This book philosophically explores a wide range of subjects relating to evil and human wickedness, including the nature of evil, explaining evil, evil and moral responsibility, and responding to evil.

Out of Sight, Out of Mind: An Anthology on the Intersection of Prejudice and Discrimination provides students with a carefully curated selection of readings that analyze, break down, and work through the barriers that highlight cultural appropriation, stigma, and inequity. The anthology is divided into four distinct units that focus on various issues in society as they relate to prejudice and discrimination. Unit I focuses on theories of inequity and includes readings that examine theories on discrimination, colorism, families of color, and anomie, strain, and subcultural theories. In Unit II, students learn about social categorization. They read about personality and prejudice in interracial interactions, the importance of family, race, and gender for multiracial adolescent well-being, and social enterprise for poverty alleviation. Unit III explores discrimination in the contexts of education and finances, as well as the effects of discrimination on the United States. The final unit contains readings related to race and covers issues related to internationalism and race-based preferences. A timely and illuminating anthology, Out of Sight, Out of Mind is an ideal resources for courses in sociology, ethnic studies, and cultural studies.

This book is the first comprehensive examination of the close relationship that obtained between leading groups of British socialists and American progressives in the first three decades of the twentieth century. Employing new methods of conceptual and institutional analysis, and drawing on extensive original archival research, the book examines the efforts of leading political theorists to transform the initially distinctive theories of the British and American lefts into a single unified ideology. In so doing it challenges traditional narratives emphasising the exceptional development the American and British lefts, and argues instead that the central theoretical and practical commitments of both movements were constantly shaped and reshaped by international ideological exchange.

The "Encyclopedia of Political Anarchy" charts history's most misunderstood social movement. Covering political anarchy worldwide for the past 300 years, the book also examines the ancient roots of the movement, spotlights key individuals, and explores important groups, organizations, events, laws, legal cases, and theories.

More than just a reference source, "Encyclopedia of Political Anarchy" also tells the interesting story of sophisticated and complex social and philosophical forces that left their mark on the world--from the 13th century Free Spirit movement against the oppressive power of the church in France to the present-day Zapatista National Liberation Army in Mexico.

The origins and deeds of the old Goths were constructed by Roman historians in fear of the Goth as a barbarian outsider; at the same time, the Goths were themselves the heroic subject of their own histories, constructed by their supporters as stories of their mythical origin and the deeds that led them to be rulers of their own kingdoms in post-Roman Late Antiquity. Who the old Goths were, their origins and their deeds, was a product of history, historiography and myth-making. In this book, Spracklen and Spracklen use the idea of collective memory to explore the controversies and boundary-making surrounding the genesis and progression of the modern gothic alternative culture. Spracklen and Spracklen argue that goth as sub-culture in the eighties was initially counter cultural, political and driven by a musical identity that emerged from punk. However, as goth music globalised and became another form of pop and rock music, goth in the nineties retreated into an alternative sub-culture based primarily on style and a sense of transgression and profanity. By this century goth became the focus of teenage rebellions, moral panics and growing commodification of counter-cultural resistance, so that by the goth has effectively become another fashion choice in the late-modern hyper-real shopping malls, devoid generally of resistance and politics. Goth, like punk, is in danger of being co-opted altogether by capitalism. This book suggests that the only way for goth culture to survive is if it becomes transgressive and radical again.

Everyone knows the name Calamity Jane. Scores of dime novels and movie and TV Westerns have portrayed this original Wild West woman as an adventuresome, gun-toting hellion. Although Calamity Jane has probably been written about more than any other woman of the nineteenth-century American West, fiction and legend have largely obscured the facts of her life. This lively, concise, and exhaustively researched biography traces the real person from the Missouri farm where she was born in 1856 through the development of her notorious persona as a Wild West heroine.
Before Calamity Jane became a legend, she was Martha Canary, orphaned when she was only eleven years old. From a young age she traveled fearlessly, worked with men, smoked, chewed tobacco, and drank. By the time she arrived in the boomtown of Deadwood, South Dakota, in 1876, she had become Calamity Jane, and the real Martha Canary had disappeared under a landslide of purple prose.
Calamity became a hostess and dancer in Deadwood's saloons and theaters. She imbibed heavily, and she might have been a prostitute, but she had other qualities, as well, including those of an angel of mercy who ministered to the sick and the down-and-out. Journalists and dime novelists couldn't get enough of either version, nor, in the following century, could filmmakers.
Sorting through the stories, veteran western historian Richard W. Etulain's account begins with a biography that offers new information on Calamity's several "husbands" (including one she legally married), her two children, and a woman who claimed to be the daughter of Wild Bill Hickok and Calamity, a story Etulain discredits. In the second half of the book, Etulain traces the stories that have shaped Calamity Jane's reputation. Some Calamity portraits, he says, suggest that she aspired to a quiet life with a husband and family. As the 2004-2006 HBO series "Deadwood" makes clear, well more than a century after her first appearance as a heroine in the Deadwood Dick dime novels, Calamity Jane lives on--raunchy, unabashed, contradictory, and ambiguous as ever.""

