This is the screenplay; of eight friends; who tell theri stories; of their journey; of how they winded up; in their situation.

As Jeremy James Roberts come back; it seems that he needs a job; as well as this two friends; when he does not; know; who to turn to; it seems that; the pastor has an idea.

Nadezhda Ptushkina's plays reflect her keen interest in constructing multidimensional characters that reflect the myriad ways people are affected by today's turbulent world. Often writing strong female roles, she does not shy away from exploring the sometimes tragic implications that lie behind her comical, almost farcical scenes. Ptushkina questions the nature of love, and explores the boundaries between the spiritual and the base, the constructive and the destructive, that lie within every human being. Conflict between the sexes constitutes the core of Ptushkina's plays, in which she warns the audience against confusing sex and love. Ptushkina rejects any notion that men and women are the same, seeing gender differences rather than personality differences as the main source of tension between men and women. Her plays thus dwell on this 'battle of the sexes' and the resulting lack of respect for women that she sees in today's Russia.In this new translation, western readers have a chance to discover why Ptushkina's work holds such wide appeal in the Russian theatre.

There is a secret society known to many as The Wall. For some, people who are working behind the scenes to maintain order when the law fails those that depend on the system for security. To others, a ruthless group of vigilantes that are taking the laws into their hands and destroying the very image of Justice. A eager reporter gains the opportunity to interview a leader of a Wall cell and during the interview, he listens to tales of members that are different but come together for a disturbing conclusion. In a country where not everyone can get justice because of reasons outside of their control, there is a place to go. When criminals break the laws and are freed on technicalities and cracks in the system, they soon find that there are no technicalities or no cracks when they face The Wall. Nobody can hide behind a flawed system that protects the rights of those who don't deserve them. The guilty may appear innocent but with resources provided by unknown sources, they all break when they go head on with a society of vigilantes. When the system that's meant to protect the people it serves fails them, how do criminals not expect the people to fight back?