A vigorous reappraisal of American literature inspired by the First World War. American World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army's unprecedented attempt during World War I to assign men-except, notoriously, African Americans-to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame. Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context-as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed-often in coded ways-the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers-Katherine Anne Porter, Willa Cather, and Ellen La Motte-who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn't the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.

" Provides a day-by-day account of the action on all fronts and of the events surrounding the conflict, from the guns of August 1914 to the November 1918 Armistice and its troubled aftermath. Daily entries, topical descriptions, biographical sketches, maps, and illustrations combine to give a ready and succinct account of what was happening in each of the principal theaters of war.

Much has been written on the centenary of the First World War. However, no book has yet explored the tragedy of the conflict from a theological perspective. Life after Tragedy fills that gap. Taking their cue from the famous British army chaplain Geoffrey Studdert Kennedy, seven central essays, all by authors associated with the cathedral where Studdert Kennedy first preached to troops, examine aspects of faith that featured in the war, such as the notion of 'home', poetry, theological doctrine, preaching, social reform, humanitarianism, and remembrance. Each essay applies its reflections to the life of faith today, thus representing a highly original contribution to the history of the First World War in general and the work of Studdert Kennedy in particular. They provide wider theological insight into how, in the contemporary world, 'life' and tragedy, likewise God and suffering, can be integrated.This book will accordingly be of considerable interest to historians, both of the war and of the church; to communities commemorating the war; and to all those who wrestle with current challenges to faith.

"Riveting . . . Krass weaves a fascinating story of the first official attempt by the Army to capture the essence of war through the eyes and pencils of eight top American artists who were sent to the Western Front in France. A marvelous eyewitness story of the 'Big War.'"
--Col. H. A. Chenoweth, USMCR Ret., Korean War veteran, Vietnam and Gulf War combat artist, and author of "Art of War A Searing Account of World War I as Seen by the Artist"

Eighty-five years before there were embedded journalists with American armed forces in Iraq, eight brave artist-soldiers risked their lives in the trenches and battlefields to bring the reality of World War I back home.

In "Portrait of War," Peter Krass shares the heroic adventures of these men as they witnessed, explored, and depicted the trials and triumphs of the American soldier and the tragedy of war. Written with the intensity of a novel, this compelling narrative follows the artists as they marched shoulder to shoulder with the doughboys, sketching while under fire and doing their best to stay alive. Studded with examples of their remarkable work and excerpts from the artists' journals, this thrilling account places us at the front lines as surely as our television cameras do today.

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By August 1918, the outcome of the Great War was not in doubt: the Allies would win. But what was unclear was how this defeat would play out - would the Germans hold on, prolonging the fighting deep into 1919, with the loss of hundreds of thousands more young lives, or could the war be won in 1918? In The Last Battle, Peter Hart, author of Gallipoli and The Great War, and oral historian at the Imperial War Museum, brings to life the dramatic final weeks of the war, as men fought to secure victory, with survival seemingly only days, or hours away.

Drawing on the experience of both generals and ordinary soldiers, and dwelling with equal weight on strategy, tactics and individual experience, this is a powerful and detailed account of history's greatest endgame.

With an Introduction by Angus Calder. As Angus Calder states in his introduction to this edition, 'Seven Pillars of Wisdom is one of the major statements about the fighting experience of the First World War'. Lawrence's younger brothers, Frank and Will, had been killed on the Western Front in 1915. Seven Pillars of Wisdom, written between 1919 and 1926, tells of the vastly different campaign against the Turks in the Middle East - one which encompasses gross acts of cruelty and revenge and ends in a welter of stink and corpses in the disgusting 'hospital' in Damascus. Seven Pillars of Wisdom is no Boys Own Paper tale of Imperial triumph, but a complex work of high literary aspiration which stands in the tradition of Melville and Dostoevsky, and alongside the writings of Yeats, Eliot and Joyce.

The Diary of Soeur Marguerite of the Sisters of Lamotte Suffering and Sacrifice in the First World War. The campaign in Flanders, with its successive battles, would be the longest of the Great War and the costliest in terms of human life. At the centre of the fearful and prolonged barrages of shelling by the military of both sides lay the town of Ypres, known for its Cloth Hall and cathedral, its butter and its lace -- now to be blasted to infamy as an indelible symbol of suffering and sacrifice and wanton destruction. The underground passageways of the towns ancient fortifications provided shelter for the trapped townspeople. In desperate circumstances courageous and selfless individuals administered medical attention, distributed food and clothing, provided milk for babies and set up orphanages and schools for children. Some of these volunteers, such as the Friends Ambulance Unit (FAU), came from afar, whilst others already formed an essential part of the moral and social fibre of the beleaguered town: these included the local priest, Camille Delaere, and the nuns who lent him their support. The cures indefatigable assistant was the young nun Soeur Marguerite of the Sisters of Lamotte, and it is her daily journal that became The Diary of an Ypres Nun. Originally published in French in 1917, this harrowing yet sometimes surprisingly humorous account of events in the besieged and battered town of Ypres was written between October 1914 and May 1915, as she worked alongside the FAU and Father Delaere, to bring comfort and succour to the suffering civilian population.

