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Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore > Customs
Where does 'the self' in 'myself' begin and end? And what do ideas
of 'spirit' tell us about the nature of human selfhood? To
investigate these poorly understood matters, veteran
anthropologist, neo-shaman and paranormal healer Roy Willis spent
five months in a remote part of northern Zambia exploring human
consciousness in a fascinating and sometimes terrifying series of
adventures.
Where does 'the self' in 'myself' begin and end? And what do ideas of 'spirit' tell us about the nature of human selfhood? To investigate these poorly understood matters, veteran anthropologist, neo-shaman and paranormal healer Roy Willis spent five months in a remote part of northern Zambia exploring human consciousness in a fascinating and sometimes terrifying series of adventures. This absorbing book tells the story of Willis' and his three local colleagues' quest, as they participate in and film rituals of ecstatic union with nature spirits and talk in depth with experts in managing the awesome powers of a world beyond the ordinary. The narrative follows the research team's day-to-day involvement with rituals of spirit revelation, healing, and exorcism, their encounters with the evil powers of sorcery, and the sometimes troubled relations between team members. The African healers in this book emerge both as exceptional individuals and as pioneering explorers of consciousness. Their experience is surprisingly congruent with our present sense of multiple and shifting selfhoods in the age of global electronic communication.
The Orthodox Christian tradition has all too often been sidelined in conversations around contemporary religion. Despite being distinct from Protestantism and Catholicism in both theology and practice, it remains an underused setting for academic inquiry into current lived religious practice. This collection, therefore, seeks to redress this imbalance by investigating modern manifestations of Orthodox Christianity through an explicitly gender-sensitive gaze. By addressing attitudes to gender in this context, it fills major gaps in the literature on both religion and gender. Starting with the traditional teachings and discourses around gender in the Orthodox Church, the book moves on to demonstrate the diversity of responses to those narratives that can be found among Orthodox populations in Europe and North America. Using case studies from several countries, with both large and small Orthodox populations, contributors use an interdisciplinary approach to address how gender and religion interact in contexts such as, iconography, conversion, social activism and ecumenical relations, among others. From Greece and Russia to Finland and the USA, this volume sheds new light on the myriad ways in which gender is manifested, performed, and engaged within contemporary Orthodoxy. Furthermore, it also demonstrates that employing the analytical lens of gender enables new insights into Orthodox Christianity as a lived tradition. It will, therefore, be of great interest to scholars of both Religious Studies and Gender Studies.
Das Ritual der Preisverleihung ist langst ein wichtiges Machtinstrument im Kulturbetrieb geworden. In Deutschland werden jahrlich allein uber siebenhundert Literaturpreise vergeben. Die Analyse beschaftigt sich mit Struktur, Durchfuhrung und sozialer Wirkung von Preisverleihungen im Allgemeinen. Daruber hinaus wird exemplarisch die bedeutendste Auszeichnung fur deutschsprachige Literatur untersucht: der Georg-Buchner-Preis. Im Mittelpunkt stehen u. a. die Geschichte und die jeweilige gesellschaftspolitische Funktion des Buchnerpreises seit 1923 im Zusammenspiel mit der deutschen Geschichte von der Weimarer bis zur Berliner Republik sowie die Bedeutung des Namenspatrons Georg Buchner fur die nach ihm benannte Auszeichnung. Auf diese Weise tritt das vielschichtige Portrait eines bedeutenden Impulsgebers im deutschen Kulturleben hervor, dessen politisch-literarischer Doppelcharakter den Buchnerpreis immer wieder zum Politikum gemacht hat. Ausgehend vom ritualwissenschaftlichen Ansatz unternimmt die Analyse mit Hilfe kultursoziologischer Determinanten Pierre Bourdieus den Versuch, den klassischen Methodenkanon der Literaturwissenschaft um ethnologisch-anthropologische und soziologische Denk- und Arbeitsweisen zu erweitern.
For decades, Mark Juergensmeyer has been studying the rise of religious violence around the world, including groups like ISIS and Christian militias that have been involved in acts of terrorism. Over the years he came to realize that war is the central image in the worldview of virtually every religious movement engaged in violent acts. Behind the moral justification of using violence are images of great confrontations of war on a transcendent scale. God at War explores the dark attraction between religion and warfare. Virtually every religious tradition leaves behind it a bloody trail of stories, legends, and images of war, and most wars call upon the divine for blessings in battle. This book finds the connection between religion and warfare in the alternative realities created in the human imagination in response to crises both personal and social. Based on the author's thirty years of field work interviewing activists involved in religious-related terrorist movements around the world, this book explains why desperate social conflict leads to images of war, and why invariably God is thought to be engaged in battle.
