Periods of transition are often symbolically associated with death, making the latter the paradigm of liminality. Yet, many volumes on death in the social sciences and humanities do not specifically address liminality. This book investigates these "ultimate ambiguities," assuming they can pose a threat to social relationships because of the disintegrating forces of death, but they are also crucial periods of creativity, change, and emergent aspects of social and religious life. Contributors explore death and liminality from an interdisciplinary perspective and present a global range of historical and contemporary case studies outlining emotional, cognitive, artistic, social, and political implications.

This book explores how social networking platforms such as Facebook, Twitter, and WhatsApp 'accidentally' enable and nurture the creation of digital afterlives, and, importantly, the effect this digital inheritance has on the bereaved. Debra J. Bassett offers a holistic exploration of this phenomenon and presents qualitative data from three groups of participants: service providers, digital creators, and digital inheritors. For the bereaved, loss of data, lack of control, or digital obsolescence can lead to a second loss, and this book introduces the theory of 'the fear of second loss'. Bassett argues that digital afterlives challenge and disrupt existing grief theories, suggesting how these theories might be expanded to accommodate digital inheritance. This interdisciplinary book will be of interest to sociologists, cyber psychologists, philosophers, death scholars, and grief counsellors. But Bassett's book can also be seen as a canary in the coal mine for the 'intentional' Digital Afterlife Industry (DAI) and their race to monetise the dead. This book provides an understanding of the profound effects uncontrollable timed posthumous messages and the creation of thanabots could have on the bereaved, and Bassett's conception of a Digital Do Not Reanimate (DDNR) order and a voluntary code of conduct could provide a useful addition to the DAI. Even in the digital societies of the West, we are far from immortal, but perhaps the question we really need to ask is: who wants to live forever?

In early modern Europe, the circulation of visual and verbal transmissions of sati, or Hindu widowburning, not only informed responses to the ritualized violence of Hindu culture, but also intersected in fascinating ways with specifically European forms of ritualized violence and European constructions of gender ideology. European accounts of women being burned in India uncannily commented on the burnings of women as witches and criminal wives in Europe. When Europeans narrated their accounts of sati, perhaps the most striking illustration of Hindu patriarchal violence, they did not specifically connect the act of widowburning to a corresponding European signifier: the gruesome ceremonial burnings of women as witches. In examining early modern representations of sati, the book focuses specifically on those strategies that enabled European travelers to protect their own identity as uniquely civilized amidst spectacular displays of "Eastern barbarity."

It’s not the dream that matters, it’s the telling of the dream – the words you choose, the risks you take in externalising your mind

This is a dreamlike portrait of a body in struggle to connect with itself and others. As the narrator contends with chronic pain, and with a pandemic raging in the background, she sets out to examine the literal and symbolic role of the mouth in the life of a writer.

Merging dreams and dailies, Pathemata recounts the narrator’s tragicomic search to alleviate her suffering, a search that eventually becomes a reckoning with various forms of loss – the loss of intimacy, the loss of her father and the loss of a pivotal friend and mentor. In exacting, distilled prose, her account blurs the lines between embodied, unconscious and everyday life.

With characteristic precision, humour and compassion, Nelson explores the limits of language to describe experience, while also offering a portrait of an unnerving and isolating time in our shared history. A stunning, original experiment in interiority by the adored author of Bluets and The Argonauts, Pathemata is a personal and poetic reckoning with pain and loss, both physical and emotional, as well as an uncanny meditation on love, affliction and resilience.

