'A rich achievement full of glorious anecdotes' Hugo Vickers A Royal Christmas is a Christmas pudding of a book, enticingly full of silver threepenny pieces. Organised thematically, it covers such topics as Christmas and conflict in the 20th century, Christmas pastimes, festive feasts, Christmas and the Commonwealth, and many more, to reveal the many ways in which the Royal Family have celebrated the festive season through the ages. Jeremy Archer has delved into the Royal Archives to uncover the personal thoughts of many members of the Royal Family during the Christmas period. What comes over most strongly from Queen Victoria's journals is the importance of family: the joys they shared, the trials they endured, and the carefully-selected gifts they exchanged. Although there is much happiness, tragedy is a common bed-fellow, particularly in earlier times. And conflict is seldom very far away. But this is a celebration - both of an enduring festive season and an extraordinary family. 'An easy to read treat for royal enthusiasts, skilfully assembled to highlight significant episodes in our history from the comic to the tragic informative and enjoyable' Sarah Bradford 'Jeremy Archer has an eye for an anecdote and a clever way of arranging his material. The result is like an enormous bran tub: dip in, and you're sure to find something to keep you entertained' Kathryn Hughes, The Mail on Sunday

In Dancing in the Streets Ehrenreich uncovers the origins of communal celebration in human biology and culture. She discovers that the same elements come up in every human culture throughout history: a love of masking, carnival, music-making and dance. Although sixteenth-century Europeans began to view mass festivities as foreign and 'savage', Ehrenreich shows that they were indigenous to the West, from the ancient Greek's worship of Dionysus to the medieval practices of Christianity as a 'danced religion'. Exhilarating in its scholarly range, humane, witty and impassioned, Dancing in the Streets will generate debate and soul-searching.

Originally published between 1920-70, the "History of Civilization" was published at a formative time within the social sciences, and during a period of decisive historical discovery. The aim of the general editor, C.K. Ogden, was to summarize the most up to date findings and theories of historians, anthropologists, archaeologists and sociologists. This reprinted material is available as a set or in the following groupings: "Prehistory and Historical Ethnography" set of 12 (0-415-15611-4, u800); "Greek Civilization" set of 7 (0-415-15612-2, u450); "Roman Civilization" set of 6 (0-415-15613-0, u400); "Eastern Civilizations" set of 10 (0-415-15614-9, u650); "Judaeo-Christian Civilization" set of 4 (0-415-15615-7, u250); "European Civilization" set of 11 (0-415-15616-5, u700).

This stimulating anthology, prepared by the great folklorist, B.A. Botkin, is comprised of the traditional songs, stories, customs, and beliefs which have been handed down, by word of mouth, for so long that they seem to have a life of their own. For Botkin, they are at the core of peoplehood.

When one thinks of American folklore one thinks not only of the folklore of American life, the traditions that have sprung up on American soil, but also of the literature of folklore, the migratory traditions that have found a home in the New World. Here are the pioneer heroes, legendary and real: the boasters, liars, bad men, good people, and strong people. There are anecdotes, tall tales, cross talk, and jests, full of vigorous good humor. There is a selection of the classic ballads of sailors, miners, cowboys, lumberjacks, and hoboes. Relations between men and women, slave songs of the black people, work songs connected with union struggles, are all herein covered. In The American People, the people speak and are allowed to tell their own story in their own way.

The volume is graced by a personal memoir by Louis Filler. The reader learns the background that made Botkin an integral voice in the reconstruction of American folklore. Here, one can read the actual tales of Davy Crockett, Buffalo Bill, Casey Jones, Johnny Appleseed, The Arkansas Traveler, Paul Bunyan, and countless other figures from the past- real and mythic.

This book presents a case study of shichigosan, an extremely popular childhood family ritual in contemporary Japan. It is an interesting example of a custom with very ancient roots (going back to the tenth century), that has undergone several transformations during the course of its history, adapting to changing socio-economic and cultural circumstances. Within the study, the ritual unfolds as a shared platform where basic social values, views on children and family life, and individual perceptions emerge, are expressed and moulded at the same time. This book offers a multidisciplinary approach to the study of a ritual practice in the intensely urbanized context of present-day Japan.

