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Books > History > World history > From 1900 > First World War
"An illustrated analytical study, Words and the First World War considers the situation at home, at war, and under categories such as race, gender and class to give a many-sided picture of language used during the conflict." The Spectator First World War expert Julian Walker looks at how the conflict shaped English and its relationship with other languages. He considers language in relation to mediation and authenticity, as well as the limitations and potential of different kinds of verbal communication. Walker also examines: - How language changed, and why changed language was used in communications - Language used at the Front and how the 'language of the war' was commercially exploited on the Home Front - The relationship between language, soldiers and class - The idea of the 'indescribability' of the war and the linguistic codes used to convey the experience 'Languages of the front' became linguistic souvenirs of the war, abandoned by soldiers but taken up by academics, memoir writers and commentators, leaving an indelible mark on the words we use even today.
The First World War's centenary generated a mass of commemorative activity worldwide. Officially and unofficially; individually, collectively and commercially; locally, nationally and internationally, efforts were made to respond to the legacies of this vast conflict. This book explores some of these responses from areas previously tied to the British Empire, including Australia, Britain, Canada, India and New Zealand. Showcasing insights from historians of commemoration and heritage professionals it provides revealing insider and outsider perspectives of the centenary. How far did commemoration become celebration, and how merited were such responses? To what extent did the centenary serve wider social and political functions? Was it a time for new knowledge and understanding of the events of a century ago, for recovery of lost or marginalised voices, or for confirming existing cliches? And what can be learned from the experience of this centenary that might inform the approach to future commemorative activities? The contributors to this book grapple with these questions, coming to different answers and demonstrating the connections and disconnections between those involved in building public knowledge of the 'war to end all wars'.
The Great War of 1914-1918 was fought on the battlefield, on the sea and in the air, and in the heart. Museums Victoria's exhibition World War I: Love and Sorrow exposed not just the nature of that war, but its depth and duration in personal and familial lives. Hailed by eminent scholar Jay Winter as "one of the best which the centenary of the Great War has occasioned", the exhibition delved into the war's continuing emotional claims on descendants and on those who encounter the war through museums today. Contributors to this volume, drawn largely from the exhibition's curators and advisory panel, grapple with the complexities of recovering and presenting difficult histories of the war. In eleven essays the book presents a new, more sensitive and nuanced narrative of the Great War, in which families and individuals take centre stage. Together they uncover private reckonings with the costs of that experience, not only in the years immediately after the war, but in the century since.
The Great War was a turning point of the twentieth century, giving birth to a new, modern, and industrial approach to warfare that changed the world forever. The remembrance, awareness, and knowledge of the conflict and, most importantly, of those who participated and were affected by it, altered from country to country, and in some cases has been almost entirely forgotten. New research strategies have emerged to help broaden our understanding of the First World War. Multidisciplinary approaches have been applied to material culture and conflict landscapes, from archive sources analysis and aerial photography to remote sensing, GIS and field research. Working within the context of a material and archival understanding of war, this book combines papers from different study fields that present interdisciplinary and multidisciplinary approaches towards researching the First World War and its legacies, with particular concentration on the central and eastern European theatres of war.
"This book provides an examination of how the logistical demands of the British military campaigns in Palestine and Mesopotamia led to a more intrusive and authoritarian form of imperial control in 1917-18. This early example of Western military intervention in the Middle East provoked a localized backlash in 1919-20 whose effects continue to be felt today"--
Bill Lambert: World War I Flying Ace is a detailed scholarly biography of a World War I pilot who ""lived at the edge of greatness, but could never get there."" From late March to mid-August 1918, William C. Lambert from Ironton, Ohio, flew as a fighter pilot for the R.A.F. in World War I. A surprising number of Americans went to Canada and joined the British flying services. Unfortunately, for the most part, their life stories have never been told. Several of them went on to have distinguished records. Unbeknownst to anyone, when Lambert left the war his twenty-two victories were the largest total among any American pilot in the war. By the Armistice, Lambert's total would be surpassed by Eddie Rickenbacker, the former race car driver from Columbus, Ohio, with twenty-six victories. Lambert survived the war and lived into his eighties; however, until late in life, he was unwilling to take advantage of his war record to achieve public acclaim. This book is an examination of the entire life of a distinct individual who took part in a war that destroyed individuality and served to define him for the rest of his life.
