Tails from the Great War throws a spot light on the experience of creatures great and small during the First World War, vividly telling their stories through the incredible archival images of the Mary Evans Picture Library. The enduring public interest in Michael Morpurgo's tale of the war horse reveals an enthusiasm for the animal perspective on war, but what of the untold stories of the war dog, the trench rat or even the ship's pig? Through unrivalled access to rarely seen illustrated wartime magazines, books and postcards, discover the sea lions who were trained to detect submarines, and witness the carcass of the 61ft mine-destroying wonder whale. Meet the dog that brought a sailor back from the brink of death, and inspired a Hollywood legend. See how depictions of animals were powerfully manipulated by the propaganda machine on both sides, and how the presence of animals could bring much needed and even lifesaving companionship and cheer amid the carnage of war.As the centenary of the Great War is commemorated all over the world, take a timely journey via the lens of Mary Evans wartime images, and marvel at the often overlooked but significant contribution and experience of animals at war. By turns astonishing, heart-warming and occasionally downright bizarre, Tails from the Great War champions the little-known story of the bison, the chameleon, the canary et al in wartime.

Once assumed to be a driver or even cause of conflict, commemoration during Ireland's Decade of Centenaries came to occupy a central place in peacebuilding efforts. The inclusive and cross-communal reorientation of commemoration, particularly of the First World War, has been widely heralded as signifying new forms of reconciliation and a greater "maturity" in relationships between Ireland and the UK and between Unionists and Nationalists in Northern Ireland. In this study, Jonathan Evershed interrogates the particular and implicitly political claims about the nature of history, memory, and commemoration that define and sustain these assertions, and explores some of the hidden and countervailing transcripts that underwrite and disrupt them. Drawing on two years of ethnographic fieldwork conducted in Belfast, Evershed explores Ulster Loyalist commemoration of the Battle of the Somme, its conflicted politics, and its confrontation with official commemorative discourse and practice during the Decade of Centenaries. He investigates how and why the myriad social, political, cultural, and economic changes that have defined postconflict Northern Ireland have been experienced by Loyalists as a culture war, and how commemoration is the means by which they confront and challenge the perceived erosion of their identity. He reveals the ways in which this brings Loyalists into conflict not only with the politics of Irish Nationalism, but with the "peacebuilding" state and, crucially, with each other. He demonstrates how commemoration works to reproduce the intracommunal conflicts that it claims to have overcome and interrogates its nuanced (and perhaps counterintuitive) function in conflict transformation.

This is a definitive account of the Austro-Hungarian Royal and Imperial Army during the First World War. Graydon A. Tunstall shows how Austria-Hungary entered the war woefully unprepared for the ordeal it would endure. When the war commenced, the Habsburg Army proved grossly under strengthen relative to trained officers and manpower, possessing obsolete weapons and equipment, and with the vast majority of its troops proved inadequately trained for modern warfare. Well over one million Habsburg troops mobilized creating an enormous logistical challenge of forging an army from the diverse cultures, languages, economic and educational backgrounds of the Empire's peoples. Graydon A. Tunstall shows how the army suffered from poor strategic direction and outdated tactics and facing a two-front offensive against both Russia and Serbia. He charts the army's performance on the battlefields of Galicia, Serbia, Romania, the Middle East and Italy through to its ultimate collapse in 1918.

When the Royal Flying Corps and the Royal Naval Air Service merged on 1 April 1918, to form the Royal Air Force, the new command needed to have its own gallantry medals to distinguish itself from the Army and the Royal Navy. Thus the new Distinguished Flying Cross came into being. Not that this new award (along with the Distinguished Flying Medal for non-commissioned personnel) came into immediate use, but as 1918 progressed, awards that earlier might have produced the Military Cross or Distinguished Service Cross, became the Distinguished Flying Cross. By the end of WWI a large number of DFCs and First Bars had been awarded, but only three Second Bars had been promulgated for First War actions. Before WWII erupted, only four more Second Bars had been awarded, for actions largely in what we would now call the Middle East. By the end of the WWII, awards of the DFC and First Bars had multiplied greatly, but only fifty Second Bars had been awarded (and Gazetted), making fifty-seven in all between 1918 and 1946. To this can be added three more, awarded post-WWII, between 1952-1955, making a grand total of sixty. Still a significantly small number of members of this pretty exclusive 'club'. Within the covers of this book recorded for the first time together are the mini-biographies of all those sixty along with the citations that accompanied their awards, or in some cases the recommendations for them. Also recorded are citations for other decorations such as the Distinguished Service Order, et al. The recommendations were often longer than the actual citations themselves, and during periods of large numbers of all types of awards, these citations did not make it into the London Gazette, recording name of the recipient only. As the reader will discover, the range of airmen who received the DFC and Two Bars, cover most of the ambit of WWII operations, be they fighter pilots, bomber pilots, night-fighter aircrew, aircrew navigators, engineers, etc, or reconnaissance pilots. Each has interesting stories, proving, if proof be needed, their gallantry in action.

