In recent decades, dance has become a vehicle for querying assumptions about what it means to be embodied, in turn illuminating intersections among the political, the social, the aesthetical, and the phenomenological. The Oxford Handbook of Dance and Politics edited by internationally lauded scholars Rebekah Kowal, Gerald Siegmund, and the late Randy Martin presents a compendium of newly-commissioned chapters that address the interdisciplinary and global scope of dance theory - its political philosophy, social movements, and approaches to bodily difference such as disability, postcolonial, and critical race and queer studies. In six sections 30 of the most prestigious dance scholars in the US and Europe track the political economy of dance and analyze the political dimensions of choreography, of writing history, and of embodied phenomena in general. Employing years of intimate knowledge of dance and its cultural phenomenology, scholars urge readers to re-think dominant cultural codes, their usages, and the meaning they produce and theorize ways dance may help to re-signify and to re-negotiate established cultural practices and their inherent power relations. This handbook poses ever-present questions about dance politics-which aspects or effects of a dance can be considered political? What possibilities and understandings of politics are disclosed through dance? How does a particular dance articulate or undermine forces of authority? How might dance relate to emancipation or bondage of the body? Where and how can dance articulate social movements, represent or challenge political institutions, or offer insight into habits of labor and leisure? The handbook opens its critical terms in two directions. First, it offers an elaborated understanding of how dance achieves its politics. Second, it illustrates how notions of the political are themselves expanded when viewed from the perspective of dance, thus addressing both the relationship between the politics in dance and the politics of dance. Using the most sophisticated theoretical frameworks and engaging with the problematics that come from philosophy, social science, history, and the humanities, chapters explore the affinities, affiliations, concepts, and critiques that are inherent in the act of dance, and questions about matters political that dance makes legible.

In Coca Yes, Cocaine No Thomas Grisaffi traces the political ascent and transformation of the Movement toward Socialism (MAS) from an agricultural union of coca growers into Bolivia's ruling party. When Evo Morales-leader of the MAS-became Bolivia's president in 2006, coca growers celebrated his election and the possibility of scaling up their form of grassroots democracy to the national level. Drawing on a decade of ethnographic fieldwork with coca union leaders, peasant farmers, drug traffickers, and politicians, Grisaffi outlines the tension that Morales faced between the realities of international politics and his constituents, who, even if their coca is grown for ritual or medicinal purposes, are implicated in the cocaine trade and criminalized under the U.S.-led drug war. Grisaffi shows how Morales's failure to meet his constituents' demands demonstrates that the full realization of alternative democratic models at the local or national level is constrained or enabled by global political and economic circumstances.

First published in 1930, this is the final of Edward Westermarck's trilogy of titles that explore the society, culture and customs of Morocco. Compiled from years of personal research and interviews conducted with local people, this collection of native proverbs addresses such cultural and ideological concepts as marriage and family, hospitality, goodness and arrogance, as well as sayings relating to certain periods, agriculture and weather. With a detailed introductory essay from Westermarck, this is a fascinating work that will provide invaluable insight for students and those with a general interest in Moroccan and North African history and anthropology.

The questions of cultural and media theory and analysis are always self-reflective. That is to say that, if we accept the relatively common sense assertion that theory and analysis are the central tasks of culture and media studies, one is never exempted from the questions of what one is attempting to do and why. The book deals with the questions: What does it mean to theorize culture? What does it mean to practice cultural analysis? What does it mean to theorize media? What does it mean to practice media analysis?

This book presents a new approach to covering the basic principles and major topics found in a typical psychopharmacology course, while adding the newest exciting and controversial findings in the study of drug use, misuse and abuse. Included in this text are major drugs typically covered in an undergraduate psychopharmacology course, including caffeine, nicotine, cocaine, amphetamines including methamphetamine, alcohol, opiates, marijuana, the hallucinogens, antipsychotics, antidepressants, and antianxiety medications. Moreover, the content emphasizes the latest scientific findings in the field, including advances in imaging the living brain.

.We 'meet' Kadi on the morning she is to be circumcised when she is still blissfully ignorant of what is about to happen to her. We see her at home, going about her daily chores, eating her breakfast and then accompany her on the journey to the village where the operation is to take place. Photos depict the sacrifice of a chicken as a precursor to her own circumcision and then we witness as Kadi is taken by the buankisa (circumciser), made to undress, held down and then cut.