Defining 'Australian metal' is a challenge for scene members and researchers alike. Australian metal has long been situated in a complex relationship between local and global trends, where the geographic distance between Australia and metal music's seemingly traditional centres in the United States and United Kingdom have meant that metal in Australia has been isolated from international scenes. While numerous metal scenes exist throughout the country, 'Australian metal' itself, as a style, as a sound, and as a signifier, is a term which cannot be easily defined. This book considers the multiple ways in which 'Australianness' has been experienced, imagined, and contested throughout historical periods, within particular subgenres, and across localised metal scenes. In doing so, the collection not only explores what can be meant by Australian metal, but what can be meant by 'Australian' more generally. With chapters from researchers and practitioners across Australia, each chapter maps the distinct ways in which 'Australianness' has been grappled with in the identities, scenes, and cultures of heavy metal in the country. Authors address the question of whether there is anything particularly 'Australian' about Australian metal music, finding that often the 'Australianness' of Australian metal is articulated through wider, mythologised archetypes of national identity. However, this collection also reveals how Australianness can manifest in metal in ways that can challenge stereotypical imaginings of national identity, and assert new modes of being metal 'downungerground'.

This book presents a reconfiguration of the concepts of community in Latin countries as well as the community quality of life and well-being of different groups: children, young people, older adults, migrants. The traditional concept of community has changed together with the way people participate in community spaces. Community nowadays is more than a geographic concentration; it is related to social support, inter-subjectivity, participation, consensus, common beliefs, joint effort aiming at a major objective, and intense and extensive relationships. This volume presents unique experiences about culture, social development, health, water, armed conflicts, the digital media, and sports within communities, written by authors from Latin countries. This volume is a valuable resource for researchers, students, and policy makers in quality of life studies.

Bringing together contributions from top specialists in Hispanic studies - both Peninsular and Latin American - this volume explores a variety of critical issues related to the historical, political, and ideological configuration of the field. Dealing with Hispanism in both Latin America and the United States, the book's multidisciplinary essays range from historical studies of the hegemonic status of Castillian language in Spain and America to the analysis of otherness and the uses of memory and oblivion in various nationalist discourses on both sides of the Atlantic. Wide-ranging though they are, these essays are linked by an understanding of Hispanism as a cultural construction that originates with the conquest of America and assumes different intellectual and political meanings in different periods, from the time of national cultural consolidation, to the era of modernization, to the more recent rise of globalization.

Places of Privilege examines dynamics of privilege and power in the construction of place in a period of the rapid social transformation of places, borders and boundaries. Drawing on inter-disciplinary perspectives, the book examines place as a site for the making and re-making of privilege, while considering new meanings of community, and examining spaces for cultural identity and resistance. Chapters point to a range of conceptual resources that can be utilised to produce critical analyses of place-making. As the authors point out, power and privilege shape place but these dynamics are in turn shaped by the specific place based histories and social dynamics within which they are located. Contributors are: Lutfiye Ali, Alison M. Baker, Paola Bilbrough, Tony Birch, Jora Broerse, Sally Clark, Josephine Cornell, Yon Hsu, Lou Iaquinto, Karen Jackson, Shose Kessi, Rebecca Lyons, Chris McConville, Nicole Oke, Amy Quayle, Alexandra Ramirez, Kopano Ratele, Christopher C. Sonn, and Ramon Spaaij.

