, and a myriad of other emotions can occur as we experience art. Some artworks may generate such feelings rather quickly, while others depend on thought and knowledge. Our response to art depends largely on what we know-from everyday knowledge about the world, from our cultural backgrounds, and from personal experience. Filled with artworks from many traditions and time points, "Experiencing Art" offers insightful ways of broadening one's approach and appreciation of art.
The topic of introspection stands at the interface between questions in epistemology about the nature of self-knowledge and questions in the philosophy of mind about the nature of consciousness. What is the nature of introspection such that it provides us with a distinctive way of knowing about our own conscious mental states? And what is the nature of consciousness such that we can know about our own conscious mental states by introspection? How should we understand the relationship between consciousness and introspective self-knowledge? Should we explain consciousness in terms of introspective self-knowledge or vice versa? Until recently, questions in epistemology and the philosophy of mind were pursued largely in isolation from one another. This volume aims to integrate these two lines of research by bringing together fourteen new essays and one reprinted essay on the relationship between introspection, self-knowledge, and consciousness.
Bodies and Other Objects is written for students, scholars and anyone with an interest in embodied cognition - the claim that the human mind cannot be understood without regard for the actions and capacities of the body. The impulse to write this book was a dissatisfaction with the inconsistent, and often shallow, use of the term 'embodied cognition'. This text attempts to reframe cognitive science with a unified theory of embodied cognition in which sensorimotor elements provide the basis for cognition, including symbolic exchanges that arise within a society of agents. It draws ideas and evidence from experimental psychology, neuroscience, philosophy and anthropology in reaching the conclusion that human cognition is best understood as the means by which exchanges within a constantly evolving network of skilful bodies and objects are regulated so as to further human interests.
This Handbook provides a complete assessment of the current achievements and challenges of the Minimalist Program. Established 15 years ago by Noam Chomsky with the aim of making all statements about language as simple and general as possible, linguistic minimalism is now at the centre of efforts to understand how the human language faculty operates in the mind and manifests itself in languages. In this book leading researchers from all over the world explore the origins of the program, the course of its sometimes highly technical research, and its connections with other disciplines, such as parallel developments in fields such as developmental biology, cognitive science, computational science, and philosophy of mind. The authors examine every aspect of the enterprise, show how each part relates to the whole, and set out current methodological and theoretical issues and proposals. The various chapters in this book trace the development of minimalist ideas in linguistics, highlight their significance and distinctive character, and relate minimalist research and aims to those in parallel fields. They focus on core aspects in syntax, including feature, case, phrase structure, derivations, and representations, and on interface issues within the grammar. They also take minimalism outside the domain of grammar to consider its role in closely related biolinguistic projects, including the evolution of mind and language and the relation between language and thought. The handbook is designed and written to meet the needs of students and scholars in linguistics and cognitive science at graduate level and above, as well as to provide a guide to the field for researchers other disciplines.
What goes on in creative writers' heads when they write? What can cognitive psychology, neuroscience, literary studies and previous research in creative writing studies tell creative writers about the processes of their writing mind? Creative writers have for centuries undertaken cognitive research. Some described cognition in vivid exegetical essays, but most investigated the mind in creative writing itself, in descriptions of the thinking of characters in fiction, poetry and plays. The inner voicings and inner visualising revealed in Greek choruses, in soliloquies, in stream-of-consciousness narratives are creative writers' 'research results' from studying their own cognition, and the thinking of others. The Creative Writer's Mind is a book for creative writers: it sets out to cross the gap between creative writing and science, between the creative arts and cognitive research.
Around the world and throughout history, in cultures as diverse as
ancient Mesopotamia and modern America, human beings have been
compelled by belief in gods and developed complex religions around
them. But why? What makes belief in supernatural beings so
widespread? And why are the gods of so many different people so
similar in nature? This provocative book explains the origins and
persistence of religious ideas by looking through the lens of
science at the common structures and functions of human thought.