Pyramus: 'Now die, die, die, die, die.' [Dies] A Midsummer Night's Dream 'Shakespeare's Dead' reveals the unique ways in which Shakespeare brings dying, death, and the dead to life. It establishes the cultural, religious and social contexts for thinking about early modern death, with particular reference to the plague which ravaged Britain during his lifetime, and against the divisive background of the Reformation. But it also shows how death on stage is different from death in real life. The dead come to life, ghosts haunt the living, and scenes of mourning are subverted by the fact that the supposed corpse still breathes. Shakespeare scripts his scenes of dying with extraordinary care. Famous final speeches - like Hamlet's 'The rest is silence', Mercutio's 'A plague o' both your houses', or Richard III's 'My kingdom for a horse' - are also giving crucial choices to the actors as to exactly how and when to die. Instead of the blank finality of death, we get a unique entrance into the loneliness or confusion of dying. 'Shakespeare's Dead' tells of death-haunted heroes such as Macbeth and Hamlet, and death-teasing heroines like Juliet, Ophelia, and Cleopatra. It explores the fear of 'something after death', and characters' terrifying visions of being dead. But it also uncovers the constant presence of death in Shakespeare's comedies, and how the grinning jester might be a leering skull in disguise. This book celebrates the paradox: the life in death in Shakespeare.

THE REVISED ANNOTATION for 978-1-934297-10-0 and for 978-1-934297-11-7Death And Anti-Death, Volume 8: Fifty Years After Albert Camus (1913-1960) is edited by Charles Tandy, Ph.D.: ISBN 978-1-934297-10-0 is the Hardback edition and ISBN 978-1-934297-11-7 is the Paperback edition. Volume 8, as indicated by the anthology's subtitle, is in honor of Albert Camus (1913-1960). The chapters do not necessarily mention him (but some chapters do). The chapters (by professional philosophers and other professional scholars) are directed to issues related to death, life extension, and anti-death, broadly construed. Most of the contributions consist of scholarship unique to this volume. As was the case with all previous volumes in the Death And Anti-Death Series By Ria University Press, the anthology includes an Index as well as an Abstracts section that serves as an extended table of contents. (Volume 8 also includes a BRIEF COMMUNICATIONS section.) Volume 8 includes chapters by some of the world 's leading living thinkers and doers, including: ------Gregory M. Fahy (Founder of biological vitrification research for large-scale organ banking) ------J. R. Lucas (Inventor of a version of the G delian Argument that minds are not mere machines) ------John Searle (Inventor of the Chinese Room Argument against Strong Artificial Intelligence). There are 18 chapters, as follows: ------CHAPTER ONE Homer, Heroes And Humanity: Vico 's New Science On Death And Mortality (by Giorgio Baruchello) pages 33-52; ------CHAPTER TWO Cryonics: A Scientific Challenge To Death (by Benjamin P. Best) pages 53-78; ------CHAPTER THREE Primary Institutions (by Thomas O. Buford) pages 79-90; ------CHAPTER FOUR Physical And Biological Aspects Of Renal Vitrification (by Gregory M. Fahy et al.) pages 91-120; ------CHAPTER FIVE Latest Advances In Antiaging Medicine (by Terry Grossman) pages 121-146; ------CHAPTER SIX The Will To Believe (by William James) pages 147-170; ------CHAPTER SEVEN Politics, Death, And Camus 's Late Anarchic Style (by John Randolph LeBlanc) pages 171-198; ------CHAPTER EIGHT Can One Be Harmed Posthumously? (by Jack Lee) pages 199-210; ------CHAPTER NINE The G delian Argument: Turn Over The Page (by J. R. Lucas) pages 211-224; ------CHAPTER TEN The Function Of Assisted Suicide In The System Of Human Rights (by Ludwig A. Minelli) pages 225-234; ------CHAPTER ELEVEN Death, Resurrection, And Immortality: Some Mathematical Preliminaries (by R. Michael Perry) pages 235-292; ------CHAPTER TWELVE The Chinese Room Argument (by John Searle) pages 293-302; ------CHAPTER THIRTEEN What 's Best For Us (by Asher Seidel) pages 303-332; ------CHAPTER FOURTEEN Camus, Plague Literature, And The Apocalyptic Tradition (by David Simpson) pages 333-362; ------CHAPTER FIFTEEN The Absurd Walls Of Albert Camus (by Charles Taliaferro) pages 363-378; ------CHAPTER SIXTEEN Camusian Thoughts About The Ultimate Question Of Life (by Charles Tandy) pages 379-401; ------CHAPTER SEVENTEEN The UP-TO Project: How To Achieve World Peace, Freedom, And Prosperity (by Charles Tandy) pages 401-418); ------CHAPTER EIGHTEEN Life And Death, And The Identity Problem (by James Yount) pages 419-448. ------The INDEX begins on page 449.