During the First World War the old medieval City of Ypres was the centre of one of the most notorious battlefields of war: the Ypres Salient. As early as 22 November 1914, the most famous monuments of the town, the Cloth Hall and St Martin's Church, were ablaze. Over the following four years, the entire town centre would be wiped off the map. In the winter of 1918-1919, a man on a horse was able to look right across the town. There remained just a few houses more or less still upright here and there. During the war, the whole population of Ypres fled or, from May 1915, was forcibly evacuated. But the first residents were already returning several weeks before the armistice. Those willing to return found themselves living in a totally destroyed town where all but nothing remained. They used fragments of the debris and abandoned war machinery to build their first homes. Ten years after the armistice, it looked like the town had never been witness to any war. Practically all houses had been rebuilt. Today Ypres is generally considered one of the best examples of post-conflict reconstruction. Full of stories of resilience and regeneration, this walk - which lasts about 2 hours - takes you by the most typical examples of Ypres' post-war architecture, but also shows the most striking deviations.

The centenary of the outbreak of the First World War may be commemorated by some as a great moment of national history. But the standard history of Britain's choice for war is far from the truth. Using a wide range of sources, including the personal papers of many of the key figures, some for the first time, historian Douglas Newton presents a new, dramatic narrative. He interleaves the story of those pressing for a choice for war with the story of those resisting Britain's descent into calamity. He shows how the decision to go to war was rushed, in the face of vehement opposition, in the Cabinet and Parliament, in the Liberal and Labour press, and in the streets. There was no democratic decision for war. The history of this opposition has been largely erased from the record, yet it was crucial to what actually happened in August 1914. Two days before the declaration of war four members of the Cabinet resigned in protest at the war party's manipulation of the crisis. The government almost disintegrated. Meanwhile large crowds gathered in Trafalgar Square to hear the case for neutrality and peace. Yet this cry was ignored by the government. Meanwhile, elements of the press, the Foreign Office, and the Tory Opposition sought to browbeat the government into a quick decision. Belgium had little to do with it. The key decision to enter the war was made before Belgium was invaded. Those bellowing for hostilities were eager for Britain to enter any war in solidarity with Russia and France - for the future safety of the British Empire. In particular Newton shows how Prime Minister H. H. Asquith, Foreign Minister Sir Edward Grey, and First Lord of the Admiralty Winston Churchill colluded to pre-empt the decisions of Cabinet, to manipulate the parliament, and to hurry the nation toward intervention by any means necessary.

An eye-opening interpretation of the infamous Gallipoli campaign that sets it in the context of global trade. In early 1915, the British government ordered the Royal Navy to force a passage of the Dardanelles Straits-the most heavily defended waterway in the world. After the Navy failed to breach Turkish defenses, British and allied ground forces stormed the Gallipoli peninsula but were unable to move off the beaches. Over the course of the year, the Allied landed hundreds of thousands of reinforcements but all to no avail. The Gallipoli campaign has gone down as one of the great disasters in the history of warfare. Previous works have focused on the battles and sought to explain the reasons for the British failure, typically focusing on First Lord of the Admiralty Winston Churchill. In this bold new account, Nicholas Lambert offers the first fully researched explanation of why Prime Minister Henry Asquith and all of his senior advisers-the War Lords-ordered the attacks in the first place, in defiance of most professional military opinion. Peeling back the manipulation of the historical record by those involved with the campaign's inception, Lambert shows that the original goals were political-economic rather than military: not to relieve pressure on the Western Front but to respond to the fall-out from the massive disruption of the international grain trade caused by the war. By the beginning of 1915, the price of wheat was rising so fast that Britain, the greatest importer of wheat in the world, feared bread riots. Meanwhile Russia, the greatest exporter of wheat in the world and Britain's ally in the east, faced financial collapse. Lambert demonstrates that the War Lords authorized the attacks at the Dardanelles to open the straits to the flow of Russian wheat, seeking to lower the price of grain on the global market and simultaneously to eliminate the need for huge British loans to support Russia's war effort. Carefully reconstructing the perspectives of the individual War Lords, this book offers an eye-opening case study of strategic policy making under pressure in a globalized world economy.