The deep and abiding sectarian divide splintering Northern Ireland has been the focus of considerable attention recently. In particular, the role parades and visual displays play in underscoring opposition has come into the spotlight with the emergence of heightened tensions, close on the heels of a tentative peace. Providing penetrating insights into the historical roots of Northern Ireland's ethnic hostilities, this timely book explores the role of images and material culture in shaping present attitudes. Ritual, identity, class and memory are shown to be potent forces informing trenchant animosities -- animosities which are visually reflected in banners and murals for unionists and nationalists alike. The pivotal role of the Twelfth of July parade in Belfast, when an estimated 100,000 either parade or watch the Orangemen, is highlighted. Anyone interested in the future of Northern Ireland and concerned about escalating conflict across the globe will warmly welcome this impressive study.
The deep and abiding sectarian divide splintering Northern Ireland has been the focus of considerable attention recently. In particular, the role parades and visual displays play in underscoring opposition has come into the spotlight with the emergence of heightened tensions, close on the heels of a tentative peace. Providing penetrating insights into the historical roots of Northern Ireland's ethnic hostilities, this timely book explores the role of images and material culture in shaping present attitudes. Ritual, identity, class and memory are shown to be potent forces informing trenchant animosities -- animosities which are visually reflected in banners and murals for unionists and nationalists alike. The pivotal role of the Twelfth of July parade in Belfast, when an estimated 100,000 either parade or watch the Orangemen, is highlighted. Anyone interested in the future of Northern Ireland and concerned about escalating conflict across the globe will warmly welcome this impressive study.
Carnival songs resemble a tabloid newspaper in their verve, spirit
and range of themes. They are a measure of social change and an
annual summary of events and opinion. The songs involve
considerable artistry and are renowned as well for their raucous
humor and vulgar concerns. (Promiscuity and sexual misalliances are
common subjects.)
Carnival songs resemble a tabloid newspaper in their verve, spirit
and range of themes. They are a measure of social change and an
annual summary of events and opinion. The songs involve
considerable artistry and are renowned as well for their raucous
humor and vulgar concerns. (Promiscuity and sexual misalliances are
common subjects.)
Narrating Love and Violence is an ethnographic exploration of women's stories from the Himalayan valley of Lahaul, in the region of Himachal Pradesh, India, focusing on how both, love and violence emerge (or function) at the intersection of gender, tribe, caste, and the state in India. Himika Bhattacharya privileges the everyday lives of women marginalized by caste and tribe to show how state and community discourses about gendered violence serve as proxy for caste in India, thus not only upholding these social hierarchies, but also enabling violence. The women in this book tell their stories through love, articulated as rejection, redefinition and reproduction of notions of violence and solidarity. Himika Bhattacharya centers the women's narratives as a site of knowledge-beyond love and beyond violence. This book shows how women on the margins of tribe and caste know both, love and violence, as agents wishing to re-shape discourses of caste, tribe and community.
Romancing the Honeymoon is the first comprehensive look at the North American honeymoon from a multidisciplinary academic perspective. Using theoretical and methodological approaches from sociology, history, and cultural studies, this benchmark study presents a compelling discussion of the cultural significance of the honeymoon ritual. The authors present data on the origins of the honeymoon, historical changes in cultural narratives about honeymooning, honeymoon advertising, the symbolic meanings of contemporary honeymoon sites (architecture, space planning, and decorating), and the individual pre-honeymoon expectations and post-honeymoon realities of a sample of contemporary newlyweds. This book is about more than honeymoons, however, as historical changes and contemporary experiences in honeymooning are related to such issues as identity construction, gender conflict, interpersonal risk, and rationality in late modern society. This highly readable volume provides a unique study and demonstrates the relevance of social theory in an approachable manner. This multidisciplinary, multi-method application will provide students and scholars in family studies, gender studies, family sociology, and cultural studies with valuable insight in to this unique custom.
Contemporary forms of living and dying in Swaziland cannot be understood apart from the global HIV/AIDS pandemic, according to anthropologist Casey Golomski. In Africa's last absolute monarchy, the story of 15 years of global collaboration in treatment and intervention is also one of ordinary people facing the work of caring for the sick and dying and burying the dead. Golomski's ethnography shows how AIDS posed challenging questions about the value of life, culture, and materiality to drive new forms and practices for funerals. Many of these forms and practicesnewly catered funeral feasts, an expanded market for life insurance, and the kingdom's first crematoriumare now conspicuous across the landscape and culturally disruptive in a highly traditionalist setting. This powerful and original account details how these new matters of death, dying, and funerals have become entrenched in peoples' everyday lives and become part of a quest to create dignity in the wake of a devastating epidemic.
