How the public image of the Soviet cosmonaut was designed and reimagined over timeIn this book, Cathleen Lewis discusses how the public image of the Soviet cosmonaut developed beginning in the 1950s and the ways this icon has been reinterpreted throughout the years and in contemporary Russia. Compiling material and cultural representations of the cosmonaut program, Lewis provides a new perspective on the story of Soviet spaceflight, highlighting how the government has celebrated figures such as Yuri Gagarin and Valentina Tereshkova through newspapers, radio, parades, monuments, museums, films, and even postage stamps and lapel pins. Lewis's analysis shows that during the Space Race, Nikita Khrushchev mobilized cosmonaut stories and images to symbolize the forward-looking Soviet state and distract from the costs of the Cold War. Public perceptions shifted after the first Soviet spaceflight fatality and failure to reach the Moon, yet cosmonaut imagery was still effective propaganda, evolving through the USSR's collapse in 1991 and seen today in Vladimir Putin's government cooperation for a film on the 1985 rescue of the Salyut 7 space station. Looking closely at the process through which Russians continue to reexamine their past, Lewis argues that the cultural memory of spaceflight remains especially potent among other collective Soviet memories.

A SPECTATOR and PROSPECT Book of 2022 'Ceaselessly interesting, knowledgeable and evocative' Spectator 'A fresh way to write history' Alan Johnson 'A quirky, amused, erudite homage to France . . . ambitious and original' The Times _____ Original, knowledgeable and endlessly entertaining, France: An Adventure History is an unforgettable journey through France from the first century BC to the present day. Drawn from countless new discoveries and thirty years of exploring France on foot, in the library and across 30,000 miles on the author's beloved bike, it begins with Gaulish and Roman times and ends in the age of #MeToo, Black Lives Matter, the Gilets Jaunes and Covid-19. From the plains of Provence to the slums and boulevards of Paris, events and themes of French history may be familiar - Louis XIV, the French Revolution, the French Resistance, the Tour de France - but all are presented in a shining new light. Frequently hilarious, always surprising, France: An Adventure History is a sweeping panorama of France, teeming with characters, stories and coincidences, and offering a thrilling sense of discovery and enlightenment. This vivid, living history of one of the world's most fascinating nations will make even seasoned Francophiles wonder if they really know that terra incognita which is currently referred to as 'France'. _____ 'Packed full of discoveries' The Sunday Times 'A gorgeous tapestry of insights, stories and surprises' Fintan O'Toole 'A rich and vibrant narrative . . . clear-eyed but imaginative storytelling' Financial Times 'Full of life' Prospect

The Riviera has inspired countless novelists and artists, attracted as much by its visitors as by its location (Somerset Maugham called it 'a sunny place for shady people'). But for the majority of the English, the Riviera was made famous by rumour and report: it was the scene of the romance of Edward VIII and Wallis Simpson; and, post-war, became the vacation spot of Hollywood starlets.

But the Cote d'Azur has a long history of attracting foreign celebrities and royalty, since the seventeenth century, when it was a stopping point on the route south for aristocratic Grand Tourists. Later, English and Scottish invalids, among them Robert Louis Stevenson, followed doctors' orders and holidayed on the Riviera for their health. Jim Ring explores these origins and the developments that took place on the coast - the impact of rail travel, of war, of celebrity and of the English.

'An entertaining survey . . . It is the ideal book to hide your smirk behind on the Promenade des Anglais as yet another roller-blading granny glides past in a leopard-sking thong.' "Sunday Telegraph"

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""Jim Ring's "Riviera "corrals an array of vignettes of the Cote d'Azur's most famous habitues from the Romans to the Rolling Stones . . . a stylish and pleasingly gossipy overview of the region's fluctuating fortunes.' "Time Out"

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""'A highly readable history.' "Guardian"