French traditions in America do not live solely in Louisiana. Franco-American Identity, Community, and La Guiannee travels to Ste. Genevieve, Missouri, and Prairie du Rocher, Illinois, to mark the Franco-American traditions still practiced in both these Midwestern towns. This Franco-American cultural identity has continued for over 250 years, surviving language loss, extreme sociopolitical pressures, and the American Midwest's demands for conformity. Ethnic identity presents itself in many forms, including festivals and traditional celebrations, which take on an even more profound and visible role when language loss occurs. On New Year's Eve, the guionneurs, revelers who participate in the celebration, disguise themselves in eighteenth- and nineteenth-century costume and travel throughout their town, singing and wishing New Year's greetings to other members of the community. This celebration, like such others as Cajun Mardi Gras in Louisiana, Mumming in Ireland and Newfoundland, as well as the Carnaval de Binche, belongs to a category of begging quest festivals that have endured since the Medieval Age. These festivals may have also adapted or evolved from pre-Christian pagan rituals. Anna Servaes produces a historical context for both the development of French American culture as well as La Guiannee in order to understand contemporary identity. She analyzes the celebration, which affirms ethnic community, drawing upon theories by influential anthropologist Victor Turner. In addition, Servaes discusses cultural continuity and its relationship to language, revealing contemporary expressions of Franco-American identity.

This volume focuses on changing marriage practices and kinship structures in a setting of interaction between the ruling elites and their Chinese subjects. The collection covers three major themes: the unique adaptability of steppe society in the face of threats to its politcal dominance; the way shifts in inheritance procedure (including rights of office) induce a radical shift in attitudes to marriage as well as change in the parameters of kinship solidarity; and the enduring importance of affinal ties (connections through the mother, wife and sister) in Chinese society.

The Inuit do not represent a very large population, only 160,000 or so, spread over a very large portion of the Arctic region and located in four different countries. Although they are a "people," there are many variations from one group to the next, and any study of them must consider both similarities and differences. The Historical Dictionary of the Inuit introduces us to the Inuit as they actually are and not as they have been traditionally pictured and some would still like to see them-looking after their traditional chores and engaged in time-honored practices-but rather as a modern people trying to shape their worlds in their own interest. This second edition includes an updated chronology, as well as an introduction to provide a broader view of who the Inuit are, where they live, and what they do. But it is the dictionary section that is most interesting, with many new informative entries on persons, places, events, and institutions, shedding light not only on the culture but also on the society, economy, and politics. For those seeking further information, there is a considerably expanded bibliography. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Inuit.

Once upon a time the well-bred daughters of Britain's aristocracy took part in a female rite of passage: curtseying to the Queen. But in 1958 this ritual was coming to an end. Under pressure to shine - not least from their mothers - the girls became the focus for newspaper diarists and society photographers in a party season that stretched for months among the great houses of England, Ireland and Scotland. Fiona MacCarthy traces the stories of the girls who curtseyed that year, and shows how their lives were to open out in often very unexpected ways - as Britain itself changed irreversibly during the 1960s, and the certainties of the old order came to an end.