Contemporary forms of living and dying in Swaziland cannot be understood apart from the global HIV/AIDS pandemic, according to anthropologist Casey Golomski. In Africa's last absolute monarchy, the story of 15 years of global collaboration in treatment and intervention is also one of ordinary people facing the work of caring for the sick and dying and burying the dead. Golomski's ethnography shows how AIDS posed challenging questions about the value of life, culture, and materiality to drive new forms and practices for funerals. Many of these forms and practicesnewly catered funeral feasts, an expanded market for life insurance, and the kingdom's first crematoriumare now conspicuous across the landscape and culturally disruptive in a highly traditionalist setting. This powerful and original account details how these new matters of death, dying, and funerals have become entrenched in peoples' everyday lives and become part of a quest to create dignity in the wake of a devastating epidemic.
It is often claimed that we live in a secular age. But we do not live in a desacralized one. Sacred forms - whether in 'religious' or 'secular' guise - continue to shape social life in the modern world, giving rise to powerful emotions, polarized group identities, and even the very concept of moral society. Analyzing contemporary sacred forms is essential if we are to be able to make sense of the societies we live in and think critically about the effects of the sacred on our lives for good or ill. The Sacred in the Modern World is a major contribution to this task. Re-interpreting Durkheim's theory of the sacred, and drawing on the 'strong program' in cultural sociology, Gordon Lynch sets out a theory of the sacred that can be used by researchers across a range of humanities and social science disciplines. Using vividly drawn contemporary case material - including the abuse and neglect of children in Irish residential schools and the controversy over the BBC's decision not to air an appeal for aid for Gaza - the book demonstrates the value of this theoretical approach for social and cultural analysis. The key role of public media for the circulation and contestation of the sacred comes under close scrutiny. Adopting a critical stance towards sacred forms, Lynch reflects upon the ways in which sacred commitments can both serve as a moral resource for social life and legitimate horrifying acts of collective evil. He concludes by reflecting on how we might live thoughtfully and responsibility under the light and shadow that the sacred casts, asking whether society without the sacred is possible or desirable.
When heritage becomes a commodity, when culture is instrumental in driving tourism, and when individuals assert ownership over either, social, ideological, political, and economic motivations intertwine. Bestowing value on "culture" is itself a culturally rooted act, and the essays gathered in Culture and Value focus on the motivations and value regimes people in particular times and contexts have generated to enhance the visibility and prestige of cultural practices, narratives, and artifacts. This collection of essays by noted folklorist Regina F. Bendix, offers a personal record of the unfolding scholarly debate regarding value in the studies of tourism, heritage, and cultural property. Written over the course of several decades, Bendix's case studies and theoretical contributions chronicle the growing and transforming ways in which ethnographic scholarship has observed social actors generating value when carrying culture to market, enhancing value in inventing protective and restorative regimes for culture, and securing the potential for both in devising property rights. Bendix's work makes a case for a reflexive awareness of the changing scholarly paradigms that inform scholars' research contributions.
Explores the complexities of the lived experiences of Victorian women in the home, the workplace, and the empire as well as the ideals of womanhood and femininity that developed during the 19th century. Contrary to popular misconception, many Victorian women performed manual labor for wages directly alongside men, had political voice before women's suffrage, and otherwise contributed significantly to society outside of the domestic sphere. Daily Life of Victorian Women documents the varied realities of the lives of Victorian women; provides in-depth comparative analysis of the experiences of women from all classes, especially the working class; and addresses changes in their lives and society over time. The book covers key social, intellectual, and geographical aspects of women's lives, with main chapters on gender and ideals of womanhood, the state, religion, home and family, the body, childhood and youth, paid labor and professional work, urban life, and imperialism. Gives extensive attention to the experiences of working-class women as well as elite women Examines the connections and seeming contradictions between ideology and experience-for example, why did the Victorian concept of women as the "angel in the house" remain so powerful if the reality of women's experiences was largely unlike this ideal? Spotlights topics from recent scholarship on women and imperialism Provides clear, engaging information for undergraduates and general readers that is easily searchable by topic Includes many primary source selections and illustrations, making it a valuable classroom resource
When it comes to labour movements, unionised industrial workers on the factory floor have only ever been part of the picture. Across so many different workplaces, sectors of the economy and geographical contexts, the question of how working people struggle in the day-to-day has no single answer. Here Sian Lazar offers a unique anthropological perspective on labour agency that takes in examples from across the globe, from heavy industry and agriculture, to the service and informal sectors. She asks: how do people strive to improve their lives and working conditions? How are they constrained and enabled in that struggle by the nature of the work they do, and by their own positionality in local histories, cultures and networks? How We Struggle explores worker action across the spectrum from organised trade unionism to individualised strategies of accommodation, resistance and escape. The book marries a discussion of global political economy and Marxist feminist theories of labour with ethnographic approaches that begin from a perspective of human experience, kinship and radical heterogeneity.
