British army chaplains have not fared well in the mythology of the First World War. Like its commanders they have often been characterized as embodiments of ineptitude and hypocrisy. Yet, just as historians have reassessed the motives and performance of British generals, this collection offers fresh insights into the war record of British chaplains. Drawing on the expertise of a dozen academic researchers, the collection offers an unprecedented analysis of the subject that embraces military, political, religious and imperial history. The volume also benefits from the professional insights of chaplains themselves, several of its contributors being serving or former members of the Royal Army Chaplains' Department. Providing the fullest and most objective study yet published, it demonstrates that much of the post-war hostility towards chaplains was driven by political, social or even denominational agendas and that their critics often overlooked the positive contribution that chaplains made to the day-to-day struggles of soldiers trying to cope with the appalling realities of industrial warfare and its aftermath. As the most complete study of the subject to date, this collection marks a major advance in the historiography of the British army, of the British churches and of British society during the First World War, and will appeal to researchers in a broad range of academic disciplines.

Why did millions of men agree to fight the most horrific war in history? And go on doing it, in many cases, for years? The question of consent is one of the many issues of the Great War that still haunt us today.
The soldiers of 1914-1918 created a large body of newspapers and magazines by, for and about themselves. Often misleadingly called 'trench journals', these rich archival sources have received surprisingly little sustained scholarly attention. Through the first comprehensive investigation and analysis of the English language trench periodicals of the war - British, Canadian, Australia, New Zealand and American - The Soldiers' Press presents a cultural interpretation of the means and methods through which consent was negotiated between the trenches and the home front.
The few existing book-length studies tend to use trench newspapers as sources of information to answer historical questions. The Soldiers' Press treats soldier journalism on its own terms and provides a new answer to one lasting conundrum of World War I.

Contested Objects breaks new ground in the interdisciplinary study of material culture. Its focus is on the rich and varied legacy of objects from the First World War as the global conflict that defined the twentieth century. From the iconic German steel helmet to practice trenches on Salisbury Plain, and from the 'Dazzle Ship' phenomenon through medal-wearing, diary-writing, trophy collecting, the market in war souvenirs and the evocative reworking of European objects by African soldiers, this book presents a dazzling array of hitherto unseen worlds of the Great War. The innovative and multidisciplinary approach adopted here follows the lead established by Nicholas J. Saunders' Matters of Conflict (Routledge 2004), and extends its geographical coverage to embrace a truly international perspective. Australia, Africa, Italy, Germany, France, Belgium and Britain are all represented by a cross-disciplinary group of scholars working in archaeology, anthropology, cultural history, art history, museology, and cultural heritage. The result is a volume that resonates with richly documented and theoretically informed case studies that illustrate how the experiences of war can be embodied in and represented by an endless variety of artefacts, whose 'social lives' have endured for almost a century and that continue to shape our perceptions of an increasingly dangerous world.

While Belgium is bleeding and hoping, while Poland suffers and dreams of liberation, while Serbia is waiting for redemption, there is a little country the soul of which is torn to pieces - a little country that is so remote, so remote that her ardent sighs cannot be heard. It is the country of perpetual sacrifice, the country that saw Abraham build the altar upon which he was ready to immolate his only son, the country that Moses saw from a distance, stretching in beauty and loveliness, - a land of promise never to be attained, - the country that gave the world its symbols of soul and spirit. Palestine! No war correspondents, no Red Cross or relief commi-ttees have gone to Palestine, because no actual fighting has taken place there, and yet hundreds of thousands are suffering there that worst of agonies, the agony of the spirit.

Museums, Modernity and Conflict examines the history of the relationship between museums, collections and war, revealing how museums have responded to and been shaped by war and conflicts of various sorts. Written by a mixture of museum professionals and academics and ranging across Europe, North America and the Middle East, this book examines the many ways in which museums were affected by major conflicts such as the World Wars, considers how and why they attempted to contribute to the war effort, analyses how wartime collecting shaped the nature of the objects held by a variety of museums, and demonstrates how museums of war and of the military came into existence during this period. Closely focused around conflicts which had the most wide-ranging impact on museums, this collection includes reflections on museums such as the Louvre, the Stedelijk in the Netherlands, the Canadian War Museum and the State Art Collections Dresden. Museums, Modernity and Conflict will be of interest to academics and students worldwide, particularly those engaged in the study of museums, war and history. Showing how the past continues to shape contemporary museum work in a variety of different and sometimes unexpected ways, the book will also be of interest to museum practitioners.

This book provides a comprehensive and illuminating study of some of the most crucial campaigns on the Eastern Front during what was perhaps the most momentous year of World War I in that battleground. Turning Points: The Eastern Front in 1915 offers a well-researched and fascinating study of war in a distinct theater of operations and shows how it was impacted by diplomacy, coalition warfare, command, technology, and the environment in which it is conducted. In contrast to those on the Western Front, lines in the east in 1915 moved hundreds of miles. Although the work focuses more on the Central Powers, significant attention is also given to the Russians. The book follows the course of events on the Eastern Front during the critical year of 1915, proceeding chronologically from January 1915 to the end of active operations in October, with a brief mention of some action in December. In addition to the better-known campaigns in the Carpathians and Gorlice-Tarnow, the work covers lesser-known operations including the Second Battle of the Masurian Lakes, the Austro-Hungarian "Black-Yellow" offensive into eastern Galicia, and the German move into Lithuania. Naval action on the Baltic Sea is also covered. Offers a detailed account of a significant and often overlooked theater of World War I Relies on original documentary research conducted by the author in archives in Freiburg and Munich, Germany, and in Vienna, Austria Analyzes the key campaigns and battles on the Eastern Front in 1915 Builds on the author's 2010 Praeger book Breakthrough: The Gorlice-Tarnow Campaign, 1915

Women from across the social spectrum had their lives transformed by World War I. The literary culture of the early 20th century led a surprising number of women to write about their experiences, recording everything from their emotional responses and political impulses to their new experiences of the world of work. Writing by women as diverse as Sylvia Pankhurst, Virginia Woolf and Vesta Tilley are blended with extracts from the private diaries and letters of unknown women, to provide a sometimes tragic, sometimes comic testimony. From patriotic rhetoric to the gritty realism of the Front Line, this anthology juxtaposes fact and fiction and aims to present a rounded picture of World War I as it was lived and fought by women across Britain.

Four families in the Great War 1914-1918. Foreword by Charles Messenger

Now available in paperback, this study of the cultural impact of the Armistice of 11 November 1918 contains fourteen new essays from scholars working in literature, music, art history and military history. The Armistice brought hopes for a better future, as well as sadness, disappointment and rage. Many people in all the combatant nations asked hard questions about the purpose of the war. These questions are explored in complex and nuanced ways in the literature, music and art of the period. This book revisits the silence of the Armistice and asks how its effect was to echo into the following decades. The essays are genuinely interdisciplinary and are written in a clear, accessible style. -- .

The 'Macedonian question' has been much studied in recent years as has the political history of the period from the Balkan Wars in 1912-13 to the Treaty of Lausanne in 1923. But for a variety of reasons, connected with the political division of Greece and the involvement of outside powers, the events at and behind the Macedonian front have been side-lined. The recent commemorations of the centenary of the end of the First World War in the UK illustrate how by comparison with the enormous and moving emphasis on the western front, Macedonia has been not wholly but largely ignored. This volume illuminates this comparatively neglected period of Greek history and examines the strategic and military aspects of the war in Macedonia and the political, social, economic and cultural context of the war.

The World Crisis is considered by many to be Winston S. Churchill's literary masterpiece. Published across five volumes between 1923 and 1931, Churchill here tells the story of The Great War, from its origins to the long shadow it cast on the following decades. At once a history and a first-hand account of Churchill's own involvement in the war, The World Crisis remains a compelling account of the conflict and its importance. The third volume of The World Crisis covers the climax and the end of the war, from 1916-1918. Churchill here explores some of the most important moments of the conflict, including the battles of Verdun, Jutland, Passchendaele and the Somme as well as the American entry into the war that marked the beginning of its end. Churchill here also recounts his time on the front line during his brief exile from political office and his return to government in Lloyd-George's wartime coalition as Minster of Munitions.

The World Crisis is considered by many to be Winston S. Churchill's literary masterpiece. Published across five volumes between 1923 and 1931, Churchill here tells the story of The Great War, from its origins to the long shadow it cast on the following decades. At once a history and a first-hand account of Churchill's own involvement in the war, The World Crisis remains a compelling account of the conflict and its importance. The second volume of Churchill's history covers 1915 - the first full year of a conflict that most of the antagonists had expected to be over in a matter of months. Churchill here covers the intractable deadlock on the western front, the use of tanks and gas on the battlefields and the unsuccessful attempts by both sides to break through. In addition, Churchill also considers his own involvement in the Dardanelles campaign (Gallipoli).