While the photographs are very confronting, they are portrayed with sensitivity and delicacy, yet evoke sadness and anger, which we hope will serve to rally readers against this practice. A prologue by Dr Olayinka Koso-Thomas, renowned for her work in Africa to end FGM, gives a context for FGM historically and now, and an explanatory text outlines what female genital mutilation actually is.

It is often claimed that we live in a secular age. But we do not live in a desacralized one. Sacred forms-whether in 'religious' or 'secular' guise-continue to shape social life in the modern world, giving rise to powerful emotions, polarized group identities, and even the very concept of moral society. Analyzing contemporary sacred forms is essential if we are to be able to make sense of the societies we live in and think critically about the effects of the sacred on our lives for good or ill. The Sacred in the Modern World is a major contribution to this task. Re-interpreting Durkheim's theory of the sacred, and drawing on the 'strong program' in cultural sociology, Gordon Lynch sets out a theory of the sacred that can be used by researchers across a range of humanities and social science disciplines. Using vividly drawn contemporary case material - including the abuse and neglect of children in Irish residential schools and the controversy over the BBC's decision not to air an appeal for aid for Gaza-the book demonstrates the value of this theoretical approach for social and cultural analysis. The key role of public media for the circulation and contestation of the sacred comes under close scrutiny. Adopting a critical stance towards sacred forms, Lynch reflects upon the ways in which sacred commitments can both serve as a moral resource for social life and legitimate horrifying acts of collective evil. He concludes by reflecting on how we might live thoughtfully and responsibility under the light and shadow that the sacred casts, asking whether society without the sacred is possible or desirable.

The Question of the Gift is the first collection of new interdisciplinary essays on the gift. Bringing together scholars from a variety of fields, including anthropology, literary criticism, economics, philosophy and classics, it provides new paradigms and poses new questions concerning the theory and practice of gift exchange. In addressing these questions, contributors not only challenge the conventions of their fields, but also combine ideas and methods from both the social sciences and humanities to forge innovative ways of confronting this universal phenomenon.

The study of New Religious Movements (NRMs) is one of the fastest-growing areas of religious studies, and since the release of the first volume of The Oxford Handbook of New Religious Movements in 2003, the field has continued to expand and break new ground. In this second volume, contributors from the fields of sociology and religious studies address an expanded range of topics, covering traditional religious studies topics such as "scripture," "charisma," and "ritual," and also applying new theoretical approaches to NRM topics. Other chapters cover understudied topics in the field, such as the developmental patterns of NRMs and subcultural considerations in the study of NRMs. Divided into five sections, the first part of this book examines NRMs from a social-scientific perspective, particularly that of sociology. In the second section, the primary factors that have put the study of NRMs on the map, controversy and conflict, are considered. The third section investigates common themes within the field of NRMs, while the fourth examines the approaches that religious studies researchers have taken to NRMs. As NRM Studies has grown, subfields such as Esotericism, New Age Studies, and neo-Pagan Studies have grown as distinct and individual areas of study, and the final section of the book investigates these emergent fields.

Official and popular celebrations marked the Brazilian empire's days of national festivity, and these civic rituals were the occasion for often intense debate about the imperial regime. Hendrik Kraay explores the patterns of commemoration in the capital of Rio de Janeiro, the meanings of the principal institutions of the constitutional monarchy established in 1822-24 (which were celebrated on days of national festivity), and the challenges to the imperial regime that took place during the festivities. While officialdom and the narrow elite sought to control civic rituals, the urban lower classes took an active part in them, although their popular festivities were not always welcomed by the elite. "Days of National Festivity" is the first book to provide a systematic analysis of civic ritual in a Latin American country over a long period of time--and in doing so, it offers new perspectives on the Brazilian empire, elite and popular politics, and urban culture.