In reading this memoir a person can learn first hand what it was like to be a soldier in the American army during World War I. It is a vivid account of one man's experience of being inducted into the army; his basic training; and being sent to France where he and his fellow soldiers were then taken to the front to begin their part in the fighting of the war. This is the story of friendships formed during this time; frightening, difficult situations; loss of friends on the battlefield; the seemingly endless fight for survival, and finally because of an injury being able to leave the battlefield-thus ending his part in the war. In spite of all the seriousness, this is a personal and compelling memoir that is hard to put down. You get to know this young man from Louisiana; his thoughts and beliefs about this war and life. Undoubtedly the whole experience stayed with him all his life. One cannot read this memoir without learning more about World War I--the so called Great World War.
International contributors from the fields of political science, cultural studies, history, and literature grapple with both the local and global impact of World War I on marginal communities in China, Syria, Europe, Russia, and the Caribbean. Readers can uncover the neglected stories of this World War I as contributors draw particular attention to features of the war that are underrepresented such as Chinese contingent labor, East Prussian deportees, remittances from Syrian immigrants in the New World to struggling relatives in the Ottoman Empire, the war effort from Serbia to Martinique, and other war experiences. By redirecting focus away from the traditional areas of historical examination, such as battles on the Western Front and military strategy, this collection of chapters, international and interdisciplinary in nature, illustrates the war's omnipresence throughout the world, in particular its effect on less studied peoples and regions. The primary objective of this volume is to examine World War I through the lens of its forgotten participants, neglected stories, and underrepresented peoples.
This book looks at the representations of modern war by analysing texts and examining the ways in which authors relate to the atrocious horrors of war. Rejecting the assumption that violence is simply a denial of reason or, at best, a pathological form of collective sadism, this book considers it 'a cultural act' that needs to be understood as underpinned by a series of shared and accepted norms and values stemming from a society at a given moment of its history and shaped by its language. Traditional vocabulary and language seem inadequate to describe soldiers' experience of modern warfare. The problem for writers is to depict and render intelligible a dramatically unprecedented reality through recourse to something familiar. For some historians and literary critics, the absurdity of the First World War has shaped our ironic and disenchanted reading of the entire twentieth century. Yet these ways of coping with the urge to communicate inexpressible feelings and emotions in most cases are not sufficient to overcome the incoherence of the sentiments felt and the events witnessed. The contributors attempt to address the questions and issues that are posed by the highly ambiguous views, texts, and representations examined in this volume. This book was originally published as a special issue of the journal European Review of History: Revue Europeenne d'Histoire.
The International Society for First World War Studies' ninth conference, 'War Time', drew together emerging and leading scholars to discuss, reflect upon, and consider the ways that time has been conceptualised both during the war itself and in subsequent scholarship. War Time: First World War Perspectives on Temporality, stemming from this 2016 conference, offers its readers a collection of the conference's most inspiring and thought-provoking papers from the next generation of First World War scholars. In its varied yet thematically-related chapters, the book aims to examine new chronologies of the Great War and bring together its military and social history. Its cohesive theme creates opportunities to find common ground and connections between these sub-disciplines of history, and prompts students and academics alike to seriously consider time as alternately a unifying, divisive, and ultimately shaping force in the conflict and its historiography. With content spanning land and air, the home and fighting fronts, multiple nations, and stretching to both pre-1914 and post-1918, these ten chapters by emerging researchers (plus an introductory chapter by the conference organisers, and a foreword by John Horne) offer an irreplaceable and invaluable snapshot of how the next generation of First World War scholars from eight countries were innovatively conceptualising the conflict and its legacy at the midpoint of its centenary.
Eric Bogle has written many iconic songs that deal with the futility and waste of war. Two of these in particular, 'And the Band Played Waltzing Matilda' and 'No Man's Land (a.k.a. The Green Fields of France)', have been recorded numerous times in a dozen or more languages indicating the universality and power of their simple message. Bogle's other compositions about the First World War give a voice to the voiceless, prominence to the forgotten and personality to the anonymous as they interrogate the human experience, celebrate its spirit and empathise with its suffering. This book examines Eric Bogle's songs about the Great War within the geographies and socio-cultural contexts in which they were written and consumed. From Anzac Day in Australia and Turkey to the 'The Troubles' in Northern Ireland and from small Aboriginal communities in the Coorong to the influence of prime ministers and rock stars on a world stage, we are urged to contemplate the nature and importance of popular culture in shaping contemporary notions of history and national identity. It is entirely appropriate that we do so through the words of an artist who Melody Maker described as 'the most important songwriter of our time'.
