A lively, engaging history of The Great War written for a new generation of readers In recent years, scholarship on World War I has turned from a fairly narrow focus on military tactics, weaponry, and diplomacy to incorporate considerations of empire, globalism, and social and cultural history. This concise history of the first modern, global war helps to further broaden the focus typically provided in World War I surveys by challenging popular myths and stereotypes to provide a new, engaging account of The Great War. The conventional World War I narrative that has evolved over the past century is that of an inevitable but useless war, where men were needlessly slaughtered due to poor decisions by hidebound officers. This characterization developed out of a narrow focus on the Western Front promulgated mainly by British historians. In this book, Professor Proctor provides a broader, more multifaceted historical narrative including perspectives from other fronts and spheres of interest and a wider range of participants. She also draws on recent scholarship to consider the gendered aspect of war and the ways in which social class, religion, and cultural factors shaped experiences and memories of the war. Structured chronologically to help convey a sense of how the conflict evolved Each chapter considers a key interpretive question, encouraging readers to examine the extent to which the war was total, modern, and global Challenges outdated stereotypes created through a focus on the Western Front Considers the war in light of recent scholarship on empire, global history, gender, and culture Explores ways in which the war and the terms of peace shaped the course of the 20th century World War I: A Short History is sure to become required reading in undergraduate survey courses on WWI, as well as courses in military history, the 20th century world, or the era of the World Wars.

The First World War was the first conflict in which film became a significant instrument of propaganda. For the United States, the war had two distinct phases: from August 1914 to April 1917, America was officially a neutral country; after April 1917 the United States was in the war, providing men, money and munitions for the Allies. These two phases are mirrored in the newsreels and documentary films shown in the United States. This volume starts by examining the background to the war for the movie industry - the coverage of previous conflicts and the growth of the newsreel. It examines the experiences of American cameramen who worked in the war zone: their efforts to gain access to the front, to overcome problems ranging from unreliable equipment to poor lighting conditions to evading censorship and how this shaped the coverage of the war.

The First World War claimed over 995,000 British lives, and its legacy continues to be remembered today.Great War Britain Hull & the Humber offers an intimate portrayal of the city and its people living in the shadow of the 'war to end all wars'. A beautifully illustrated and highly accessible volume, it describes local reaction to the outbreak of war; the experience of individuals who enlisted; the changing face of industry; the work of the many hospitals in the area; the effect of the conflict on local children; the women who defied convention to play a vital role on the home front; and concludes with a chapter dedicated to how the city and its people coped with the transition to life in peacetime once more. The Great War story of Hull is told through the voices of those who were there and is vividly illustrated through evocative images from Hull City Archives.

Much of what has been written about the treatment of prisoners of war held by the British suggest that they have often been treated in a more caring and compassionate way than the prisoners of other countries. During the First World War, Germans held in Britain were treated leniently while there were claims of British prisoners being mistreated in Germany. Was the British sense of fair play present in the prison camps and did this sense of respect include the press and public who often called for harsher treatment of Germans in captivity? Were those seen as enemy aliens living in Britain given similar fair treatment? Were they sent to internment camps because they were a threat to the country or for their own protection to save them from the British public intent on inflicting violence on them? Prisoners of the British: Internees and Prisoners of War during the First World War examines the truth of these views while also looking at the number of camps set up in the country and the public and press perception of the men held here.

When World War I began, