This is the first book to bring together an interdisciplinary, theoretically engaged and global perspective on the First World War through the lens of historical and cultural geography. Reflecting the centennial interest in the conflict, the collection explores the relationships between warfare and space, and pays particular attention to how commemoration is connected to spatial elements of national identity, and processes of heritage and belonging. Venturing beyond military history and memory studies, contributors explore conceptual contributions of geography to analyse the First World War, as well as reflecting upon the imperative for an academic discussion on the War's centenary. This book explores the War's impact in more unexpected theatres, blurring the boundary between home and fighting fronts, investigating the experiences of the war amongst civilians and often overlooked combatants. It also critically examines the politics of hindsight in the post-war period, and offers an historical geographical account of how the First World War has been memorialised within 'official' spaces, in addition to those overlooked and often undervalued 'alternative spaces' of commemoration. This innovative and timely text will be key reading for students and scholars of the First World War, and more broadly in historical and cultural geography, social and cultural history, European history, Heritage Studies, military history and memory studies.

Lieutenant-Colonel Alexander Daniel Reid was killed on the first day of the Battle of Passchendaele in 1917. His body was never recovered; however, there is nothing singular about that. What is remarkable is that his eloquent journal has survived untouched for 100 years. The context for Alexander Daniel Reid's contemporary account of the Great War are provided partly by the memoirs of his brother, Harry, who was the transport officer in the same battalion, and partly from historical research. Although it is essentially a biography of two Scottish-born brothers in an Irish battalion on the Western Front, Harvest of Battle: Brother Officers of the 7th Royal Inniskilling Fusiliers in the First World War is unique in that it reaches to the corners of the Empire and tells of conflicts from German South-West Africa to the Rand Rebellion of 1922. Alexander Daniel Reid was a professional soldier and served with the Indian Army before migrating to Canada. Harry began a career working for one of the wealthiest mining magnates in Johannesburg. Both knew that their chances of survival in the 'Fighting Seventh' Royal Inniskilling Fusiliers were slim. Theirs is a narrative common enough to serve as a general introduction to the First World War for a new generation of readers, yet it contains valuable new material to add to the historical record in this Centenary year of the outbreak of war.

The Great War was a turning point of the twentieth century, giving birth to a new, modern, and industrial approach to warfare that changed the world forever. The remembrance, awareness, and knowledge of the conflict and, most importantly, of those who participated and were affected by it, altered from country to country, and in some cases has been almost entirely forgotten. New research strategies have emerged to help broaden our understanding of the First World War. Multidisciplinary approaches have been applied to material culture and conflict landscapes, from archive sources analysis and aerial photography to remote sensing, GIS and field research. Working within the context of a material and archival understanding of war, this book combines papers from different study fields that present interdisciplinary and multidisciplinary approaches towards researching the First World War and its legacies, with particular concentration on the central and eastern European theatres of war.

After the World War ended, the families of the American war dead were faced with a difficult choice. Political leaders like former President Theodore Roosevelt were encouraging families to leave the dead with their comrades in European cemeteries to create stronger political ties between the United States and Europe. Grieving families found that their decision on where to bury the dead had become a political choice. How did families advocate for their own views? How were disputes within families resolved? And how did families make their final decisions about where the dead should be buried? Through an in-depth examination of the correspondence between the United States government and the families of the dead, this book will examine how families fought to ensure that the government gave them what they needed. As the months stretched into years before the war dead were given final burials, the families of the dead demanded that the government give them the respect and honor they felt they deserved as the next of kin of those who had given their lives for the nation. The practices and traditions that the government developed in response to these demands set patterns that still guide the way that the military treats the families of the war dead today.

This volume synthesises the latest scholarship on First World War veterans in post-war Britain and Ireland, investigating the topic through its political, social and cultural dynamics. It examines the post-war experiences of those men and women who served and illuminates the nature of the post-war society for which service had been given. Complicating the homogenising tendency in existing scholarship it offers comparison of the experiences of veterans in different regions of Britain, including perspectives drawn from Ireland. Further nuance is offered by the assessment of the experiences of ex-servicewomen alongside those of ex-servicemen, such focus deeping understanding into the gendered specificities of post-war veteran activities and experiences. Moreover, case studies of specific cohorts of veterans are offered, including focus on disabled veterans and ex-prisoners of war. In these regards the collection offers vital updates to existing scholarship while bringing important new departures and challenges to the current interpretive frameworks of veteran experiences in post-war Britain and Ireland.

