She's wonderful - she's just kind of destroying my life. Maggie (Greta Gerwig) is a young single woman in Brooklyn who is determined to have a baby on her own through a surrogate. However, she meets John (Ethan Hawke), an attractive, older university professor, caught in an unhappy marriage, and they start a relationship. Maggie's rejuvenating enthusiasm lures John away from his wife, the domineering Danish critical theorist Georgette Norgaard (Julianne Moore). The film moves forward three years and the couple have married and settled down with a daughter together. Everything has gone according to Maggie's plan, so why isn't she happy? And what sort of meddlesome scheme will she concoct next? Maggie's Plan, based on an unpublished novel by Karen Rinaldi, is both an affectionate send-up of highbrow academic culture and a treatise on modern self-realization. Rebecca Miller exhibits her characteristic sensitivity to female experience, but with a playfulness given freer rein than ever before in her work. The film was premiered at the New York Film Festival in October 2015 and received its official US release in May 2016.

Handsome Eyes: 'Why is love so hard?' This play setting takes place in a urban setting of 4 decades of (5Os, 70s, 90s, and 2000s) that make up of a family who has many secrets, but a thrive to expand and address many relationship issues that keeps them from coming together as a family. A typical family with mixed backgrounds full of surprising events. The audience will be able to relate to most off the issues. With the exploration of the 4 different era, the historical implications of drama identifies with the economics, political, social of each specific era interesting to know that this family is very effected by the changing times and behavior. Meal 40.00 with dessert and non alcoholic beverages included Unlimited Live Performance 40.00 Parking 12.00 (optional for those who drive) Please let the on call agent know if this is an option you want to include with cost Total Ticket Price 20.00 When you call 847 791 2545 leave message include a name and phone number so we can return your call. There is 3.59 waved bonus when you use our box office Fax 773 260 1458

From the Authors Since writing my book, "A Dream Within a Dream," in 2008, the enigmas of the Kiger family have slowly been peeled away, revealing pain, suffering, regret, and forgiveness. My wife, Barbara, a psychologist who has worked with adolescent girls and their families for the last thirty years, has been very curious as to how such a tragedy could have taken place in this seemingly "normal" family. After many late night discussions and debates, we decided to write a play exploring how this horrific incident affected the survivors, Joan and her mother. We wanted the play to highlight Joan as she transitioned from an innocent 15 year old to a 16 year old marred by fate and the legal system . And what about Jennie? What was life like for her after her family was totally destroyed by this inexplicable event? In our writing process, we each seemed to gravitate to those scenes which somehow spoke to something deep within us. For Barbara, it was the mother- daughter relationship and Joan's metamorphosis: becoming the young woman who guides her mother toward forgiveness and truth; and for me, it was about the machinations of men interested more in their own fame, fortune and survival than in helping a troubled teenager. Our thanks to all who have contributed to the search for what happened to this family that fateful year of 1943 and to the Boone County Historical Society under the guidance of Asa Rouse and Bruce Ferguson who were the first to bring this story from the yellowed pages of sixty- year old newspapers to their recreation of the Kiger murder trial.

This is the continuing story; of J. J. Rhymes; as he starts a group; as Linda; wants to be with him; hopefully he becomes a minister; then hopefully; J. J. Rhymes gets what he wants.

This is the story; of two twin brothers; who are looking for a job; until the drama; of their new neighbors; go through; their own drama.

Television has long been a familiar vehicle for fairy tales and is, in some ways, an ideal medium for the genre. Both more mundane and more wondrous than cinema, TV magically captures sounds and images that float through the air to bring them into homes, schools, and workplaces. Even apparently realistic forms like the nightly news routinely employ discourses of ""once upon a time,"" ""happily ever after,"" and ""a Cinderella story."" In Channeling Wonder: Fairy Tales on Television, Pauline Greenhill and Jill Terry Rudy offer contributions that invite readers to consider what happens when fairy tale, a narrative genre that revels in variation, joins the flow of television experience. Looking in detail at programs from Canada, France, Italy, Japan, the UK, and the US, this volume's twenty-three international contributors demonstrate the wide range of fairy tales that make their way into televisual forms. The writers look at fairy-tale adaptations in musicals like Rodgers and Hammerstein's Cinderella, anthologies like Jim Henson's The Storyteller, made-for-TV movies like Snow White: A Tale of Terror, Bluebeard, and the Red Riding Trilogy, and drama serials like Grimm and Once Upon a Time. Contributors also explore more unexpected representations in the Carosello commercial series, the children's show Super Why!, the anime series Revolutionary Girl Utena, and the live-action dramas Train Man, and Rich Man Poor Woman. In addition, they consider how elements from familiar tales, including ""Hansel and Gretel,"" ""Little Red Riding Hood,"" ""Beauty and the Beast,"" ""Snow White,"" and ""Cinderella"" appear in the long arc serials Merlin, Buffy the Vampire Slayer, and Dollhouse, and in a range of television formats including variety shows, situation comedies, and reality TV. Channeling Wonder demonstrates that fairy tales remain ubiquitous on TV, allowing for variations but still resonating with the wonder tale's familiarity. Scholars of cultural studies, fairy-tale studies, folklore, and television studies will enjoy this first-of-its-kind volume. Contributors Include: Jodi McDavid, Ian Brodie, Emma Nelson, Ashley Walton, Don Tresca, Jill Terry Rudy, Patricia Sawin, Christie Barber, Jeana Jorgensen, Brittany Warman, Kirstian Lezubski, Pauline Greenhill, Steven Kohm, Kristiana Willsey, Andrea Wright, Shuli Barzilai, Linda J. Lee, Claudia Schwabe, Rebecca Hay, Christa Baxter, Cristina Bacchilega, John Rieder, Kendra Magnus-Johnston.