Death, like most experiences that we think of as 'natural', is a product of the human imagination: all animals die, but only human beings suffer Death; and what they suffer is shaped by their own time and culture. Tragedy was one of the principal instruments through which the culture of early modern England imagined the encounter with mortality. The essays in this book approach the theatrical reinvention of Death from three perspectives. Those in Part 1 explore Death as a trope of apocalypse - a moment of un-veiling or dis-covery that is figured both in the fearful nakedness of the Danse Macabre and in the shameful 'openings' enacted in the new theatres of anatomy. Separate chapters explore the apocalyptic design of two of the period's most powerful tragedies - Shakespeare's Othello, and Middleton and Rowley's The Changeling. In Part 2, Neill explores the psychological and affective consequences of tragedy's fiercely end-driven narrative in a number of plays where a longing for narrative closure is pitched against a particularly intense dread of ending. The imposition of an end is often figured as an act of writerly violence, committed by the author or his dramatic surrogate. Extensive attention is paid to Hamlet as an extreme example of the structural consequences of such anxiety. The function of revenge tragedy as a response to the radical displacement of the dead by the Protestant abolition of purgatory - one of the most painful aspects of the early modern re-imagining of death - is also illustrated with particular clarity. Finally, Part 3 focuses on the way tragedy articulates its challenge to the undifferentiating power of death through conventions and motifs borrowed from the funereal arts. It offers detailed analyses of three plays - Shakespeare's Anthony and Cleopatra, Webster's The Duchess of Malfi, and Ford's The Broken Heart. Here, funeral is rewritten as triumph, and death becomes the chosen instrument of an heroic self-fashioning designed to dress the arbitrary abruption of mortal ending in a powerful aesthetic of closure.

Loving and grieving are two sides of the same coin: we cannot have one without risking the other. Only by understanding the nature and pattern of loving can we begin to understand the problems of grieving. Conversely, the loss of a loved person can teach us much about the nature of love.

Love and Loss, the result of a lifetime's work, has important implications for the study of attachment and bereavement. In this volume, Colin Murray Parkes reports his innovative research that enables us to bring together knowledge of childhood attachments and problems of bereavement, resulting in a new way of thinking about love, bereavement and other losses. Areas covered include:

• patterns of attachment and grief
• loss of a parent, child or spouse in adult life
• social isolation and support.

The book concludes by looking at disorders of attachment and considering bereavement in terms of its implications on love, loss, and change in a wider context.

Illuminating the structure and focus of thinking about love and loss, this book sheds light on a wide range of psychological issues. It will be essential reading for professionals working with bereavement, as well as graduate students of psychology, psychiatry, and sociology.

This book looks to existential thinkers for reasons to hope immortal life could be worth living. It injects new arguments and insights into the debate about the desirability of immortality, and tackles related issues such as boredom, personal identity, technological progress, and the meaning of life.

Within popular culture, death is not the end, but instead a space where the dead can exert agency whilst entertaining the consumer. Popular culture enables the dead to be consumed by the living on a mass global scale, actively engaging them with issues of mortality. This book develops the sociological intersectionality between death, the dead and popular culture by examining the agency of the dead. Drawing upon the posthumous careers of the celebrity dead and organ transplantation mythology in popular culture the dead are shown to not be hampered by death but to benefit from the symbolic and economic value they can generate. Meanwhile the fictional dead - the Undead and the dead in crime drama - are conceptualised through morbid sensibility and morbid space to mobilise consumer consideration of mortality and even challenge the public wisdom that contemporary Western society is in death denial and that death is taboo. Death and the dead, within the parameters of popular culture, form a palatable and normative bridge between viewers and mortality, iterating the innate value and hidden depths of popular culture in the study of contemporary society. This book will be of interest to anybody who researches death, popular culture and questions of mortality.

Mortality remains a taboo topic in much of Western society, but death and violence continue to be staples of popular television. We can better understand the appeal of violence by investigating psychological theories surrounding anxiety about death and the defenses we use to manage that anxiety. This book examines five recent television series--Game of Thrones,The Punisher, Jessica Jones, Sons of Anarchy and Hannibal--and shows how fictional characters' motivations teach viewers about both the constructive and destructive ways we try to deal with our own mortality. Instead of dismissing violent television as harmless entertainment or completely condemning it as a dangerous trigger of hostile behavior, this book shows its effects on viewers in a more nuanced manner. It provides a new perspective on the enjoyment of violent television, enhancing fans' appreciation and sparking ongoing discussions about their value to both the individual and society.

