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Books > History > World history > From 1900 > First World War
The shipwrecks of WWI constitute a vast, dispersed and distinctive underwater legacy. This insightful book addresses the need to rethink how they can be protected, through an examination of both private and public international law and the conventions governing them. The recent centenary of WWI has prompted a shift in the way attention is focused on legacy wrecks. In this timely book, Craig Forrest considers both the development and current state of the laws that apply to these wrecks, as well as the issues that surround them, such as regulated and unregulated salvage and the potentially hazardous nature of wrecks left in situ. The author then deftly analyses the adequacy of the existing legal framework, in particular the Convention on the Protection of Underwater Cultural Heritage, to fulfill its promise of protecting legacy wrecks for future generations as historical and archaeological resources, memorials and, more importantly, as maritime war graves. This incisive book will prove necessary reading for all with an interest in underwater cultural heritage and its protection, including academics, practitioners and managers, government officials and policymakers. Underwater archaeologists and others interested in maritime law and naval history more broadly will also find its unique analysis useful.
This volume will explore the specific role which war has played in the constitution of a modern mentality. It will be divided into three parts: one dealing with issues of conceptualizing war, violence, and modernity/ modernism, one devoted to issues of the First World War as an exemplary experience in the 20th century; and one concerned with issues of violence and its representation in the aftermath of the first modern war.
In 1918, the Germans launched the Spring Offensive. Aware that American troops would soon be arriving in Europe, the Germans saw this as their last chance to win the war. If they could overcome the Allied armies and reach Paris, victory might be possible. The German offensive was initially a great success. Striking at the Allied line's strongest point, the Chemin des Dames, they burst their way through and made quick progress towards Marne. However, the advance eventually stalled. With supply shortages and lack of reserves, this was to be the "last ebb" of the German war effort. Sidney Rogerson, a young officer in the West Yorkshire Regiment, describes the experiences of his battalion from the Aisne through to the Marne. Fighting under French command, the West Yorkshires were inadequately supported by artillery and practically without help from the air. The four tired divisions were forced to fight and run twenty-seven miles across wooded downlands and three rivers surviving on only emergency rations. In The Last of the Ebb, the author vividly conveys the great bravery and extraordinary resilience of the West Yorkshires, who were able to face up to the terrible ordeal of such a battle without loss of morale. Remarkably for a book of this period, an account by Major-General A. D. von Unruh, which gives the German perspective of the offensive, has been included.
The Medical War describes the role of medicine in the British Army
during the First World War. Mark Harrison argues that medicine
played a vital part in the war, helping to sustain the morale of
troops and their families, and reducing the wastage of manpower.
Effective medical provisions were vital to the continuation of the
war in all the major theatres, for both political and operational
reasons.
"Riveting . . . There is a wealth of new information here that adds considerable texture and nuance to his story and helps to set Russia apart from previous works."-The Wall Street Journal An epic new account of the conflict that reshaped Eastern Europe and set the stage for the rest of the twentieth century. Between 1917 and 1921 a devastating struggle took place in Russia following the collapse of the Tsarist empire. The doomed White alliance of moderate socialists and reactionary monarchists stood little chance against Trotsky's Red Army and the single-minded Communist dictatorship under Lenin. In the savage civil war that followed, terror begat terror, which in turn led to ever greater cruelty with man's inhumanity to man, woman and child. The struggle became a world war by proxy as Churchill deployed weaponry and troops from the British empire, while contingents from the United States, France, Italy, Japan, Poland, and Czechoslovakia played rival parts. Using the most up to date scholarship and archival research, Antony Beevor assembles the complete picture in a gripping narrative that conveys the conflict through the eyes of everyone from the worker on the streets of Petrograd to the cavalry officer on the battlefield and the doctor in an improvised hospital.
The war was fought by the world's leading Christian nations, who presented the conflict as a holy war. A steady stream of patriotic and militaristic rhetoric was served to an unprecedented audience, using language that spoke of holy war and crusade, of apocalypse and Armageddon. But this rhetoric was not mere state propaganda. Philip Jenkins reveals how the widespread belief in angels, apparitions, and the supernatural, was a driving force throughout the war and shaped all three of the Abrahamic religions - Christianity, Judaism, and Islam - paving the way for modern views of religion and violence. The disappointed hopes and moral compromises that followed the war also shaped the political climate of the rest of the century, giving rise to such phenomena as Nazism, totalitarianism, and communism. Connecting remarkable incidents and characters - from Karl Barth to Carl Jung, the Christmas Truce to the Armenian Genocide - Jenkins creates a powerful and persuasive narrative that brings together global politics, history, and spiritual crisis. We cannot understand our present religious, political, and cultural climate without understanding the dramatic changes initiated by the First World War. The war created the world's religious map as we know it today.