Soon after the guns in Belgium and France had signalled the commencement of what would become the world's single most destructive conflict to date, the British, Ottoman, German, Russian, Austro-Hungarian, French and Belgian Empires were at war. Empires in World War I marks a turn away from the pre-eminence of the Western Front in the current scholarship, and seeks to reconstitute our understanding of this war as a truly global struggle between competing empires. Based on primary research, this book opens up new debates on the effects of the Great War in colonial arenas. The book assesses the effects of the war on Native Americans in the United States for example, as well as on the relationship between India and Pakistan, the British justice system in Palestine and the 'imperial scramble' in the Asia-Pacific region. Empires in World War I will be essential reading for students and scholars of the twentieth century.

This book examines the British soldiers on the Western Front and how they responded to the war landscape they encountered behind the lines and at the front. Using a multidisciplinary perspective, this study investigates the relationship between soldiers and the spaces and materials of the warzone, analyzing how soldiers constructed a 'sense of place' in the hostile, unpredictable environment. Drawing upon recent developments within First World War Studies and the anthropological examination of the fields of conflict, an ethnohistorical perspective of the soldiers is built which details the various ways soldiers responded to the physical and material world of the Western Front. This study is also grounded in the wider debates on how the First World War is remembered within Britain and offers an alternative perspective on the individuals who fought in the world's first global conflagration nearly a century ago.

The First World War appears as a fault line in Britain 's twentieth-century history. Between August 1914 and November 1918 the titanic struggle against Imperial Germany and her allies consumed more people, more money and more resources than any other conflict Britain had hitherto experienced. For the first time, it opened up a Home Front that stretched into all parts of the British polity, society and culture, touching the lives of every citizen regardless of age, gender and class. Even vegetables were grown in the gardens of Buckingham Palace.

Britain and World War One throws attention on these civilians who fought the war on the Home Front. Harnessing recent scholarship, and drawing on original documents, oral testimony and historical texts, this book casts a fresh look over different aspects of British society during the four long years of war. It revisits the early war enthusiasm and the making of Kitchener 's new armies; the emotive debates over conscription; the relationships between politics, government and popular opinion; women working in wartime industries; the popular experience of war and the question of social change.

The book also explores areas of wartime Britain overlooked by recent histories, including the impact of the war on rural society; the mobilization of industry, and the importance of technology, as well as exploring responses to air raids, food and housing shortages; the challenges to traditional social and sexual mores and wartime culture. Britain and World War One is an essential book for all students and interested lay readers of the First World War.

Over the past century, much attention has been paid to the literature written for adults in response to the First World War, but there has been comparatively little consideration of how the war influenced literature for young readers at the time. Based on extensive archival research, this study examines an array of wartime writing for young people and provides a new understanding of the complexities and nuances within children's literature of the period. In its discussion of nearly 150 primary sources from Britain, Canada, and the United States, this volume considers some well-known texts but also brings to light forgotten children's literature of the era, providing new insights into how WWI was presented to the young people whose lives were indelibly impacted by the crisis. Paying special attention to the varied ways in which child figures were depicted, it reflects on what these portrayals reveal about adult conceptualizations of youth, and it considers how these may have shaped young readers' own views of armed conflict, citizenship, and childhood. From the helpless victim to the heroic combatant, child figures appeared in many guises, exposing a range of adult concerns about nation, empire, and children's citizenship. Exploring everything from alphabet books for beginning readers, to recruitment materials for high school students, this book examines works from multiple genres and provides a uniquely comprehensive study of transatlantic children's literature produced during the first global war.