By the end of World War I, 45,000 Australians had died on the Western Front. Some bodies had been hastily buried mid-battle in massed graves; others were mutilated beyond recognition. Often men were simply listed as 'Missing in Action' because nobody knew for sure. Lieutenant Robert Burns was one of the missing, and now that the guns had fallen silent his father wanted to know what had become of his son. He wasn't the only one looking for answers. A loud clamour arose from Australia for information and the need for the dead to be buried respectfully. Many of the Australians charged with the grisly task of finding and reburying the dead were deeply flawed. Each had his own reasons for preferring to remain in France instead of returning home. In the end there was a great scandal, with allegations of 'body hoaxing' and gross misappropriation of money and army possessions leading to two highly secretive inquiries. Untold until now, Missing in Action is the compelling and unexpected story of those dark days and darker deeds and a father's desperate search for his son's remains.

Raymond Lodge's death from shell shrapnel in 1915 was unremarkable in a war where many young men would die, but his father's response to his untimely death was. Sir Oliver Lodge, physicist, scientist, part inventor of the wireless telegraph and the spark plug, could not let go of Raymond and went on a controversial and bizarre journey into the realm of life after death. Following Sir Oliver's journey, Dear Raymond, explores the untapped topic of spirituality pre- and post-war, the influence that a national tragedy can have on a nation's belief system and the long lasting effects from this time that we still feel today. Alongside Lodge were some of the great names of the day, as a member of the Ghost Club and the Fabian Society he was in contact with famous men such as Sir Arthur Conan Doyle, who went on his own mission into the afterlife after losing a son. Lodge's exploration and the controversy it exploded opens our eyes to how modern religion has been shaped and changed by the conflicts of the Twentieth Century.

The final part of the Lion and the Rose trilogy detailing the TF battalions of the King's Own Royal Lancaster Regiment in the Great War. Established in August 1914, the 2/5th spent the next thirty months in England perfecting their ability to `form fours'; engaged in almost every sort of training other than that which they would need at the Front. When they deployed to France in February 1917, they were pitted against an aggressive and experienced foe. This book tells the story of their struggle to learn the skills necessary to survive in the pitiless arena of modern warfare and their progress to become the fighting equals of any by the end of the war. With no history written for either 57 Division or the 2/5th, this book-based on dozens of contemporary and unpublished sources, tells their story for the first time. The book contains sketch maps of the sectors the battalion fought in and accurate coordinates for all positions; previously unpublished photographs of men from the battalion; the most complete battalion roll yet compiled and narrates the individual parts played by 1,000 of the officers and men during the war.

View the Table of Contents. Read the Introduction.

aNeiberg offers an excellent primer for anyone studying the Great War. The bookas strength is its scope. As they proceed from aPart One: Causesa to aPart Six: Peacea (with most sections offering two primary and two secondary sources), readers will learn from both sides about major leaders, the home front, soldiers and officers in battle, and the politics of peace.a
--"Library Journal"

"a][A] valuable text to introduce students to the broad parameters of World War I. Students whose intellectual appetites are whetted by this collection will appreciate the extensive list of books matched to each category at the end of the book."
--"The Journal of Military History"

""The Great War of 1914-1918" is increasingly understood as the defining event of the twentieth century. . . . Neiberg has done a remarkable job of covering all the appropriate bases and tipping his intellectual hat to the major schools of thought past and present."
--Dennis Showalter, author of "Patton and Rommel: Men of War in the Twentieth Century"

"This first-rate collection of primary documents and excerpts from leading historical works on World War I allows students to enter directly into current debates surrounding the war's meaning and significance. These selections provide a window into the varied wartime experiences of statesmen, generals, women, and soldiers, challenging students to discard over-simplistic interpretations of the war."
--Jennifer D. Keene, author of "Doughboys, the Great War, and the Remaking of America"

Almost 100 years after the Treaty of Versailles was signed, World War I continues to be badly understood and greatlyoversimplified. Its enormous impact on the world in terms of international diplomacy and politics, and the ways in which future military engagements would evolve, be fought, and ultimately get resolved have been ignored. With this reader of primary and secondary documents, edited and compiled by Michael S. Neiberg, students, scholars, and war buffs can gain an extensive yet accessible understanding of this conflict. Neiberg introduces the basic problems in the history of World War I, shares the words and experiences of the participants themselves, and, finally, presents some of the most innovative and dynamic current scholarship on the war.

