W. Heath Robinson is best known for his hilarious drawings of zany contraptions, though his work ranged across a wide variety of topics covering many aspects of British life in the decades following the First World War. Starting out as a watercolour artist, he quickly turned to the more lucrative field of book illustration and developed his forte in satirical drawings and cartoons. He was regularly commissioned by the editors of Tatler and The Sketch and in great demand from advertising companies. Collections of his drawings were subsequently published in many different editions and became so successful as to transform Heath Robinson into a household name, celebrated for his eccentric brand of British humour. Heath Robinson drew many cartoons lampooning the excesses of the First World War and poking fun at the German army, bringing welcome comic relief to British soldiers and civilians. This book presents his complete First World War satire, from ridiculous weapons such as 'Button Magnets' to aeronautical antics and a demonstration of how to have a 'Quiet Cup of Tea at the Front.'

" Provides a day-by-day account of the action on all fronts and of the events surrounding the conflict, from the guns of August 1914 to the November 1918 Armistice and its troubled aftermath. Daily entries, topical descriptions, biographical sketches, maps, and illustrations combine to give a ready and succinct account of what was happening in each of the principal theaters of war.

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In April 1917, the United States embarked on its first overseas war - with no history of conscription, an army smaller than Bulgaria's, just two hundred agents in its federal Bureau of Investigation, and a political culture that saw little role for the federal government other than delivering the mail. Uncle Sam Wants You tells the dramatic story of the mobilization of the American homefront in World War I. In the absence of a strong federal government, Americans mobilized the Progressive Era's vibrant civil society by drawing on a political culture that stressed duty, obligation, and responsibility over rights and freedoms. In clubs, schools, churches, and workplaces, Americans governed each other during the war. But the heated temper of war quickly unleashed coercion on an unprecedented scale, making wartime America the scene of some of American history's most drastic political violence. Solving this problem prompted Americans to turn over increasing amounts of power to the federal government, giving rise to the modern American state of the twentieth century. Whether they were some of the four million men drafted under the Selective Service Act or the tens of millions of homefront volunteers - or counted themselves among the thousand of conscientious objectors, anti-war radicals, or German enemy aliens, Americans of the World War I era created a new American state - and new ways of being American citizens. Based on a rich array of sources bringing together political leaders and ordinary Americans, Uncle Sam Wants You offers a vivid and provocative new interpretation of American policial history.

On 15th April 1915, British and Dominion troops landed on the Gallipoli Peninsula. The campaign which followed lasted over eight months and cost the terrible total of nearly half a million Allied and Turkish casualties. The eventual failure of the Gallipoli campaign, after heart-breaking opportunities had been missed, was a disastrous set-back to Allied hopes. It remains one of the most engrossing and poignant tragedies in British military history. In our new edition of this classic in military writing, Robert Rhodes James was one of the first historians to work from the official archives and makes brilliant use of diaries and letters of the men who fought there and the photographs they took. Gallipoli stands the test of time, bringing vividly to life the conditions and circumstances of a campaign which has never ceased to enthral the imagination.

The second heartwarming book in The Royal Station Master's Daughters series. For readers of Maisie Thomas and Daisy Styles. It is 1917 and Maria has adapted well to her new life on the royal Sandringham estate where she works as a maid in the Big House for Queen Alexandra and is in awe of the many treasures around her. It is two years since she turned up at the royal station master's house to escape her secret past, destitute and with nowhere else to turn. Having proven herself to Harry Saward and his daughters, she is now welcomed by them as one of the family. But when Nellie, a mysterious relative turns up, on the run from the law, Maria's new-found happiness could be under threat. Meanwhile, the impact of World War I is felt deeply in the community as the fate of missing men from the Sandringham Company, who fought in Gallipoli, is still unknown. Harry's daughters pull together to support each other and women on the royal estate as they face their sorrows and challenges. Ada's husband, Alfie, is away fighting on the front line while Beatrice is now a VAD nurse at a cottage hospital. Jessie has become a land army girl, proudly doing a man's job, while pining for her sweetheart Jack. In a community torn apart by loss and tragedy, how will the station master's family survive and find the happiness they're all searching for? The Royal Station Master's Daughters at War is the second book in a brand-new WWI saga series, inspired by the Saward family, who ran the station at Wolferton in the late 19th and early 20th centuries. Through this family we get a glimpse into all walks of life - from royalty to the humblest of soldiers.