Religion has played a protean role in the lives of America's workers. In this innovative volume, Matthew Pehl focuses on Detroit to examine the religious consciousness constructed by the city's working-class Catholics, African American Protestants, and southern-born white evangelicals and Pentecostals between 1910 and 1969. Pehl embarks on an integrative view of working-class faith that ranges across boundaries of class, race, denomination, and time. As he shows, workers in the 1910s and 1920s practiced beliefs characterized by emotional expressiveness, alliance with supernatural forces, and incorporation of mass culture's secular diversions into the sacred. That gave way to the more pragmatic class-conscious religion cultures of the New Deal era and, from the late Thirties on, a quilt of secular working-class cultures that coexisted in competitive, though creative, tension. Finally, Pehl shows how the ideology of race eclipsed class in the 1950s and 1960s, and in so doing replaced the class-conscious with the race-conscious in religious cultures throughout the city. An ambitiously inclusive contribution to a burgeoning field, The Making of Working-Class Religion breaks new ground in the study of solidarity and the sacred in the American heartland.

On its initial publication, The Roman Community at Table during the Principate broke new ground with its approach to the integral place of feasting in ancient Roman culture and the unique power of food to unite and to separate its recipients along class lines throughout the Empire. John F. Donahue's comprehensive examination of areas such as festal terminology, the social roles of benefactors and beneficiaries, the kinds of foods offered at feasts, and the role of public venues in community banquets draws on over three hundred Latin honorary inscriptions to recreate the ancient Roman feast. Illustrations depicting these inscriptions, as well as the food supply trades and various festal venues, bring important evidence to the study of this vital and enduring social practice. A touchstone for scholars, the work remains fresh and relevant. This expanded edition of Donahue's work includes significant new material on current trends in food studies, including the archaeology and bioarchaeology of ancient food and drink; an additional collection of inscriptions on public banquets from the Roman West; and an extensive bibliography of scholarship produced in the last ten years. It will be of interest not only to classicists and historians of the ancient world, but also to anthropologists and sociologists interested in food and social group dynamics.

A hilarious, candid account of what life in France is actually like, from a writer for Vanity Fair and GQ Americans love to love Paris. We buy books about how the French parent, why French women don't get fat, and how to be Parisian wherever you are. While our work hours increase every year, we think longingly of the six weeks of vacation the French enjoy, imagining them at the seaside in stripes with plates of fruits de mer. John von Sothen fell in love with Paris through the stories his mother told of her year spent there as a student. And then, after falling for and marrying a French waitress he met in New York, von Sothen moved to Paris. But fifteen years in, he's finally ready to admit his mother's Paris is mostly a fantasy. In this hilarious and delightful collection of essays, von Sothen walks us through real life in Paris--not only myth-busting our Parisian daydreams but also revealing the inimitable and too often invisible pleasures of family life abroad. Relentlessly funny and full of incisive observations, Monsieur Mediocre is ultimately a love letter to France--to its absurdities, its history, its ideals--but it's a very French love letter: frank, smoky, unsentimental. It is a clear-eyed ode to a beautiful, complex, contradictory country from someone who both eagerly and grudgingly calls it home.

Suicide and martyrdom are closely intertwined with Korean social and political processes. In this first book-length study of the evolving ideals of honorable death and martyrdom from the Choson Dynasty (1392-1910) to contemporary South Korea, interdisciplinary essays explore the changing ways in which Korean historical agents have considered what constitutes a sociopolitically meaningful death and how the surviving community should remember such events. Among the topics covered are the implications of women's chaste suicides and men's righteous killings in the evolving Confucian-influenced social order of the latter half of the Choson Dynasty; changing nation-centered constructions of sacrifice and martyrdom put forth by influential intellectual figures in mid-twentieth-century South Korea, which were informed by the politics of postcolonial transition and Cold War ideology; and the decisive role of martyrdom in South Korea's interlinked democracy and labor movements, including Chun Tae-il's self-immolation in 1970, the loss of hundreds of lives during the Kwangju Uprising of 1980, and the escalation of protest suicides in the 1980s and early 1990s.