Karl Marx is buried in London, John Keats in Rome and Leon Trotsky in Mexico. Pere Lachaise Cemetery in Paris is today known for the graves of Jim Morrison, Victor Hugo and Oscar Wilde, but when it opened in the early 19th century the owners felt that they needed some star names to make it a desired burial site - and so they had Moliere's body transferred there. Arranged thematically into 75 entries, Graves of the Great and Famous tours the world exploring the resting places of leading artists, thinkers, scientists, sportspeople, revolutionaries, politicians and pioneers. Some, such as communist leaders Ho Chi Minh and Vladimir Lenin, are interred in great mausoleums, where they are visited by millions each year; others are buried in little-known country graveyards. From lives cut short through assassinations - Martin Luther King and Abraham Lincoln - to those who suffered terrible accidents (Princess Diana), from mobsters such as Benjamin 'Bugsy' Siegel and John Gotti to Napoleon and his mistress Marie Walewska, from Nelson Mandela to Eva Peron, Graceland to Highgate Cemetery, the book provides a guide to some of the most famous and unusual graves of the great and the good. Featuring 150 photographs of graves, cemeteries, graveyards and mausoleums, Graves of the Great and Famous is a compact guide to the final resting place of the famous - and infamous.

How Non-being Haunts Being reveals how the human world is not reducible to "what is." Human life is an open expanse of "what was" and "what will be," "what might be" and "what should be." It is a world of desires, dreams, fictions, historical figures, planned events, spatial and temporal distances, in a word, absent presences and present absences. Corey Anton draws upon and integrates thinkers such as Jean-Paul Sartre, Henri Bergson, Kenneth Burke, Terrence Deacon, Lynn Margulis, R. D. Laing, Gregory Bateson, Douglas Harding, and E. M. Cioran. He discloses the moral possibilities liberated through death acceptance by showing how living beings, who are of space not merely in it, are fundamentally on loan to themselves. A heady multidisciplinary work, How Non-being Haunts Being explores how absence, incompleteness, and negation saturate life, language, thought, and culture. It details how meaning and moral agency depend upon forms of non-being, and it argues that death acceptance in no way inevitably slides into nihilism. Thoroughgoing death acceptance, in fact, opens opportunities for deeper levels of self-understanding and for greater compassion regarding our common fate. Sure to provoke thought and to stimulate much conversation, it offers countless insights into the human condition.

Many people still believe in life after death, but modern institutions operate as though this were the only world - eternity is now eclipsed from view in society and even in the church. This book carefully observes the eclipse - what caused it, how full is it, what are its consequences, will it last? How significant is recent interest in near-death experiences and reincarnation?

Suicide is now the third leading cause of death among adolescents in the United States, and some studies suggest that as many as 75 percent of all teenagers have considered killing themselves. Current research on young people who are suicidal (those who attempt and those who succeed) is discussed in a plain way. Among the wide ranging topics covered are the prevalence of adolescent suicide, racial and gender differences, methods used in the study of suicidal behavior, associated behavioral problems (e.g., drugs and alcohol), psychological profiles, precipitating events for suicide attempts, teenage suicide clusters, the effects of suicide on family and friends, the treatment of suicidal adolescents, and, most importantly, strategies for intervention and prevention.