Willing Patriots tells the story of Black Americans who served in the U.S. Army in the First World War. The book provides the reader deeply researched treatment of the organization, combat history/battle participation of all black troops including the two infantry divisions, supporting organizations of the Services Of Supply, and the special troops. Additionally, the work contains an exhaustive bibliography of primary and secondary references for each unit informing the reader of sources for further study; lavishly illustrated with nearly 300 detailed color and war-era photographs of these valorous men. These rare and previously unpublished photographs are drawn from public and private collections nationwide providing a lens into this long forgotten aspect of World War I.

A vivid account of the opening weeks of war by a volunteer despatch rider who may have prevented a swift German victory. Of Anglo-German stock, Roger West was conflicted when the war broke out but volunteered out of the strong sense of duty that was characteristic of his class. His linguistic skills led to his being commissioned into the Intelligence Corps but he was seconded as a despatch rider to the 19th Brigade, which bore a great brunt of the fighting in the first few weeks in 1914. West was in the thick of things despite being crippled with a badly-damaged foot, often riding round the clock, delivering despatches and directing and assisting soldiers separated from their units and disoriented stragglers. Discovering that a critical bridge had been left open to the German advance he volunteered to ride back and blow it up, preventing the retreating Fifth French Army from being taken in the flank, something that could have fulfilled the Schlieffen Plan's aims and won the war for Germany.

In the immediate aftermath of the armistice that ended the First World War, the Allied nations of Britain, France, and Italy agreed to put the fallen German Emperor Kaiser Wilhelm II on trial, in what would be the first ever international criminal tribunal. In Britain, Lloyd George campaigned for re-election on the slogan 'hang the Kaiser', but the Italians had only lukewarm support for a trial, and there was outright resistance from the United States. During the Peace Conference, international lawyers gathered for the first time to debate international criminal justice. They recommended trial of the Kaiser by an international tribunal for war crimes, and the Americans relented, agreeing to a trial for a 'supreme offence against international morality'. However, the Kaiser had fled to the Netherlands where he obtained asylum, and though the Allies threatened a range of measures if the former Emperor was not surrendered, the Dutch refused and the demands were dropped in March 1920. This book, from renowned legal scholar William A. Schabas, sheds light on perhaps the most important international trial that never was. Schabas draws on numerous primary sources hitherto unexamined in published work, including transcripts which vividly illuminate this period of international law making. As such, he has written a book which constitutes a history of the very beginnings of international criminal justice, a history which has never before been fully told.

The collapse of the Habsburg Monarchy at the end of World War I ushered in a period of radical change for East-Central European political structures and national identities. Yet this transformed landscape inevitably still bore the traces of its imperial past. Breaking with traditional histories that take 1918 as a strict line of demarcation, this collection focuses on the complexities that attended the transition from the Habsburg Empire to its successor states. In so doing, it produces new and more nuanced insights into the persistence and effectiveness of imperial institutions, as well as the sources of instability in the newly formed nation-states.

"Strategy and Intelligence," which brings together original essays by a number of leading authorities on various aspects of the First World War, aims both to summarise the latest literature on Britain's participation in that war and also to open up new lines of investigation. These include the role of intelligence in land and air battles; Anglo-American financial relations; Anglo-Russian and Anglo-Irish relations; the British Labour movement in the war; and the final campaigns of 1918, which led to the Allied victory. These essays are written not only for the specialist but also to be accessible to students and to the general reader.

Europe from War to War, 1914-1945 explores this age of metamorphosis within European history, an age that played a crucial role in shaping the Europe of today. Covering a wide range of topics such as religion, arts and literature, humanitarian relief during the wars, transnational feminism, and efforts to create a unified Europe, it examines the social and cultural history of this period as well as political, economic, military, and diplomatic perspectives. Thematically organized within a chronological framework, this book takes a fully comparative approach to the era, allowing the reader to follow the evolution of key trends and ideas across these 30 turbulent years. Each period is analyzed from both an international and a domestic perspective, expanding the traditional narrative to include the role and impact of European colonies around the world while retaining a close focus on national affairs, everyday existence within Europe itself and the impact of the wars on people's lives. Chapters include discussion of regions such as Scandinavia, the Balkans, and Iberia that are less frequently covered, emphasizing the network of connections between events and places across the continent. Global in scope, accessibly written and illustrated throughout with photographs and maps, this is the perfect introductory textbook for all students of early twentieth-century European history.