The simple fabric face mask is a key agent in the fight against the global spread of COVID-19. However, beyond its role as a protective covering against coronavirus infection, the face mask is the bearer of powerful symbolic and political power and arouses intense emotions. Adopting an international perspective informed by social theory, The Face Mask in COVID Times: A Sociomaterial Analysis offers an intriguing and original investigation of the social, cultural and historical dimensions of face-masking as a practice in the age of COVID. Rather than Beck's 'risk society', we are now living in a 'COVID society', the long-term effects of which have yet to be experienced or imagined. Everything has changed. The COVID crisis has generated novel forms of sociality and new ways of living and moving through space and time. In this new world, the face mask has become a significant object, positioned as one of the key ways people can protect themselves and others from infection with the coronavirus. The face mask is rich with symbolic meaning as well as practical value. In the words of theorist Jane Bennett, the face mask has acquired a new 'thing-power' as it is coming together with human bodies in these times of uncertainty, illness and death. The role of the face mask in COVID times has been the subject of debate and dissension, arousing strong feelings. The historical and cultural contexts in which face masks against COVID contagion are worn (or not worn) are important to consider. In some countries, such as Japan and other East Asian nations, face mask wearing has a long tradition. Full or partial facial coverings, such as veiling, is common practice in regions such as the Middle East. In many other countries, including most countries in the Global North, most people, beyond health care workers, have little or no experience of face masks. They have had to learn how to make sense of face masking as a protective practice and how to incorporate face masks into their everyday practices and routines. Face masking practices have become highly political. The USA has witnessed protests against face mask wearing that rest on 'sovereign individualism', a notion which is highly specific to the contemporary political climate in that country. Face masks have also been worn to make political statements: bearing anti-racist statements, for example, but also Trump campaign support. Meanwhile, celebrities and influencers have sought to advocate for face mask wearing as part of their branding, while art makers, museums, designers and novelty fashion manufacturers have identified the opportunity to profit from this sudden new market. Face masks have become a fashion item as well as a medical device: both a way of signifying the wearer's individuality and beliefs and their ethical stance in relation to the need to protect their own and others' health. The Face Mask in COVID Times: A Sociomaterial Analysis provides a short and accessible analysis of the sociomaterial dimensions of the face mask in the age of COVID-19. The book presents seven short chapters and an epilogue. We bring together sociomaterial theoretical perspectives with compelling examples from public health advice and campaigns, anti-mask activism as well as popular culture (news reports, blog posts, videos, online shopping sites, art works) to illustrate our theoretical points, and use Images to support our analysis.

South Asia in Transition is an introductory book on the anthropology of South Asia, including India, Pakistan, Nepal, Sri Lanka and Bangladesh, suitable for students at all levels and others interested in this topic. It assumes no prior knowledge of either the region of the discipline of anthropology. The book makes extensive use of existing publications to describe how anthropologists have approached the region and what they have said about it. The first set of chapters deal mostly with India, being successively on caste, class, tribes, religion, kinship and marriage, gender, the body and personhood, politics and political economy. The second set of chapters deal successively with Pakistan, Sri Lanka and Nepal.

Is enjoying a cup of tea the favorite part of your day? Is the brewing of a 'cuppa' a ritual that centers and calms you? Then let Chicken Soup for the Tea Lover's Soul help you reconnect with yourself in the silent intimacy and introspection experienced while sipping tea.

The tea ceremony persists as one of the most evocative symbols of Japan. Originally a pastime of elite warriors in premodern society, it was later recast as an emblem of the modern Japanese state, only to be transformed again into its current incarnation, largely the hobby of middle-class housewives. How does the cultural practice of a few come to represent a nation as a whole?
Although few non-Japanese scholars have peered behind the walls of a tea room, sociologist Kristin Surak came to know the inner workings of the tea world over the course of ten years of tea training. Here she offers the first comprehensive analysis of the practice that includes new material on its historical changes, a detailed excavation of its institutional organization, and a careful examination of what she terms "nation-work"--the labor that connects the national meanings of a cultural practice and the actual experience and enactment of it. She concludes by placing tea ceremony in comparative perspective, drawing on other expressions of nation-work, such as gymnastics and music, in Europe and Asia.
Taking readers on a rare journey into the elusive world of tea ceremony, Surak offers an insightful account of the fundamental processes of modernity--the work of making nations.

Javanese Culture and the Meanings of Locality: Studies on the Arts, Urbanism, Polity, and Society is an examination of the social and cultural geography of Java. This book penetrates and surveys the Javanese world, and examines the traditions, customs, arts, urban habitation, polity, history, and belief systems of people who speak the Javanese language and live on Java Island in the Indonesian archipelago. A primary focus in these essays is to analyze the meanings of locality in the context of arts, architecture, polity, and society, with the hope of unveiling the potential of local culture in enriching and strengthening the diversity of the global world.

