This book gives students an informed insight into the British experience in the First World War. The contributors, all established First World War historians, have drawn on their own research and secondary sources to give a succinct account of politics, diplomacy, strategy and social developments during a period of dramatic change. Each chapter gives a concise account of its subject and the chapters are well supported by maps and tables. This is an important textbook for school students and undergraduates which bridges the gap between specialized research on the First World War and the needs of the student reader.

Imagine stepping into someone else's shoes. Walking back in time a century ago, which shoes would they be? A pair of silk sensations costing thousands of pounds designed by Yanturni of Paris, or wooden clogs with metal cleats that spark on the cobbles of a factory yard? Would your shoes be heavy with mud from trudging along duckboards between the tents of a front-line hospital or stuck with tufts of turf from a football pitch? Would you be cloaked in green and purple, brandishing a 'Votes for Women' banner, or would you be respectably dressed, restricted by your thigh-length corset? Great War Fashion opens the wardrobe of women in the years before the outbreak of war to explore the real woman behind the stiff, mono-bosomed ideal of Edwardian society, and closes it on a new breed of women who have donned trousers and overalls to feed the nation and work in munitions factories and who, clad in mourning, have loved and lost a whole generation of men. The journey through Great War Fashion is not just about the changing clothes and fashions of the war years - it is a journey into the lives of the women who lived under the shadow of war and were irrevocably changed by it. Using material from her own extensive collection, renowned costume expert Lucy Adlington brings an inspiring generation of women to life with rare and stunning images alongside a narrative that is both deeply poignant and laugh-out-loud funny.

The First World War has been described as the "primordial catastrophe of the twentieth century." Arguably, Italian Fascism, German National Socialism and Soviet Leninism and Stalinism would not have emerged without the cultural and political shock of World War I. The question why this catastrophe happened therefore preoccupies historians to this day. The focus of this volume is not on the consequences, but rather on the connection between the Great War and the long 19th century, the short- and long-term causes of World War I. This approach results in the questioning of many received ideas about the war's causes, especially the notion of "inevitability."

This book challenges current thinking about the outbreak of World War I and the course of German foreign policy since Bismarck's chancellorship. In 1914, Germany's opening offensives against France were to be accompanied by a simultaneous offensive by her ally, Austria-Hungary, against Russia. The Austrian offensive was intended to hold the Russians until Germany defeated the French-six weeks, no more. Then, the German army would turn east to support the Austrians. The Austrian offensive was a catastrophic failure. After only days of fighting Russia, Germany was obliged to send troops to support Austria lest she capitulate while most of the German army was still in France. The Austrian army's severe deficiencies were a constant drain on the German effort throughout the war. After the war, German memoirists and historians claimed that the German leadership had been unaware of these deficiencies before the war broke out. These claims have been accepted by historians down to today. The book presents recently re-discovered documentary evidence that the German general staff and Germany's political leadership had known of the Austrian army's weaknesses for decades before the war. The book also reveals a new perspective of Bismarck's diplomacy beginning shortly after he engineered the Dual Alliance between the two countries in 1879. It demonstrates that as early as 1882 Bismarck became aware that the Austrian army was far weaker than assumed when he concluded the alliance. It was primarily his concern about Austria's weakness that spurred Bismarck's energetic diplomacy, seeking alliances and understandings with other countries in the region, and which became the main consideration that guided his foreign policy from then on. For if Austria suffered a defeat, Germany would find itself alone between two dangerous powers: France and Russia. The consequences of his policies resulted in peace down to his departure in 1890. His successors, for a variety of reasons addressed in the book, were not as careful, ignored Austria's weaknesses despite the warnings of the military attaches, and permitted Austria to become involved in a war. The result was tragically foreseeable.

America and World War I, the first volume in the new Routledge Research Guides to American Military Studies series, provides a concise, annotated guide to the vast amount of resources available on the Great War. With over 2,000 entries selected from a wide variety of publications, manuscript collections, databases, and online resources, this volume will be an invaluable research tool for students, scholars, and military history buffs alike. The wide range of topics covered include war films and literature, to civil-military relations, to women and war. Routledge Research Guides to American Military Studies will include concise, easy-to-use bibliographic volumes on different American military campaigns throughout history, as well as tackling timely subjects such as women in the military and terrorism.