In the 1890s, Amos Lunt served as the San Quentin hangman, tying the nooses that brought the most dangerous criminals in the Wild West to their deaths. A former police chief who became the hangman of San Quentin due to an unfortunate turn of events, Lunt stood on the gallows alongside bank robbers, desperadoes and assassins throughout a five-year career. This book follows Lunt's trail from the Santa Cruz police department to the San Quentin State Prison. Covering his interesting friendship with a series of death row inmates to the gradual deterioration of his sanity, it is a one-of-a-kind biography that profiles an American executioner. Also profiled are his subjects-twenty of the West's most heinous criminals-as well as Lunt's preparations for their hangings and their final moments on the gallows.

The Funerary International series comprises essential reference texts for policy-makers, practitioners and academics with an interest in funerary practices globally. Each book has a country or region specific focus, addressing a standard framework of questions to aid comparison. This book sets English and Welsh funerary practice in its wider legal, national and local governance framework, including the continuing role of the Church of England. It provides the historical context for current practice, provides data on new trends in burial and cremation and examines recent developments including direct cremation and alkaline hydrolysis. It provides detail of current practice and includes a detailed description of a typical funeral, including commemorative practice, and discussion of funeral costs. Chapters address the legalities and technicalities of burial and cremation, explaining the concept of burial rights and the technicalities of grave construction, and outlining cremation certification requirements and the process of cremation. This book is a valuable desk-top resource to give a broader frame of reference for policy makers, and to provide explanation of key concepts for practitioners who may be new to this area of work. The text will be of particular value to academics that may be unfamiliar with the legal, technical and professional aspects of the funerary industry. The text is fully referenced, with an additional bibliography of further reading, and includes illustrations, charts, tables, diagrams and boxed text including key information.

New Developments in the Bioarchaeology of Care evaluates, refines and expands existing concepts and practices in the developing field of bioarchaeological research into health-related care provision in the past. Evidence in human remains that indicates an individual survived with, or following, a serious pathology suggests this person most likely received some form of care from others. This observation was first made half a century ago, but it is only in the last five years that health-related caregiving has been accepted as a topic for bioarchaeology research. In this time, interest has grown exponentially. A focus on care provides a dynamic framework for examining the experiences of disease and disability in the past - at the level of the individual receiving care, and that of the community providing it. When caregiving can be identified in the archaeological record, bioarchaeologists may be able to offer unique insights into aspects of past lifeways. This volume represents the work of an international, diverse, cross-disciplinary group of contributors, each bringing their own particular focus, style and expertise to analyzing past health-related care. Nineteen chapters offer content that ranges from an introduction to the basic 'bioarchaeology of care' approach, through original case studies of care provision, to new theoretical perspectives in this emerging area of scholarship. This book creates a synergy that challenges our thinking about past health-related care behaviors and about the implications of these behaviors for understanding the social environment in which they took place.

This book offers the first systematic study of death in the later novels of Don DeLillo. It focuses on Underworld to The Silence, along with his 1984 novel White Noise, in which the fear of death dominates the protagonists most hauntingly. The study covers eight novels, which mark the development of one of the most philosophical and prestigious novelists writing in English. Death, in its close relation to time, temporality and transience, has been an ongoing subject or motif in Don DeLillo's oeuvre. His later work is shot through with the cultural and sociopsychological symptoms and responses death elicits. His "reflection on dying" revolves around defensive mechanisms and destruction fantasies, immortalism and cryonics, covert and overt surrogates, consumerism and media, and the mortification of the body. His characters give themselves to mourning and are afflicted with psychosis, depression and the looming of emptiness. Yet writing about death also means facing the ambiguity and failing representability of "death." The book considers DeLillo's use of language in which temporality and something like "death" may become manifest. It deals with the transfiguration of time and death into art, with apocalypse as a central and recurring subject, and, as a kind of antithesis, epiphany. The study eventually proposes some reflections on the meaning of death in an age fully contingent on media and technology and dominated by financial capitalism and consumerism. Despite all the distractions, death remains a sinister presence, which has beset the minds not only of DeLillo's protagonists.

