More than 16,000 Canadian soldiers suffered from shell shock during the Great War of 1914 to 1918. Despite significant interest from historians, we still know relatively little about how it was experienced, diagnosed, treated, and managed in the frontline trenches in the Canadian and British forces. How did soldiers relate to suffering comrades? Did large numbers of shell shock cases affect the outcome of important battles? Was frontline psychiatric treatment as effective as many experts claimed after the war? Were Canadians treated any differently than other Commonwealth soldiers? A Weary Road is the first comprehensive study to address these important questions. Author Mark Osborne Humphries uses research from Canadian, British, and Australian archives, including hundreds of newly available hospital records and patient medical files, to provide a history of war trauma as it was experienced, treated, and managed by ordinary soldiers.

Italy and the Cultural Politics of World War I dialogues with the variety of texts recently published to commemorate the Great War. It explores Italian socialist pacifism, the role of women during the conflict and a dominant cultural movement, Futurism, whose leader, Filippo Tommaso Marinetti, glorified war and enlisted in the fight. Other soldiers created documents about the war that differ from the heroic and virile endeavor that Marinetti placed at the center of his works on war. Italy and the Cultural Politics of World War I pays attention to the representations of the soldiers through an analysis of their letters, dominated by descriptions of the terrible hunger they suffered. In contrast, popular film absorbed the cultural lessons in Marinetti's writings and represented soldiers as modernist heroes in comedies and dramas. However, film did not shy away from representing cowards who could only be baffoons and fools in propaganda films. In another medium, the concern was to publish texts that would serve the fighting soldier and inform readers about ideological and historical motivations for the conflict. The publishing industry supported national propaganda efforts. Only socialism could endanger anti-war publication, but after its initial opposition to the conflict, socialists occupied a neutral position. Italian socialism still remained the only European socialist party that did not renege its pacifism in order to embrace nationalism and the war, but it was also not in favor of actions that would sabotage in the Italian war industry. ltalian socialism is only one feature of Italian culture that was dramatically changed during the war. WWI impacted every aspect of Italian and of European cultures. For instance, as an essay in Italy and the Cultural Politics of World War I explores, the war industry needed workers. The solution was to bring Chinese men France to contribute in the war effort. After the war, they moved to other countries and in Milan, Italy, they founded one of the oldest Chinatowns in Europe, dramatically changing the human landscape of Italy as they later moved to other Italian cities. Italy and the Cultural Politics of World War I supplies essential research articles to the construction of an inclusive portrayal of WWI and Italian culture by deepening our understanding of the transformative role it played in 20th century Italy and Europe.

In 1916 a group of German saboteurs blew up Black Tom Island, a spit of land in New York Harbour. The brazen attack destroyed the harbour and the ammunition housed there - and the subsequent hail of missiles and gunpowder devastated much of lower Manhattan. The attack - so massive that as far away as Maryland people could feel the ground shake - had been shockingly easy. America was littered with networks of German agents plotting further, more deadly, attacks. Twenty years later the German government had still managed to evade responsibility for the crime - and probably would have continued to, were it not for the determination of three lawyers named McCloy, Peaslee, and Martin. These men made it their mission to solve a mystery that began during the first World War and barely ended before the second. They were litigators, spies, historians and, ultimately, defenders of the truth. THE DETONATORS is a fascinating portrait of these men and their time; the dramatic love story of John and Ellen McCloy; and the first full accounting of a crime and a cover-up that resonates strongly in a post-9/11 America.

How did WWI affect the love lives of ordinary citizens and their interactions as couples? This book focuses on how dramatic changes in living conditions affected key parts of the life course of ordinary citizens: marriage and divorce. Innovative in bringing together demographic and gender perspectives, contributions in this comparative volume draw on newly available micro-level data, as well as qualitative sources such as war diaries. In a first exploration intended to incite further research, it asks how patterns of marriage and divorce were affected by the war across Europe, and what the role of enduring change - or lack thereof - in gender relations was in shaping these patterns.