This book looks at the role of popular music in constructing the myth of the First World War. Since the late 1950s over 1,500 popular songs from more than forty countries have been recorded that draw inspiration from the War. National Myth and the First World War in Modern Popular Music takes an inter-disciplinary approach that locates popular music within the framework of 'memory studies' and analyses how songwriters are influenced by their country's 'national myths'. How does popular music help form memory and remembrance of such an event? Why do some songwriters stick rigidly to culturally dominant forms of memory whereas others seek an oppositional or transnational perspective? The huge range of musical examples include the great chansonniers Jacques Brel and Georges Brassens; folk maestros including Al Stewart and Eric Bogle; the socially aware rock of The Kinks and Pink Floyd; metal legends Iron Maiden and Bolt Thrower and female iconoclasts Diamanda Galas and PJ Harvey.
The First World War had innumerable consequences for all aspects of society; universities and education being no exception. This book details the myriad impacts of the war on British universities: telling how universities survived the war, their contribution to the war effort and the changes that the war itself brought about. In doing so, the author highlights the changing relationship between universities and government: arguing that a transformation took place during these years, that saw universities moving from a relatively closed world pre-1914 to a more active and open role within the national economy and society. The author makes extensive use of original documentary material to paint a vivid picture of the experiences of British universities during the war years, combining academic analysis with contemporary accounts and descriptions. This uniquely researched book will appeal to students and scholars of the history of higher education, social history and the First World War.
Aspects of British Policy and the Treaty of Versailles looks at some key issues involving British policy and the Treaty of Versailles, one of the twentieth century's most controversial international agreements. The book discusses the role of experts and the Danzig Question at the Paris Peace Conference; the establishment of diplomatic history as a field of academic research; and the role of David Lloyd George and his Vision of Post-War Europe. Contributors also look at the restitution of cultural objects in German possession, and after the war, the Treaty's impact on both Britain's enemy, Germany, and its ally, France, revealing how it profoundly affected the European balance of power. Aspects of British Policy and the Treaty of Versailles will be of great interest to scholars of diplomatic history as well as modern history and international relations more generally. The chapters were originally published as a special issue of Diplomacy & Statecraft.
The experiences of World War I touched the lives of a generation but memories of this momentous experience vary enormously throughout the world. In Britain, there was a strong reaction against militarism but in the Dominion powers of Canada, Australia and New Zealand the response was very different. For these former colonial powers, the experience of war was largely accepted as a national rite of passage and their pride and respect for their soldiers' sacrifices found its focus in a powerful nationalist drive. How did a single, supposedly shared experience provoke such contrasting reactions? What does it reveal about earlier, pre-existing ideas of national identity? And how did the memory of war influence later ideas of self-determination and nationhood? "Altered Memories of the Great War" is the first book to compare the distinctive collective narratives that emerged within Britain and the Dominions in response to World War I. It powerfully illuminates the differences as well as the similarities between different memories of war and offers fascinating insights into what this reveals about developing concepts of national identity in the aftermath of World War I.
For a brief period, the attention of the international community has focused once again on the plight of religious minorities in Iraq, Syria, and Turkey. In particular, the abductions and massacres of Yezidis and Assyrians in the Sinjar, Mosul, Nineveh Plains, Baghdad, and Hasakah regions in 2007-2015 raised questions about the prevention of genocide. This book, while principally analyzing the Assyrian genocide of 1914-1925 and its implications for the culture and politics of the region, also raises broader questions concerning the future of religious diversity in the Middle East. It gathers and analyzes the findings of a broad spectrum of historical and scholarly works on Christian identities in the Middle East, genocide studies, international law, and the politics of the late Ottoman Empire, as well as the politics of the Ottomans' British and Russian rivals for power in western Asia and the eastern Mediterranean basin. A key question the book raises is whether the fate of the Assyrians maps onto any of the concepts used within international law and diplomatic history to study genocide and group violence. In this light, the Assyrian genocide stands out as being several times larger, in both absolute terms and relative to the size of the affected group, than the Srebrenica genocide, which is recognized by Turkey as well as by international tribunals and organizations. Including its Armenian and Greek victims, the Ottoman Christian Genocide rivals the Rwandan, Bengali, and Biafran genocides. The book also aims to explore the impact of the genocide period of 1914-1925 on the development or partial unraveling of Assyrian group cohesion, including aspirations to autonomy in the Assyrian areas of northern Iraq, northwestern Iran, and southeastern Turkey. Scholars from around the world have collaborated to approach these research questions by reference to diplomatic and political archives, international legal materials, memoirs, and literary works.