For much of the later nineteenth-century Britain regarded Russia as its main international rival, particularly as regarded the security of its colonial possessions in India. Yet, by 1907 Russia's political revolution, financial collapse and military defeat by Japan, transformed the situation, resulting in an Anglo-Russian rapprochement. As this book makes clear, whilst international affairs lay at the root of this new relationship, personal factors also played an important role in reversing many years of mutual animosity and suspicion. In particular the study explores the influence of the liberal anglophile Count Aleksandr Benckendorff, the Russian ambassador in London between 1903 and 1916. By 1905, Russia's multiple weaknesses required a prolonged period of external peace by eliminating frictions with the principal rival powers, Britain and Germany, while France and Britain realised that a British rapprochement with Russia would be necessary to counter Germany's power. Benckendorff, as one of the most important figures in the Russian diplomatic service, persuaded Nicholas II and his Foreign Minister, V.N. Lamsdorff, to drop their objections to various long-standing British demands in order to pave the way for a Triple Entente. Although the overarching Russian strategy was conceived as 'balancing' the imperial rivalries of Britain and Germany, numerous factors - not least Benckendorff's energetic pro-British stance - upset the scales and resulted in a stand-off with the Central Powers. Demonstrating how Benckendorff's fear of losing Britain's friendship made him oppose all Russia's efforts at improving Russo-German relations, this book underlines the pro-Entente policy's role in setting Russia on the road to war. For when the Sarajevo crisis struck; there was now no hope of appealing to German goodwill to help defuse the situation. Instead Russia's status within the Entente depended on a show of determination and strength, which lead inexorably to a disaster o

On the 25th August 1895, Ernest Alfred Hall was born into a pioneering Australian family that lived on a 313-acre property called 'Cloverdale' near the hamlet of Beech Forest, south of the Otway Ranges, some 200 kilometres south west of Melbourne, Victoria. As a child, it seemed he would be destined for the life of a farmer in a country that was just realising its independence through Federation, yet his path was to be diverted by the cataclysmic events that befell Europe and the British Empire. So it was, that one month short of his 20th birthday, Ernest caught the train to Melbourne and enlisted in the Australian Imperial Force. At only 5' 3" he was never going to be the biggest soldier in the army, but as his father said to him, "It's not the size of the dog in the fight, son, but the size of the fight in the dog." Like so many, Ernest Hall embarked for the war to end all wars. Unlike so many, his letters and records survived. This is his story.

Despite the voluminous historical literature on the First World War, a volume devoted to the theme of communication has yet to appear. From the communication of war aims and objectives to the communication of war call-up and war experience and knowledge, this volume fills the gap in the market, including the work of both established and newly emerging scholars working on the First World War across the globe. The volume includes chapters that focus on the experience of belligerent and also neutral powers, thus providing a genuinely representative dimension to the subject.

The unprecedented scope and intensity of the First World War has prompted an enormous body of retrospective scholarship. However, efforts to provide a coherent synthesis about the war's impact and significance have remained circumscribed, tending to focus either on the operational outlines of military strategy and tactics or on the cultural legacy of the conflict as transmitted bythe war's most articulate observers. This volume departs from traditional accounts on several scores: by exploring issues barely touched upon in previous works, by deviating from the widespread tendency to treat the experiences of front and homefront isolation, and by employing a thematic treatment that, by considering the construction of authority and identity between 1914 and 1918, illuminates the fundamental question of how individuals, whether in uniform or not, endured the war's intrusion into so many aspects of their public and private lives.

The unprecedented scope and intensity of the First World War has prompted an enormous body of retrospective scholarship. However, efforts to provide a coherent synthesis about the war's impact and significance have remained circumscribed, tending to focus either on the operational outlines of military strategy and tactics or on the cultural legacy of the conflict as transmitted bythe war's most articulate observers. This volume departs from traditional accounts on several scores: by exploring issues barely touched upon in previous works, by deviating from the widespread tendency to treat the experiences of front and homefront isolation, and by employing a thematic treatment that, by considering the construction of authority and identity between 1914 and 1918, illuminates the fundamental question of how individuals, whether in uniform or not, endured the war's intrusion into so many aspects of their public and private lives.

The Indian Army was one of the most important colonial institutions that the British created. From its humble origins as a mercantile police force to a modern contemporary army in the Second World War, this institution underwent many transitions. This book examines the Indian Army during the later colonial era from the First Afghan War in 1839 to Indian independence in 1947. During this period, the Indian Army developed from an internal policing force, to a frontier army, and then to a conventional western style fighting force capable of deployment to overseas' theaters. These transitions resulted in significant structural and doctrinal changes in the army. The doctrines, and tactics honed during this period would have a dramatic impact upon the post-colonial armies of India and Pakistan. From civil-military relations to fighting and structural doctrines, the Indian and Pakistani armies closely reflect the deep-seated impact of decades of evolution during the late colonial era.