Over the last 30 years, hydrographical marine surveys in the English Channel helped uncover the potential wreck sites of German submarines, or U-boats, sunk during the conflicts of World War I and World War II. Through a series of systemic dives, nautical archaeologist and historian Innes McCartney surveyed and recorded these wrecks, discovering that the distribution and number of wrecks conflicted with the published histories of U-boat losses. Of all the U-boat war losses in the Channel, McCartney found that some 41% were heretofore unaccounted for in the historical literature of World War I and World War II. This book reconciles these inaccuracies with the archaeological record by presenting case studies of a number of dives conducted in the English Channel. Using empirical evidence, this book investigates possible reasons historical inconsistencies persist and what Allied operational and intelligence-based processes caused them to occur in the first place. This book will be of interest to scholars and researchers in the fields of nautical archaeology and naval history, as well as wreck explorers.

An advertisement in the sheet music of the song "Goodbye Broadway, Hello France" (1917) announces: "Music will help win the war!" This ad hits upon an American sentiment expressed not just in advertising, but heard from other sectors of society during the American engagement in the First World War. It was an idea both imagined and practiced, from military culture to sheet music writers, about the power of music to help create a strong military and national community in the face of the conflict; it appears straightforward. Nevertheless, the published sheet music, in addition to discourse about gender, soldiering and music, evince a more complex picture of society. This book presents a study of sheet music and military singing practices in America during the First World War that critically situates them in the social discourses, including issues of segregation and suffrage, and the historical context of the war. The transfer of musical styles between the civilian and military realm was fluid because so many men were enlisted from homes with the sheet music while they were also singing songs in their military training. Close musical analysis brings the meaningful musical and lyrical expressions of this time period to the forefront of our understanding of soldier and civilian music making at this time.

This volume will explore the specific role which war has played in the constitution of a modern mentality. It will be divided into three parts: one dealing with issues of conceptualizing war, violence, and modernity/ modernism, one devoted to issues of the First World War as an exemplary experience in the 20th century; and one concerned with issues of violence and its representation in the aftermath of the first modern war.

A new interpretation of the Sarajevo assassination and the origins of World War I that places focus on the Balkans and the prewar period. The story has so often been told: Archduke Franz Ferdinand, heir to the throne of the Habsburg Empire, was shot dead on June 28, 1914, in the Bosnian capital of Sarajevo. Thirty days later, the Archduke's uncle, Emperor Franz Joseph, declared war on the Kingdom of Serbia, producing the chain reaction of European powers entering the First World War. In Misfire, Paul Miller-Melamed narrates the history of the Sarajevo assassination and the origins of World War I from the perspective of the Balkans. Rather than focusing on the bang of assassin Gavrilo Princip's gun or reinforcing the mythology that has arisen around this act, Miller-Melamed embeds the incident in the longer-term conditions of the Balkans that gave rise to the political murder. He thus illuminates the centrality of the Bosnian Crisis and the Balkan Wars of the early twentieth century to European power politics, while explaining how Serbs, Bosnians, and Habsburg leaders negotiated their positions in an increasingly dangerous geopolitical environment. Despite the absence of evidence tying official Serbia to the assassination conspiracy, Miller-Melamed shows how it spiraled into a diplomatic crisis that European statesmen proved unable to resolve peacefully. Contrasting the vast disproportionality between a single deadly act and an act of war that would leave ten million dead, Misfire contends that the real causes for the world war lie in "civilized" Europe rather than the endlessly discussed political murder.