The Great War and the Moving Image focuses upon the Allied war effort on the Western Front and in the Mediterranean. In doing so, the book addresses topics ranging from how carefully selected images projected a positive portrayal of ambulance trains, through film's instructional role promoting self-sufficiency on the home front, to the vital role of makeshift YMCA cinemas both sides of the Channel. With editors and contributors who are authorities on cinema in wartime Britain and on the British response to the challenge of 'total war', the volume highlights the power that the moving image had during the Great War. In the introduction, the editors consider why the First World War can be seen as the first uniquely cinematic conflict. Later, historians from Britain, Australia, and America go on to explore film's pioneering role as a powerful vehicle for propaganda at home and abroad, and its contribution to maintaining morale among soldiers on the front line as well as across civilian audiences back home. The book concludes by considering the representation of trench warfare in today's hi-tech computer games. This book was originally published as a special issue of the Historical Journal of Film, Radio and Television.

Much has been written on the centenary of the First World War. However, no book has yet explored the tragedy of the conflict from a theological perspective. Life after Tragedy fills that gap. Taking their cue from the famous British army chaplain Geoffrey Studdert Kennedy, seven central essays, all by authors associated with the cathedral where Studdert Kennedy first preached to troops, examine aspects of faith that featured in the war, such as the notion of 'home', poetry, theological doctrine, preaching, social reform, humanitarianism, and remembrance. Each essay applies its reflections to the life of faith today, thus representing a highly original contribution to the history of the First World War in general and the work of Studdert Kennedy in particular. They provide wider theological insight into how, in the contemporary world, 'life' and tragedy, likewise God and suffering, can be integrated.This book will accordingly be of considerable interest to historians, both of the war and of the church; to communities commemorating the war; and to all those who wrestle with current challenges to faith.

This book provides an overview of the history of allied medicine in the Great War. Based on both primary research and secondary literature, it offers a clear and concise account of medical treatment during the Great War, exploring the advancements of the period and the human experience of the medical war.As well as covering European medical work, the book draws on a range of American primary sources and texts in order to address the American medical experience of the First World War, an area that has been neglected by the existing literature. This is an accessible exploration of the medical war, the people involved, and its impact. It is an essential text for undergraduate and postgraduate students of history taking courses on medicine in war, the history of medicine or the Great War.

"Riveting . . . Krass weaves a fascinating story of the first official attempt by the Army to capture the essence of war through the eyes and pencils of eight top American artists who were sent to the Western Front in France. A marvelous eyewitness story of the 'Big War.'"
--Col. H. A. Chenoweth, USMCR Ret., Korean War veteran, Vietnam and Gulf War combat artist, and author of "Art of War A Searing Account of World War I as Seen by the Artist"

Eighty-five years before there were embedded journalists with American armed forces in Iraq, eight brave artist-soldiers risked their lives in the trenches and battlefields to bring the reality of World War I back home.

In "Portrait of War," Peter Krass shares the heroic adventures of these men as they witnessed, explored, and depicted the trials and triumphs of the American soldier and the tragedy of war. Written with the intensity of a novel, this compelling narrative follows the artists as they marched shoulder to shoulder with the doughboys, sketching while under fire and doing their best to stay alive. Studded with examples of their remarkable work and excerpts from the artists' journals, this thrilling account places us at the front lines as surely as our television cameras do today.

Canada's Great War, 1914-1918: How Canada Helped Save the British Empire and Became a North American Nation describes the major role that Canada played in helping the British Empire win the greatest war in history-and, somewhat surprisingly, resulted in Canada's closer integration not with the British Empire but with its continental neighbor, the United States. When Britain declared war against Germany and Austria-Hungary in August 1914, Canada was automatically committed as well because of its status as a Dominion in the British Empire. Despite not having a say in the matter, most Canadians enthusiastically embraced the war effort in order to defend the Empire and its values. In Canada's Great War, 1914-1918, historian Brian Douglas Tennyson argues that Canada's participation in the war weakened its relationship with Britain by stimulating a greater sense of Canadian identity, while at the same time bringing it much closer to the United States, especially after the latter entered the war. Their wartime cooperation strengthened their relationship, which had been delicate and often strained in the nineteenth century. This was reflected in the greater integration of their economies and the greater acceptance in Canada of American cultural products such as books, magazines, radio broadcasting and movies, and was symbolized by the astonishing American response to the Halifax explosion in December 1917. By the end of the war, Canadians were emerging as a North American people, no longer fearing close ties to the United States, even as they maintained their ties to the British Commonwealth. Canada's Great War, 1914-1918 will interest not only Canadians unaware of how greatly their nation's participation in the First World War reshaped its relationship with Britain and the United States, but also Americans unacquainted with the magnitude of Canada's involvement in the war and how that contribution drew the two nations closer together.

