Most historians rely principally on written sources. Yet there are other traces of the past available to historians: the material things that people have chosen, made, and used. This book examines how material culture can enhance historians' understanding of the past, both worldwide and across time. The successful use of material culture in history depends on treating material things of many kinds not as illustrations, but as primary evidence. Each kind of material thing-and there are many-requires the application of interpretive skills appropriate to it. These skills overlap with those acquired by scholars in disciplines that may abut history but are often relatively unfamiliar to historians, including anthropology, archaeology, and art history. Creative historians can adapt and apply the same skills they honed while studying more traditional text-based documents even as they borrow methods from these fields. They can think through familiar historical problems in new ways. They can also deploy material culture to discover the pasts of constituencies who have left few or no traces in written records. The authors of this volume contribute case studies arranged thematically in six sections that respectively address the relationship of history and material culture to cognition, technology, the symbolic, social distinction, and memory. They range across time and space, from Paleolithic to Punk.

After his remarkable eight-second ride at the 1996 Indian National Finals Rodeo, an elated American Indian world champion bullrider from Pine Ridge, South Dakota, threw his cowboy hat in the air. Everyone in the almost exclusively Indian audience erupted in applause. Over the course of the twentieth century, rodeos have joined tribal fairs and powwows as events where American Indians gather to celebrate community and equestrian competition. In Riding Buffaloes and Broncos, Allison Fuss Mellis reveals how northern Plains Indians have used rodeo to strengthen tribal and intertribal ties and Native solidarity.

In the late nineteenth century, Indian agents outlawed most traditional Native gatherings but allowed rodeo, which they viewed as a means to assimilate Indians into white culture. Mistakenly, they treated rodeo as nothing more than a demonstration of ranching skills. Yet through selective adaptation, northern Plains horsemen and audiences used rodeo to sidestep federally sanctioned acculturation. Rodeo now enabled Indians to reinforce their commitment to the very Native values--a reverence for horses, family, community, generosity, and competition--that federal agencies sought to destroy.

Mellis has mined archival sources and interviewed American Indian rodeo participants and spectators throughout the northern Great Plains, Southwest, and Canada, including Crow, Northern Cheyenne, and Lakota reservations. The book features numerous photographs of Indian rodeos from the nineteenth and twentieth centuries and maps illustrating the all-Indian rodeo circuit in the United States and Canada.

This lively and engaging ethnography, written and designed with students in mind, uses the experiences and perspectives of a set of long-time market vendors in San Lorenzo, a neighborhood in the historic center of Florence, Italy, to explore how cultural identities are formed in periods of profound economic and social change.

James Hogg's "Jacobite Relics"--originally commissioned by the Highland Society of London in 1817--is an important addition to "The Collected Works of James Hogg." It created a canon for the Jacobite song which had an enormous influence on subsequent collections, and was of great importance in defining the relationship between the Scottish song tradition and its Romantic editors and collectors. From the first publication of the Relics in 1819, there has been speculation about how many of them were authored or at least substantially altered by Hogg. Murray Pittock has conducted extensive research in this area since 1987, and has identified several previously unknown sources from which Hogg would have worked as he developed his collection. The introduction to volume one includes the crucial issue of Hogg's relationship to the Jacobite song tradition, and the place of the Relics within Hogg's career and personal context, facilitating further interpretations of Hogg's range of creative strategies. Both volumes one and two provide considerable annotation to accurately communicate the context of the songs and Hogg's relationship to the textuality of Jacobite culture. Volume one also includes a bibliography and glossary. The introduction to volume two deals with the genesis of the text and Hogg's relationship with the Highland Society.

Originally published in 1971 this book argues that certain aspects of traditional African social systems have been misunderstood because of a failure to appreciate what is implied by important differences between the technologies of the major traditional African states and those of Europe and Asia. Differences in the modes of agricultural production were connected with differences in other aspects of the social system such as the relations between subjects and chiefs. This means that comparisons with the feudal systems of Western Europe or the monarchies of Asiatic states have definite limitations. Differences in technology not only affected not only the means of production but also of destruction. The importance of differential access to the means of domination is stressed as a critical factor in African political systems. This is an aspect which has been obscured in many studies that have relied largely on material gathered after the establishment of colonial rule.