It has been called "the most singular centaur that religion and science have ever produced" (Franz Boll). Astrology as a cultural form has puzzled and fascinated generations of humankind. It reached its apogee in the European Renaissance, when it flourished in literature, political expression, medicine, art, and all the other areas of endeavor catalogued in this unique collection. Brill's Companion to Renaissance Astrology brings together a wide array of expertise from around the globe to explain the method and matter of this cultural form, including the Arab and Classical heritage, the medieval tradition, the clash with organized religion, the influence on knowledge and the competition with newly emerging ways of knowing, summarizing the current state of research and suggesting new paths. Contributors include: Giuseppe Bezza, Dieter Blume, Claudia Brosseder, Brendan Dooley, William Eamon, Ornella Faracovi, Hiro Hirai, Wolfgang Hubner, Eileen Reeves, Steven Vanden Broecke, and Graziella Federici Vescovini.

Since 2004, the Baby Doll Mardi Gras tradition in New Orleans has gone from an obscure, almost forgotten practice to a flourishing cultural force. The original Baby Dolls were groups of black women, and some men, in the early Jim Crow era who adopted New Orleans street masking tradition as a unique form of fun and self-expression against a backdrop of racial discrimination. Wearing short dresses, bloomers, bonnets, and garters with money tucked tight, they strutted, sang ribald songs, chanted, and danced on Mardi Gras Day and on St. Joseph feast night. Today's Baby Dolls continue the tradition of one of the first street women's masking and marching groups in the United States. They joyfully and unabashedly defy gender roles, claiming public space and proclaiming through their performance their right to social citizenship. Essayists draw on interviews, theoretical perspectives, archival material, and historical assessments to describe women's cultural performances that take place on the streets of New Orleans. They recount the history and contemporary resurgence of the Baby Dolls while delving into the larger cultural meaning of the phenomenon. Over 140 color photographs and personal narratives of immersive experiences provide passionate testimony of the impact of the Baby Dolls on their audiences. Fifteen artists offer statements regarding their work documenting and inspired by the tradition as it stimulates their imagination to present a practice that revitalizes the spirit.

Football has emerged as an important symbolic field through which various social, cultural, political, economic, and historical dimensions and antagonisms are negotiated. This volume covers a variety of themes illuminating the multiple ways that football impacts on people's everyday lives. Using anthropological research methods and data collected from ethnographic fieldwork, the contributors scrutinize not only the social fields of football fans and the specific socio-cultural contexts in which they are embedded, but also other actors beyond the pitch, and the possibilities for both agency and subversion. Taking into account processes of Europeanization, globalization, commercialization and migration, the collection offers fresh insights into fan identity formations and practices and highlights the importance of anthropology's self-reflexive and actor-centred perspective.

The leading cultural historian Professor Peter Burke offers here several innovative approaches to cultural history. A key topic, from which the volume derives its name, is 'secret history', a phrase that came into use in the later seventeenth century to describe a new genre of historical writing by authors who claimed to be able to go behind the scenes and tell the public the real reasons for important events. The volume is introduced by an important autobiographical essay in which the author attempts to place his own career in its historical context. Professor Burke focusses on key topics that he believes to have been unjustly neglected, such as the rise of 'literal-mindedness' or the history of the idea of context. In the history of historical writing itself, one of these neglected topics is allegorical history - in other words, writing about the past in order to communicate a message about the present. The book ranges from the history of humour to the history of stereotypes (the 'Black Legend' of the Jesuits). Professor Burke studies the history of oral poetry, as well as changing conceptions of biography, linked to changing perceptions of individuals. He addresses pivotal issues and some familiar themes from unusual angles. These include the case of the anthropology and the geography of the Renaissance, and the study of postmodern views of history as myth, compared with the views of seventeenth-century sceptics.

As witnessed by a tremendous upsurge in medieval research, academic meetings, innovative interpretive approaches, enrolment numbers, and public interest, Medieval Studies are proving once again to be a vibrant field of investigations both inside and outside of academia. Nevertheless, there is a tendency among colleagues and administrators in the field of Germanistik/German Studies to exclude the earlier period as an exotic and irrelevant subject matter. The contributors to this volume, all of whom teach at North American universities, make a strong case for the paradigmatic function of medieval German literature for the general field of Germanistik, and argue that many of the most recent changes in our discipline related to the German Studies paradigm have been foreshadowed by Medieval Studies where interdisciplinarity, comparative approaches, the consideration of Mentalitatsgeschichte, theology, history, art history, even gender studies, and the history of everyday life have often constituted the conditio sine qua non. Some of the authors in this volume argue for the relevance of medieval German literature by investigating concrete cases taken from the Middle Ages, others show how modern German literature has been deeply influenced by medieval texts. The purpose of this volume is not to privilege medieval literature over modern literature, but instead to reclaim the premodern period as an important and relevant field of investigation within contemporary German Studies.

