This stimulating and thought-provoking book is focused on the various spaces, places and material culture with which people come into contact when dealing with death. It covers the disciplinary perspectives of anthropology, history, sociology and theology and its scope, ranges across the spaces in hospitals where death occurs, to the spaces in which bodies are viewed after death; considers the political nature of memorialising activities, and the therapeutic value of visiting places of death, for example after suicide. The chapters provide rich and current data from a large number of recent UK-based and international projects that examine various forms of death, dying and bereavement, providing insight into the different ways in which dying and bereaved people interact with the environment around them, and 'the matter' of death

Here is an excellent new book packed with state-of-the-art information on thanatology. It presents valuable insights on the history, current issues, and future directions for the modern death movement. This comprehensive volume is unique in that it offers multiple perspectives on the issues and problems facing the thanatology movement in the United States from well-known experts in a variety of fields, including nursing, psychology, death education, medicine, ethics, and suicide prevention. By crossing disciplinary boundaries, these authoritative contributors are able to critically examine the entire thanatological community and provide glimpses of an agenda for the 1990s. The Thanatology Community and the Needs of the Movement provides valuable insights on important issues in the field such as: ethical concerns in thanatology setting standards for the field of thanatology advocacy and empowerment for the dying, the bereaved, and their caregivers effective approaches to death education for professionals and for the public sector suicide prevention Individual chapters address such pertinent topics as educational needs in thanatology, the undervaluation of caregiving, policy legislation for issues facing the terminally ill or bereaved, and the care of children facing death. This groundbreaking book gives death educators, academic nurses, clergy, divinity school faculty, and academic and clinical psychologists the keys to advancing scholarship and practice in the field of thanatology. Its interdisciplinary focus facilitates better cooperation between academics and practitioners to ultimately enhance all services for the dying and bereaved.

In the 1890s, Amos Lunt served as the San Quentin hangman, tying the nooses that brought the most dangerous criminals in the Wild West to their deaths. A former police chief who became the hangman of San Quentin due to an unfortunate turn of events, Lunt stood on the gallows alongside bank robbers, desperadoes and assassins throughout a five-year career. This book follows Lunt's trail from the Santa Cruz police department to the San Quentin State Prison. Covering his interesting friendship with a series of death row inmates to the gradual deterioration of his sanity, it is a one-of-a-kind biography that profiles an American executioner. Also profiled are his subjects-twenty of the West's most heinous criminals-as well as Lunt's preparations for their hangings and their final moments on the gallows.

Autothanasia and suicide; is there a moral difference? Self-killing was as frequent in the Greco-Roman world as it is now, but its sociological profile, its motives and methods were at considerable variance. This study covers the facts, attitudes and reflections of philosophers and theologians concerning self-killing. Using almost 1000 case studies, Van Hooff investigates suicides caused by love, insanity, guilt - even the use of suicide as a deliberate pollution of an enemy's house. Methods of suicide are discussed and ancient popular morality is analyzed as it appears in the various media: in drama, light verse, law, burial customs, pictures and even jokes. Van Hooff traces the development of the concept of self-murder in philosophical and religious thinking, and uncovers the roots of the Christian abhorrence of suicide.

Embodied encounters with death affect humans deeply, with the power to crush, transform and strengthen individuals and relationships. Understanding that these encounters often have a musical accompaniment, this edited collection offers a range of critical, analytic, discursive and personal reflections on how music provides both a container and a medium for experiencing, processing and integrating embodied encounters with death. The collection showcases new and original interdisciplinary case studies written by authors from several different countries across Australia, France, The Netherlands, Poland and the UK. Taking an international, interdisciplinary and inclusive approach, this carefully curated collection elaborates embodied encounters with death through music across a variety of praxes and disciplines such as death & grief, queer studies, disability, philosophy, and more. Providing a mix of personal perspectives and insights on the impact of music and death alongside more conventional academic studies, the chapters reveal how music and human nature are intimately, and bodily, entwined. Framed by opening and closing chapters written by the team of three editors, this core text in the field provides a unique overview of the implications and ramifications of the embodiment of death through music and the musicalisation of death through the body, and signposts possibilities for further research.