Abstract concepts are often embodied through metaphor. For example, we talk about moving through time in metaphorical terms, as if we were moving through space, allowing us to 'look back' on past events. Much of the work on embodied metaphor to date has assumed a single set of universal, shared bodily experiences that motivate our understanding of abstract concepts. This book explores sources of variation in people's experiences of embodied metaphor, including, for example, the shape and size of one's body, one's age, gender, state of mind, physical or linguistic impairments, personality, ideology, political stance, religious beliefs, and linguistic background. It focuses on the ways in which people's experiences of metaphor fluctuate over time within a single communicative event or across a lifetime. Combining theoretical argument with findings from new studies, Littlemore analyses sources of variation in embodied metaphor and provides a deeper understanding of the nature of embodied metaphor itself.
What do infants know? How does the knowledge that they begin with prepare them for learning about the particular physical, cultural, and social world in which they live? Answers to this question shed light not only on infants but on children and adults in all cultures, because the core knowledge possessed by infants never goes away. Instead, it underlies the unspoken, common sense knowledge of people of all ages, in all societies. By studying babies, researchers gain insights into infants themselves, into older children's prodigious capacities for learning, and into some of the unconscious assumptions that guide our thoughts and actions as adults. In this major new work, Elizabeth Spelke shares these insights by distilling the findings from research in developmental, comparative, and cognitive psychology, with excursions into studies of animal cognition in psychology and in systems and cognitive neuroscience, and studies in the computational cognitive sciences. Weaving across these disciplines, she paints a picture of what young infants know, and what they quickly come to learn, about objects, places, numbers, geometry, and people's actions, social engagements, and mental states. A landmark publication in the developmental literature, the book will be essential for students and researchers across the behavioral, brain, and cognitive sciences.
This book presents a novel and comprehensive theory of consciousness. The initial chapter distinguishes six main forms of consciousness and sketches an account of each one. Later chapters focus on phenomenal consciousness, consciousness of, and introspective consciousness. In discussing phenomenal consciousness, Hill develops the representational theory of mind in new directions, arguing that all awareness involves representations, even awareness of qualitative states like pain. He then uses this view to undercut dualistic accounts of qualitative states. Other topics include visual awareness, visual appearances, emotional qualia, and meta-cognitive processing. This important work will interest a wide readership of students and scholars in philosophy of mind and cognitive science.
'This book can catapult you into living fully the life that is yours to live while you have the chance' Jon Kabat-Zinn 'A must-read for our distracted times' Dan Goleman 'A must-have guide to experiencing every moment of our lives' Goldie Hawn 'A treasure trove of insights and exercises to enrich our lives' Dan Siegel Stop for a moment. Are you here right now? Is your focus on the words in front of you? Or is it roaming elsewhere, to the past or future, to a worry, to your to-do list, or to your phone? The good news: There's nothing wrong with you - your brain isn't broken. The human brain was built to be distractible. The even better news: You can train your brain to pay attention more effectively. Acclaimed neuroscientist Dr Amishi Jha has dedicated her life's work to understanding the science of attention at every level - from brain imaging studies in the lab to field testing soldiers, firefighters and athletes. Her mission has been to scientifically determine how we can harness the full power of our attention to better meet all that life demands. In Peak Mind, Dr Jha expertly guides readers through fascinating research, debunking common assumptions about focus and attention, and offers remarkably easy-to-adapt flexible twelve minute-a-day exercises to lift the mental fog, declutter the mind, and strengthen focus so that you can experience more of your life.
From the acclaimed author of Lying, a brilliant exploration of happiness set in the context of the world's great philosophers, leaders, writers, and artists In this smart and timely book, the distinguished moral philosopher Sissela Bok ponders the nature of happiness and its place in philosophical thinking and writing throughout the ages. With nuance and elegance, Bok explores notions of happiness-from Greek philosophers to Desmond Tutu, Charles Darwin, Iris Murdoch, and the Dalai Lama-as well as the latest theories advanced by psychologists, economists, geneticists, and neuroscientists. Eschewing abstract theorizing, Bok weaves in a wealth of firsthand observations about happiness from ordinary people as well as renowned figures. This may well be the most complete picture of happiness yet. This book is also a clarion call to think clearly and sensitively about happiness. Bringing together very different disciplines provides Bok with a unique opportunity to consider the role of happiness in wider questions of how we should lead our lives and treat one another-concerns that don't often figure in today's happiness equation. How should we pursue, weigh, value, or limit our own happiness, or that of others, now and in the future? Compelling and perceptive, Exploring Happiness shines a welcome new light on the heart of the human condition.