Cross-cultural perspective on funerals that emphasizes why groups do what they do In all of our talk of diversity, this book discusses what unites humans in the way we honor death This book succinctly explains the economics of death ceremonies-and why they cost what they do

In this book, Sarah Tarlow provides an innovative archaeology of bereavement, mortality and memory in the early modern and modern period. She draws on literary and historical sources as well as on material evidence to examine the evolution of attitudes towards death and commemoration over four centuries.

The book argues that changes in commemorative practices over time relate to a changing relationship between the living and the dead and are inextricably linked to the conceptions of identity and personal relationships which characterize later Western history. The author's approach is different from most previous work in this area not only because of its focus on material culture but also because of its incorporation of experiential and emotional factors into discussions of human relations and understandings in the past.

As well as introducing readers to the study of death and rememberance in the past, this book contributes to wider archaeological debates about the interpretation of meaning and the place of emotion and experience in archaeological study. It will be of interest to all scholars and students interested in critical and theoretically informed approaches to the study of people in the past.

A Kyrgyz cemetery seen from a distance is astonishing. The ornate domes and minarets, tightly clustered behind stone walls, seem at odds with this desolate mountain region. Islam, the prominent religion in the region since the twelfth century, discourages tombstones or decorative markers. However, elaborate Kyrgyz tombs combine earlier nomadic customs with Muslim architectural forms. After the territory was formally incorporated into the Russian Empire in 1876, enamel portraits for the deceased were attached to the Muslim monuments. Yet everything within the walls is overgrown with weeds, for it is not Kyrgyz tradition for the living to frequent the graves of the dead. Architecturally unique, Kyrgyzstan's dramatically sited cemeteries reveal the complex nature of the Kyrgyz people's religious and cultural identities. Often said to have left behind few permanent monuments or books, the Kyrgyz people in fact left behind a magnificent legacy when they buried their dead. Traveling in Kyrgyzstan, photographer Margaret Morton became captivated by the otherworldly grandeur of these cemeteries. Cities of the Dead: The Ancestral Cemeteries of Kyrgyzstan collects the photographs she made on several visits to the area and is an important contribution to the architectural and cultural record of this region. Watch the book trailer: https://www.youtube.com/watch?v=haaOw6cx1yk

Through a detailed and fascinating exploration of changing medical knowledge and practice, this book provides a timeline of humankind's understanding of physiological death. Anchored in Early Modern Britain, it explains how evolving medical theories challenged the ambiguous definition of death, instigating anxieties over the newly realized potential for officials to mistake a person's time of death. Fears of premature burials were materialized as newspapers across Europe printed hundreds of articles about people who had been misdiagnosed as dead and were then buried-or nearly buried-alive. These stories have been tallied within this text to present the first contemporary statistic of how frequently misdiagnosed death led to premature burial during the eighteenth century. The public consciousness of premature burial manifested itself in many ways, including the necessity of having a wake before a funeral and the creation of safety coffins. This book also explores the folkloric phenomenon of the rising dead and the stories that inspired a number of authors including Coleridge, Byron and Stoker, who blended medical understanding with fiction to create vampire literature.

This is a definitive study of films that have been built around the themes of love, death, and the afterlife-films about lovers who meet again (and love again) in heaven, via reincarnation, or through other kinds of after-death encounters. Far more than books about mere ghosts in the movies or religion in movies, Love in the Afterlife presents a complex but highly distinctive and unique pattern-the love-death-afterlife pattern-as it was handed down by the ancient Egyptians and Greeks (in the Isis and Orpheus myths, for example), developed by Freud and his followers in the duality of "Eros and Thanatos," and then featured in popular movies from the 1920s to the recent past. Among its other qualities, Love in the Afterlife may encourage readers to look at movies differently and reflect upon the possibility that other patterns in cinema may have gone undetected for years. Furthermore, this book will show how the love-death-afterlife theme found its way into all sorts of different film types: melodramas, comedies, war films, horror films, film noir, and other genres. The book will be well illustrated and quotations from film reviews will enliven its pages. A long appendix gives production data on almost sixty individual films.