John Galsworthy - recipient of the 1932 Nobel Prize for literature - was one of the best-selling authors of the twentieth century. His literary reputation overshadows what he achieved during the Great War, which was his humanitarian support for and his compositions about soldiers disabled in the conflict. John Galsworthy and disabled soldiers of the Great War represents the most comprehensive study published to date about this literature of the 'war to end all wars'. It makes available for the first time in a single edition the most significant of his compositions about disabled soldiers, recovering them from scholarly neglect, examining their value as historical documents and connecting them to iconic images and artifacts of the period. This study will be of interest to a wide academic audience, to readers interested in the history of the Great War, to policymakers associated with veterans' issues, and to medical professionals in the fields of physical medicine and rehabilitation. -- .
This volume provides the English-speaking reader with little-known perspectives of Central and Eastern European historians on the topic of the Russian Revolution. Whereas research into the Soviet Union's history has flourished at Western universities, the contribution of Central and Eastern European historians, during the Cold War working in conditions of imposed censorship, to this field of academic research has often been seriously circumscribed. Bringing together perspectives from across Central and Eastern Europe alongside contributions from established scholars from the West, this significant volume casts the year 1917 in a new critical light.
Few subjects in naval history have elicited as much romance and disdain as the battlecruiser. And few subjects have gone so grossly misunderstood. Fundamental errors regarding the battlecruiser's origins and the technology of the times continue to distort hindsight, obscuring the historical context of these powerful, majestic ships. Thunder in Its Courses clears away the misconceptions, with essays establishing the basic facts of the capital-ship cruiser as well as thorny issues regarding individual designs. Richard Worth writes for the Warship and Warship International journals. His book titles include In the Shadow of the Battleship, Raising the Red Banner (with Vladimir Yakubov), On Seas Contested (edited with Vincent P. O'Hara and W. David Dickson), and Fleets of World War II.
The Finnish Civil War 1918 offers a rich account of the history and memory of the short conflict between socialist Reds and non-socialist Whites in the winter and spring of 1918. It also traces the legacy of the bloody war in Finnish society until today. The volume brings together established scholarship of political and social history with newer approaches stemming from the cultural history of war, memory studies, gender studies, history of emotions, psychohistory and oral history. The contributors provide readers with a solid discussion of the Civil War within its international and national frameworks. Among themes discussed are violence and terror, enemy images, Finnish irredentist campaigns in Soviet Karelia and the complex memory of the conflict. Besides a historical narrative, the volume discusses the current state of historiography of the Finnish Civil War. Contributors are Anders Ahlback, Pertti Haapala, Marianne Junila, Tiina Kinnunen, Tiina Lintunen, Aapo Roselius, Tauno Saarela, Juha Siltala, Tuomas Tepora and Marko Tikka.
Contesting the Origins of the First World War challenges the Anglophone emphasis on Germany as bearing the primary responsibility in causing the conflict and instead builds upon new perspectives to reconsider the roles of the other Great Powers. Using the work of Terrance Zuber, Sean McMeekin, and Stefan Schmidt as building blocks, this book reassesses the origins of the First World War and offers an explanation as to why this reassessment did not come about earlier. Troy R.E. Paddock argues that historians need to redraw the historiographical map that has charted the origins of the war. His analysis creates a more balanced view of German actions by also noting the actions and inaction of other nations. Recent works about the roles of the five Great Powers involved in the events leading up to the war are considered, and Paddock concludes that Germany does not bear the primary responsibility. This book provides a unique historiographical analysis of key texts published on the origins of the First World War, and its narrative encourages students to engage with and challenge historical perspectives.
A new interpretation of the Sarajevo assassination and the origins of World War I that places focus on the Balkans and the prewar period. The story has so often been told: Archduke Franz Ferdinand, heir to the throne of the Habsburg Empire, was shot dead on June 28, 1914, in the Bosnian capital of Sarajevo. Thirty days later, the Archduke's uncle, Emperor Franz Joseph, declared war on the Kingdom of Serbia, producing the chain reaction of European powers entering the First World War. In Misfire, Paul Miller-Melamed narrates the history of the Sarajevo assassination and the origins of World War I from the perspective of the Balkans. Rather than focusing on the bang of assassin Gavrilo Princip's gun or reinforcing the mythology that has arisen around this act, Miller-Melamed embeds the incident in the longer-term conditions of the Balkans that gave rise to the political murder. He thus illuminates the centrality of the Bosnian Crisis and the Balkan Wars of the early twentieth century to European power politics, while explaining how Serbs, Bosnians, and Habsburg leaders negotiated their positions in an increasingly dangerous geopolitical environment. Despite the absence of evidence tying official Serbia to the assassination conspiracy, Miller-Melamed shows how it spiraled into a diplomatic crisis that European statesmen proved unable to resolve peacefully. Contrasting the vast disproportionality between a single deadly act and an act of war that would leave ten million dead, Misfire contends that the real causes for the world war lie in "civilized" Europe rather than the endlessly discussed political murder.
