Combining recipes from the bestselling Irish Granny's Pocket Recipe Book, Pocket Irish Potato Recipe Book and the Irish Granny's Pocket Farmhouse Kitchen, this large-format cookbook is your complete guide to traditional Irish cooking. Granny has selected her best, most popular recipes to create the ultimate recipe book, something that belongs on every kitchen shelf. Let her teach you all you need to know about delicious, nutritious country cooking. Includes traditional recipes like soda bread, Irish stew, bacon and cabbage, and the best recipe for scones.

India in the Italian Renaissance provides a systematic, chronological survey of early Italian representations of India and Indians from the late medieval period to the end of the 16th century, and their resonance within the cultural context of Renaissance Italy. The study focuses in particular on Italian attitudes towards the inhabitants of the Indian subcontinent and questions how Renaissance Italians, schooled in the admiration of classical antiquity, responded to the challenge of this contemporary pagan world. Meera Juncu draws from a wide-ranging selection of contemporary travel literature to trace the development of Italian ideas about Indians both before and after Vasco Da Gama's landing in Calicut. After an introduction to the key concepts and a survey of inherited notions about India, the works of a diverse range of writers and editors, including Marco Polo, Petrarch and Giovanni Battista Ramusio, are analysed in detail. Through its discussion of these texts, this book examines whether 'India' came in any way to represent a pagan civilization comparable to the classical antiquity celebrated in Italy during the Renaissance. India in the Italian Renaissance offers a new and exciting perspective on this fascinating period for students and scholars of the Italian Renaissance and the history of India.

In spite of Islam's long history in Europe and the growing number of Muslims resident in Europe, little research exists on Muslim pilgrimage in Europe. This collection of eleven chapters is the first systematic attempt to fill this lacuna in an emerging research field. Placing the pilgrims' practices and experiences centre stage, scholars from history, anthropology, religious studies, sociology, and art history examine historical and contemporary hajj and non-hajj pilgrimage to sites outside and within Europe. Sources include online travelogues, ethnographic data, biographic information, and material and performative culture. The interlocutors are European-born Muslims, converts to Islam, and Muslim migrants to Europe, in addition to people who identify themselves with other faiths. Most interlocutors reside in Albania, Bosnia-Hercegovina, Italy, France, the Netherlands, Great Britain, and Norway. This book identifies four courses of developments: Muslims resident in Europe continue to travel to Mecca and Medina, and to visit shrine sites located elsewhere in the Middle East and North Africa. Secondly, there is a revival of pilgrimage to old pilgrimage sites in South-eastern Europe. Thirdly, new Muslim pilgrimage sites and practices are being established in Western Europe. Fourthly, Muslims visit long-established Christian pilgrimage sites in Europe. These practices point to processes of continuity, revitalization, and innovation in the practice of Muslim pilgrimage in Europe. Linked to changing sectarian, political, and economic circumstances, pilgrimage sites are dynamic places of intra-religious as well as inter-religious conflict and collaboration, while pilgrimage experiences in multiple ways also transform the individual and affect the home-community.

The deep and abiding sectarian divide splintering Northern Ireland has been the focus of considerable attention recently. In particular, the role parades and visual displays play in underscoring opposition has come into the spotlight with the emergence of heightened tensions, close on the heels of a tentative peace. Providing penetrating insights into the historical roots of Northern Ireland's ethnic hostilities, this timely book explores the role of images and material culture in shaping present attitudes. Ritual, identity, class and memory are shown to be potent forces informing trenchant animosities -- animosities which are visually reflected in banners and murals for unionists and nationalists alike. The pivotal role of the Twelfth of July parade in Belfast, when an estimated 100,000 either parade or watch the Orangemen, is highlighted. Anyone interested in the future of Northern Ireland and concerned about escalating conflict across the globe will warmly welcome this impressive study.

The deep and abiding sectarian divide splintering Northern Ireland has been the focus of considerable attention recently. In particular, the role parades and visual displays play in underscoring opposition has come into the spotlight with the emergence of heightened tensions, close on the heels of a tentative peace. Providing penetrating insights into the historical roots of Northern Ireland's ethnic hostilities, this timely book explores the role of images and material culture in shaping present attitudes. Ritual, identity, class and memory are shown to be potent forces informing trenchant animosities -- animosities which are visually reflected in banners and murals for unionists and nationalists alike. The pivotal role of the Twelfth of July parade in Belfast, when an estimated 100,000 either parade or watch the Orangemen, is highlighted. Anyone interested in the future of Northern Ireland and concerned about escalating conflict across the globe will warmly welcome this impressive study.