"Kawaii" is a Japanese word that denotes "cute," "lovable," or "charming" although it does not have exactly the same meaning as those adjectives. This book proposes engineering methodologies for systematic measurement of the affective perception of kawaii, by using virtual reality and biological signals, and discusses the effectiveness of kawaii engineering for designing industrial products and services. Kawaii can draw sympathy from people and can embody a special kind of cute design, which reduces fear and makes dull information more acceptable and appealing. Following the introduction of the background of kawaii engineering in Chapter 1, Chapters 2 and 3 describe experiments on the systematic measurement and evaluation methods for kawaii products and affective evaluation experiments. Chapter 4 proposes a mathematical model to identify the physical attributes that determine kawaii in motion. Chapters 5 and 6 explain research that uses biological signals and eye-tracking. After a brief survey of psychological research on kawaii and cuteness in Chapter 7, Chapters 8 and 9 introduce the use of spoons designed to stimulate the appetite of the elderly and the practical implementation of an emotion-driven camera. Chapters 10-14 explain experimental research that examines kawaii perception of people from various cultural backgrounds. Kawaii Engineering will appeal to those who work on affective computing, product design, user experience design, virtual reality, and biological signals.

Nudity features regularly in all major media. So why is it illegal to appear naked in public? Nudity has always been paradoxical. In modern consumer culture, it is actively encouraged in some contexts, but criminal or deviant in others. Images of nudity are everywhere. Advertising uses nudity to sell everything from housing loans to appliances, perfume to cars. Nudity has, in fact, become the latest fashion. This is not surprising. Advertising and fashion need a constant stream of novelty and there's nothing so new as nudity, the oldest fashion of all. Aside from being big business, nudity is a legal and moral minefield, the object of psychological study, and a mundane fact of everyday life. We alternately think of it as a perversion and a state of absolute innocence. Why does nudity mean so many contradictory things, and why is it treated so differently in different contexts? Drawing on a wealth of examples from popular culture, literature, philosophy and religion, as well as first-hand interviews, Nudity: A Cultural Anatomy goes deep into the naked underworld to answer these questions. Barcan encounters morticians, nudists, strippers, nurses, tattooists, artists and makers of pornography. She demonstrates that ordinary people, popular culture and high philosophy are all sources of wisdom about the naked body. Nudity is one of the most fundamental metaphors in the Western tradition - indeed, it is a metaphor for human nature itself - and yet this book is one of the first to explore its paradoxes in depth. Barcan's mission is to shine a light on a topic that has been largely ignored, even within cultural studies, despite its ability to titillate, shock or entertain. From pubic hair fashions through to a Royal "full monty," Nudity: A Cultural Anatomy is a fascinating blend of meaningful minutiae and big philosophical questions about the most unnatural state of nature in the modern West.

How can I know something? How can I convince someone of the rightness of my position? How does reality function? What is artistic creativity? What is the role of the state? It is well known that people from various cultures give dissimilar answers to such philosophical questions. After three decades in the cross-cultural study of ideas and values, Thomas Kasulis found that culture influences not only the answers to these questions, but often how one arrives at the answers. In generalizing cultural difference, Kasulis identifies two kinds of orientation: intimacy and integrity. Both determine how we think about relations among people and among things, and each is reasonable, effective, and consistent. Yet the two are so incompatible in their basic assumptions that they cannot successfully engage each other.

Cultural difference extends beyond nations. Cultural identities crystallize in relation to religion, occupation, race, gender, class. Rather than attempt to transcend cultural difference, Kasulis urges a deeper awareness of its roots by moving beyond mere cultural relativism toward a cultural bi-orientationality that will allow us to adapt ourselves to different cultural contexts as the situation demands.

Wonderfully clear and unburdened by jargon, Intimacy or Integrity is accessible to readers from a variety of perspectives and backgrounds. By analyzing the synergy between thought and culture, it increases our understanding of cultural difference and guides us in developing strategies for dealing with orientations different from our own.