Irish-born and Irish-descended soldiers and sailors were involved in every major engagement of the American Civil War. Throughout the conflict, they shared their wartime experiences through songs and song lyrics, leaving behind a vast trove of ballads in songbooks, letters, newspaper publications, wartime diaries, and other accounts. Taken together, these songs and lyrics offer an underappreciated source of contemporary feelings and opinions about the war. Catherine V. Bateson's Irish American Civil War Songs provides the first in-depth exploration of Irish Americans' use of balladry to portray and comment on virtually every aspect of the war as witnessed by the Irish on the front line and home front. Bateson considers the lyrics, themes, and sentiments of wartime songs produced in America but often originating with those born across the Atlantic in Ireland and Britain. Her analysis gives new insight into views held by the Irish migrant diaspora about the conflict and the ways those of Irish descent identified with and fought to defend their adopted homeland. Bateson's investigation of Irish American song lyrics within the context of broader wartime experiences enhances our understanding of the Irish contribution to the American Civil War. At the same time, it demonstrates how Irish songs shaped many American balladry traditions as they laid the foundation of the Civil War's musical soundscape.

'Lucid and damning ... an absorbing - and infuriating - tale of complicity, coverup and denial' PATRICK RADDEN KEEFE, author of EMPIRE OF PAIN A groundbreaking investigation of how the Nazis helped German tycoons make billions from the horrors of the Third Reich and World War II - and how the world allowed them to get away with it. In 1946, Gunther Quandt - patriarch of Germany's most iconic industrial empire, a dynasty that today controls BMW - was arrested for suspected Nazi collaboration. Quandt claimed that he had been forced to join the party by his arch-rival, propaganda minister Joseph Goebbels, and the courts acquitted him. But Quandt lied. And his heirs, and those of other Nazi billionaires, have only grown wealthier in the generations since, while their reckoning with this dark past remains incomplete at best. Many of them continue to control swaths of the world economy, owning iconic brands whose products blanket the globe. The brutal legacy of the dynasties that dominated Daimler-Benz, cofounded Allianz and still control Porsche, Volkswagen and BMW has remained hidden in plain sight - until now. In this landmark work, investigative journalist David de Jong reveals the true story of how Germany's wealthiest business dynasties amassed untold money and power by abetting the atrocities of the Third Reich. Using a wealth of untapped sources, de Jong shows how these tycoons seized Jewish businesses, procured slave labourers and ramped up weapons production to equip Hitler's army as Europe burnt around them. Most shocking of all, de Jong exposes how the wider world's political expediency enabled these billionaires to get away with their crimes, covering up a bloodstain that defiles the German and global economy to this day.

We are living a moment in which famous chefs, Michelin stars, culinary techniques, and gastronomical accolades attract moneyed tourists to Spain from all over the world. This has prompted the Spanish government to declare its cuisine as part of Spanish patrimony. Yet even with this widespread global attention, we know little about how Spanish cooking became a litmus test for demonstrating Spain's modernity and, in relation, the roles ascribed to the modern Spanish women responsible for daily cooking. Efforts to articulate a new, modern Spain infiltrated writing in multiple genres and media. Women's Work places these efforts in their historical context to yield a better understanding of the roles of food within an inherently uneven modernization process. Further, the book reveals the paradoxical messages women have navigated, even in texts about a daily practice that shaped their domestic and work lives. This argument is significant because of the degree to which domestic activities, including cooking, occupied women's daily lives, even while issues like their fitness as citizens and participation in the public sphere were hotly debated. At the same time, progressive intellectuals from diverse backgrounds began to invoke Spanish cooking and eating as one measure of Spanish modernity. Women's Work shows how culinary writing engaged these debates and reached women at the site of much of their daily labor-the kitchen-and, in this way, shaped their thinking about their roles in modernizing Spain.

In this Reacting to the Past game, the classroom is transformed into Paris in 1791. As members of the National Assembly gather to craft a constitution for a new France, students wrestle with the threat of foreign invasion, political and religious power struggles, and questions of liberty and citizenship. Reacting to the Past is an award-winning series of immersive role-playing games that actively engage students in their own learning. Students assume the roles of historical characters and practice critical thinking, primary source analysis, and argument, both written and spoken. For more information about the series, visit wwnorton.com/reacting.