Takes the recent wave of German autobiographical writing on illness and disability seriously as literature, demonstrating the value of a literary disability studies approach. In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes this writing seriously as literature,examining how the authors of such personal narratives come to write of their experiences between the poles of cliche and exceptionality. Identifying shortcomings in the approaches taken thus far to such texts, she makes suggestions as to how to better read their narratives from the stance of literary scholarship, then demonstrates the value of a literary disability studies approach to such writing with close readings of Charlotte Roche's Schossgebete(2011), Kathrin Schmidt's Du stirbst nicht (2009), Verena Stefan's Fremdschlafer (2007), and - in the final, comparative chapter - Christoph Schlingensief's So schoen wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung (2009) and Wolfgang Herrndorf's blog-cum-book Arbeit und Struktur (2010-13). Schmidt shows that authors dealing with illness and disability do so with an awareness of their precarious subject position in the public eye, a position they negotiate creatively. Writing the liminal experience of serious illness along the borders of genre, moving between fictional and autobiographical modes, they carve out spaces from which they speak up and share their personal stories in the realm of literature, to political ends. Nina Schmidt is a postdoctoral researcher in the Friedrich Schlegel Graduate School of Literary Studies at the Freie Universitat Berlin.

Everyone in the neighborhood was getting ready for the party.
Everyone knew somebody on the guest list. . . .
This was the day the dead returned.

There's a party tonight, but Cala doesn't want to go. While her family prepares for the celebration, Cala grieves her grandfather and tries to pretend she's not afraid.

But when she is separated from her family at the cemetery, Cala encounters four mysterious riders who will show her she is actually quite brave after all.

Brimming with magic and humor, The Invisible Parade is the first picture-book collaboration between award-winner John Picacio and New York Times bestselling Leigh Bardugo. Set on the night of Día de Muertos, Cala's story is one of love, loss, and the courage that can be found in unexpected places.

This book reviews the spectrum of death, from when the living person turns to corpse until the person lives in the memory of mourners, and its impact on the ecology of the socio-cultural community and physical environment. This book demonstrates that American society today is in a pivotal period for re-imaging end-of-life care, funerary services, human disposition methods, memorializing, and mourning. The editors and contributors outline the past, present, and future of death care rituals, pointing to promising new practices and innovative projects that show how we can better integrate the dying and dead with the living and create positive change that supports sustainable stewardship of our environment. Individual chapters describe prevailing practices and issues in different settings where people die and in postmortem rituals; disposition and current ecologically and, in urban areas, spatially unsustainable methods; law of human remains; customs and trends among key stakeholders, such as cemeteries and funeral directors; and relevant technological advances. The book culminates in a presentation of emerging sustainable disposition technologies and innovative designs for proposed public memorial projects that respond to shifting values, beliefs, and priorities among an increasingly diverse population. Demonstrates the centrality of death care-from the deathbed to rituals of commemoration and mourning-in our individual and communal life and cultures Reveals promising trends in human disposition, burial places, funerary officiant profession, technologies of memorialization, and grief therapy Addresses how COVID-19 has accelerated and highlighted the need to address our changing death-care landscape on every level Points to paradigm shifts in the U.S. population's value system and beliefs that will impact how we manage death care individually and communally Presents innovative design proposals showing how spaces of remembrance and ritual can be integrated with urban life

The introduction of the continuing bonds model of grief near the end of the 20th century revolutionized the way researchers and practitioners understand bereavement. Continuing Bonds in Bereavement is the most comprehensive, state-of-the-art collection of developments in this field since the inception of the model. As a multi-perspectival, nuanced, and forward-looking anthology, it combines innovations in clinical practice with theoretical and empirical advancements. The text traces grief in different cultural settings, asking questions about the truth in our interactions with the dead and showing how new cultural developments like social media change the ways we relate to those who have died. Together, the book's four sections encourage practitioners and scholars in both bereavement studies and in other fields to broaden their understanding of the concept of continuing bonds.