Business is the religion of the contemporary world. We now live in a business culture, in which business plays the major role in determining how we encounter and interpret the world around us. So argues John Deeks in a provocative book that highlights the influence of business on culture and traces the increasingly dominant role that business has played in shaping social and cultural experience. The book's general thesis is that the focus of business activity has broadened to encompass not only the traditional exploitation of resources and the manufacture of artifacts, but also the exploitation and manufacture of language, images, symbols and consciousness--- the very substance of the idea of culture. It argues that in the contemporary world, the dividing line between commerce and culture is becoming increasingly blurred and that business practices and values now dominate the material, intellectual and spiritual life of the community.

The book is structured around the idea of an extended business culture. This provides the focal points for an analysis of cultural developments related to the activities and values of the world of business. These focal points are: the development of the market economy; the control of technology; the manipulation of language, images and symbols; the shaping of consciousness; and the transmission of ideology. The book's general thesis is illustrated by an eclectic and entertaining range of material drawn from economics, sociology, psychology, anthropology, history, art, biography, literature, film, theater, television, technology, and computer science--- material drawn together by the common thread of business. By utilizing literary, dramatic and visual texts together with material on entrepreneurship and business management, the author looks at the world of business imaginatively as well as analytically--- an approach that reinforces his ideas about the relationship among business, society and culture. The book will be of particular value to those with an interest in business and social and cultural issues, and to business teachers and students. It will provide ideal supplemental reading for courses on Business and Society.

At the cusp of literary and cultural studies, this wide-ranging critical anthology reevaluates Victorian culture in the light of the literature of the period and vice versa. Also, essays by eminent and emerging Victorianists offer a reassessment, explicit and implicit, of Victorian studies and its methodologies.

"The First Black President" is a critical and passionate reflection on the political and historical implications of an Obama administration concerning the issue of race in America. Obama's rise to political power has forever changed the contours of race relations in the country as many hail the new age of a "post-racial" society. Yet, an Obama presidency could further complicate real racial progress and could set race relations back in the country for decades to come if not viewed in the proper context. The book demonstrates that the Obama presidency must be celebrated as a historical triumph based on America's racist past, but also the struggle for equality, justice and freedom must also intensify with recognition of its global consequences. The problem of race in America no longer just affects American citizens but impacts cultures around the globe. The book speaks to both optimists and pessimists alike who are struggling to understand how race factors into the domestic and international policy agenda of Obama who now sits in the highest seat of political and global power.

The Bloomsbury Encyclopedia of Popular Music Volume 6 is one of five volumes within the 'Locations' strand of the series. This volume discusses the popular music of African and the Middle East in a historical, geographical, demographical, political, economic, and cultural context. It also examines the genres associated with the region, significant venues such as theatres, dance halls, clubs and bars, and notable performers and other practitioners such as producers, engineers, and technological innovators. The volume consists of over 100 entries written by more than 60 leading popular music scholars and practitioners, including John Collins on Ghana, Moya Aliya Malamusi on Malawi, and, Motti Regev on Israel. This and all other volumes of the Encyclopedia are now available through an online version of the Encyclopedia: https://www.bloomsburypopularmusic.com/encyclopedia-work?docid=BPM_reference_EPMOW. A general search function for the whole Encyclopedia is also available on this site. A subscription is required to access individual entries. Please see: https://www.bloomsburypopularmusic.com/for-librarians.

This is the first modern study of Agrippa's occult philosophy as a coherent part of his intellectual work. By demonstrating his sophistication, it challenges traditional interpretations of Agrippa as an intellectual dilettante, and uses modern theory and philosophy to elucidate the intricacies of his thought. It also argues for a new, interdisciplinary approach to magic and its place within early modern culture, using a transhistorical conversational model to understand and interpret the texts. The analysis walks the reader through the text of "De occulta philosophia," Agrippa's 1533 masterpiece, explicating the often hidden structure and argument of the work. This volume will especially interest early modern intellectual historians, historians of religions, and scholars interested in the history of linguistic philosophy.

Civility in national and international politics is under siege. In this volume, twelve distinguished sociologists and historians from North America, Europe, and China reflect on the nature and preservation of civility in and between nation states and empires in a set of geographically and historically wide-ranging chapters. Civility protects individual self-determination and expression, promotes productive economic activity and wealth, and is central to political stability and peace within and across political communities. Yet power, always concentrated and endemic in nation states and imperial settings, poses great risks to civility. Guided by the perspective of John A. Hall, who has done more to identify and investigate the intricate relationships between states, nations, the power they hold, and civility than any other contemporary social scientist, States and Nations, Power and Civility offers a set of crisp, in-depth investigations regarding the specific mechanisms of civility and how it may be protected.