Adolf Hitler is the greatest mystery of the 20th century, and the mystery surrounding him consists of two unanswered questions that have baffled biographers and historians. First, how did he ever rise to power? Second, who was he really? Hitler had the power to mesmerize crowds as the most dynamic orator of the modern age. Yet, his power was not in his ideas, which he collected from the gutter sheets of Vienna, nor was it in his personality; his biographers describe him as an "unperson" and his character as a "void" and a "black hole." What, then, was the source of his power? Was he a medium or a magician with paranormal powers, as many contemporaries thought? Or did he have a secret or method that has not yet been revealed? Ben Novak spent fourteen years searching for the secret of Hitler's political success and his power as a speaker. Hitler's most astute contemporary observer, Konrad Heiden, who wrote the first objective books on Hitler warning that this man was "the greatest massdisturber in world history," suggested that Hitler's secret lay in his use of "eine eigentiimliche art von Logik,"or a "peculiar form of logic." Beginning with this clue, Novak finds that there is a new form of logic in accordance with Heiden's description and examples that can explain Hitler's phenomenal political success. This new form of logic, called "abduction," was discovered by an American philosopher, Charles Sanders Peirce (1839-1914), who is rapidly becoming America's most well-known philosopher and logician. Abduction is a third form of logic, in addition to deduction and induction. Unlike the other forms of logic, abduction is based on instinct and has a power over emotions. Novak argues that Hitler was the first politician to apply the logic of abduction to politics. This book provides the first coherent account of Hitler's youth that ties together all the known facts, clearly showing the genesis of the strangest and most terrible man of the twentieth century while identifying the power he discovered that allowed him to break out into the world in such a terrifying way.

" ... the student of the Great War and gender is well served, and Braybon's introduction provides an excellent overview of the various historiographical themes, whilst her footnotes provide a useful guide to further reading."? - History "Readers will not be disappointed by this scholarly, yet accessible, collection of essays."? - Centre for First World War Studies In the English-speaking world the Great War maintains a tenacious grip on the public imagination, and also continues to draw historians to an event which has been interpreted variously as a symbol of modernity, the midwife to the twentieth century and an agent of social change. Although much 'common knowledge' about the war and its aftermath has included myth, simplification and generalisation, this has often been accepted uncritically by popular and academic writers alike. While Britain may have suffered a surfeit of war books, many telling much the same story, there is far less written about the impact of the Great War in other combatant nations. Its history was long suppressed in both fascist Italy and the communist Soviet Union: only recently have historians of Russia begun to examine a conflict which killed, maimed and displaced so many millions. Even in France and Germany the experience of 1914-18 has often been overshadowed by the Second World War. The war's social history is now ripe for reassessment and revision. The essays in this volume incorporate a European perspective, engage with the historiography of the war, and consider how the primary textural, oral and pictorial evidence has been used - or abused. Subjects include the politics of shellshock, the impact of war on women, the plight of refugees, food distribution in Berlin and portrait photography, all of which illuminate key debates in war history. Gail Braybon is an independent historian. She is the author of Women Workers in the First World War and also wrote, with Penny Summerfield, Out of the Cage: Women's Experiences in Two World Wars.

The German Empire was founded in January 1871 not only on the basis of Chancellor Otto von Bismarck's "blood and iron" policy but also with the support of liberal nationalists. Under Bismarck and Kaiser Wilhelm II, Germany became the dynamo of Europe. Its economic and military power were pre-eminent; its science and technology, education, and municipal administration were the envy of the world; and its avant-garde artists reflected the ferment in European culture. But Germany also played a decisive role in tipping Europe's fragile balance of power over the brink and into the cataclysm of the First World War, eventually leading to the empire's collapse in military defeat and revolution in November 1918.
With contributions from an international team of twelve experts in the field, this volume offers an ideal introduction to this crucial era, taking care to situate Imperial Germany in the larger sweep of modern German history, without suggesting that Nazism or the Holocaust were inevitable endpoints to the developments charted here.

Few subjects in naval history have elicited as much romance and disdain as the battlecruiser. And few subjects have gone so grossly misunderstood.

Fundamental errors regarding the battlecruiser's origins and the technology of the times continue to distort hindsight, obscuring the historical context of these powerful, majestic ships. Thunder in Its Courses clears away the misconceptions, with essays establishing the basic facts of the capital-ship cruiser as well as thorny issues regarding individual designs.

Richard Worth writes for the Warship and Warship International journals. His book titles include In the Shadow of the Battleship, Raising the Red Banner (with Vladimir Yakubov), On Seas Contested (edited with Vincent P. O'Hara and W. David Dickson), and Fleets of World War II.