At the Paris Peace Conference of 1919, the international community came together to find a way forward in the aftermath of the First World War. The conference is often judged a failure, as the resulting Treaty of Versailles did not bring long-term peace with Germany. By following the activities of British delegate and wartime Minister of Blockade Lord Robert Cecil, this book examines the struggles and successes of the conference, as delegates from around the world grappled with the economic, political and humanitarian catastrophes overwhelming Europe in 1919. After the Great War describes, for the first time, the significant role of economic warfare at the Peace Conference and in the post-war settlement. Lord Cecil's sometimes difficult partnership with US President Woodrow Wilson forged a new, permanent, international diplomatic organization - the League of Nations - and supplied it with the power to create collective blockades against aggressive states. Leaders of the Allied economic war before the Armistice became, in Paris, leaders of humanitarian-minded international outreach to their former enemies in Germany and Austria. After the Great War promotes a new understanding of these underappreciated internationalists in Paris, many of whom transitioned into leading the League of Nations even before the Peace Conference ended. Often derided as an idealistic fantasy, international peace enforced by economic sanctions appeared a realistic possibility when the Treaty was signed at the end of June 1919.

This study is the first thorough analysis of the extent of the opposition to the Great War in Wales, and is the most extensive study of the anti-war movement in any part of Britain. It is, therefore, a significant contribution to our understanding of people's responses to the conflict, and the difficulty of mobilising the population for total war. The anti-war movement in Wales and beyond developed quickly from the initial shock of the declaration of war, to the civil disobedience of anti-war activists and the industrial discontent excited by the Russian Revolution and experienced in areas such as the south Wales coalfield in 1917. The differing responses to the war within Wales are explored in this book, which charts how the pacifist tradition of nineteenth-century Welsh Nonconformity was quickly overturned. The two main elements of the anti-war movement are analysed in depth: the pacifist religious opposition, the Fellowship of Reconciliation, and the Nonconformist dissidents who were particularly influential in north and west Wales; and the political opposition concentrated in the Independent Labour Party and among the radical left within the South Wales Miners' Federation.

"Exceptional military history worthy of its heroic subject." -Matthew J. Davenport In the vein of Band of Brothers and American Sniper, a riveting history of Alvin York, the World War I legend who killed two dozen Germans and captured more than 100, detailing York's heroics yet also restoring the unsung heroes of his patrol to their rightful place in history-from renowned World War I historian James Carl Nelson. October 8, 1918 was a banner day for heroes of the American Expeditionary Force. Thirteen men performed heroic deeds that would earn them Medals of Honor. Of this group, one man emerged as the single greatest American hero of the Great War: Alvin Cullum York. A poor young farmer from Tennessee, Sergeant York was said to have single-handedly killed two dozen Germans and captured another 132 of the enemy plus thirty-five machine guns before noon on that fateful Day of Valor. York would become an American legend, celebrated in magazines, books, and a blockbuster biopic starring Gary Cooper. The film, Sergeant York, told of a hell-raiser from backwoods Tennessee who had a come-to-Jesus moment, then wrestled with his newfound Christian convictions to become one of the greatest heroes the U.S. Army had ever known. It was a great story-but not the whole story. In this absorbing history, James Carl Nelson unspools, for the first time, the complete story of Alvin York and the events that occurred in the Argonne Forest on that day. Nelson gives voice, in particular, to the sixteen "others" who fought beside York. Hailing from big cities and small towns across the U.S. as well as several foreign countries, these soldiers included a patrician Connecticut farmer whose lineage could be traced back to the American Revolution, a poor runaway from Massachusetts who joined the Army under a false name, and a Polish immigrant who enlisted in hopes of expediting his citizenship. The York Patrol shines a long overdue spotlight on these men and York, and pays homage to their bravery and sacrifice. Illustrated with 25 black-and-white images, The York Patrol is a rousing tale of courage, tragedy, and heroism.