Between 1918 and 1933 the German interwar avant-garde was a primary force driving European cultural innovation and modernism. These innovations continue to influence artistic practice, theory, and arts education today, thus making a comprehensive study of the relationship between individual war experience and the immediate response of avant-garde architects after the war all the more important. The Break with the Past pursues several important, interrelated questions. What were the disparate war experiences of German architects, and did they have different effects on Weimar cultural production? Did political orientation play a part in support for the war? In aesthetic choices? What changes occurred in avant-garde architectural practice after 1918? How do they compare with pre-war positions and practices, and expectations for post-war outcomes? In order to address these questions, the book uses individual case studies of four leading architects: Bruno Taut, Walter Gropius, Erich Mendelsohn, and Hans Scharoun. This is a valuable resource for academics and students in the areas of Art and Architecture History, German history and Cultural Studies, European Culture and Modernism.

" Provides a day-by-day account of the action on all fronts and of the events surrounding the conflict, from the guns of August 1914 to the November 1918 Armistice and its troubled aftermath. Daily entries, topical descriptions, biographical sketches, maps, and illustrations combine to give a ready and succinct account of what was happening in each of the principal theaters of war.

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The Diary of Soeur Marguerite of the Sisters of Lamotte Suffering and Sacrifice in the First World War. The campaign in Flanders, with its successive battles, would be the longest of the Great War and the costliest in terms of human life. At the centre of the fearful and prolonged barrages of shelling by the military of both sides lay the town of Ypres, known for its Cloth Hall and cathedral, its butter and its lace -- now to be blasted to infamy as an indelible symbol of suffering and sacrifice and wanton destruction. The underground passageways of the towns ancient fortifications provided shelter for the trapped townspeople. In desperate circumstances courageous and selfless individuals administered medical attention, distributed food and clothing, provided milk for babies and set up orphanages and schools for children. Some of these volunteers, such as the Friends Ambulance Unit (FAU), came from afar, whilst others already formed an essential part of the moral and social fibre of the beleaguered town: these included the local priest, Camille Delaere, and the nuns who lent him their support. The cures indefatigable assistant was the young nun Soeur Marguerite of the Sisters of Lamotte, and it is her daily journal that became The Diary of an Ypres Nun. Originally published in French in 1917, this harrowing yet sometimes surprisingly humorous account of events in the besieged and battered town of Ypres was written between October 1914 and May 1915, as she worked alongside the FAU and Father Delaere, to bring comfort and succour to the suffering civilian population.

Raymond Lodge's death from shell shrapnel in 1915 was unremarkable in a war where many young men would die, but his father's response to his untimely death was. Sir Oliver Lodge, physicist, scientist, part inventor of the wireless telegraph and the spark plug, could not let go of Raymond and went on a controversial and bizarre journey into the realm of life after death. Following Sir Oliver's journey, Dear Raymond, explores the untapped topic of spirituality pre- and post-war, the influence that a national tragedy can have on a nation's belief system and the long lasting effects from this time that we still feel today. Alongside Lodge were some of the great names of the day, as a member of the Ghost Club and the Fabian Society he was in contact with famous men such as Sir Arthur Conan Doyle, who went on his own mission into the afterlife after losing a son. Lodge's exploration and the controversy it exploded opens our eyes to how modern religion has been shaped and changed by the conflicts of the Twentieth Century.

The final part of the Lion and the Rose trilogy detailing the TF battalions of the King's Own Royal Lancaster Regiment in the Great War. Established in August 1914, the 2/5th spent the next thirty months in England perfecting their ability to `form fours'; engaged in almost every sort of training other than that which they would need at the Front. When they deployed to France in February 1917, they were pitted against an aggressive and experienced foe. This book tells the story of their struggle to learn the skills necessary to survive in the pitiless arena of modern warfare and their progress to become the fighting equals of any by the end of the war. With no history written for either 57 Division or the 2/5th, this book-based on dozens of contemporary and unpublished sources, tells their story for the first time. The book contains sketch maps of the sectors the battalion fought in and accurate coordinates for all positions; previously unpublished photographs of men from the battalion; the most complete battalion roll yet compiled and narrates the individual parts played by 1,000 of the officers and men during the war.