Contrary to charges of religious "dogma," Christian actors in international politics often wrestle with the lack of a clear path in determining what to do and how to act, especially in situations of violence and when encountering otherness. Lynch argues that it is crucial to recognise the ethical precarity of decision-making and acting. This book contextualizes and examines ethical struggles and justifications that key figures and movements gave during the early modern period of missionary activity in the Americas; in the interwar debates about how to act vis-a-vis fascism, economic oppression and colonialism in a "secular" world; in liberation theology's debates about the use of violence against oppression and bloodshed; and in contemporary Christian humanitarian negotiations of religious pluralism and challenges to the assumptions of western Christianity. Lynch explores how the wrestling with God that took place in each of these periods reveals ethical tensions that continue to impact both Christianity and international relations.

Culture Smart guides help travellers have a more meaningful and successful time abroad through a better understanding of the local culture. Chapters on values, attitudes, customs, and daily life will help you make the most of your visit, while tips on etiquette and communication will help you navigate unfamiliar situations and avoid faux pas.

The Mirth of Nations is a social and historical study of jokes told in the principal English-speaking countries. It is based on use of archives and other primary sources, including old and rare joke books. Davies makes detailed comparisons between the humor of specific pairs of nations and ethnic and regional groups. In this way, he achieves an appreciation of the unique characteristics of the humor of each nation or group.

A tightly argued book, The Mirth of Nations uses the comparative method to undermine existing theories of humor, which are rooted in notions of hostility, conflict, and superiority, and derive ultimately from Hobbes and Freud. Instead Davies argues that humor merely plays with aggression and with rule-breaking, and that the form this play takes is determined by social structures and intellectual traditions. It is not related to actual conflicts between groups. In particular, Davies convincingly argues that Jewish humor and jokes are neither uniquely nor overwhelmingly self-mocking as many writers since Freud have suggested. Rather Jewish jokes, like Scottish humor and jokes are the product of a strong cultural tradition of analytical thinking and intelligent self-awareness.

The volume shows that the forty-year popularity of the Polish joke cycle in America was not a product of any special negative feeling towards Poles. Jokes are not serious and are not a form of determined aggression against others or against one's own group. The Mirth of Nations is readable as well as revisionist. It is written with great clarity and puts forward difficult and complex arguments without jargon in an accessible manner. Its rich use of examples of all kinds of humor entertains the reader, who will enjoy a great variety of jokes while being enlightened by the author's careful explanations of why particular sets of jokes exist and are immensely popular. The book will appeal to general readers as well as those in cultural studies.

Scottish Highlanders, and their descendants all over the world, are no better and no worse than any other people where "sinful" behaviour is concerned. Standards of morality and social conventions changed dramatically during the 19th century - and most of the people engaged in recording and commenting upon Highland life and tradition were puritanical ministers and priests who left out the racy bits. So, while there are many useful books that provide a wide range of Scottish Gaelic vocabulary to express many aspects of daily life - except, for the most part, the topics covered in this book.