Munara, ngai wanggandi Marni na pudni Lairma yertaamma. Wortangga, Mami na pudni Banba-banbalyanna. Tirramangkotti turiduri ngarkuma birra. Ngai Birko-mankolankola Tandanyanku. Naityo Yungadalya, Yakkandulya. First, let me welcome you all to Kaurna country. Next, I welcome you all to the S- cide Prevention Conference as an ambassador of the Adelaide people. For thousands of years, Kaurna people have held conferences in this country with the Nukunu, the Ngadjuri, and the Narrunga. Whole groups of Aboriginal people came - gether and had Banba-banbalya, which was a conference, discussed their differences and new ideas. This country has always had education and the Kaurna people were the edu- tors. I'm proud to say they led the way in conferencing and education. All of the univer- ties in this state have Kaurna names for their Aboriginal Education Units. The University of South Australia has the Kaurna Higher Education Centre as its main campus and the Yunguni ("to communicate") building at the new campus, Yunggondi, which means "to give information," is at the Flinders University. The Adelaide University has Woldo Yerlo, which means "sea eagle" and is the totem of my aunt. Aunty Glad was the matriarch of the Kaurna people in this city and also helped found Tauondi, which became the Aboriginal College. She helped introduce Aboriginal people to f- malized education.

Die fachliche und kulturelle Vielfalt der Praxis der Sozialen Arbeit und der Sozialpadagogik in Polen, Rumanien und Deutschland wird in diesem Tagungsband deutlich. Grundlagenthemen der Sozialen Arbeit, spezifische Ausbildungsaspekte, Aufsatze zum Themenfeld Gesundheit und Aufsatze zu spezifischen Praxisansatzen in der Sozialen Arbeit sind in diesem Band enthalten.

Looking at the cultural responses to death and dying, this collection explores the emotional aspects that death provokes in humans, whether it is disgust, fear, awe, sadness, anger, or even joy. Whereas most studies of death and dying treat the subject from an objective viewpoint, the scholars in this collection recognize their inherent connection with death which allows for a new and more personal form of study. More broadly, this collection suggests a new paradigm in the study of death and dying.

Marilyn Johnson was enthralled by the remarkable lives that were marching out of this world--so she sought out the best obits in the English language and the people who spent their lives writing about the dead. She surveyed the darkest corners of Internet chat rooms, and made a pilgrimage to London to savor the most caustic and literate obits of all. Now she leads us on a compelling journey into the cult and culture behind the obituary page and the unusual lives we don't quite appreciate until they're gone.

The academic study of death rose to prominence during the 1960s. Courses on some aspect of death and dying can now be found at most institutions of higher learning. These courses tend to stress the psycho-social aspects of grief and bereavement, however, ignoring the religious elements inherent to the subject. This collection is the first to address the teaching of courses on death and dying from a religious-studies perspective.
The book is divided into seven sections. The hope is that this volume will not only assist teachers in religious studies departments to prepare to teach unfamiliar and emotionally charged material, but also help to unify a field that is now widely scattered across several disciplines.

This book explores the moral and representational issues associated with engaging young people with popular media depictions of death and dying. Emotionally charged depictions of death play an important role in contemporary media directed toward teen and young adult audiences. Across creative works as diverse as interactive digital games, graphic novels, short form serial narratives, television and films, young people gain opportunities to engage with representations of death. In some cases, representations of death, dying, and the decision to end one's own life have been subject to public outcry and criticism related to its perceived potential impact on impressionable audiences. Death in/as entertainment can also be fleeting, commonplace and used for humour making it trivial. The chapters in this volume particularly consider the types of engagement made possible through different contemporary creative mediums and the ways in which they might distinctively capture or arouse thoughts and feelings on the end and loss of a human life. Death as Entertainment will appeal to researchers and students interested in new media and its cultural and psychological impact. The chapters in this book were originally published as a special issue of Mortality.