The Amazon History Book of the Year 2013 is a magisterial chronicle of the calamity that befell Europe in 1914 as the continent shifted from the glamour of the Edwardian era to the tragedy of total war. In 1914, Europe plunged into the 20th century's first terrible act of self-immolation - what was then called The Great War. On the eve of its centenary, Max Hastings seeks to explain both how the conflict came about and what befell millions of men and women during the first months of strife. He finds the evidence overwhelming, that Austria and Germany must accept principal blame for the outbreak. While what followed was a vast tragedy, he argues passionately against the 'poets' view', that the war was not worth winning. It was vital to the freedom of Europe, he says, that the Kaiser's Germany should be defeated. His narrative of the early battles will astonish those whose images of the war are simply of mud, wire, trenches and steel helmets. Hastings describes how the French Army marched into action amid virgin rural landscapes, in uniforms of red and blue, led by mounted officers, with flags flying and bands playing. The bloodiest day of the entire Western war fell on 22 August 1914, when the French lost 27,000 dead. Four days later, at Le Cateau the British fought an extraordinary action against the oncoming Germans, one of the last of its kind in history. In October, at terrible cost they held the allied line against massive German assaults in the first battle of Ypres.The author also describes the brutal struggles in Serbia, East Prussia and Galicia, where by Christmas the Germans, Austrians, Russians and Serbs had inflicted on each other three million casualties. This book offers answers to the huge and fascinating question 'what happened to Europe in 1914?', through Max Hastings's accustomed blend of top-down and bottom-up accounts from a multitude of statesmen and generals, peasants, housewives and private soldiers of seven nations. His narrative pricks myths and offers some striking and controversial judgements. For a host of readers gripped by the author's last international best-seller 'All Hell Let Loose', this will seem a worthy successor.

For a brief period, the attention of the international community has focused once again on the plight of religious minorities in Iraq, Syria, and Turkey. In particular, the abductions and massacres of Yezidis and Assyrians in the Sinjar, Mosul, Nineveh Plains, Baghdad, and Hasakah regions in 2007-2015 raised questions about the prevention of genocide. This book, while principally analyzing the Assyrian genocide of 1914-1925 and its implications for the culture and politics of the region, also raises broader questions concerning the future of religious diversity in the Middle East. It gathers and analyzes the findings of a broad spectrum of historical and scholarly works on Christian identities in the Middle East, genocide studies, international law, and the politics of the late Ottoman Empire, as well as the politics of the Ottomans' British and Russian rivals for power in western Asia and the eastern Mediterranean basin. A key question the book raises is whether the fate of the Assyrians maps onto any of the concepts used within international law and diplomatic history to study genocide and group violence. In this light, the Assyrian genocide stands out as being several times larger, in both absolute terms and relative to the size of the affected group, than the Srebrenica genocide, which is recognized by Turkey as well as by international tribunals and organizations. Including its Armenian and Greek victims, the Ottoman Christian Genocide rivals the Rwandan, Bengali, and Biafran genocides. The book also aims to explore the impact of the genocide period of 1914-1925 on the development or partial unraveling of Assyrian group cohesion, including aspirations to autonomy in the Assyrian areas of northern Iraq, northwestern Iran, and southeastern Turkey. Scholars from around the world have collaborated to approach these research questions by reference to diplomatic and political archives, international legal materials, memoirs, and literary works.

While a plethora of studies have discussed why so many men decided to volunteer for the army during the Great War, the experiences of those who were called up under conscription have received relatively little scrutiny. Even when the implementation of the respective Military Service Acts has been investigated, scholars have usually focused on only the distinct minority of those eligible who expressed conscientious objections. It is rare to see equal significance placed on the fact that substantial numbers of men appealed, or were appealed for, on the grounds that their domestic, business, or occupational circumstances meant they should not be expected to serve. David Littlewood analyses the processes undergone by these men, and the workings of the bodies charged with assessing their cases, through a sustained transnational comparison of the British and New Zealand contexts.

Most of the Cypriot population, especially the lower classes, remained loyal to the British cause during the Great War and the island contributed significantly to the First World War, with men and materials. The British acknowledged this yet failed to institute political and economic reforms once the war ended. The obsession of Greek Cypriot elites with enosis (union with Greece), which only increased after the war, and the British dismissal of increasing the role of Cypriots in government, bringing the Christian and Muslim communities closer, and expanding franchise to all classes and sexes, led to serious problems down the line, not least the development of a democratic deficit. Andrekos Varnava studies the events and the impact of this crucial period.