Based on a wide range of primary sources, this book shows the way in which diplomacy, economics, finance and strategy became intertwined during the First World War. The author examines the diplomatic, economic, financial and military relations between Britain and Russia and argues that the key to understanding the alliance is the British determination to win the war and the role Russia played in achieving this aim. British strategy is shown to be more the result of her relations with her allies, especially during the first years of the war, than a quarrel between East and West. This revision of the accepted interpretation of the strategy leads to a reassessment of the views of Lloyd George, Kitchener and Grey. The author concludes that in 1917 the British interest in Russia remained as it was earlier in the war: the maintenance of a powerful ally on the eastern front.

The story of Russia's First World War remains largely unknown, neglected by historians who have been more interested in the grand drama that unfolded in 1917. In Russia's First World War: A Social and Economic History Peter Gatrell shows that war is itself 'revolutionary' - rupturing established social and economic ties, but also creating new social and economic relationships, affiliations, practices and opportunities. Russia's First World War brings together the findings of Russian and non-Russian historians, and draws upon fresh research. It turns the spotlight on what Churchill called the 'unknown war', providing an authoritative account that finally does justice to the impact of war on Russia's home front

In World War I, 104 African American doctors joined the United States Army to care for the 40,000 men of the 92nd and 93rd Divisions, the Army's only black combat units. The infantry regiments of the 93rd arrived first and were turned over to the French to fill gaps in their decimated lines. The 92nd Division came later and fought alongside other American units. Some of those doctors rose to prominence; others died young or later succumbed to the economic and social challenges of the times. Beginning with their assignment to the Medical Officers Training Camp (Colored) - the only one in U.S. history - this book covers the early years, education and war experiences of these physicians, as well as their careers in the black communities of early 20th century America.

During the Allied victory celebrations there were few who chose to raise a glass to the staff. The high cost of casualties endured by the British army tarnished the reputation of the military planners, which has yet to recover. This book examines the work and development of the staff of the British army during the First World War and its critical role in the military leadership team. Their effectiveness was germane to the outcome of events in the front line but not enough consideration has been paid to this level of command and control, which has largely been overshadowed by the debate over generalship. This has painted an incomplete picture of the command function. Characterised as arrogant, remote and out of touch with the realities of the front line, the staff have been held responsible for the mismanagement of the war effort and profligate loss of lives in futile offensives. This book takes a different view. By using their letters and diaries it reveals fresh insights into their experience of the war. It shows that the staff made frequent visits to the front line and were no strangers to combat or hostile fire. Their work is also compared with their counterparts in the French and German armies, highlighting differences in practice and approach. In so doing, this study throws new light upon the characteristics, careers and working lives of these officers, investigating the ways in which they both embraced and resisted change. This offers evidence both for those who wish to exonerate the British command system on the basis of the learning process but also for those critical of its performance, thus advancing understanding of British military history in the First World War.

The First World War quickly escalated from a European war into a global conflict that would cause fundamental changes in the Middle East, Africa, Asia and the Americas. Its end signalled the dissolution of the Ottoman Empire, which had controlled most of the Arab Middle East. Over the wartime period, millions of people across the Empire died as a result of warfare, epidemics, famines and massacres. However, for the Ottoman leaders their entry into the war was not just a response to a life-or-death struggle, but rather presented them with an opportunity to transform the empire into a new type of state. Syria in World War I brings together leading scholars working with original Turkish, Arabic, Armenian and German sources, to present a comprehensive examination of this key period in Syria's history. Together, the chapters demonstrate how the war represented a radical break from the past for the Syrian lands, which underwent crucial political, economic, social and cultural transformations. It contextualises various facets of the then Unionist ruler of Syria, Djemal Pasha, as well as exploring the impact of the Ottoman leaders' divergent policies on the Syrian lands and people, which would undergo a series of political, economic and ecological catastrophes whose traces are still evident in the region's collective memory. Introducing a significant body of new information and considerably expanding the parameters of current debates, Syria in World War I is of key interest to students and scholars of Middle East History, as well as History of the Late Ottoman Empire and World War I History.

The period immediately following the end of the First World War witnessed an outpouring of artistic and literary creativity, as those that had lived through the war years sought to communicate their experiences and opinions. In Germany this manifested itself broadly into two camps, one condemning the war outright; the other condemning the defeat. Of the former, Erich Maria Remarque's All Quiet on the Western Front remains the archetypal example of an anti-war novel, and one that has become synonymous with the Great War. Yet the tremendous and enduring popularity of Remarque's work has to some extent eclipsed a plethora of other German anti-war writers, such as Hans Chlumberg, Ernst Johannsen and Adrienne Thomas. In order to provide a more rounded view of German anti-war literature, this volume offers a selection of essays published by Brian Murdoch over the past twenty years. Beginning with a newly written introduction, providing the context for the volume and surveying recent developments in the subject, the essays that follow range broadly over the German anti-war literary tradition, telling us much about the shifting and contested nature of the war. The volume also touches upon subjects such as responsibility, victimhood, the problem of historical hiatus in the production and reception of novels, drama, poetry, film and other literature written during the war, in the Weimar Republic, and in the Third Reich. The collection also underlines the potential dangers of using novels as historical sources even when they look like diaries. One essay was previously unpublished, two have been augmented, and three are translated into English for the first time. Taken together they offer a fascinating insight into the cultural memory and literary legacy of the First World War and German anti-war texts.