This important contribution to the Minimalist Program offers a
comprehensive theory of locality and new insights into phrase
structure and syntactic cartography. It unifies central components
of the grammar and increases the symmetry in syntax. Its central
hypothesis has broad empirical application and at the same time
reinforces the central premise of minimalism that language is an
optimal system.
This book makes a fundamental contribution to phonology, linguistic
typology, and the nature of the human language faculty. Distinctive
features in phonology distinguish one meaningful sound from
another. Since the mid-twentieth century they have been seen as a
set characterizing all possible phonological distinctions and as an
integral part of Universal Grammar, the innate language faculty
underlying successive versions of Chomskyan generative theory. The
usefulness of distinctive features in phonological analysis is
uncontroversial, but the supposition that features are innate and
universal rather than learned and language-specific has never,
until now, been systematically tested. In his pioneering account
Jeff Mielke presents the results of a crosslinguistic survey of
natural classes of distinctive features covering almost six hundred
of the world's languages drawn from a variety of different
families. He shows that no theory is able to characterize more than
71 percent of classes, and further that current theories, deployed
either singly or collectively, do not predict the range of classes
that occur and recur. He reveals the existence of apparently
unnatural classes in many languages. Even without these findings,
he argues, there are reasons to doubt whether distinctive features
are innate: for example, distinctive features used in signed
languages are different from those in spoken languages, even though
deafness is generally not hereditary.
This book makes a fundamental contribution to phonology, linguistic
typology, and the nature of the human language faculty. Distinctive
features in phonology distinguish one meaningful sound from
another. Since the mid-twentieth century they have been seen as a
set characterizing all possible phonological distinctions and as an
integral part of Universal Grammar, the innate language faculty
underlying successive versions of Chomskyan generative theory. The
usefulness of distinctive features in phonological analysis is
uncontroversial, but the supposition that features are innate and
universal rather than learned and language-specific has never,
until now, been systematically tested. In his pioneering account
Jeff Mielke presents the results of a crosslinguistic survey of
natural classes of distinctive features covering almost six hundred
of the world's languages drawn from a variety of different
families. He shows that no theory is able to characterize more than
71 percent of classes, and further that current theories, deployed
either singly or collectively, do not predict the range of classes
that occur and recur. He reveals the existence of apparently
unnatural classes in many languages. Even without these findings,
he argues, there are reasons to doubt whether distinctive features
are innate: for example, distinctive features used in signed
languages are different from those in spoken languages, even though
deafness is generally not hereditary.
Working memory - the ability to keep important information in mind while comprehending, thinking, and acting - varies considerably from person to person and changes dramatically during each person's life. Understanding such individual and developmental differences is crucial because working memory is a major contributor to general intellectual functioning. This volume offers a state-of-the-art, integrative, and comprehensive approach to understanding variation in working memory by presenting explicit, detailed comparisons of the leading theories. It incorporates views from the different research groups that operate on each side of the Atlantic, and covers working-memory research on a wide variety of populations, including healthy adults, children with and without learning difficulties, older adults, and adults and children with neurological disorders. A particular strength of this volume is that each research group explicitly addresses the same set of theoretical questions, from the perspective of both their own theoretical and experimental work and from the perspective of relevant alternative approaches. Through these questions, each research group considers their overarching theory of working memory, specifies the critical sources of working memory variation according to their theory, reflects on the compatibility of their approach with other approaches, and assesses their contribution to general working memory theory. This shared focus across chapters unifies the volume and highlights the similarities and differences among the various theories. Each chapter includes both a summary of research positions and a detailed discussion of each position. Variation in Working Memory achieves coherence across its chapters, while presenting the entire range of current theoretical and experimental approaches to variation in working memory.