At the Violet Hour argues that the literature of the early twentieth-century in England and Ireland was deeply organized around a reckoning with grievous violence, imagined as intimate, direct, and often transformative. The book aims to excavate and amplify a consistent feature of this literature, which is that its central operations (formal as well as thematic) emerge specifically in reference to violence. At the Violet Hour offers a variety of new terms and paradigms for reading violence in literary works, most centrally the concepts it names "enchanted and disenchanted violence." In addition to defining key aspects of literary violence in the period, including the notion of "violet hour," the book explores three major historical episodes: dynamite violence and anarchism in the nineteenth century, which provided a vibrant, new consciousness about explosion, sensationalism, and the limits of political meaning in the act of violence; the turbulent events consuming Ireland in the first thirty years of the century, including the Rising, the War of Independence, and the Civil War, all of which play a vital role in defining the literary corpus; and the 1930s build-up to WWII, including the event that most enthralled Europe in these years, the Spanish Civil War. These historical upheavals provide the imaginative and physical material for a re-reading of four canonical writers (Eliot, Conrad, Yeats, and Woolf), understood not only as including violence in their works, but as generating their primary styles and plots out of its deformations. Included also in this panorama are a host of other works, literary and non-literary, including visual culture, journalism, popular novels, and other modernist texts.

How did women contribute to the French Army in the World Wars? Drawing on myriad sources, historian Andrew Orr examines the roles and value of the many French women who have been overlooked by historians-those who worked as civilians supporting the military. During the First World War, most officers expected that the end of the war would see a return to prewar conditions, so they tolerated women in supporting roles. But soon after the November 1918 armistice, the French Army fired more than half its female employees. Demobilization created unexpected administrative demands that led to the next rehiring of many women. The army's female workforce grew slowly and unevenly until 1938 when preparations for war led to another hiring wave; however, officers resisted all efforts to allow women to enlist as soldiers and alternately opposed and ignored proposals to recognize them as long-term employees. Orr's work offers a critical look at the indispensable wartime roles filled by women behind the lines.

This book is an innovative comparative history of how German and British soldiers endured the horror of the First World War. Unlike existing literature, which emphasises the strength of societies or military institutions, this study argues that at the heart of armies' robustness lay natural human resilience. Drawing widely on contemporary letters and diaries of British and German soldiers, psychiatric reports and official documentation, and interpreting these sources with modern psychological research, this unique account provides fresh insights into the soldiers' fears, motivations and coping mechanisms. It explains why the British outlasted their opponents by examining and comparing the motives for fighting, the effectiveness with which armies and societies supported men and the combatants' morale throughout the conflict on both sides. Finally it challenges the consensus on the war's end, arguing that not a 'covert strike' but rather an 'ordered surrender' led by junior officers brought about Germany's defeat in 1918.

The First World War changed the dynamics of the European intellectual landscape in terms of international collaboration, the development of disciplines and new institutional visions. The conflict not only destroyed much of Europes material cultural heritage, it also damaged the 19th-century humanist conception of the function of thought and problematised the position of the thinker in society. What is the intellectuals task in a time of destruction and death? This book spotlights the ways in which the war redrew the map of knowledge production and changed traditional paradigms, fundamentally altering the approach to intellectual work. Thinking became more democratic and specialised, with a range of voices tackling specific problems created by the war, but now more conspicuously related to particular causes. The focus on the viewpoints of the 19141918 intellectual cadre throws into perspective the ways in which the war changed the contents, methods and organisation of intellectual work. Part One looks at the war as an object of study; Part Two explores the methodological challenges the war entailed; and Part Three sheds light on the ways in which the conflict and its aftermath redrew the map of collaborative intellectual networks. The case-studies come from different disciplines and cover a range of contexts, from German engineering to British wartime periodicals. Revisiting the early 20th-century intellectual situation not only enriches our understanding of the dynamics of the Great War, it also assists in repositioning the role of the intellectual in the 21st century.

The Great War and the Moving Image focuses upon the Allied war effort on the Western Front and in the Mediterranean. In doing so, the book addresses topics ranging from how carefully selected images projected a positive portrayal of ambulance trains, through film's instructional role promoting self-sufficiency on the home front, to the vital role of makeshift YMCA cinemas both sides of the Channel. With editors and contributors who are authorities on cinema in wartime Britain and on the British response to the challenge of 'total war', the volume highlights the power that the moving image had during the Great War. In the introduction, the editors consider why the First World War can be seen as the first uniquely cinematic conflict. Later, historians from Britain, Australia, and America go on to explore film's pioneering role as a powerful vehicle for propaganda at home and abroad, and its contribution to maintaining morale among soldiers on the front line as well as across civilian audiences back home. The book concludes by considering the representation of trench warfare in today's hi-tech computer games. This book was originally published as a special issue of the Historical Journal of Film, Radio and Television.