Neiberg, a leading historian of World War I, has selected a wide array of primary documents, ranging from government papers to personal diaries, demonstrating the war's devastating effect on all who experienced it, whether President Woodrow Wilson, an English doughboy in the trenches, or a housewife in Germany. In addition to this material, each chapter in The World War I Reader contains a selection of articles and book chapters written by major scholars of World War I, giving readers perspectives on the war that are both historical and contemporary. Chapters are arranged chronologically and by theme, and address causes, the experiences of soldiers and their leaders, battlefield strategies and conditions, home front issues, diplomacy, and peacemaking. A time-line, maps, suggestions for further reading, and a substantive introduction by Neiberg that lays out the historiography of World War I round out the book.

The First World War has been described as the "primordial catastrophe of the twentieth century." Arguably, Italian Fascism, German National Socialism and Soviet Leninism and Stalinism would not have emerged without the cultural and political shock of World War I. The question why this catastrophe happened therefore preoccupies historians to this day. The focus of this volume is not on the consequences, but rather on the connection between the Great War and the long 19th century, the short- and long-term causes of World War I. This approach results in the questioning of many received ideas about the war's causes, especially the notion of "inevitability."

*Telling tales about men* explores some of the ways in which conscientious objectors to compulsory military service were viewed and treated in England during the First World War. In doing so it considers these men's experiences, their beliefs, perceptions and actions. This volume will be essential reading for scholars in the fields of the First World War, pacifism, militarism and gender. It is also aimed at those with a general interest in the Great War and the military as well as in peace movements and pacifism. -- .

Healing the nation is a study of caregiving during the Great War, exploring life behind the lines for ordinary British soldiers who served on the Western Front. Using a variety of literary, artistic, and architectural evidence, this study draws connections between the war machine and the wartime culture of caregiving: the product of medical knowledge and procedure, social relationships and health institutions that informed experiences of rest, recovery and rehabilitation in sites administered by military and voluntary-aid authorities. Rest huts, hospitals, and rehabilitation centres served not only as means to sustain manpower and support for the war but also as distinctive sites where soldiers, their caregivers and the public attempted to make sense of the conflict and the unprecedented change it wrought. Revealing aspects of wartime life that have received little attention, this study shows that Britain's 'generation of 1914' was a group bound as much by a comradeship of healing as by a comradeship of the trenches. The author has used an extensive collection of illustrations in his discussion, and the book will make fascinating reading for students and specialists in the history of war, medicine and gender studies. -- .

In this lucid and cogently-argued book, Christine Hallett explores the nature of the practices developed by nurses and their volunteer-assistants during the First World War. She argues that nurses found meaning in their complex and stressful work by identifying it as a process of 'containing trauma'. Broad in its scope and detailed in its research, the book analyses the work of nurses from Britain, Australia, New Zealand, Canada, South Africa and the United States of America. It draws on highly personal writings: letters and diaries drawn from archives and libraries throughout the world. This wide-ranging book explores a range of treatment scenarios, from the Western and Eastern Fronts to the Eastern Mediterranean, Mesopotamia and India. It considers both the efforts of nurses to provide physical, emotional and moral containment to their patients, and the work they did to maintain their own physical and emotional integrity. -- .

"Strategy and Intelligence," which brings together original essays by a number of leading authorities on various aspects of the First World War, aims both to summarise the latest literature on Britain's participation in that war and also to open up new lines of investigation. These include the role of intelligence in land and air battles; Anglo-American financial relations; Anglo-Russian and Anglo-Irish relations; the British Labour movement in the war; and the final campaigns of 1918, which led to the Allied victory. These essays are written not only for the specialist but also to be accessible to students and to the general reader.