Die fachliche und kulturelle Vielfalt der Praxis der Sozialen Arbeit und der Sozialpadagogik in Polen, Rumanien und Deutschland wird in diesem Tagungsband deutlich. Grundlagenthemen der Sozialen Arbeit, spezifische Ausbildungsaspekte, Aufsatze zum Themenfeld Gesundheit und Aufsatze zu spezifischen Praxisansatzen in der Sozialen Arbeit sind in diesem Band enthalten.

Through a detailed and fascinating exploration of changing medical knowledge and practice, this book provides a timeline of humankind's understanding of physiological death. Anchored in Early Modern Britain, it explains how evolving medical theories challenged the ambiguous definition of death, instigating anxieties over the newly realized potential for officials to mistake a person's time of death. Fears of premature burials were materialized as newspapers across Europe printed hundreds of articles about people who had been misdiagnosed as dead and were then buried-or nearly buried-alive. These stories have been tallied within this text to present the first contemporary statistic of how frequently misdiagnosed death led to premature burial during the eighteenth century. The public consciousness of premature burial manifested itself in many ways, including the necessity of having a wake before a funeral and the creation of safety coffins. This book also explores the folkloric phenomenon of the rising dead and the stories that inspired a number of authors including Coleridge, Byron and Stoker, who blended medical understanding with fiction to create vampire literature.

In 1906, Sir George Newman's 'Infant Mortality: A Social Problem', one of the most important health studies of the twentieth century, was published. To commemorate this anniversary, this volume brings together an interdisciplinary team of leading academics to evaluate Newman's critical contribution, to review current understandings of the history of infant and early childhood mortality, especially in Britain, and to discuss modern approaches to infant health as a continuing social problem. The volume argues that, even after 100 years of health programmes, scientific advances and medical interventions, early childhood mortality is still a significant social problem and it also proposes new ways of defining and tracking the problem of persistent mortality differentials.

In this book Grace Jantzen constructs a Quaker spirituality of beauty as a theological-philosophical response to a world preoccupied with death and violence. Having mapped the foundations of western cultural violence in the Greco-Roman period and the Judea-Christian tradition in Foundations of Violence and Violence to Eternity, she now offers her alternative vision. This vision is an original and creative feminist reading of the Quaker tradition, considering George Fox and the writings of Quaker women, exploring the themes of inner light and beauty as alternatives to violence and the obstacles to building such an alternative world. After showing how seventeenth-century Quakers offered a different option for modernity, she maps the philosophical and ethical implications of engaging with the world through beauty and its transforming power. Written for everyone interested in contemporary spirtuality, it explains how Quaker ideas can provide a way to transform our violent world into one that celebrates life rather than death, peace rather than violence. This work is the second of two posthumous publications to complete Grace M. Jantzen's Death and the Displacement of Beauty collection, which began with Foundations of Violence (Routledge, 2004).

Death studies is an established academic endeavour which is expanding globally into new disciplines Essential reference text for funerary activity in the region Standardised approach to structure and content ensures global coverage across the series

"Taken together, this volume is a welcome departure from the usual literature on memory and trauma which ignores what came before the war and treats what happened after only in relation to the Holocaust. This excellent volume enables us to look at the history of death as a whole beyond the break of 1945 and to see influences and continuities throughout the last century. The volume delivers on the promise of the introduction to open up new avenues for research and raise new questions and should be a welcome addition to the library of every scholar of modern Germany." . German Politics & Society " The volume] offers a significant contribution to theories of death and memory work in German Studies. It] is clearly organized using theme-based sections, which lead the reader through material culture as well as psychological investigation; the essays are well-researched and cogently written." . German Studies Review "Taken together, the volume provides more than the sum of its individual contributions and actually succeeds in offering new perspectives on a hitherto neglected topic. Several essays demonstrate persuasively the myriad ways in which the ghosts of the dead haunted the living in twentieth-century Germany...for anybody interested in the social and cultural history of death in Germany, this volume will be an indispensable starting point." . German History Recent years have witnessed growing scholarly interest in the history of death. Increasing academic attention toward death as a historical subject in its own right is very much linked to its pre-eminent place in 20th-century history, and Germany, predictably, occupies a special place in these inquiries. This collection of essays explores how German mourning changed over the 20th century in different contexts, with a particular view to how death was linked to larger issues of social order and cultural self-understanding. It contributes to a history of death in 20th-century Germany that does not begin and end with the Third Reich."