This book consists of full texts of papers presented at the National Conference on Risk Factors for Youth Suicide held in Bethesda, MD in May 1986. These papers were critiqued by a review panel and opened for discussion and comment by those attending the conference. A major job for the Secretary's task force on youth suicide was to assess and consolidate current information. The work group generated a comprehensive list of potential risk factors, grouped them into specific risk factor domains, and identified experts in each area to review the scientific literature and write summary papers. In their papers, the commissioned authors were asked to catalogue analyze and synthesize the literature on factors linked to youth suicide.

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

Periods of transition are often symbolically associated with death, making the latter the paradigm of liminality. Yet, many volumes on death in the social sciences and humanities do not specifically address liminality. This book investigates these "ultimate ambiguities," assuming they can pose a threat to social relationships because of the disintegrating forces of death, but they are also crucial periods of creativity, change, and emergent aspects of social and religious life. Contributors explore death and liminality from an interdisciplinary perspective and present a global range of historical and contemporary case studies outlining emotional, cognitive, artistic, social, and political implications.

'Ground-breaking. Everyone should read this book' Bessel van der Kolk, author of The Body Keeps the Score When it comes to understanding the connection between our mental and physical health, we should be looking at the exceptions, not the rules. Dr Jeff Rediger, a world-leading Harvard psychiatrist, has spent the last fifteen years studying thousands of individuals from around the world, examining the stories behind extraordinary cases of recovery from terminal illness. Observing the common denominators of people who have beaten the odds, Dr Rediger reveals the immense power of our immune system and unlocks the secrets of the mind-body connection. In Cured, he explains the vital role that nutrition plays in boosting our immunity and fighting off disease, and he also outlines how stress, trauma and identity affect our physical health. In analysing the remarkable science of recovery, Dr Rediger reveals the power of our mind to heal our body and shows us the keys to good health. 'In an era of incurable chronic diseases causing 60% of all deaths worldwide, this book provides one potential way out' Dr Mark Hyman, author of The Blood Sugar Solution 'Seasoned with the author's penetrating insights about healing, clearly articulated science and illuminating case histories, Cured opens genuine vistas of transforming illness into health' Gabor Mate, author of When the Body Says No

Once regarded as taboo, it is now claimed that we are a death-obsessed society. The face of death in the 21st century, brought about by cultural and demographic change and advances in medical technology, presents health and social care practitioners with new challenges and dilemmas. By focusing on predominant patterns of dying; global images of death; shifting boundaries between the public and the private; and cultural pluralism, the author looks at the way death is handled in contemporary society and the sensitive ethical and practical dilemmas facing nurses, social workers, doctors and chaplains. This book brings together perspectives from social science, health-care and pastoral theology to assist the reader in understanding and negotiating this 'new death'. End-of-life care and old age, changing funeral and burial practices, new stigmas such as drug-related bereavements, are highlighted, and theories of dying and bereavement re-examined in their context. The concluding chapters incorporate recent case studies into an exploration of the meanings and shape of holistic and integrated care. Students interested in death studies from a sociological and cultural viewpoint as well as health and social care practitioners, will benefit from its critical appraisal and application of the established knowledge base to contemporary practices and ethical debates.

Pyramus: 'Now die, die, die, die, die.' [Dies] A Midsummer Night's Dream 'Shakespeare's Dead' reveals the unique ways in which Shakespeare brings dying, death, and the dead to life. It establishes the cultural, religious and social contexts for thinking about early modern death, with particular reference to the plague which ravaged Britain during his lifetime, and against the divisive background of the Reformation. But it also shows how death on stage is different from death in real life. The dead come to life, ghosts haunt the living, and scenes of mourning are subverted by the fact that the supposed corpse still breathes. Shakespeare scripts his scenes of dying with extraordinary care. Famous final speeches - like Hamlet's 'The rest is silence', Mercutio's 'A plague o' both your houses', or Richard III's 'My kingdom for a horse' - are also giving crucial choices to the actors as to exactly how and when to die. Instead of the blank finality of death, we get a unique entrance into the loneliness or confusion of dying. 'Shakespeare's Dead' tells of death-haunted heroes such as Macbeth and Hamlet, and death-teasing heroines like Juliet, Ophelia, and Cleopatra. It explores the fear of 'something after death', and characters' terrifying visions of being dead. But it also uncovers the constant presence of death in Shakespeare's comedies, and how the grinning jester might be a leering skull in disguise. This book celebrates the paradox: the life in death in Shakespeare.