The vocabulary of wine is large and exceptionally vibrant -- from straight-forward descriptive words like "sweet" and "fragrant," colorful metaphors like "ostentatious" and "brash," to the more technical lexicon of biochemistry. The world of wine vocabulary is growing alongside the current popularity of wine itself, particularly as new words are employed by professional wine writers, who not only want to write interesting prose, but avoid repetition and cliche. The question is, what do these words mean? Can they actually reflect the objective characteristics of wine, and can two drinkers really use and understand these words in the same way?
In this second edition of Wine and Conversation, linguist Adrienne Lehrer explores whether or not wine drinkers (both novices and experts) can in fact understand wine words in the same way. Her conclusion, based on experimental results, is no. Even though experts do somewhat better than novices in some experiments, they tend to do well only on wines on which they are carefully trained and/or with which they are very familiar. Does this mean that the elaborate language we use to describe wine is essentially a charade? Lehrer shows that although scientific wine writing requires a precise and shared use of language, drinking wine and talking about it in casual, informal setting with friends is different, and the conversational goals include social bonding as well as communicating information about the wine. Lehrer also shows how language innovation and language play, clearly seen in the names of new wines and wineries, as well as wine descriptors, is yet another influence on the burgeoning and sometimes whimsical world of wine vocabulary.

This book explores the interrelations between food, technology and knowledge-sharing practices in producing digital food cultures. Digital Food Cultures adopts an innovative approach to examine representations and practices related to food across a variety of digital media: blogs and vlogs (video blogs), Facebook, Instagram, YouTube, technology developers' promotional media, online discussion forums and self-tracking apps and devices. The book emphasises the diversity of food cultures available on the internet and other digital media, from those celebrating unrestrained indulgence in food to those advocating very specialised diets requiring intense commitment and focus. While most of the digital media and devices discussed in the book are available and used by people across the world, the authors offer valuable insights into how these global technologies are incorporated into everyday lives in very specific geographical contexts. This book offers a novel contribution to the rapidly emerging area of digital food studies and provides a framework for understanding contemporary practices related to food production and consumption internationally.

This text recreates the daily life of the bar room from 1870 to 1920, exploring what it was like to be a "regular" in the old-time saloon of pre-prohibition industrial America. It examines saloon-goers across America, including New York, Chicago, New Orleans and San Francisco, as well as smaller cities such as Sioux City, Shoshone and Oakland. The book takes a look at the rich lore of the bar room - its games, stories, songs, free lunch customs and elaborate system of drinking rituals. It shows how urban workers used saloons as a place to promote their political, social and economic objectives; saloons where union leaders first organized their members, politicians cultivated the working man's vote, and immigrants sought the assistance of their countrymen. It also discusses how gender, ethnicity and class played roles in determining club membership. The author concludes that an underlying code of reciprocity and peer group honour in saloon life unified the regulars and transformed them into a voluntary association. Thus, amid the fumes of beer and cigars, the regulars were able to cultivate the dual benefits of communal companionship and marketplace clout, making the old-time saloon one of the most versatile, ubiquitous and controversial institution in American history.

Religion has played a protean role in the lives of America's workers. In this innovative volume, Matthew Pehl focuses on Detroit to examine the religious consciousness constructed by the city's working-class Catholics, African American Protestants, and southern-born white evangelicals and Pentecostals between 1910 and 1969. Pehl embarks on an integrative view of working-class faith that ranges across boundaries of class, race, denomination, and time. As he shows, workers in the 1910s and 1920s practiced beliefs characterized by emotional expressiveness, alliance with supernatural forces, and incorporation of mass culture's secular diversions into the sacred. That gave way to the more pragmatic class-conscious religion cultures of the New Deal era and, from the late Thirties on, a quilt of secular working-class cultures that coexisted in competitive, though creative, tension. Finally, Pehl shows how the ideology of race eclipsed class in the 1950s and 1960s, and in so doing replaced the class-conscious with the race-conscious in religious cultures throughout the city. An ambitiously inclusive contribution to a burgeoning field, The Making of Working-Class Religion breaks new ground in the study of solidarity and the sacred in the American heartland.

The years between 2006 and 2015, during which Evo Morales became Bolivia's first indigenous president, have been described as a time of democratic and cultural revolution, world renewal (Pachakuti), reconstituted neoliberalism, or simply "the process of change." In A Revolution in Fragments Mark Goodale unpacks these various analytical and ideological frameworks to reveal the fragmentary and contested nature of Bolivia's radical experiments in pluralism, ethnic politics, and socioeconomic planning. Privileging the voices of social movement leaders, students, indigenous intellectuals, women's rights activists, and many others, Goodale uses contemporary Bolivia as an ideal case study with which to theorize the role that political agency, identity, and economic equality play within movements for justice and structural change.