Anarchism 1914-18 is the first systematic analysis of anarchist responses to the First World War. It examines the interventionist debate between Peter Kropotkin and Errico Malatesta which split the anarchist movement in 1914 and provides a historical and conceptual analysis of debates conducted in European and American movements about class, nationalism, internationalism, militarism, pacifism and cultural resistance. Contributions discuss the justness of war, non-violence and pacifism, anti-colonialism, pro-feminist perspectives on war and the potency of myths about the war and revolution for the reframing of radical politics in the 1920s and beyond. Divisions about the war and the experience of being caught on the wrong side of the Bolshevik Revolution encouraged anarchists to reaffirm their deeply-held rejection of vanguard socialism and develop new strategies that drew on a plethora of anti-war activities. -- .
This book explores how print journalism was a powerful and persistent influence on public attitudes to, and memories of, the First World War in a range of participant nations, including Britain, France, Germany, Ireland, the United States and Australia. With contributions from an international group of history, journalism and literary studies scholars, the book identifies and analyses five distinct roles played by the print media: producing and narrating histories of the war or its constituent episodes; serialising and reviewing memoirs or fictional accounts written by participants; reporting and framing the rituals and ceremonies of local and national commemoration; providing a platform for various war-related advocacy groups or campaigns, from veterans' associations to early Civil Rights movements; and using the war as a lens through which to interpret future conflicts. This innovative collection demonstrates the significance of journalism in shaping the public understanding of the First World War after 1918, and shows how the representations and narratives of the conflict reflected the political and social changes of the post-war decades. This book was originally published as a special issue of Journalism Studies.
When war engulfed Europe in 1914, the conflict quickly took on global dimensions. Although fighting erupted in Africa and Asia, the Great War primarily pulled troops from around the world into Europe and the Ottoman Empire. Amid the fighting were large numbers of expeditionary forces-and yet they have remained largely unstudied as a collective phenomenon, along with the term "expeditionary force" itself. This collection examines the expeditionary experience through a wide range of case studies. They cover major themes such as the recruitment, transport, and supply of far-flung troops; the cultural and linguistic dissonance, as well as gender relations, navigated by soldiers in foreign lands; the political challenge of providing a rationale to justify their dislocation and sacrifice; and the role of memory and memorialization. Together, these essays open up new avenues for understanding the experiences of soldiers who fought the First World War far from home.
During the last few decades there has been a growing recognition of the great role that remembering and collective memory play in forming the historical awareness. In addition, the dominant national form of history writing also met some challenges on the side of a transnational approach to the past. In A Nation Divided by History and Memory, a prominent Hungarian historian sheds light on how Hungary's historical image has become split as a consequence of the differences between the historian's conceptualisation of national history and its diverse representations in personal and collective memory. The book focuses on the shocking experiences and the intense memorial reactions generated by a few key historical events and the way in which they have been interpreted by the historical scholarship. The argument of A Nation Divided by History and Memory is placed into the context of an international historical discourse. This pioneering work is essential and enlightening reading for all historians, many sociologists, political scientists, social psychologists and university students.
This book explores the Kuki uprising against the British Empire during the First World War in the northeast frontier of India (then the Assam-Burma frontier). It sheds light on how the three-year war (1917-1919), spanning over 6,000 square miles, is crucial to understanding present-day Northeast India. Companion to the seminal The Anglo-Kuki War, 1917-1919, the chapters in this volume: * Examine several aspects of the Anglo-Kuki War, which had far-reaching consequences for the indigenous Kuki population, including economy, politics, identity, indigenous culture and belief systems, and traditional institutions during and after the First World War itself; * Highlight finer themes such as the role of the chiefs and war councils, symbols of communication, indigenous interpretation of the war, remembrance, and other policies which continued to confront the Kuki communities; * Interrogate themes of colonial geopolitics, colonialism and the missionaries, state making, and the frontier dimensions of the First World War. Moving away from colonial ethnographies, the volume taps on a variety of sources - from civilisational discourse to indigenous readings of the war, from tour diaries to oral accounts - meshing together the primitive with the modern, the tribal and the settled. This book will be of great interest to scholars and researchers of South and Southeast Asian Studies, area studies, modern history, military and strategic studies, insurgency and counterinsurgency studies, tribal warfare, and politics.
Although civilian internment has become associated with the Second World War in popular memory, it has a longer history. The turning point in this history occurred during the First World War when, in the interests of 'security' in a situation of total war, the internment of 'enemy aliens' became part of state policy for the belligerent states, resulting in the incarceration, displacement and, in more extreme cases, the death by neglect or deliberate killing of hundreds of thousands of people throughout the world. This pioneering book on internment during the First World War brings together international experts to investigate the importance of the conflict for the history of civilian incarceration.