The Introduction chapter of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. With a focus on the case of Poland, where an ageing population poses a crucial challenge for the state's social, family, and gerontological policy, this book explores ageing as a personal and social phenomenon, considering the ways in which the experience of ageing is shaped by younger generations' attitudes, government support policies, local initiatives undertaken help older people stay active, and the ways in which the elderly themselves understand their own mortality. Employing demographic, philosophical, legal, psychological, gerontological perspectives, it emphasises activities that can support older adults locally or nationwide and proposes the development of a social policy and social attitudes that can facilitate changes in the social perception of ageing, together with a redistribution of resources for older adults. As such, it will appeal to scholars across the social sciences with interests in ageing and the lifecourse, as well as those who wish to support older adults with concrete solutions and familiarize themselves with the ageing process from an individual and social perspective.

Exploring both the intrapersonal (moral) and interpersonal (ethical) nature of death and dying in the context of their development (philosophical), Dying in a Transhumanist and Posthuman Society shows how death and dying have been and will continue to be governed in any given society. Drawing on transhumanism and discourses about posthumanity, life prolongation and digital life, the book analyses death, dying and grief via the governance of dying. It states that the bio-medical dimensions of our understanding of death and dying have predominated not only the discourses about death in society and the care of the dying, but their policy and practice as well. It seeks to provoke thinking beyond the benefits of technology and within the confinements of the world transhumanists describe. This book is written for all who have an interest in thanatology (i.e. death studies) but will be useful specifically to those investigating the experiences of dying and grieving in contemporary societies, wherein technology, biology and medicine continuously advance. Thus, the manuscript will be of interest to researchers in a broad range of areas including health and social care, social policy, anthropology, sociology, philosophy, cultural studies, and, of course, thanatology.

The Restorative Nature of Ongoing Connections with the Deceased is a guide to stimulating thought and discussion about ongoing attachments between bereaved individuals and their deceased loved ones. Chapters promote broad, inclusive training and dialogue for working with clients who establish and/or maintain a restorative connection with their deceased loved one as well as those who find aspects of such connections to be psychologically or spiritually problematic or troublesome. Bereavement professionals will come away from this book with a better understanding and a deeper skillset for helping clients to develop continuing bonds.

Death studies is an established academic endeavour which is expanding globally into new disciplines Essential reference text for funerary activity in the region Standardised approach to structure and content ensures global coverage across the series

Winner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social Interaction Winner of the Eastern Communication Association's Everett Lee Hunt Award A behind-the-scenes account of how death is presented in the media Death is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a "fit" and "unfit" image of death. Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society. In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks. Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them-even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death. An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed.

This sociological work examines the phenomenon of the Death Cafe, a regular gathering of strangers from all walks of life who engage in "death talk" over coffee, tea, and desserts. Using insightful theoretical frameworks, Fong explores the common themes that constitute a "death identity" and reveals how Cafe attendees are inspired to live in light of death because of death. Fong examines how the participants' embrace of self-sovereignty and confrontation of mortality revive their awareness of and appreciation for shared humanity. While divisive identity politics continue to foster neo-tribalisms and the construction of myriad "others," Fong makes visible how those who participate in Death Cafes end up building community while being inspired toward living more fulfilling lives. Through death talk unfettered from systemic control, they end up feeling more agency over their own lived lives as well as being more conscious of the possibility of a good death. According to Fong, participants in this phenomenon offer us a sublime way to confront the facticity of our own demise-by gathering as one.

Political Theory on Death and Dying provides a comprehensive, encyclopedic review that compiles and curates the latest scholarship, research, and debates on the political and social implications of death and dying. Adopting an easy-to-follow chronological and multi-disciplinary approach on 45 canonical figures and thinkers, leading scholars from a diverse range of fields, including political science, philosophy, and English, discuss each thinker's ethical and philosophical accounts on mortality and death. Each chapter focuses on a single established figure in political philosophy, as well as religious and literary thinkers, covering classical to contemporary thought on death. Through this approach, the chapters are designed to stand alone, allowing the reader to study every entry in isolation and with greater depth, as well as trace how thinkers are influenced by their predecessors. A key contribution to the field, Political Theory on Death and Dying provides an excellent overview for students and researchers who study philosophy of death, the history of political thought, and political philosophy.

Examines how digital media and the creation of digital immortals may affect religious understandings of death and the afterlife; Understands the impact of digital media on those living and those working with the bereaved; Explores the impact of digital memorialisation post death; Looks at the ways in which digital media may be changing conceptions and theologies of death