Since her film debut in 1930, Maureen O'Sullivan has consistently proven herself to be one of the most talented and versatile performers in the entertainment media. Her career has spanned 60 years, over which time she has appeared on stage and screen, on television and radio, and has even been a published author of a few short stories. This bio-bibliography explores every facet of O'Sullivan's distinguished career and illustrates the surprising depth and range that she exhibited and still continues to display in her fascinating career. Billips traces the entirety of the actress's professional life, from her film career at Fox in Song O' My Heart in 1930, including her six other films for the Fox studio, to her piece for RKO and Patrician/UA, to her portrayal of Jane in the Tarzan films of the early 1930s to her most recent appearance in 1987's Stranded, revealing an enormous talent. O'Sullivan's contributions to the performing arts have yet to be fully appreciated. Through separate chapters, focusing on different aspects of O'Sullivan's life, the book provides an impressive picture of the actress's multifaceted career. The biographical section primarily discusses her films and the characters she portrayed, while a career chronology offers an overview of her entire professional life, with credits in the various media serving to illustrate her constant activities. Four separate chapters chronicle O'Sullivan's film, radio, television, and stage appearances, with full cast and credits included for each entry, and cross references incorporated to lead the reader to other pertinent material in the book. A bibliographic section follows with film reviews, theater reviews, books and articles, and fan magazine stories each given their own chapters. An appendix reproduces in their entirety two short stories published by Maureen O'Sullivan in the Ladies' Home Journal, and an index concludes the work. This important reference tool will be a welcome resource for film fans and collectors and for courses in film history. It will also be a valuable addition to public, college, and university libraries.

Hollywood movies often portray gay people as being in some sense monstrous. This volume focuses on several filmmakers who have used the trope of the homosexual as monster in a way that subverts traditional cinema. Their movies reveal that the monster can be powerful and attractive, thereby showing gay people a way to claim power from being thought of as outcasts and obviating the notion of fitting in. This study will appeal to film scholars and to those interested in the portrayal of homosexuals in the media.

Largely forgotten over the years, the seminal work of French poet, novelist and camp survivor Jean Cayrol has experienced a revival in the French-speaking world since his death in 2005. His concept of a concentrationary art-the need for an urgent and constant aesthetic resistance to the continuing effects of the concentrationary universe-proved to be a major influence for Hannah Arendt and other writers and theorists across a number of disciplines. Concentrationary Art presents the first translation into English of Jean Cayrol's key essays on the subject, as well as the first book-length study of how we might situate and elaborate his concept of a Lazarean aesthetic in cultural theory, literature, cinema, music and contemporary art.

"All students of the Great Man's'career will have to rely on this work. . . . Perhaps Gehring's greatest contributio here is his discussion of 23 sketches that Fields copyrighted that are now in the Library of Congress." Choice

Martin Flanagan uses Bakhtins notions of dialogism, chronotope and polyphony to address fundamental questions about film form and reception, focusing particularly on the way cinematic narrative utilizes time and space in its very construction.

Guillermo del Toro is a complete and intimate study of the life and work of one of modern cinema's most truly unique directors, whose distinct aesthetic and imagination are unmatched in contemporary film. Widely regarded as one of the most imaginative directors working in cinema today, Guillermo del Toro has built up a body of work that has enthralled movie fans with its dark beauty and edge-of-the-seat set pieces. In this book, acclaimed author Ian Nathan charts the progression of a career that has produced some of contemporary cinema's most revered scenes and idiosyncratic characters. This detailed examination looks at how the strands of del Toro's career have woven together to create one of modern cinema's most ground-breaking bodies of work. Delving deep into del Toro's psyche, the book starts by examining his beginnings in Mexico, the creative but isolated child surrounded by ornate catholicism and monster magazines, filming stop motion battles between his toys on a Super-8 film camera. It follows him to film school, where we learn of his influences, from Kafka to Bunuel, and explores his 1993 debut Cronos, the independent horror debut which draws on the religious and occult themes which would recur throughout del Toro's work. It goes on to cover his development as a director with 1997's Mimic, his blockbuster success with the Hellboy films and goes on to study the films which have cemented his status as a legendary auteur, Oscar award winners Pan's Labrynth and The Shape of Water, as well as his sci-fi masterpiece Pacific Rim, as well as looking at his exciting upcoming projects Nightmare Alley and Pinocchio. An enlightening look into the mind of an auteur blessed with a singular creative vision, Guillermo del Toro analyses the processes, themes and narratives that have come to be recognised as distinctly del Toro, from practical effects to an obsession with folklore and paganism. It looks into the narrative techniques, stylistic flourishes and creative decisions which have made him a true master of modern cinema. Presented in a slipcase with 8-page gatefold section, with scores of illuminating photographs of the director at work on set as well as iconic stills from his films and examples of his influences, this stunning package will delight all Guillermo del Toro devotees and movie lovers in general. Unauthorised and Unofficial.