This lively collection of essays showcases recent research into the impact of the conflict on British women during the First World War and since. Looking outside of the familiar representations of wartime women as nurses, munitionettes, and land girls, it introduces the reader to lesser-known aspects of women's war experience, including female composers' musical responses to the war, changes in the culture of women's mourning dress, and the complex relationships between war, motherhood, and politics. Written during the war's centenary, the chapters also consider the gendered nature of war memory in Britain, exploring the emotional legacies of the conflict today, and the place of women's wartime stories on the contemporary stage. The collection brings together work by emerging and established scholars contributing to the shared project of rewriting British women's history of the First World War. It is an essential text for anyone researching or studying this history. This book was originally published as a special issue of Women's History Review.
This book is the first collection of essays to focus exclusively on Irish women's experiences in the First World War period, 1914-18, across the island of Ireland, contextualising the wartime realities of women's lives in a changing political landscape. The essays consider experiences ranging from the everyday realities of poverty and deprivation, to the contributions made to the war effort by women through philanthropy and by working directly with refugees. Gendered norms and assumptions about women's behaviour are critically analysed, from the rhetoric surrounding 'separation women' and their use of alcohol, to the navigation of public spaces and the attempts to deter women from perceived immoral behaviour. Political life is also examined by leading scholars in the field, including accounts from women on both sides of the 'Irish question' and the impact the war had on their activism and ambitions. Finally, new light is shed on the experiences of women working in munitions factories around Ireland and the complexity of this work in the Irish context is explored. Throughout, it is asserted that while there were many commonalities in women's experiences throughout the British and Irish Isles at this time, the particular political context of Ireland added a different, and in many respects an unexamined, dimension. This book was originally published as a special issue of Women's History Review.
While a plethora of studies have discussed why so many men decided to volunteer for the army during the Great War, the experiences of those who were called up under conscription have received relatively little scrutiny. Even when the implementation of the respective Military Service Acts has been investigated, scholars have usually focused on only the distinct minority of those eligible who expressed conscientious objections. It is rare to see equal significance placed on the fact that substantial numbers of men appealed, or were appealed for, on the grounds that their domestic, business, or occupational circumstances meant they should not be expected to serve. David Littlewood analyses the processes undergone by these men, and the workings of the bodies charged with assessing their cases, through a sustained transnational comparison of the British and New Zealand contexts.
This two-volume series serves as a unique window to view the U.S. Army's entry onto the world stage. Faced with entry into the "Great War," the country called upon its military leaders to prepare the Army for combat. What follows is the in-depth story of how the American military and civilian leadership created and trained the Doughboys. In less than eighteen months, America's Army would grow from its humble beginning to fielding over a million soldiers in the Meuse-Argonne campaign. Training and leading this force into battle against the Imperial German Army were some of the great names in American military history, including such stalwarts as John J. Pershing, George Marshall, and Leonard Wood. Here is the story of their perseverance and courage that ultimately defeated the enemy and helped to win the war.
This is the first book to bring together an interdisciplinary, theoretically engaged and global perspective on the First World War through the lens of historical and cultural geography. Reflecting the centennial interest in the conflict, the collection explores the relationships between warfare and space, and pays particular attention to how commemoration is connected to spatial elements of national identity, and processes of heritage and belonging. Venturing beyond military history and memory studies, contributors explore conceptual contributions of geography to analyse the First World War, as well as reflecting upon the imperative for an academic discussion on the War's centenary. This book explores the War's impact in more unexpected theatres, blurring the boundary between home and fighting fronts, investigating the experiences of the war amongst civilians and often overlooked combatants. It also critically examines the politics of hindsight in the post-war period, and offers an historical geographical account of how the First World War has been memorialised within 'official' spaces, in addition to those overlooked and often undervalued 'alternative spaces' of commemoration. This innovative and timely text will be key reading for students and scholars of the First World War, and more broadly in historical and cultural geography, social and cultural history, European history, Heritage Studies, military history and memory studies. |
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