In 1915, at the height of World War I, the Central Powers sent a secret mission, led by Oskar Ritter von Niedermayer and Werner Otto von Hentig, to the court of the emir of Afghanistan, Habibullah Khan. Jointly operated by the governments of Germany and Turkey, the purpose of the mission was to persuade the emir to declare full independence from the British Empire, enter the war on the side of the Central Powers and attack British India. The ultimate aim was part of Hindu-German conspiracy to provoke a nationalist revolution in India which would undermine British power in the region. Britain saw this mission as a serious and credible threat - so much so that they tried to intercept the travellers in Persia, en route from Istanbul to Kabul and subsequently deployed their own intelligence and diplomatic strategies to ensure that Afghanistan would retain its neutral position. Although the Hentig-Niedermayer expedition was ultimately unsuccessful, it had lasting consequences and served as a sign of the continuing German infatuation with the Middle East and Central Asia, which had begun under Bismarck and continued through the interwar period, until World War II. Written in a narrative style, this book provides a gripping account of the expedition, highlighting a previously little-known aspect of World War I.
Winner of the Urban History Association's 2005 Best Book in
Non-North American Urban History Award.
One of the central events of modern history, World War I has been poorly presented in English language films. Torn between the powerful isolationist movement in the U.S. and a growing hatred of the "Hun", contemporary films were mainly propaganda calling citizens to arms. Spurred partly by a patriotism, the American film industry used the outbreak of the war and the government's interest in promoting patriotic sacrifice as a means to expand and take the lead in the film industry worldwide. More a business model than an art form, these early efforts claimed a place of respectability for film among the arts. Twenty years later, though films produced about the war were few, they were technically superior and generally carried conflicting messages about the war's mission and value, while focusing more on storyline than history. This study of English Language World War I films examines nearly 350 films from 1914 to 2014. Descriptions and critiques of each of the films are included, with stories and details about the actors and directors.
This two volume series serves as a unique window to view the U.S. Army's entry onto the world stage. Faced with entry into the "Great War," the country called upon its military leaders to prepare the Army for combat. What follows is the in-depth story of how the American military and civilian leadership created and trained the Doughboys. In less than eighteen months, America's Army would grow from its humble beginning to fielding over a million soldiers in the Meuse-Argonne campaign. Training and leading this force into battle against the Imperial German Army were some of the great names in American military history, including such stalwarts as John J. Pershing, George Marshall, and Leonard Wood. Here is the story of their perseverance and courage that ultimately defeated the enemy and helped to win the war.
The shipwrecks of WWI constitute a vast, dispersed and distinctive underwater legacy. This insightful book addresses the need to rethink how they can be protected, through an examination of both private and public international law and the conventions governing them. The recent centenary of WWI has prompted a shift in the way attention is focused on legacy wrecks. In this timely book, Craig Forrest considers both the development and current state of the laws that apply to these wrecks, as well as the issues that surround them, such as regulated and unregulated salvage and the potentially hazardous nature of wrecks left in situ. The author then deftly analyses the adequacy of the existing legal framework, in particular the Convention on the Protection of Underwater Cultural Heritage, to fulfill its promise of protecting legacy wrecks for future generations as historical and archaeological resources, memorials and, more importantly, as maritime war graves. This incisive book will prove necessary reading for all with an interest in underwater cultural heritage and its protection, including academics, practitioners and managers, government officials and policymakers. Underwater archaeologists and others interested in maritime law and naval history more broadly will also find its unique analysis useful.
The British army was almost unique among the European armies of the Great War in that it did not suffer from a serious breakdown of discipline or collapse of morale. It did, however, inevitably suffer from disciplinary problems. While attention has hitherto focused on the 312 notorious 'shot at dawn' cases, many thousands of British soldiers were tried by court martial during the Great War. This book provides the first comprehensive study of discipline and morale in the British Army during the Great War by using a case study of the Irish regular and Special Reserve batallions. In doing so, Timothy Bowman demonstrates that breaches of discipline did occur in the Irish regiments but in most cases these were of a minor nature. Controversially, he suggests that where executions did take place, they were militarily necessary and served the purpose of restoring discipline in failing units. Bowman also shows that there was very little support for the emerging Sinn Fein movement within the Irish regiments. This book will be essential reading for military and Irish historians and their students, and will interest any general reader concerned with how units maintain discipline and morale under the most trying conditions. -- . |
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