South Africa has been described as "A World in One Country" and a "Rainbow Nation." Its landscape ranges from miles of glorious beaches to the inland desert of the Karoo, the sweeping grasslands of the Highveld plateau, and the subtropical bush of the Lowveld. Its ethnic makeup is equally varied. There are eleven official languages, nine major black African tribes, two major white tribes, as well as a representation of all the world's major religions. It has a free market economy while communists share in government; one of the world's most liberal constitutions and a deeply patriarchal society; and very rich and very poor people coexisting. South Africa has come through fire, and although there is still considerable heat, it is doing pretty well. This insiders' guide will introduce you to the universal warmth and cultural diversity of its people, explain the backdrop of their troubled past, and familiarize you with their everyday life so that you'll feel comfortable whether you're invited to a shack in the townships, a mansion in the suburbs, or a braai on the beach. You'll learn how to stay safe in potentially dangerous areas, and you'll know where to go if you want to feel like the only person on the planet.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Grave takes a ground-level view of how burial sites have transformed over time and how they continue to change. As a cemetery tour guide, Allison C. Meier has spent more time walking among tombstones than most. Even for her, the grave has largely been invisible, an out of the way and unobtrusive marker of death. However, graves turn out to be not always so subtle, reverent, or permanent. While the indigent and unidentified have frequently been interred in mass graves, a fate brought into the public eye during the COVID-19 pandemic, the practice today is not unlike burials in the potter's fields of the colonial era. Burial is not the only option, of course, and Meier analyzes the rise of cremation, green burial, and new practices like human composting, investigating what is next for the grave and how existing spaces of death can be returned to community life. Object Lessons is published in partnership with an essay series in The Atlantic.

Culture Smart guides help travellers have a more meaningful and successful time abroad through a better understanding of the local culture. Chapters on values, attitudes, customs, and daily life will help you make the most of your visit, while tips on etiquette and communication will help you navigate unfamiliar situations and avoid faux pas.

Why should we care about religious liberty? Leading commentators, United Kingdom courts, and the European Court of Human Rights have de-emphasised the special importance of religious liberty. They frequently contend it falls within a more general concern for personal autonomy. In this liberal egalitarian account, religious liberty claims are often rejected when faced with competing individual interests - the neutral secular state must protect us against the liberty-constraining acts of religions. Joel Harrison challenges this account. He argues that it is rooted in a theologically derived narrative of secularisation: rather than being neutral, it rests on a specific construction of 'secular' and 'religious' spheres. This challenge makes space for an alternative theological, political, and legal vision. Drawing from Christian thought, from St Augustine to John Milbank, Harrison develops a post-liberal focus on association. Religious liberty, he argues, facilitates creating communities seeking solidarity, fraternity, and charity - goals that are central to our common good.

In recent decades, dance has become a vehicle for querying assumptions about what it means to be embodied, in turn illuminating intersections among the political, the social, the aesthetical, and the phenomenological. The Oxford Handbook of Dance and Politics edited by internationally lauded scholars Rebekah Kowal, Gerald Siegmund, and the late Randy Martin presents a compendium of newly-commissioned chapters that address the interdisciplinary and global scope of dance theory - its political philosophy, social movements, and approaches to bodily difference such as disability, postcolonial, and critical race and queer studies. In six sections 30 of the most prestigious dance scholars in the US and Europe track the political economy of dance and analyze the political dimensions of choreography, of writing history, and of embodied phenomena in general. Employing years of intimate knowledge of dance and its cultural phenomenology, scholars urge readers to re-think dominant cultural codes, their usages, and the meaning they produce and theorize ways dance may help to re-signify and to re-negotiate established cultural practices and their inherent power relations. This handbook poses ever-present questions about dance politics-which aspects or effects of a dance can be considered political? What possibilities and understandings of politics are disclosed through dance? How does a particular dance articulate or undermine forces of authority? How might dance relate to emancipation or bondage of the body? Where and how can dance articulate social movements, represent or challenge political institutions, or offer insight into habits of labor and leisure? The handbook opens its critical terms in two directions. First, it offers an elaborated understanding of how dance achieves its politics. Second, it illustrates how notions of the political are themselves expanded when viewed from the perspective of dance, thus addressing both the relationship between the politics in dance and the politics of dance. Using the most sophisticated theoretical frameworks and engaging with the problematics that come from philosophy, social science, history, and the humanities, chapters explore the affinities, affiliations, concepts, and critiques that are inherent in the act of dance, and questions about matters political that dance makes legible.