This lecture deals with the three domains of food which raise complex epistemological, political and moral issues. Through an examination of a wide range of material drawn from anthropology, history, literature and political economy, there is discussion of the relationship between food and entitlement, gender, notions of the body, and development. Food is shown to be a powerful metaphor for our sense of self, our social and political relations, our cosmology and our global system.
In contextualizing the Dutch funerary practice in its wider legal, national and local governance framework, this book describes the historical context for current practices, provides data on trends in burial and cremation, and examines recent developments including natural burial, increasing religious diversity and changing national legislation. Chapters provide an overview of funerary history and contemporary practice, alongside photographs, charts and tables of key information. Topics explored include: the death care industry; the Corpse Disposal Act; a typical funeral including funeral costs and insurance; cemetery and crematorium provision; and, the practices, technicalities and legalities of burial and cremation. The book also analyses and illustrates the commemorative practice of public mourning events related to World War II, the Holocaust and the MH17 plane crash. This book provides a broad frame of reference on funeral practices, making it a useful resource for academics, policy makers and practitioners interested in the historic, legal, technical and professional aspects of the funerary industry.
What happens when ethnographers go public via books, opinion papers, media interviews, court testimonies, policy recommendations, or advocacy activities? Calling for a consideration of this public moment as part and parcel of the research process, the contributors to If Truth Be Told explore the challenges, difficulties, and stakes of having ethnographic research encounter various publics, ranging from journalists, legal experts, and policymakers to activist groups, local populations, and other scholars. The experiences they analyze include Didier Fassin's interventions on police and prison, Gabriella Coleman's multiple roles as intermediary between hackers and journalists, Kelly Gillespie's and Jonathan Benthall's experiences serving as expert witnesses, the impact of Manuela Ivone Cunha's and Vincent Dubois's work on public policies, and the vociferous attacks on the work of Unni Wikan and Nadia Abu El-Haj. With case studies from five continents, this collection signals the global impact of the questions that the publicization of ethnography raises about the public sphere, the role of the academy, and the responsibilities of social scientists. Contributors. Jonathan Benthall, Lucas Bessire, Joao Biehl, Gabriella Coleman, Manuela Ivone Cunha, Vincent Dubois, Nadia Abu El-Haj, Didier Fassin, Kelly Gillespie, Ghassan Hage, Sherine Hamdy, Federico Neiburg, Unni Wikan
Bridewealth and dowry have certain obvious similarities in that they both involve the transmission of property at marriage, the usual interpretation suggesting that what distinguishes them is the direction in which the property travels - in the case of bridewealth, from the husband and his kin to the wife and her kin, and in the case of dowry, vice versa. The authors of these 1973 papers criticise this interpretation as oversimplified, and analyse the two institutions in the contexts of Africa, with its preponderance of bridewealth, and South Asia, where dowry is the commoner institution. Dr Goody seeks to explain these geographical differences in terms of the basic structure of the societies and the rules governing the inheritance of property. Dr Tambiah considers these institutions in India, Ceylon and Burma as two kinds of property transfer, examining Indian juridical concepts, and relating these to the concepts and practices of Ceylon and Burma.
Someone dies. What happens next? One family inters their matriarch's ashes on the floor of the ocean. Another holds a memorial weenie roast each year at a greenburial cemetery. An 1898 ad for embalming fluid promises, "You can make mummies with it " while a leading contemporary burial vault is touted as impervious to the elements. A grieving mother, 150 years ago, might spend her days tending a garden at her daughter's grave. Today, she might tend the roadside memorial she erected at the spot her daughter was killed. One mother wears a locket containing her daughter's hair; the other, a necklace containing her ashes. What happens after someone dies depends on our personal stories and on where those stories fall in a larger tale--that of death in America. It's a powerful tale that we usually keep hidden from our everyday lives until we have to face it. "American Afterlife" by Kate Sweeney reveals this world through a collective portrait of Americans past and present who find themselves personally involved with death: a klatch of obit writers in the desert, a funeral voyage on the Atlantic, a fourth-generation funeral director--even a midwestern museum that takes us back in time to meet our deathobsessed Victorian progenitors. Each story illuminates details in another until something larger is revealed: a landscape that feels at once strange and familiar, one that's by turns odd, tragic, poignant, and sometimes even funny. |
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