From the bestselling author of Brothers in Arms comes the story of the most pivotal Allies campaign of World War II.

With the invasion of France the following year taking shape, and hot on the heels of victory in Sicily, the Allies crossed into Southern Italy in September 1943. They expected to drive the Axis forces north and be in Rome by Christmas. And although Italy surrendered, the German forces resisted fiercely and the swift hoped-for victory descended into one of the most brutal battles of the war.

Even though shipping and materiel were already being safeguarded for the D-Day landings, there were still huge expectations on the progress of the invading armies, but those shortages were to slow the advance with tragic consequences. As the weather closed in, the critical months leading up to Monte Cassino would inflict a heavy price for every bloody, hard fought mile the Allied troops covered.

Chronicling those dark, dramatic months in unflinching and insightful detail, The Savage Storm is unlike any campaign history yet written. James Holland has always recounted the Second World War at ground level, but this version telling brings the story vividly to life like never before. Weaving together a wealth of letters, diaries, and other incredible documents, Holland traces the battles as they were fought - across plains, over mountains, through shattered villages and cities, in intense heat and, towards the end, frigid cold and relentless rain - putting readers at the heart of the action to create an entirely fresh and revealing telling of this most pivotal phase of the war.

The Tree of Gernika: a Field Study of Modern War was published in 1938. It is G. L. Steer's masterpiece. Martha Gellhorn famously wrote to Eleanor Roosevelt:

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""'You must read a book by a man names Steer: it is called The Tree of Gernika. It is about the fight of the Basques - he's the London Times man - and no better book has come out of the war and he says well all the things I have tried to say to you the times I saw you, after Spain. It is beautifully written and true, and few books are like that, and fewer still deal with war. Pleas get it.'

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""As Paul Preston says in his "We Saw Spain Die," 'Martha Gellhorn's judgement has more than stood the test of time.'

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""In his introduction, Nick Rankin writes.' "The Tree of Gernika" tells how Euzkadi, the democratic republic that the Basques created in their green homeland by the Bay of Biscay, fought for freedom and decency in an atrocious civil war. After a year of struggle, blockaded by sea, bombed from the air, fighting against overwhelming odds in their own hill, the Basques in the end lost to Franco's forces - but they lost honourably, without resorting to murder, torture and treachery.'

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""It was Steer who alerted the world to the destruction of Gernika (Basque spelling), Guernica (Spanish spelling). It was the most important dispatch of his life, run by both "The Times "and "The New York Times."

Nick Rankin rightly describes "The Tree of Gernika" as 'a masterpiece of narrative history and eyewitness reporting by someone close to the key events . . .'

This collection examines the topic of time in the life and works of Augustine of Hippo. Adopting a global perspective on time as a philosophical and theological problem, the volume includes reflections on the meaning of history, the mortality of human bodies, and the relationship between temporal experience and linguistic expression. As Augustine himself once observed, time is both familiar and surprisingly strange. Everyone's days are structured by temporal rhythms and routines, from watching the clock to whiling away the hours at work. Few of us, however, take the time to sit down and figure out whether time is real or not, or how it is we are able to hold our past, present, and future thoughts together in a straight line so that we can recite a prayer or sing a song. Divided into five sections, the essays collected here highlight the ongoing relevance of Augustine's work even in settings quite distinct from his own era and context. The first three sections, organized around the themes of interpretation, language, and gendered embodiment, engage directly with Augustine's own writings, from the Confessions to the City of God and beyond. The final two sections, meanwhile, explore the afterlife of the Augustinian approach in conversation with medieval Islamic and Christian thinkers (like Avicenna and Aquinas), as well as a broad range of Buddhist figures (like Dharmakirti and Vasubandhu). What binds all of these diverse chapters together is the underlying sense that, regardless of the century or the tradition in which we find ourselves, there is something about the puzzle of temporality that refuses to go away. Time, as Augustine knew, demands our attention. This was true for him in late ancient North Africa. It was also true for Buddhist thinkers in South and East Asia. And it remains just as true for humankind in the twenty-first century, as people around the globe continue to grapple with the reality of time and the challenges of living in a world that always seems to be to be speeding up rather than slowing down.

The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians (including figures such as Louis Andriessen, Willem Breuker, Reinbert de Leeuw and Misha Mengelberg) who were to gain international standing and influence as composers, performers and teachers, and who had a defining impact upon Dutch musical life. Fundamental to their activities in the sixties was a pronounced commitment to social and political engagement. The lively culture of activism and dissent on the streets of Amsterdam prompted an array of vigorous responses from these musicians, including collaborations with countercultural and protest groups, campaigns and direct action against established musical institutions, new grassroots performing associations, political concerts, polemicising within musical works, and the advocacy of new, more 'democratic' relationships with both performers and audiences. These activities laid the basis for the unique new music scene that emerged in the Netherlands in the 1970s and which has been influential upon performers and composers worldwide. This book is the first sustained scholarly examination of this subject. It presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change. The narrative is structured around a number of the decade's defining topoi: modernisation and 'the new'; anarchy; participation; politics; self-management; and popular music. Dutch avant-garde musicians engaged actively with each of these themes, but in so doing they found themselves faced with distinct and sometimes intractable challenges, caused by the chafing of their political and aesthetic commitments. In charting a broad chronological progress from the commencement of work on Peter Schat's Labyrint in 1961 to the premiere of Louis Andriessen's Volkslied in 1971, this book traces the successive attempts of Dutch avant-garde musicians to reconcile the era's evolving social agendas with their own adventurous musical practice.

The story of Galileo's daughter, Sister Maria Celeste, as told through her letters to her father. A companion to the bestselling Galileo's Daughter, the letters are edited and introduced by Dava Sobel. Galileo Galilei was at the heart of the most dramatic collision in history between science and religion. But the great Italian scientist was also a loving father who treasured his illegitimate daughter, Virginia. She was perhaps her father's equal in brilliance, industry and sensibility, and became his greatest source of strength during his most difficult years. Now readers can follow their story, as she told it, in this beautiful volume of her surviving 124 letters to Galileo. Both in their original Italian and translated into English by the author of Galileo's Daughter, these entrancing letters still speak in the present tense, suspended in the urgency of their once current affairs.

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