How Non-being Haunts Being reveals how the human world is not reducible to "what is." Human life is an open expanse of "what was" and "what will be," "what might be" and "what should be." It is a world of desires, dreams, fictions, historical figures, planned events, spatial and temporal distances, in a word, absent presences and present absences. Corey Anton draws upon and integrates thinkers such as Jean-Paul Sartre, Henri Bergson, Kenneth Burke, Terrence Deacon, Lynn Margulis, R. D. Laing, Gregory Bateson, Douglas Harding, and E. M. Cioran. He discloses the moral possibilities liberated through death acceptance by showing how living beings, who are of space not merely in it, are fundamentally on loan to themselves. A heady multidisciplinary work, How Non-being Haunts Being explores how absence, incompleteness, and negation saturate life, language, thought, and culture. It details how meaning and moral agency depend upon forms of non-being, and it argues that death acceptance in no way inevitably slides into nihilism. Thoroughgoing death acceptance, in fact, opens opportunities for deeper levels of self-understanding and for greater compassion regarding our common fate. Sure to provoke thought and to stimulate much conversation, it offers countless insights into the human condition.

THE REVISED ANNOTATION for 978-1-934297-10-0 and for 978-1-934297-11-7Death And Anti-Death, Volume 8: Fifty Years After Albert Camus (1913-1960) is edited by Charles Tandy, Ph.D.: ISBN 978-1-934297-10-0 is the Hardback edition and ISBN 978-1-934297-11-7 is the Paperback edition. Volume 8, as indicated by the anthology's subtitle, is in honor of Albert Camus (1913-1960). The chapters do not necessarily mention him (but some chapters do). The chapters (by professional philosophers and other professional scholars) are directed to issues related to death, life extension, and anti-death, broadly construed. Most of the contributions consist of scholarship unique to this volume. As was the case with all previous volumes in the Death And Anti-Death Series By Ria University Press, the anthology includes an Index as well as an Abstracts section that serves as an extended table of contents. (Volume 8 also includes a BRIEF COMMUNICATIONS section.) Volume 8 includes chapters by some of the world 's leading living thinkers and doers, including: ------Gregory M. Fahy (Founder of biological vitrification research for large-scale organ banking) ------J. R. Lucas (Inventor of a version of the G delian Argument that minds are not mere machines) ------John Searle (Inventor of the Chinese Room Argument against Strong Artificial Intelligence). There are 18 chapters, as follows: ------CHAPTER ONE Homer, Heroes And Humanity: Vico 's New Science On Death And Mortality (by Giorgio Baruchello) pages 33-52; ------CHAPTER TWO Cryonics: A Scientific Challenge To Death (by Benjamin P. Best) pages 53-78; ------CHAPTER THREE Primary Institutions (by Thomas O. Buford) pages 79-90; ------CHAPTER FOUR Physical And Biological Aspects Of Renal Vitrification (by Gregory M. Fahy et al.) pages 91-120; ------CHAPTER FIVE Latest Advances In Antiaging Medicine (by Terry Grossman) pages 121-146; ------CHAPTER SIX The Will To Believe (by William James) pages 147-170; ------CHAPTER SEVEN Politics, Death, And Camus 's Late Anarchic Style (by John Randolph LeBlanc) pages 171-198; ------CHAPTER EIGHT Can One Be Harmed Posthumously? (by Jack Lee) pages 199-210; ------CHAPTER NINE The G delian Argument: Turn Over The Page (by J. R. Lucas) pages 211-224; ------CHAPTER TEN The Function Of Assisted Suicide In The System Of Human Rights (by Ludwig A. Minelli) pages 225-234; ------CHAPTER ELEVEN Death, Resurrection, And Immortality: Some Mathematical Preliminaries (by R. Michael Perry) pages 235-292; ------CHAPTER TWELVE The Chinese Room Argument (by John Searle) pages 293-302; ------CHAPTER THIRTEEN What 's Best For Us (by Asher Seidel) pages 303-332; ------CHAPTER FOURTEEN Camus, Plague Literature, And The Apocalyptic Tradition (by David Simpson) pages 333-362; ------CHAPTER FIFTEEN The Absurd Walls Of Albert Camus (by Charles Taliaferro) pages 363-378; ------CHAPTER SIXTEEN Camusian Thoughts About The Ultimate Question Of Life (by Charles Tandy) pages 379-401; ------CHAPTER SEVENTEEN The UP-TO Project: How To Achieve World Peace, Freedom, And Prosperity (by Charles Tandy) pages 401-418); ------CHAPTER EIGHTEEN Life And Death, And The Identity Problem (by James Yount) pages 419-448. ------The INDEX begins on page 449.

Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that relishes the complexities that arise when boundaries - of taste, of bodies, of reason - are blurred and dismantled. It is also a site of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the maternal and the sexual to expose the underpinnings of the social, political and philosophical othering of women. This book offers an in-depth analysis of women in horror films through an exploration of 'gynaehorror': films concerned with all aspects of female reproductive horror, from reproductive and sexual organs, to virginity, pregnancy, birth, motherhood and finally to menopause. Some of the themes explored include: the intersection of horror, monstrosity and sexual difference; the relationships between normative female (hetero)sexuality and the twin figures of the chaste virgin and the voracious vagina dentata; embodiment and subjectivity in horror films about pregnancy and abortion; reproductive technologies, monstrosity and 'mad science'; the discursive construction and interrogation of monstrous motherhood; and the relationships between menopause, menstruation, hagsploitation and 'abject barren' bodies in horror. The book not only offers a feminist interrogation of gynaehorror, but also a counter-reading of the gynaehorrific, that both accounts for and opens up new spaces of productive, radical and subversive monstrosity within a mode of representation and expression that has often been accused of being misogynistic. It therefore makes a unique contribution to the study of women in horror film specifically, while also providing new insights in the broader area of popular culture, gender and film philosophy.

Cross-cultural perspective on funerals that emphasizes why groups do what they do In all of our talk of diversity, this book discusses what unites humans in the way we honor death This book succinctly explains the economics of death ceremonies-and why they cost what they do

Many people still believe in life after death, but modern institutions operate as though this were the only world - eternity is now eclipsed from view in society and even in the church. This book carefully observes the eclipse - what caused it, how full is it, what are its consequences, will it last? How significant is recent interest in near-death experiences and reincarnation?

Grief and Bereavement in Contemporary Society is the authoritative guide to the study of and work with major themes in bereavement. The classic edition includes a new preface from the lead editors discussing advances in the field since the book's initial publication. The book's chapters synthesize the best of research-based conceptualization and clinical wisdom across 30 of the most important topics in the field. The volume's contributors come from around the world, and their work reflects a level of cultural awareness of the diversity and universality of bereavement and its challenges that has rarely been approximated by other volumes. This is a readable, engaging, and comprehensive book that shares the most important scientific and applied work on the contemporary scene with a broad international audience. It's an essential addition to anyone with a serious interest in death, dying, and bereavement.

A Kyrgyz cemetery seen from a distance is astonishing. The ornate domes and minarets, tightly clustered behind stone walls, seem at odds with this desolate mountain region. Islam, the prominent religion in the region since the twelfth century, discourages tombstones or decorative markers. However, elaborate Kyrgyz tombs combine earlier nomadic customs with Muslim architectural forms. After the territory was formally incorporated into the Russian Empire in 1876, enamel portraits for the deceased were attached to the Muslim monuments. Yet everything within the walls is overgrown with weeds, for it is not Kyrgyz tradition for the living to frequent the graves of the dead. Architecturally unique, Kyrgyzstan's dramatically sited cemeteries reveal the complex nature of the Kyrgyz people's religious and cultural identities. Often said to have left behind few permanent monuments or books, the Kyrgyz people in fact left behind a magnificent legacy when they buried their dead. Traveling in Kyrgyzstan, photographer Margaret Morton became captivated by the otherworldly grandeur of these cemeteries. Cities of the Dead: The Ancestral Cemeteries of Kyrgyzstan collects the photographs she made on several visits to the area and is an important contribution to the architectural and cultural record of this region. Watch the book trailer: https://www.youtube.com/watch?v=haaOw6cx1yk

Suicide is now the third leading cause of death among adolescents in the United States, and some studies suggest that as many as 75 percent of all teenagers have considered killing themselves. Current research on young people who are suicidal (those who attempt and those who succeed) is discussed in a plain way. Among the wide ranging topics covered are the prevalence of adolescent suicide, racial and gender differences, methods used in the study of suicidal behavior, associated behavioral problems (e.g., drugs and alcohol), psychological profiles, precipitating events for suicide attempts, teenage suicide clusters, the effects of suicide on family and friends, the treatment of suicidal adolescents, and, most importantly, strategies for intervention and prevention.