This book scrutinizes recent work in phonological theory from the
perspective of Chomskyan generative linguistics and argues that
progress in the field depends on taking seriously the idea that
phonology is best studied as a mental computational system derived
from an innate base, phonological Universal Grammar. Two simple
problems of phonological analysis provide a frame for a variety of
topics throughout the book. The competence-performance distinction
and markedness theory are both addressed in some detail, especially
with reference to phonological acquisition. Several aspects of
Optimality Theory, including the use of Output-Output
Correspondence, functionalist argumentation and dependence on
typological justification are critiqued. The authors draw on their
expertise in historical linguistics to argue that diachronic
evidence is often mis-used to bolster phonological arguments, and
they present a vision of the proper use of such evidence. Issues of
general interest for cognitive scientists, such as whether
categories are discrete and whether mental computation is
probabilistic are also addressed. The book ends with concrete
proposals to guide future phonological research.
A recurrent issue in linguistic theory and psychology concerns the
cognitive status of memorized lists and their internal structure.
In morphological theory, the collections of inflected forms of a
given noun, verb, or adjective into inflectional paradigms are
thought to constitute one such type of list. This book focuses on
the question of which elements in a paradigm can stand in a
relation of partial or total phonological identity. Leading
scholars consider inflectional identity from a variety of
theoretical perspectives, with an emphasis on both case studies and
predictive theories of where syncretism and other "paradigmatic
pressures" will occur in natural language. The authors consider
phenomena such as allomorphy and syncretism while exploring
questions of underlying representations, the formal properties of
markedness, and the featural representation of conjugation and
declension classes. They do so from the perspective of contemporary
theories of morphology and phonology, including Distributed
Morphology and Optimality Theory, and in the context of a wide
range of languages, among them Amharic, Greek, Romanian, Russian,
Saami, and Yiddish. The subjects addressed in the book include the
role of featural decomposition of morphosyntactic features, the
status of paradigms as the unit of syncretism, asymmetric effects
in identity-dependence, and the selection of a base-of-derivation.
The field of cognitive modeling has progressed beyond modeling
cognition in the context of simple laboratory tasks and begun to
attack the problem of modeling it in more complex, realistic
environments, such as those studied by researchers in the field of
human factors. The problems that the cognitive modeling community
is tackling focus on modeling certain problems of communication and
control that arise when integrating with the external environment
factors such as implicit and explicit knowledge, emotion,
cognition, and the cognitive system. These problems must be solved
in order to produce integrated cognitive models of moderately
complex tasks. Architectures of cognition in these tasks focus on
the control of a central system, which includes control of the
central processor itself, initiation of functional processes, such
as visual search and memory retrieval, and harvesting the results
of these functional processes. Because the control of the central
system is conceptually different from the internal control required
by individual functional processes, a complete architecture of
cognition must incorporate two types of theories of control: Type 1
theories of the structure, functionality, and operation of the
controller, and type 2 theories of the internal control of
functional processes, including how and what they communicate to
the controller. This book presents the current state of the art for
both types of theories, as well as contrasts among current
approaches to human-performance models. It will be an important
resource for professional and student researchers in cognitive
science, cognitive-engineering, and human-factors.
Teleosemantics seeks to explain meaning and other intentional phenomena in terms of their function in the life of the species. This volume of new essays from an impressive line-up of well-known contributors offers a valuable summary of the current state of the teleosemantics debate.
This book explores how grammatical structure is related to meaning. The meaning of a phrase clearly depends on its constituent words and how they are combined. But how does structure contribute to meaning in natural language? Does combining adjectives with nouns (as in 'brown dog') differ semantically from combining verbs with adverbs (as in 'barked loudly')? What is the significance of combining verbs with names and quantificational expressions (as in 'Fido chased every cat')? In addressing such questions, Paul Pietroski develops a novel conception of linguistic meaning according to which the semantic contribution of combining expressions is simple and uniform across constructions. Drawing on work at the heart of contemporary debates in linguistics and philosophy, the author argues that Donald Davidson's treatment of action sentences as event descriptions should be viewed as an instructive special case of a more general semantic theory. The unified theory covers a wide range of examples, including sentences that involve quantification, plurality, descriptions of complex causal processes, and verbs that take sentential complements. Professor Pietroski also provides fresh ways of thinking about much-discussed semantic generalizations that seem to reflect innately determined aspects of human languages. Designed to be accessible to anyone with a basic knowledge of logic, Events and Semantic Architecture will interest advanced students of linguistics, philosophy, and cognitive science at graduate level and above. |
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