First published in 1930, this is the final of Edward Westermarck's trilogy of titles that explore the society, culture and customs of Morocco. Compiled from years of personal research and interviews conducted with local people, this collection of native proverbs addresses such cultural and ideological concepts as marriage and family, hospitality, goodness and arrogance, as well as sayings relating to certain periods, agriculture and weather. With a detailed introductory essay from Westermarck, this is a fascinating work that will provide invaluable insight for students and those with a general interest in Moroccan and North African history and anthropology.

It is often claimed that we live in a secular age. But we do not live in a desacralized one. Sacred forms-whether in 'religious' or 'secular' guise-continue to shape social life in the modern world, giving rise to powerful emotions, polarized group identities, and even the very concept of moral society. Analyzing contemporary sacred forms is essential if we are to be able to make sense of the societies we live in and think critically about the effects of the sacred on our lives for good or ill. The Sacred in the Modern World is a major contribution to this task. Re-interpreting Durkheim's theory of the sacred, and drawing on the 'strong program' in cultural sociology, Gordon Lynch sets out a theory of the sacred that can be used by researchers across a range of humanities and social science disciplines. Using vividly drawn contemporary case material - including the abuse and neglect of children in Irish residential schools and the controversy over the BBC's decision not to air an appeal for aid for Gaza-the book demonstrates the value of this theoretical approach for social and cultural analysis. The key role of public media for the circulation and contestation of the sacred comes under close scrutiny. Adopting a critical stance towards sacred forms, Lynch reflects upon the ways in which sacred commitments can both serve as a moral resource for social life and legitimate horrifying acts of collective evil. He concludes by reflecting on how we might live thoughtfully and responsibility under the light and shadow that the sacred casts, asking whether society without the sacred is possible or desirable.

The study of New Religious Movements (NRMs) is one of the fastest-growing areas of religious studies, and since the release of the first volume of The Oxford Handbook of New Religious Movements in 2003, the field has continued to expand and break new ground. In this second volume, contributors from the fields of sociology and religious studies address an expanded range of topics, covering traditional religious studies topics such as "scripture," "charisma," and "ritual," and also applying new theoretical approaches to NRM topics. Other chapters cover understudied topics in the field, such as the developmental patterns of NRMs and subcultural considerations in the study of NRMs. Divided into five sections, the first part of this book examines NRMs from a social-scientific perspective, particularly that of sociology. In the second section, the primary factors that have put the study of NRMs on the map, controversy and conflict, are considered. The third section investigates common themes within the field of NRMs, while the fourth examines the approaches that religious studies researchers have taken to NRMs. As NRM Studies has grown, subfields such as Esotericism, New Age Studies, and neo-Pagan Studies have grown as distinct and individual areas of study, and the final section of the book investigates these emergent fields.

The Question of the Gift is the first collection of new interdisciplinary essays on the gift. Bringing together scholars from a variety of fields, including anthropology, literary criticism, economics, philosophy and classics, it provides new paradigms and poses new questions concerning the theory and practice of gift exchange. In addressing these questions, contributors not only challenge the conventions of their fields, but also combine ideas and methods from both the social sciences and humanities to forge innovative ways of confronting this universal phenomenon.

The contributors to Bringing Back the Social into the Sociology of Religion explore how 'bringing the social back into the sociology of religion' makes possible a more adequate sociological understanding of such topics as power, emotions, the self, or ethnic relations in religious life. In particular, they do so by engaging with social theories and addressing issues of epistemology and scientific reflexivity. The chapters of this book cover a range of different religious traditions and regions of the world such as Sufism in Pakistan; the Kabbalah Centre in Europe, Brazil and Israel; African Christian missions in Europe; and Evangelical Christianity in France and Oceania. They are based upon original empirical research, making use of a range of methods - quantitative, ethnographic and documentary. Contributors are: Veronique Altglas, Peter Doak, Yannick Fer, Gwendoline Malogne-Fer, Christophe Monnot, Eric Morier-Genoud, Alix Philippon, Matthew Wood.