From Mean Girl to BFF, Girlfriends and Postfeminist Sisterhood explores female sociality in postfeminist popular culture. Focusing on a range of media forms, including film, magazines, conduct books, TV and digital networking sites, Alison Winch reveals the ways in which friendships are increasingly encouraged to be strategic. Girlfriendship is examined as an affective social relation where slut-shamers, frenemies and bridezillas bond by controlling each other's body image through a 'girlfriend gaze'. Through a combination of psychosociological theory and media analysis, this book offers a complex understanding of patriarchy, by looking at how neoliberalism penetrates the intimate relations between women.

In Hollywood Cartoons, Michael Barrier takes us on a glorious guided tour of American animation in the 1930s, '40s, and '50s, to meet the legendary artists and entrepreneurs who created Bugs Bunny, Betty Boop, Mickey Mouse, Wile E. Coyote, Donald Duck, Tom and Jerry, and many other cartoon favorites.
Beginning with black-and-white silent cartoons such as Winsor McCay's "Gertie the Dinosaur," Barrier offers an insightful account of animation's first flowering, taking us inside early New York studios and such Hollywood giants as Disney, Warner Bros., and MGM. Barrier excels at illuminating the creative side of animation--revealing how stories are put together, how animators develop a character, how technical innovations enhance the "realism" of cartoons. Here too are colorful portraits of the giants of the field, from Walt and Roy Disney and their animators (including Ub Iwerks, Bill Tytla, and Ward Kimball), to Dave and Max Fleischer, Tex Avery, Bob Clampett, Chuck Jones, and Bill Hanna and Joe Barbera. And along the way, Barrier gives us an inside look at the making of such groundbreaking cartoons as "Out of the Inkwell" (with KoKo the Clown), "Steamboat Willie" (the first successful sound cartoon), "Snow White and the Seven Dwarfs," and "Bambi."
The years from the Depression through World War Two witnessed a golden age of American animation. Based on hundreds of interviews with veteran animators, Hollywood Cartoons gives us the definitive inside look at this colorful era and at the creative process behind these marvelous cartoons.

Dead women litter the visual landscape of the 2000s. In this book, Clarke Dillman explains the contextual environment from which these images have arisen, how the images relate to (and sometimes contradict) the narratives they help to constitute, and the cultural work that dead women perform in visual texts.

"A Companion to Literature in Film "provides state-of-the-art research on world literature, film, and the complex theoretical relationship between them. 25 essays by international experts cover the most important topics in the study of literature and film adaptations.
Covers a wide variety of topics, including cultural, thematic, theoretical, and genre issues
Discusses film adaptations from the birth of cinema to the present day
Explores a diverse range of titles and genres, including film noir, biblical epics, and Italian and Chinese cinema

This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students.

Between the end of the Civil War (1949) and the colonels' military coup (1967) Greece underwent tremendous political, economic, and social transformations which influenced gender identities and relations. During the same period, Greece also witnessed an unparalleled bloom in cinema productions. Based on the recently established paradigm that cinema and popular culture viewed as social institutions can inform a historical study, this book explores the relationship between Greek cinema and the society within which it was created and viewed. The book's double analytical perspective on cinema and masculinity advances both the study of cinema and popular culture as historical sources, and of masculinity and gender relations as valid categories of historical analysis. Cinema as a medium of representation, not only managed to reflect on these issues, it also provided a whole new field for their interpretation. This is the first study to explore the dramatic transformation of masculinity and gender roles, as represented in Greek cinema during the turbulent 1950s and 1960s.