Explores the complexities of the lived experiences of Victorian women in the home, the workplace, and the empire as well as the ideals of womanhood and femininity that developed during the 19th century. Contrary to popular misconception, many Victorian women performed manual labor for wages directly alongside men, had political voice before women's suffrage, and otherwise contributed significantly to society outside of the domestic sphere. Daily Life of Victorian Women documents the varied realities of the lives of Victorian women; provides in-depth comparative analysis of the experiences of women from all classes, especially the working class; and addresses changes in their lives and society over time. The book covers key social, intellectual, and geographical aspects of women's lives, with main chapters on gender and ideals of womanhood, the state, religion, home and family, the body, childhood and youth, paid labor and professional work, urban life, and imperialism. Gives extensive attention to the experiences of working-class women as well as elite women Examines the connections and seeming contradictions between ideology and experience-for example, why did the Victorian concept of women as the "angel in the house" remain so powerful if the reality of women's experiences was largely unlike this ideal? Spotlights topics from recent scholarship on women and imperialism Provides clear, engaging information for undergraduates and general readers that is easily searchable by topic Includes many primary source selections and illustrations, making it a valuable classroom resource

Manners have long been a central concern of Thai society. Kings, aristocrats, prime ministers, monks, army generals, politicians, poets, novelists, journalists and teachers have produced a large corpus of literature that sets out models of appropriate behaviour. These include such things as how to stand, walk, sit, pay homage, prostrate oneself in the presence of high-status people, sleep, eat, manage bodily functions, dress, pay respect to superiors, deal with inferiors, socialize, and play. These modes of conduct have been taught or enforced by families, monasteries, court society, and, in the twentieth century, the state, through the education system, the bureaucracy, and the mass media. In this innovative new social history, based on Thai manners and etiquette manuals dating from the early nineteenth century to the late twentieth century, Patrick Jory presents the first ever history of manners in Thailand and challenges the idea of Western influence as the determinant of change in ideals of conduct.

For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and among the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events-traditional African ceremonies and contemporary costume parties and carnivals- who use costume, body paint, and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maske, meaning "to wear a mask", this album features a selection of over a hundred of the best of Galembo's masquerade photographs to date organized in country-based chapters, each with her own commentary. The book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the twenty-first century.

Corpus-based discourse analysts are becoming increasingly interested in the incorporation of non-linguistic data, for example through corpus-assisted multimodal discourse analysis. This Element applies this new approach in relation to how news values are discursively constructed through language and photographs. Using case studies of news from China and Australia, the Element presents a cross-linguistic comparison of news values in national day reporting. Discursive news values analysis (DNVA) has so far been mainly applied to English-language data. This Element offers a new investigation of Chinese DNVA and provides momentum to scholars around the world who are already adopting DNVA to their local contexts. With its focus on national days across two very different cultures, the Element also contributes to research on national identity and cross-linguistic corpus linguistics.

In China in 2018 over 200 million rural migrants worked away from their home villages, fuelling the country's rapid economic boom. In the 2010s over sixty-one million rural children had at least one parent who had migrated without them, while nearly half had been left behind by both parents. Rachel Murphy draws on her longitudinal fieldwork in two landlocked provinces to explore the experiences of these left-behind children and to examine the impact of this great migration on childhood in China and on family relationships. Using children's voices, she provides a multi-faceted insight into experiences of parental migration, study pressures, poverty, institutional discrimination, patrilineal family culture, and reconfigured gendered and intergenerational relationships.

This interdisciplinary study explores how classical ideals of generosity influenced the writing and practice of gift giving in medieval Europe. In assuming that medieval gift giving was shaped by oral 'folk models', historians have traditionally followed in the footsteps of social anthropologists and sociologists such as Marcel Mauss and Pierre Bourdieu. This first in-depth investigation into the influence of the classical ideals of generosity and gift giving in medieval Europe reveals to the contrary how historians have underestimated the impact of classical literature and philosophy on medieval culture and ritual. Focusing on the idea of the gift expounded in the classical texts read most widely in the Middle Ages, including Seneca the Younger's De beneficiis and Cicero's De officiis, Lars Kjaer investigates how these ideas were received, adapted and utilised by medieval writers across a range of genres, and how they influenced the practice of generosity.