In 1914, journalist and mystery writer Mary Roberts Rinehart traveled to Europe alone to cover World War I for the Saturday Evening Post. This collection of her writing encompasses her observations on her travels-from being received by King Albert in Belgium and recording his first authorized statement on the war, to meeting Winston Churchill, to traveling to the English and French front lines as the first correspondent permitted there. Rinehart's book was a humanitarian plea to Americans to join the war effort three years before the American Expeditionary Force set sail for Europe, an unpopular view vindicated by subsequent events.

Lieutenant John Huddleston Taber was a New Yorker assigned to the 168th ""Third Iowa"" Infantry Regiment of the American Expeditionary Force's 42nd ""Rainbow"" Division during World War I. His diary provides a detailed narrative of a young officer maturing through his war experiences, from the voyage across the submarine filled Atlantic, to training in France, to front line combat. In a clear, unaffected voice, Taber records his dealings with superiors and enlisted men, billets in French and German towns, life in the tenches, intense shelling, machine gun fire, gas warfare, leaves to Paris, the occupation of Germany, and his return to New York.

The course of events of the Great War has been told many times, spurred by an endless desire to understand 'the war to end all wars'. However, this book moves beyond military narrative to offer a much fuller analysis of of the conflict's strategic, political, economic, social and cultural impact. Starting with the context and origins of the war, including assasination, misunderstanding and differing national war aims, it then covers the treacherous course of the conflict and its social consequences for both soldiers and civilians, for science and technology, for national politics and for pan-European revolution. The war left a long-term legacy for victors and vanquished alike. It created new frontiers, changed the balance of power and influenced the arts, national memory and political thought. The reach of this acount is global, showing how a conflict among European powers came to involve their colonial empires, and embraced Japan, China, the Ottoman Empire, Latin America and the United States.

A rethinking of the factors which led to the American entry into the war. The complicated situation which led to the American entry into the First World War in 1917 is often explained from the perspective of public opinion, US domestic politics, or financial and economic opportunity. This book, however,reasserts the importance of diplomats and diplomacy. Based on extensive original research, the book provides a detailed examination of British, German, and American diplomacy in the period 1914-17. It argues that British and German diplomacy in this period followed the same patterns as had been established in the preceding decades. It goes on to consider key issues which concerned diplomats, including the international legality of Britain's economic blockade of Germany, Germany's use of unrestricted submarine warfare, peace initiatives, and Germany's attempt to manipulate in its favour the long history of distrust in Mexican-American relations. Overall, the book demonstrates thatdiplomats and diplomacy played a key role, thereby providing a fresh and original approach to this crucially important subject. JUSTIN QUINN OLMSTEAD is an Assistant Professor of History at the University of Central Oklahoma.

The 'Macedonian question' has been much studied in recent years as has the political history of the period from the Balkan Wars in 1912-13 to the Treaty of Lausanne in 1923. But for a variety of reasons, connected with the political division of Greece and the involvement of outside powers, the events at and behind the Macedonian front have been side-lined. The recent commemorations of the centenary of the end of the First World War in the UK illustrate how by comparison with the enormous and moving emphasis on the western front, Macedonia has been not wholly but largely ignored. This volume illuminates this comparatively neglected period of Greek history and examines the strategic and military aspects of the war in Macedonia and the political, social, economic and cultural context of the war.