From melodramas to experimental documentaries to anime, mass media in Japan constitute a key site in which the nation's social memory is articulated, disseminated, and contested. Through a series of stimulating case studies, this volume examines the political and cultural representations of Japan's past, showing how they have reinforced personal and collective narratives while also formulating new cultural meanings, both on a local scale and in the context of transnational media production and consumption. Drawing upon diverse disciplinary insights and methodologies, these studies collectively offer a nuanced account in which mass media function as much more than a simple ideological tool.

This book offers a new methodology for examining the ethico-political dimensions of religion and film which foregrounds film's social power both to shape subjectivity and to image contemporary social contradictions and analyses three specific films: Kurosawa's Dersu Uzala ; Kiarostami's Taste of Cherry ; and the Coens' The Man Who Wasn't There .

This is a collection of personal interviews with colleagues, friends and family members of the director Rainer Werner Fassbinder. He directed films such as The Marriage of Maria Braun, Berlin Alexanderplatz, Querelle, and Veronika Voss.

Film Distribution in the Digital Age critically examines the evolution of the landscape of film distribution in recent years. In doing so, it argues that the interlocking ecosystem(s) of media dissemination must be considered holistically and culturally if we are to truly understand the transnational flows of cultural texts.

Examines the social and historical significance of women's contributions to American silent Film comedy. For many people the term ""silent comedy"" conjures up images of Charlie Chaplin's Little Tramp, Buster Keaton's Stoneface, or Harold Lloyd hanging precariously from the side of a skyscraper. Even people who have never seen a silent film can recognize these comedians at a glance. But what about the female comedians? Gale Henry, Louise Fazenda, Colleen Moore, Constance Talmadge-these and numerous others were wildly popular during the silent fi lm era, appearing in countless motion pictures and earning top salaries, and yet their names have been almost entirely forgotten. As a consequence, recovering their history is all the more compelling given that they laid the foundation for generations of funny women, from Lucille Ball to Carol Burnett to Tina Fey. These women constitute an essential and neglected sector of film history, reflecting a turning point in women's social and political history. Their talent and brave spirit continues to be felt today, and Comic Venus: Women and Comedy in American Silent Film seeks to provide a better understanding of women's experiences in the early twentieth century and to better understand and appreciate the unruly and boundary-breaking women who have followed. The diversity and breadth of archival materials explored in Comic Venus illuminate the social and historical period of comediennes and silent film. It is the first book to explore the overlooked contributions made by comediennes in American silent fi lm. Those with an interest in fi lm and representations of femininity in comedy will be fascinated by the analytical connections and thoroughly researched histories of these women and their groundbreaking movements in comedy and stage.

David Fincher (b. 1962) did not go to film school and hates being defined as an auteur. He prefers to see himself as a craftsman, dutifully going about the art and business of making film. Trouble is, it's hard to be self-effacing when you are the director responsible for "Se7en, Fight Club," and "The Social Network." Along with Quentin Tarantino, Fincher is the most accomplished of the Generation X filmmakers to emerge in the early 1990s.

This collection of interviews highlights Fincher's unwavering commitment to his craft as he evolved from an entrepreneurial music video director (Fincher helped Madonna become the undisputed queen of MTV) into an enterprising feature filmmaker. Fincher landed his first Hollywood blockbuster at twenty-seven with "Alien3," but that film, handicapped by cost overruns and corporate mismanagement, taught Fincher that he needed absolute control over his work. Once he had it, with "Se7en," he achieved instant box-office success and critical acclaim, as well as a close partnership with Brad Pitt that led to the cult favorite "Fight Club."

Fincher became circumspect in the 2000s after "Panic Room," shooting ads and biding his time until "Zodiac," when he returned to his mantra that "entertainment has to come hand in hand with a little bit of medicine. Some people go to the movies to be reminded that everything's okay. I don't make those kinds of movies. That, to me, is a lie. Everything's not okay." Zodiac reinvigorated Fincher, inspiring a string of films--"The Curious Case of Benjamin Button, The Social Network," and "The Girl with the Dragon Tattoo"--that enthralled audiences and garnered his films dozens of Oscar nominations.