Ultimately these cross purposes brought disaster, pulling a fatally weak and woefully unprepared Ottoman state into a global war, and unleashing vicious, internal ethnic repression that brought it defeat and dismemberment. The diaries and official reports of German spy and propagandist Curt Prufer - translated here into English in their entirety for the first time - chronicle the complexities of the fragile Ottoman-German alliance from the perspective of a participant. Much like fellow soldier-scholar T.E. Lawrence, Prufer and his colleagues tried to steal the loyalties of the Muslim subjects of the opposing sides. The book explores these episodes of sabotage, subversion and subterfuge - from managing spies to preparing for the attack on the Suez Canal in 1915 - and in the process sheds light onto the ways World War I played out across the Middle East. Complemented throughout by in-depth and meticulously researched footnotes, this primary source collection is an invaluable addition to the extant corpus of late Ottoman and World War I historical documents.

This is the first book to bring together an interdisciplinary, theoretically engaged and global perspective on the First World War through the lens of historical and cultural geography. Reflecting the centennial interest in the conflict, the collection explores the relationships between warfare and space, and pays particular attention to how commemoration is connected to spatial elements of national identity, and processes of heritage and belonging. Venturing beyond military history and memory studies, contributors explore conceptual contributions of geography to analyse the First World War, as well as reflecting upon the imperative for an academic discussion on the War's centenary. This book explores the War's impact in more unexpected theatres, blurring the boundary between home and fighting fronts, investigating the experiences of the war amongst civilians and often overlooked combatants. It also critically examines the politics of hindsight in the post-war period, and offers an historical geographical account of how the First World War has been memorialised within 'official' spaces, in addition to those overlooked and often undervalued 'alternative spaces' of commemoration. This innovative and timely text will be key reading for students and scholars of the First World War, and more broadly in historical and cultural geography, social and cultural history, European history, Heritage Studies, military history and memory studies.

Decisions for War focuses on the choices made by small coteries in Austria-Hungary, Germany, Russia, France, Britain and elsewhere to address a common yet perplexing question: why did World War I happen? Several of the usual causes for the war are reviewed and discussed. Rather than accepting arguments of mass demands, nationalism, militarism, and social Darwinism, the book shows how in each country, the decision to enter the war was made by only a handful of individuals - monarchs, ministers, military people, party leaders, ambassadors, and others. In each case, we also see separate and distinct agendas, the considerations differing from one nation to the next. The leadership of Japan, the Ottoman Empire, Italy, the Balkans, and the United States are explored, as well as that of the major European countries involved.

In honor of the 100th anniversary of the end of World War I, here are 101 little-known and fascinating facts about its history. In this informative, accessible look at World War I, you'll find a complete overview of this critical historical event, its long-standing impact, and little-known facts. Identify the important figures, discover what everyday life was like during wartime, and learn about the inventions and momentous events from the Great War that changed history forever. Whether you're seeking a basic, academic introduction or looking for interesting new facts to expand your knowledge, you're sure to find it in 101 Things You Didn't Know about World War I.

"More dramtatic than fiction...THE GUNS OF AUGUST is a magnificent narrative--beautifully organized, elegantly phrased, skillfully paced and sustained....The product of painstaking and sophisticated research."
CHICAGO TRIBUNE
Historian and Pulitzer Prize-winning author Barbara Tuchman has brought to life again the people and events that led up to Worl War I. With attention to fascinating detail, and an intense knowledge of her subject and its characters, Ms. Tuchman reveals, for the first time, just how the war started, why, and why it could have been stopped but wasn't. A classic historical survey of a time and a people we all need to know more about, THE GUNS OF AUGUST will not be forgotten.

Charles Repington was Britain's most influential military correspondent during the first two decades of the twentieth century. From 1914 to 1918, Repington's commentary in The Times, 'The War Day by Day', was read and discussed by opinion-shapers and decision-makers worldwide who sought to better understand the momentous events happening around them, and his subsequently published diaries offered a compelling portrait of England's governing class at war. This is the first major study of Repington's life and career from the Boer War to the end of the Great War. A. J. A. Morris presents unique insights into the conduct of the First World War and into leading figures in the British high command: French, Haig, Robertson, Wilson. The book offers modern readers a rewardingly fresh understanding of the conflict, and will appeal to scholars of the First World War and British political and military history of the period.

More than 8,000 men served in the Fifth Marine Regiment during World War I and the occupation of Germany. Marine units were among the first to arrive in war-torn Europe in 1917, and sustained greater casualties than other American units. This book tells the human story of the ""Devil Dogs"" in World War I and the years following through the recollections of veterans recorded over the past century. The influenza epidemic that raged during the war is discussed. An annotated roster of the regiment lists each Marine, with service details provided where known.