Our view of the First World War is dominated by the twin images of the fronts and the home fronts, yet the war also generated a third type of 'front', that of military occupation. Vast areas of Europe experienced the war under a military regime and this book deals with the occupations by the German and Austro-Hungarian empires. Their conquests ranged from Lille in the West to the Don River in the East, and from Courland in the north to Friuli and Montenegro in the south. They encompassed capital cities such as Brussels, Warsaw, Belgrade and Bukarest, as well as areas of crucial economic importance. Millions of people experienced military occupation and, even though they were civilians, the war had a deep impact on their lives. Conversely, occupied territories influenced the states that had conquered them and the way these states waged war. The chapters in this book analyze military occupation in 1914-1918 both from the point of view of the occupied and from the point of view of the occupier. They study counter-insurgency warfare, forced labour, food regimes, underground patriotism, and cultural policies. They demonstrate that military occupation was an essential dimension of the Great War. This book was originally published as a special issue of First World War Studies.

This is a compelling account of the First World War. It offers clear analysis of the war on land, sea, and air, and considers the impact of the war on Europe's civilian population. Issues addressed include the relationship between war and industrialisation, trench warfare, the long term effects of the war on changing social structures, and economic and demographic consequences. The main text is supplemented by a rich selection of primary source material (from songs, soldiers' slang, to diary accounts).

*Telling tales about men* explores some of the ways in which conscientious objectors to compulsory military service were viewed and treated in England during the First World War. In doing so it considers these men's experiences, their beliefs, perceptions and actions. This volume will be essential reading for scholars in the fields of the First World War, pacifism, militarism and gender. It is also aimed at those with a general interest in the Great War and the military as well as in peace movements and pacifism. -- .

Healing the nation is a study of caregiving during the Great War, exploring life behind the lines for ordinary British soldiers who served on the Western Front. Using a variety of literary, artistic, and architectural evidence, this study draws connections between the war machine and the wartime culture of caregiving: the product of medical knowledge and procedure, social relationships and health institutions that informed experiences of rest, recovery and rehabilitation in sites administered by military and voluntary-aid authorities. Rest huts, hospitals, and rehabilitation centres served not only as means to sustain manpower and support for the war but also as distinctive sites where soldiers, their caregivers and the public attempted to make sense of the conflict and the unprecedented change it wrought. Revealing aspects of wartime life that have received little attention, this study shows that Britain's 'generation of 1914' was a group bound as much by a comradeship of healing as by a comradeship of the trenches. The author has used an extensive collection of illustrations in his discussion, and the book will make fascinating reading for students and specialists in the history of war, medicine and gender studies. -- .

In this lucid and cogently-argued book, Christine Hallett explores the nature of the practices developed by nurses and their volunteer-assistants during the First World War. She argues that nurses found meaning in their complex and stressful work by identifying it as a process of 'containing trauma'. Broad in its scope and detailed in its research, the book analyses the work of nurses from Britain, Australia, New Zealand, Canada, South Africa and the United States of America. It draws on highly personal writings: letters and diaries drawn from archives and libraries throughout the world. This wide-ranging book explores a range of treatment scenarios, from the Western and Eastern Fronts to the Eastern Mediterranean, Mesopotamia and India. It considers both the efforts of nurses to provide physical, emotional and moral containment to their patients, and the work they did to maintain their own physical and emotional integrity. -- .

This book charts ideas European intellectuals (mostly from Great Britain, France, Germany and Italy) put forward to solve the problem of war during the first half of the twentieth century: a period that began with the Anglo-Boer war and that ended with the explosion of the atomic bombs on Hiroshima and Nagasaki. Such ideas do not belong to a homogeneous tradition of thought, but can be understood as a unique discourse that takes different characteristics according to the point of view of each author and of the specific historical situation.

This book is an international comparative study of the British, German and French military chaplains during the First World War. It describes their role, position and daily work within the army and how the often conflicting expectations of the church, the state, the military and the soldiers effected these. This study seeks to explain similarities and differences between the chaplaincies by looking at how the pre-war relations between church, state and society influenced the work of these army chaplains.