In 1918, the U.S. Army Signal Corps sent 223 women to France at General Pershing's explicit request. They were masters of the latest technology: the telephone switchboard. While suffragettes picketed the White House and President Wilson struggled to persuade a segregationist Congress to give women of all races the vote, these courageous young women swore the army oath and settled into their new roles. Elizabeth Cobbs reveals the challenges they faced in a war zone where male soldiers wooed, mocked, and ultimately celebrated them. The army discharged the last Hello Girls in 1920, the year Congress ratified the Nineteenth Amendment. When they sailed home, they were unexpectedly dismissed without veterans' benefits and began a sixty-year battle that a handful of survivors carried to triumph in 1979. "What an eye-opener! Cobbs unearths the original letters and diaries of these forgotten heroines and weaves them into a fascinating narrative with energy and zest." -Cokie Roberts, author of Capital Dames "This engaging history crackles with admiration for the women who served in the U.S. Army Signal Corps during the First World War, becoming the country's first female soldiers." -New Yorker "Utterly delightful... Cobbs very adroitly weaves the story of the Signal Corps into that larger story of American women fighting for the right to vote, but it's the warm, fascinating job she does bringing her cast...to life that gives this book its memorable charisma... This terrific book pays them a long-warranted tribute." -Christian Science Monitor "Cobbs is particularly good at spotlighting how closely the service of military women like the Hello Girls was tied to the success of the suffrage movement." -NPR

During World War I, the first U.S. war in which women were mobilized by the armed services on a mass scale, more than sixteen thousand female personnel served overseas with the American Expeditionary Force. Elite society women--the so-called heiress corps--have dominated the popular perception of women's service ever since. But Susan Zeiger shows that the majority of these female nurses, clerical workers, telephone operators, and canteen workers were wage-earners whose motives for enlistment ranged from patriotism to economic self-interest, from a sense of adventure to a desire to challenge gender boundaries.
In exploring women's experience of war, Zeiger draws from a wealth of diaries, letters, questionnaires, oral histories, and memoirs, as well as army records. She analyzes the ways women's wartime service brought to light contradictions in prevailing gender relations at the height of the campaign for women's suffrage, and she places the stories of servicewomen in the broader context of women's employment in the early twentieth century. At a time when women sought to expand their personal opportunities, Zeiger argues, the government, determined to contain the disruption to the gender status quo, created a separate, subordinate status for women in the military, attempting to "domesticate" and reinscribe them within conventional roles.

Though when people discuss World War I, they usually center on the fighting in Europe, it truly was a global war. This book examines the role of East Asia in the conflict. It looks at how East Asian commentators saw and interpreted the war, both in Europe and elsewhere, and what lessons they drew from the experience for their own societies. What influence did World War I have on East Asian visions of the world order? Presenting scholarship by a number of East Asian authors in English for the first time, the book greatly expands our understanding of World War I and its effects.

An advertisement in the sheet music of the song "Goodbye Broadway, Hello France" (1917) announces: "Music will help win the war!" This ad hits upon an American sentiment expressed not just in advertising, but heard from other sectors of society during the American engagement in the First World War. It was an idea both imagined and practiced, from military culture to sheet music writers, about the power of music to help create a strong military and national community in the face of the conflict; it appears straightforward. Nevertheless, the published sheet music, in addition to discourse about gender, soldiering and music, evince a more complex picture of society. This book presents a study of sheet music and military singing practices in America during the First World War that critically situates them in the social discourses, including issues of segregation and suffrage, and the historical context of the war. The transfer of musical styles between the civilian and military realm was fluid because so many men were enlisted from homes with the sheet music while they were also singing songs in their military training. Close musical analysis brings the meaningful musical and lyrical expressions of this time period to the forefront of our understanding of soldier and civilian music making at this time.