Carnival songs resemble a tabloid newspaper in their verve, spirit and range of themes. They are a measure of social change and an annual summary of events and opinion. The songs involve considerable artistry and are renowned as well for their raucous humor and vulgar concerns. (Promiscuity and sexual misalliances are common subjects.)
Banned by Franco during the Spanish Civil War, the Cádiz carnival began a revival in the 1960's following decades of repression. This fascinating book examines carnival song and society during the last years of the Franco dictatorship and the succeeding period of the new constitutional monarchy, when the Andalusians found their voice and Carnival enjoyed an extraordinary florescence. Songs from rural and urban carnivals in several locales throughout the province of Cádiz provide a compelling picture of Andalusian life in both troubled and more flourishing times.

Carnival songs resemble a tabloid newspaper in their verve, spirit and range of themes. They are a measure of social change and an annual summary of events and opinion. The songs involve considerable artistry and are renowned as well for their raucous humor and vulgar concerns. (Promiscuity and sexual misalliances are common subjects.)
Banned by Franco during the Spanish Civil War, the Cá diz carnival began a revival in the 1960's following decades of repression. This fascinating book examines carnival song and society during the last years of the Franco dictatorship and the succeeding period of the new constitutional monarchy, when the Andalusians found their voice and Carnival enjoyed an extraordinary florescence. Songs from rural and urban carnivals in several locales throughout the province of Cá diz provide a compelling picture of Andalusian life in both troubled and more flourishing times.

Sociology on the Menu is an accessible introduction to the sociology of food. Highlighting the social and cultural dimensions of the human food system, from production to consumption, it encourages us to consider new ways of thinking about the apparently mundane, everyday act of eating. The main areas covered include:
* The origins of human subsistence and the development of the modern food system
* Food, the family and eating out
* Diet, health and the body image
* The meanings of meat and vegetarianism.
Sociology on the Menu provides a comprehensive overview of the literature, particularly helpful in this interdisciplinary field. It focuses on key texts and studies to help students identify major concerns and themes for further study. It urges us to re-appraise the taken for granted and familiar experiences of selecting, preparing and sharing food and to see our own habits and choices, preferences and aversions in their broader cultural context.

The Orthodox Christian tradition has all too often been sidelined in conversations around contemporary religion. Despite being distinct from Protestantism and Catholicism in both theology and practice, it remains an underused setting for academic inquiry into current lived religious practice. This collection, therefore, seeks to redress this imbalance by investigating modern manifestations of Orthodox Christianity through an explicitly gender-sensitive gaze. By addressing attitudes to gender in this context, it fills major gaps in the literature on both religion and gender. Starting with the traditional teachings and discourses around gender in the Orthodox Church, the book moves on to demonstrate the diversity of responses to those narratives that can be found among Orthodox populations in Europe and North America. Using case studies from several countries, with both large and small Orthodox populations, contributors use an interdisciplinary approach to address how gender and religion interact in contexts such as, iconography, conversion, social activism and ecumenical relations, among others. From Greece and Russia to Finland and the USA, this volume sheds new light on the myriad ways in which gender is manifested, performed, and engaged within contemporary Orthodoxy. Furthermore, it also demonstrates that employing the analytical lens of gender enables new insights into Orthodox Christianity as a lived tradition. It will, therefore, be of great interest to scholars of both Religious Studies and Gender Studies.

Horses with riders trailed by foot processionals, silver bands and pipe bands, furling medieval banners, lavish costumes, and singers and actors--the "Common Riding" is an elaborate, little-studied ritual phenomenon of the border towns of Scotland. In this vividly written and insightful analysis, Gwen Kennedy Neville uses this civic ceremony as a window for glimpsing the process of ritual, symbol, and experience in the development of the concept of "the town" in Western culture.
Based on extensive fieldwork in the town of Selkirk, The Mother Town looks at the Common Riding in detail, uncovering pre-Reformation symbolism and pageantry--often medieval and Catholic--in a region that has been Protestant for over four hundred years. Neville shows how the ceremony is a model of the way civic ritual serves to construct a system of towns which gives rise to the modern world. Further, she contends that these civic rituals create a ceremonial setting in which the contradictions between tradition and modernity can be temporarily resolved and where past and present live side by side.
Neville offers a provocative and illuminating study of how the ritual of Common Riding makes a dramatic statement about local strife, communal independence, and Protestantism in the towns of the Scottish Borders.

Romancing the Honeymoon is the first comprehensive look at the North American honeymoon from a multidisciplinary academic perspective. Using theoretical and methodological approaches from sociology, history, and cultural studies, this benchmark study presents a compelling discussion of the cultural significance of the honeymoon ritual. The authors present data on the origins of the honeymoon, historical changes in cultural narratives about honeymooning, honeymoon advertising, the symbolic meanings of contemporary honeymoon sites (architecture, space planning, and decorating), and the individual pre-honeymoon expectations and post-honeymoon realities of a sample of contemporary newlyweds. This book is about more than honeymoons, however, as historical changes and contemporary experiences in honeymooning are related to such issues as identity construction, gender conflict, interpersonal risk, and rationality in late modern society. This highly readable volume provides a unique study and demonstrates the relevance of social theory in an approachable manner. This multidisciplinary, multi-method application will provide students and scholars in family studies, gender studies, family sociology, and cultural studies with valuable insight in to this unique custom.