Because all wars in the twenty-first century are potentially global wars, the centenary of the first global war is the occasion for reflection. This volume offers an unprecedented account of the lives, stories, letters, games, schools, institutions (such as the Boy Scouts and YMCA), and toys of children in Europe, North America, and the Global South during the First World War and surrounding years. By engaging with developments in Children's Literature, War Studies, and Education, and mining newly available archival resources (including letters written by children), the contributors to this volume demonstrate how perceptions of childhood changed in the period. Children who had been constructed as Romantic innocents playing safely in secure gardens were transformed into socially responsible children actively committing themselves to the war effort. In order to foreground cross-cultural connections across what had been perceived as 'enemy' lines, perspectives on German, American, British, Australian, and Canadian children's literature and culture are situated so that they work in conversation with each other. The multidisciplinary, multinational range of contributors to this volume make it distinctive and a particularly valuable contribution to emerging studies on the impact of war on the lives of children.

This volume provides the English-speaking reader with little-known perspectives of Central and Eastern European historians on the topic of the Russian Revolution. Whereas research into the Soviet Union's history has flourished at Western universities, the contribution of Central and Eastern European historians, during the Cold War working in conditions of imposed censorship, to this field of academic research has often been seriously circumscribed. Bringing together perspectives from across Central and Eastern Europe alongside contributions from established scholars from the West, this significant volume casts the year 1917 in a new critical light.

A vigorous reappraisal of American literature inspired by the First World War. American World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army's unprecedented attempt during World War I to assign men-except, notoriously, African Americans-to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame. Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context-as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed-often in coded ways-the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers-Katherine Anne Porter, Willa Cather, and Ellen La Motte-who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn't the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.

The Great War and the Moving Image focuses upon the Allied war effort on the Western Front and in the Mediterranean. In doing so, the book addresses topics ranging from how carefully selected images projected a positive portrayal of ambulance trains, through film's instructional role promoting self-sufficiency on the home front, to the vital role of makeshift YMCA cinemas both sides of the Channel. With editors and contributors who are authorities on cinema in wartime Britain and on the British response to the challenge of 'total war', the volume highlights the power that the moving image had during the Great War. In the introduction, the editors consider why the First World War can be seen as the first uniquely cinematic conflict. Later, historians from Britain, Australia, and America go on to explore film's pioneering role as a powerful vehicle for propaganda at home and abroad, and its contribution to maintaining morale among soldiers on the front line as well as across civilian audiences back home. The book concludes by considering the representation of trench warfare in today's hi-tech computer games. This book was originally published as a special issue of the Historical Journal of Film, Radio and Television.

Matters of Conflict looks at the definitive invention of the twentieth century - industrialised war - and its vast and varied material legacy. From trench art and postcards through avant-garde art, museum collections and prosthetic limbs to battlefield landscapes, the book examines the First World War and its significance through the things it left behind. The contributions come from a multidisciplinary perspective, uniting previously compartmentalized disciplines such as anthropology, archaeology, cultural history, museology and art history in their focus on material culture. This innovative, hybrid approach investigates the 'social life' of objects in order to understand them as they move through time and space and intersect the lives of all who came in contact with them.
The resulting survey sets a new agenda for study of the First World War, and ultimately of all twentieth-century conflict.

This two-volume series serves as a unique window to view the U.S. Army's entry onto the world stage. Faced with entry into the "Great War," the country called upon its military leaders to prepare the Army for combat. What follows is the in-depth story of how the American military and civilian leadership created and trained the Doughboys. In less than eighteen months, America's Army would grow from its humble beginning to fielding over a million soldiers in the Meuse-Argonne campaign. Training and leading this force into battle against the Imperial German Army were some of the great names in American military history, including such stalwarts as John J. Pershing, George Marshall, and Leonard Wood. Here is the story of their perseverance and courage that ultimately defeated the enemy and helped to win the war.