The author of this book, Ernst A. Lehmann, was close to the Zeppelin story from its early days and had great faith in the ever increasing success of the Zeppelin on international routes. It is sadly ironic that this talented man and strong advocate of the Zeppelin should die in Hindenburg disaster shortly after he had produced the draft for this book. He died following the fire that destroyed the Hindenburg on 6 May 1937; he survived the fire itself but was badly burned and died the following day. Lehmann was a Zeppelin commander during the First World War bombing England on numerous occasions, and even met some of the supreme German commanders such as General Erich Ludendorff. He was well acquainted with Count Zeppelin and all of the designers and management of the Zeppelin Company. After the war he worked for the Zeppelin Company under Hugo Eckener, who took over the management following Count Zeppelin's death in 1917. Lehmann was closely involved in the voyages of the Graf Zeppelin, including the famous round the world voyage, and pioneered services to the Unites States and the regular service to South America.Lehmann makes his Nazi sympathies quite clear, but tactfully does not touch upon his differences with Hugo Eckener regarding the use of the airships for Nazi electioneering-for Eckener was strongly against it. Nor does he touch upon Goring's manoeuvring which broke up the Zeppelin Company, thereby leaving Eckener as an outsider. He believes in the superiority of German engineering and beyond that the superiority of everything German.Lehmann served as commanding officer on more than 100 of the flights of the Graf Zeppelin between 1928 and 1936. In 1935, when Hermann Goring created the Deutsche Zeppelin Reederei to increase Nazi influence over Zeppelin operations, Captain Lehmann was named director of the new airline. In 1936, he commanded 10 round-trip flights to Lakehurst on the new Hindenburg.The text is well-written, approachable, and provides a comprehensive account of the Zeppelin story until the 1937 disaster which cost the author his life.

Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers' songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers' songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.

First published in 1933, this title presents the inner workings and diplomatic culture of the League of Nations in Geneva, at a time when the increasing strain of international relations was beginning to take its toll and disillusionment towards the League was growing. Written as a series of short sketches, Max Beer's communicates a variety of insights into the League of Nations. Delving into the machinations and bewildering configurations of diplomatic relations that predominated, while at the same time maintaining a very human perspective, this volume represents a unique resource for students of this period in European politics.

Brushes With War is a unique history of World War I in broad brush strokes. Over 230 original paintings, drawings, sculpture, and trench art by the combatants of World War I cover all aspects of the war and most major battles from Mons (1914) to the Meuse-Argonne (1918). The artists were American, Austrian, Australian, Belgian, British, Canadian, French, German, and Russian soldiers. These were not professional artists, but amateurs depicting their own daily struggles as they saw them. Just as snapshot photos are often more realistic than posed professional portraits, these works of art are more genuine impressions of the war than the official art and illustrations of the time.

Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers' songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers' songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.

The Citizen Soldiers explores the military reform movement that took its name from the famous Business Men's Military Training Camps at Plattsburg, New York. It also illuminates the story of two exceptional men: General Leonard Wood, the rambunctious and controversial former Rough Rider who galvanized the Plattsburg Idea with his magnetic personality; and Grenville Clark, a young Wall Street lawyer.

The Plattsburg camps strove to advertise the lack of military preparation in the United States and stressed the military obligation every man owed to his country. Publicized by individuals who voluntarily underwent military training, the preparedness movement rapidly took shape in the years prior to America's entry into the First World War. Far from being war hawks, the Plattsburg men emphasized the need for a "citizen army" rather than a large professional establishment. Although they failed in their major objective -- universal military training -- their vision of a citizen army was largely realized in the National Defense Act of 1920, and their efforts helped to establish selective service as the United States' preferred recruitment method in World War I, World War II, the Korean War, and the Vietnam War.

Featuring a new preface by the author, this new edition of a seminal study will hit shelves just in time for the World War I Centennial.

A Highland Regimental Scout recounts his experience of the Retreat from Mons. This is a superb account of the early stages of the First World War in Europe. Its author was a infantryman of the British Army who had been a serving soldier for seven years before the outbreak of war. His principal speciality was as a scout within his famous Highland regiment-the Black Watch. As an author he is able to deliver a gripping story in an impactful, spare style, ideal for conveying this narrative of non-stop combat as French's 'contemptible little army' fought stubbornly from Mons to the Marne. The quality and professionalism of the British Regular Army of the period shines through on every page of this story of dogged retreat during a time of fluid manoeuvring. Cassells' was a war of charging Uhlan cavalry, of famous regiments like the Scots Greys playing their traditional cavalry role, of advancing grey waves of German infantry, and the of a hugely outnumbered army falling back, undaunted in spirit and bloodily contesting every inch of ground. This book cannot be recommended too highly--not only is it a riveting account of the Retreat from Mons the ordinary fighting infantryman knew, but it is a first rate narrative of personal experiences at the sharp end of war in the early Twentieth century.

This illustrated two-volume set is a further detailed look at the helmets of all nations using an identifiable helmet during the First World War, and contains over 1,000 full colour, detailed photos and over 200 period bw photos. Featured are rare and unique helmets, some previously unseen. The text includes a short history of the belligerent countries - setting the helmets and their development in context - as well as details and dimensions of all helmets.