During the dramatic economic and social transformation of late twentieth-century Indonesia, theatre performances in Central Java featured a familiar cast of rulers, nobles, clown servants and ordinary people. However, these presentations were not a repetition of age-old cultural 'traditions'. Instead, by stretching the framework of Javanese theatrical convention, theatre troupes challenged dominant cultural and political values. As political pressures intensified in the final months of the New Order regime, their witty, critical performances drew enthusiastic, oppositionist crowds. The dismantling of repressive state control after the fall of Suharto in 1998 diminished interest in political critiques from the stage, and growing economic weakness caused patronage and sponsorship to dry up. By 2003-04, however, a revival was underway as performers engaged with the politics of regional autonomy and democratisation, and actors responded to the devastating Yogyakarta earthquake of 2006 by staging shows in the worst-affected areas to help sustain community spirit and pride in local culture. Barbara Hatley's account of more than thirty years of theatre activities and social change shows how performers and audiences have adapted, resisted, incorporated and survived. As Indonesian society evolves, Javanese performances continue to engage with ever-changing social contexts, expressing the dynamic resilience and sense of identity of those who stage and watch them.

From constructions of rasa (taste) in pre-colonial India and Indonesia, children and sensory discipline within the monastic orders of the Edo period of Japan, to sound expressives among the Semai in Peninsular Malaysia, the sensory soteriology of Tibetan Buddhism, and sensory warscapes of WWII, this book analyses how sensory cultures in Asia frame social order and disorder. Illustrated with a wide range of fascinating examples, it explores key anthropological themes, such as culture and language, food and foodways, morality, transnationalism and violence, and provides granular analyses on sensory relations, sensory pairings, and intersensoriality. By offering rich ethnographic perspectives on inter- and intra-regional sense relations, the book engages with a variety of sensory models, and moves beyond narrower sensory regimes bounded by group, nation or temporality. A pioneering exploration of the senses in and out of Asia, it is essential reading for academic researchers and students in social and cultural anthropology.

When it comes to labour movements, unionised industrial workers on the factory floor have only ever been part of the picture. Across so many different workplaces, sectors of the economy and geographical contexts, the question of how working people struggle in the day-to-day has no single answer. Here Sian Lazar offers a unique anthropological perspective on labour agency that takes in examples from across the globe, from heavy industry and agriculture, to the service and informal sectors. She asks: how do people strive to improve their lives and working conditions? How are they constrained and enabled in that struggle by the nature of the work they do, and by their own positionality in local histories, cultures and networks? How We Struggle explores worker action across the spectrum from organised trade unionism to individualised strategies of accommodation, resistance and escape. The book marries a discussion of global political economy and Marxist feminist theories of labour with ethnographic approaches that begin from a perspective of human experience, kinship and radical heterogeneity.

The Qianlong emperor, who dominated the religious and political life of 18th-century China, was in turn ruled by elaborate ritual prescriptions. These texts determined what he wore and ate, how he moved, and above all how he performed the yearly Grand Sacrifices. In this study, Angela Zito offers an analysis of the way ritualizing power was produced jointly by the throne and the official literati who dictated these prescriptions. Forging a critical cultural historical method that challenges traditional categories of Chinese studies, Zito shows that in their "performance", the ritual texts literally embodied the metaphysics upon which imperial power rested. By combining rule through the brush (the production of ritual texts), with rule through the body (mandated performance), the throne both exhibited its power and attempted to control resistance to it. Encompassing Chinese history, anthropology, religion, and performance and cultural studies, this book seeks to bring a new perspective to the human sciences.

The legendary overland silk road was not the only way to reach Asia for ancient travelers from the Mediterranean. During the Roman Empire's heyday, equally important maritime routes reached from the Egyptian Red Sea across the Indian Ocean. The ancient city of Berenike, located approximately 500 miles south of today's Suez Canal, was a significant port among these conduits. In this book, Steven E. Sidebotham, the archaeologist who excavated Berenike, uncovers the role the city played in the regional, local, and "global" economies during the eight centuries of its existence. Sidebotham analyzes many of the artifacts, botanical and faunal remains, and hundreds of the texts he and his team found in excavations, providing a profoundly intimate glimpse of the people who lived, worked, and died in this emporium between the classical Mediterranean world and Asia.