The Friends Ambulance Unit (FAU) was created shortly after the outbreak of war. The idea of the units founder, Philip J Baker, was that it would provide young Friends (Quakers) with the opportunity to serve their country without sacrificing their pacifist principles. The first volunteers went to Belgium on 31 October 1914, under the auspices of the Joint War Committee of the British Red Cross Society and the Order of St John of Jerusalem. The FAU made a sustained contribution to the military medical services of the Allied nations, establishing military hospitals, running ambulance convoys, and staffing hospital ships and ambulance trains, treating and transporting wounded men. Determined to bring succour to all those in need, the FAU also assisted civilians trapped in the war zone and living in desperate circumstances. Nowhere was this more acute than in the besieged and battered town of Ypres where thousands sheltered in the underground passage-ways of the towns ancient fortifications -- a subterranean population, hopeless, often lightless, wrote Geoffrey Young, the Units young field commander, living on what they might and breeding disease. The Unit provided hospitals for the treatment of civilians, and worked intensively in the containment and treatment of the typhoid epidemic that swept the region, locating sufferers, providing them with medical care, and inoculating people against the disease. It played a major role in the purification of the towns contaminated drinking water, distributed milk for infants and food and clothing to the sick and needy. It helped found orphanages, made provision for schooling and organised gainful employment for refugees until, finally, it became responsible for the definitive evacuations of the civilian population.

Europe from War to War, 1914-1945 explores this age of metamorphosis within European history, an age that played a crucial role in shaping the Europe of today. Covering a wide range of topics such as religion, arts and literature, humanitarian relief during the wars, transnational feminism, and efforts to create a unified Europe, it examines the social and cultural history of this period as well as political, economic, military, and diplomatic perspectives. Thematically organized within a chronological framework, this book takes a fully comparative approach to the era, allowing the reader to follow the evolution of key trends and ideas across these 30 turbulent years. Each period is analyzed from both an international and a domestic perspective, expanding the traditional narrative to include the role and impact of European colonies around the world while retaining a close focus on national affairs, everyday existence within Europe itself and the impact of the wars on people's lives. Chapters include discussion of regions such as Scandinavia, the Balkans, and Iberia that are less frequently covered, emphasizing the network of connections between events and places across the continent. Global in scope, accessibly written and illustrated throughout with photographs and maps, this is the perfect introductory textbook for all students of early twentieth-century European history.

Willing Patriots tells the story of Black Americans who served in the U.S. Army in the First World War. The book provides the reader deeply researched treatment of the organization, combat history/battle participation of all black troops including the two infantry divisions, supporting organizations of the Services Of Supply, and the special troops. Additionally, the work contains an exhaustive bibliography of primary and secondary references for each unit informing the reader of sources for further study; lavishly illustrated with nearly 300 detailed color and war-era photographs of these valorous men. These rare and previously unpublished photographs are drawn from public and private collections nationwide providing a lens into this long forgotten aspect of World War I.

The US invasion of Iraq in 2003 was done mainly, if one is to believe US policy at the time, to liberate the people of Iraq from an oppressive dictator. However, the many protests in London, New York, and other cities imply that the policy of "making the world safe for democracy" was not shared by millions of people in many Western countries. Thinking about this controversy inspired the present volume, which takes a closer look at how society responded to the outbreaks and conclusions of the First and Second World Wars. In order to examine this relationship between the conduct of wars and public opinion, leading scholars trace the moods and attitudes of the people of four Western countries (Great Britain, France, Germany and Italy) before, during and after the crucial moments of the two major conflicts of the twentieth century. Focusing less on politics and more on how people experienced the wars, this volume shows how the distinction between enthusiasm for war and concern about its consequences is rarely clear-cut.

Virginia played an important role during World War I, supplying the Allied forces with food, horses and steel in 1915 and 1916. After America entered the war in 1917, Virginians served in numerous military and civilian roles-Red Cross nurses, sailors, shipbuilders, pilots, stenographers and domestic gardeners. More than 100,000 were drafted-more than 3600 lost their lives. Almost every city and county lost men and women to the war. The author details the state's manifold contributions to the war effort and presents a study of monuments erected after the war.

'Lloyd George at War, 1916-1918' provides a much needed re-evaluation of this charismatic prime minister's wartime leadership. Calling on a wide range of primary sources and focussing on Lloyd George's role in the war cabinet, Cassar compellingly argues that George's reputation as the "man who won the war" was wholly unmerited. Instead Cassar shows that Lloyd George's heavy handed leadership was often detrimental to the Allied cause. From his wholehearted support for the disastrous Nivelle offensive, to his pursuit of a peripheral strategy that diverted troops away from the critical theatre of war on the Western Front, Cassar shows that Lloyd George consistently bucked the advice of his generals in preference for ineffectual and dangerous military strategies. Cassar's approach also differs from that of other studies of Lloyd George by adopting a thematic approach in preference to a chronological narrative, thereby allowing a closer evaluation of Lloyd George's handling of complex issues.