In this book, Sarah Tarlow provides an innovative archaeology of bereavement, mortality and memory in the early modern and modern period. She draws on literary and historical sources as well as on material evidence to examine the evolution of attitudes towards death and commemoration over four centuries.

The book argues that changes in commemorative practices over time relate to a changing relationship between the living and the dead and are inextricably linked to the conceptions of identity and personal relationships which characterize later Western history. The author's approach is different from most previous work in this area not only because of its focus on material culture but also because of its incorporation of experiential and emotional factors into discussions of human relations and understandings in the past.

As well as introducing readers to the study of death and rememberance in the past, this book contributes to wider archaeological debates about the interpretation of meaning and the place of emotion and experience in archaeological study. It will be of interest to all scholars and students interested in critical and theoretically informed approaches to the study of people in the past.

Through a detailed and fascinating exploration of changing medical knowledge and practice, this book provides a timeline of humankind's understanding of physiological death. Anchored in Early Modern Britain, it explains how evolving medical theories challenged the ambiguous definition of death, instigating anxieties over the newly realized potential for officials to mistake a person's time of death. Fears of premature burials were materialized as newspapers across Europe printed hundreds of articles about people who had been misdiagnosed as dead and were then buried-or nearly buried-alive. These stories have been tallied within this text to present the first contemporary statistic of how frequently misdiagnosed death led to premature burial during the eighteenth century. The public consciousness of premature burial manifested itself in many ways, including the necessity of having a wake before a funeral and the creation of safety coffins. This book also explores the folkloric phenomenon of the rising dead and the stories that inspired a number of authors including Coleridge, Byron and Stoker, who blended medical understanding with fiction to create vampire literature.

This book explores the moral and representational issues associated with engaging young people with popular media depictions of death and dying. Emotionally charged depictions of death play an important role in contemporary media directed toward teen and young adult audiences. Across creative works as diverse as interactive digital games, graphic novels, short form serial narratives, television and films, young people gain opportunities to engage with representations of death. In some cases, representations of death, dying, and the decision to end one's own life have been subject to public outcry and criticism related to its perceived potential impact on impressionable audiences. Death in/as entertainment can also be fleeting, commonplace and used for humour making it trivial. The chapters in this volume particularly consider the types of engagement made possible through different contemporary creative mediums and the ways in which they might distinctively capture or arouse thoughts and feelings on the end and loss of a human life. Death as Entertainment will appeal to researchers and students interested in new media and its cultural and psychological impact. The chapters in this book were originally published as a special issue of Mortality.

The introduction of the continuing bonds model of grief near the end of the 20th century revolutionized the way researchers and practitioners understand bereavement. Continuing Bonds in Bereavement is the most comprehensive, state-of-the-art collection of developments in this field since the inception of the model. As a multi-perspectival, nuanced, and forward-looking anthology, it combines innovations in clinical practice with theoretical and empirical advancements. The text traces grief in different cultural settings, asking questions about the truth in our interactions with the dead and showing how new cultural developments like social media change the ways we relate to those who have died. Together, the book's four sections encourage practitioners and scholars in both bereavement studies and in other fields to broaden their understanding of the concept of continuing bonds.

Die fachliche und kulturelle Vielfalt der Praxis der Sozialen Arbeit und der Sozialpadagogik in Polen, Rumanien und Deutschland wird in diesem Tagungsband deutlich. Grundlagenthemen der Sozialen Arbeit, spezifische Ausbildungsaspekte, Aufsatze zum Themenfeld Gesundheit und Aufsatze zu spezifischen Praxisansatzen in der Sozialen Arbeit sind in diesem Band enthalten.