This lecture deals with the three domains of food which raise complex epistemological, political and moral issues. Through an examination of a wide range of material drawn from anthropology, history, literature and political economy, there is discussion of the relationship between food and entitlement, gender, notions of the body, and development. Food is shown to be a powerful metaphor for our sense of self, our social and political relations, our cosmology and our global system.

Negotiating Difference in the Hispanic World invites us to rethink the complex dialogical process of identity formation and self-definition in Latin America from the Conquest to the present day. Essays from an international scholarship provide an important theoretical contribution to debates on identity. * Explores the various instances of cultural encounters in Latin America from the Conquest to the present day * This volume is singularly wide in its breadth, covering sixteenth-century Aztec heraldry and Sahagun's Universal History of the Things of New Spain, to eighteenth-century notions of culture, nineteenth-century theatre, turn-of-the-century degeneration theory, and contemporary literature and culture. * The book s interdisciplinary approach combines literary and cultural studies, cultural history, art history, translation studies and cultural anthropology * A broad geographical scope covers Mexico, Colombia, Chile, Argentina, Spain, Cuba and the United States. * The book makes an important theoretical contribution to the debates on identity through its innovative approaches, maintaining a fine balance between theoretical argument and empirical study * The essays are written by specialists of different nationalities based in the United Kingdom, the United States, Norway and Argentina, providing an international cutting-edge scholarship

Elaine Chiew's stories are interlaced with humour, compassion and the importance of food and cooking, and the memories that meals evoke, as her characters negotiate unfamiliar worlds, raise children in another country or introduce parents to partners who don't speak their language. In the title story, four writers find their cultural bonds of friendship tested when a handsome young Asian man joins their group. In other stories, a brother searches for his sister forced to serve as a comfort woman during World War Two; three Singaporean sisters run a French gourmet restaurant in New York; a woman raps about being a Tiger Mother in Belgravia; and a filmmaker struggles to document the lives of samsui women-Singapore's thrifty, hardworking construction workers. Elaine Chiew drills below the surface of her characters' circumstances with exemplary narrative skill and subtlety. Her stories are as varied, worldly and emotionally resonant as the characters themselves. This is a fabulous debut collection and heralds an exciting new literary talent.

Winner, 2013-2014 Asian/Pacific American Award for Literature, Adult Non-Fiction presented by the Asian Pacific American Librarian Association During the Cold War, Soviet propaganda highlighted U.S. racism in order to undermine the credibility of U.S. democracy. In response, incorporating racial and ethnic minorities in order to affirm that America worked to ensure the rights of all and was superior to communist countries became a national imperative. In Citizens of Asian America, Cindy I-Fen Cheng explores how Asian Americans figured in this effort to shape the credibility of American democracy, even while the perceived "foreignness" of Asian Americans cast them as likely alien subversives whose activities needed monitoring following the communist revolution in China and the outbreak of the Korean War. While histories of international politics and U.S. race relations during the Cold War have largely overlooked the significance of Asian Americans, Cheng challenges the black-white focus of the existing historiography. She highlights how Asian Americans made use of the government's desire to be leader of the "free world" by advocating for civil rights reforms, such as housing integration, increased professional opportunities, and freedom from political persecution. Further, Cheng examines the liberalization of immigration policies, which worked not only to increase the civil rights of Asian Americans but also to improve the nation's ties with Asian countries, providing an opportunity for the U.S. government to broadcast, on a global scale, the freedom and opportunity that American society could offer.

This book takes a critical glance at the ways in which we attend to the corpse, tracing a trajectory from encounter toward considering options for disposal: veneered mortuary internment, green burial and its attendant rot, cremation and alkaline hydrolysis, donation and display, and ecological burial. Through tracing the possible futures of the dead that haunt the living, through both the stories that we tell and physical manifestations following the end of life, we expose the workings of aesthetics that shape corpses, as well as the ways in which corpses spill over, resisting aestheticization. This book creates a space for ritualized practices surrounding death: corpse disposal; corpse aesthetics that shape both practices attendant upon and representations of the corpse; and literary, figural, and cultural representations that deploy these practices to tell a story about dead bodies-about their separation from the living, about their disposability, and ultimately about the living who survive the dead, if only for a while. There is an aesthetics of erasure persistently at work on the dead body. It must be quickly hidden from sight to shield us from the certain trauma of our own demise, or so the unspoken argument goes. Experts-scientists, forensic specialists, death-care professionals, and law enforcement-are the only ones qualified to view the dead for any extended period of time. The rest of us, with only brief doses, inoculate ourselves from the materiality of death in complex and highly ritualized ceremonies. Beyond participating in the project of restoring our sense of finitude, we try to make sense of the untouchable, unviewable, haunting, and taboo presence of the corpse itself.