At the outbreak of the First World War in 1914, the British government realized that it had to keep the Suez Canal open at all costs because it was the primary sea route connecting Britain to its far-flung eastern colonies. The Suez bordered Egypt, a nominal Turkish province, and, when Turkey became involved in the war on Germany's side in 1915, Turkey attacked the canal. As a result the British declared war on Turkey and began an offensive against the Ottoman forces and their German advisers. The British, aided by various Arab groups, swept north through Palestine, Jordan, and Syria to Turkey's ultimate defeat in October 1918.
In "Armageddon, 1918," eminent military historian Cyril Falls discusses the background of the World War I Middle East conflict and relates the final, critical campaign through Palestine, along with its notable personalities, including T. E. Lawrence, Emir Feisal, Kress von Kressenstein, and Edmund Allenby. Falls ends with a pertinent reflection on the subsequent history of the region, from the formation of Iraq in 1920 through the establishment of Israel, showing how the campaign in the Middle East brought into the international spotlight the tangled alliances and imperialistic and nationalistic desires that have left an indelible mark on the region to this day.

David Herrmann's work is the most complete study to date of how land-based military power influenced international affairs during the series of diplomatic crises that led up to the First World War. Instead of emphasizing the naval arms race, which has been extensively studied before, Herrmann draws on documentary research in military and state archives in Germany, France, Austria, England, and Italy to show the previously unexplored effects of changes in the strength of the European armies during this period. Herrmann's work provides not only a contribution to debates about the causes of the war but also an account of how the European armies adopted the new weaponry of the twentieth century in the decade before 1914, including quick-firing artillery, machine guns, motor transport, and aircraft.

In a narrative account that runs from the beginning of a series of international crises in 1904 until the outbreak of the war, Herrmann points to changes in the balance of military power to explain why the war began in 1914, instead of at some other time. Russia was incapable of waging a European war in the aftermath of its defeat at the hands of Japan in 1904-5, but in 1912, when Russia appeared to be regaining its capacity to fight, an unprecedented land-armaments race began. Consequently, when the July crisis of 1914 developed, the atmosphere of military competition made war a far more likely outcome than it would have been a decade earlier.

New Modernist Studies, while reviving and revitalizing modernist studies through lively, scholarly debate about historicity, aesthetics, politics, and genres, is struggling with important questions concerning the delineation that makes discussion fruitful and possible. This volume aims to explore and clarify the position of the so-called 'core' of literary modernism in its seminal engagement with the Great War. In studying the years of the Great War, we find ourselves once more studying 'the giants,' about whom there is so much more to say, as well as adding hitherto marginalized writers - and a few visual artists - to the canon. The contention here is that these war years were seminal to the development of a distinguishable literary practice which is called 'modernism,' but perhaps could be further delineated as 'Great War modernism,' a practice whose aesthetic merits can be addressed through formal analysis. This collection of essays offers new insight into canonical British/American/European modernism of the Great War period using the critical tools of contemporary, expansionist modernist studies. By focusing on war, and on the experience of the soldier and of those dealing with issues of war and survival, these studies link the unique forms of expression found in modernism with the fragmented, violent, and traumatic experience of the time.

This is a rare day-to-day account by a young German squadron leader in Jagdstaffel 35 during the grim last year of the war. Originally published in 1933, it provides minute descriptions of kills, losses, and the Germans' step-by-step retreat in the face of increasingly overwhelming Allied forces in the air. Brutally honest and vividly written, Stark's account of the end-game of the Imperial German Army Air Service provides an intimate, front-row glimpse of the death-throes of a once feared corps. This book also contains reproductions of some of the author's paintings depicting life on the Western Front.

When Great Britain and its dominions declared war on Germany in August 1914, they were faced with the formidable challenge of transforming masses of untrained citizen-soldiers at home and abroad into competent, coordinated fighting divisions. The Empire on the Western Front focuses on the development of two units, Britain's 62nd (2nd West Riding) Division and the Canadian 4th Division, to show how the British Expeditionary Force rose to this challenge. By turning the spotlight on army formation and operations at the divisional level, Jackson calls into question existing accounts that emphasize the differences between the imperial and dominion armies.

Written as a young man in Sedan, in eastern France, which was occupied by the Germans in the First Wold War, Congar makes daily entries about the War. Written from the eyes of a child, the diary was found in his room in Paris after his death and published a few years later. The diary comes with the drawings, maps, and poetry he made as part of this daily entries.