An authoritative source for the tribal history, customs, legends, traditions, art, music, economy, and leisure activities of the Ojibwe people.

Culture Smart guides help travellers have a more meaningful and successful time abroad through a better understanding of the local culture. Chapters on values, attitudes, customs, and daily life will help you make the most of your visit, while tips on etiquette and communication will help you navigate unfamiliar situations and avoid faux pas.

In contextualizing the Dutch funerary practice in its wider legal, national and local governance framework, this book describes the historical context for current practices, provides data on trends in burial and cremation, and examines recent developments including natural burial, increasing religious diversity and changing national legislation. Chapters provide an overview of funerary history and contemporary practice, alongside photographs, charts and tables of key information. Topics explored include: the death care industry; the Corpse Disposal Act; a typical funeral including funeral costs and insurance; cemetery and crematorium provision; and, the practices, technicalities and legalities of burial and cremation. The book also analyses and illustrates the commemorative practice of public mourning events related to World War II, the Holocaust and the MH17 plane crash. This book provides a broad frame of reference on funeral practices, making it a useful resource for academics, policy makers and practitioners interested in the historic, legal, technical and professional aspects of the funerary industry.

What is property, and why does our species have it? In The Property Species, Bart J. Wilson explores how humans acquire, perceive, and know the custom of property, and why this might be relevant to understanding how property works in the twenty-first century. Arguing that neither the sciences nor the humanities synthesizes a full account of property, the book offers a cross-disciplinary compromise that is sure to be controversial: Property is a universal and uniquely human custom. Integrating cognitive linguistics with philosophy of property and a fresh look at property disputes in the common law, the book makes the case that symbolic-thinking humans locate the meaning of property within a thing. That is, all human beings and only human beings have property in things, and at its core, property rests on custom, not rights. Such an alternative to conventional thinking contends that the origins of property lie not in food, mates, territory, or land, but in the very human act of creating, with symbolic thought, something new that did not previously exist. Written by an economist who marvels at the natural history of humankind, the book is essential reading for experts and any reader who has wondered why people claim things as "Mine!", and what that means for our humanity.

From the late eighteenth century to the present day, public exhibitions featuring displays of human anatomy have proven popular with a wide range of audiences, successfully marketed as educational facilities for medical professionals as well as improving entertainments for the general public. Partly a product of the public sanitation and health reform movements that began in the eighteenth century, partly a form of popular spectacle, early public anatomical exhibitions drew on two apparently distinct cultural developments: firstly, the professionalisation of medicine from the mid 1700s and the increasingly central role of practical anatomy within it; secondly, the rise of a culture of public spectacles such as world fairs, public museums, circuses and side shows, and the use of new visual technologies these spaces pioneered. Such spectacles often drew on medical discourses as a way of lending legitimacy to their displays of human bodies, while their popularity also helped make the then-contentious practice of anatomy publicly acceptable. This book examines the cultural work performed by such exhibitions and their role in (re)producing new ways of seeing and knowing the body over the modern era. While public anatomical exhibitions might seem to occupy a marginal position in the history of popular culture and that of medicine, their distinctive intermixing of the medical and the spectacular has made them an influential and intensely productive cultural space, an important site of emergence for new ideas about bodily health and care. This book traces the influential role of such exhibitions in popularising a distinctly modern idea of the body as something requiring constant work and careful self-cultivation-an idea which continues to play a central role in the contemporary fascination with practices and possibilities of self-improvement. Through a series of representative case studies-including eighteenth-century exhibitions of anatomical Venuses, nineteenth-century anatomical museums "for men only" that served as quack clinics for sexual disorders, traditional and contemporary freak shows, and the recent public display of real human remains in Body Worlds and other such exhibitions-Anatomy as Spectacle traces how these exhibitions taught their spectators to see their bodies as something requiring constant self-monitoring and management, constructing an embodied modern subject who is always responsible, productive, temperate, and focused on self-improvement.

Although numerous studies of religious rituals have been conducted by religious studies scholars, anthropologists, sociologists, and psychologists, it is rare to find a work that brings scholars from different disciplines together to discuss the similarities and differences in their research. This book represents contributions by leading scholars from several disciplines that show the diversity of approaches to religious rituals, while also providing cross-disciplinary perspectives on this topic. The goals of the chapters are to consider where the field currently stands in understanding religious rituals and what novel ideas can improve our knowledge about these practices; and furnish innovative applications of theory by discussing particular examples which are drawn from the authors' fieldwork. The chapters cover Christian, Buddhist, Jewish, and Islamic rituals, thus providing a view of how ritual practices vary across the globe, but also how they share some important characteristics.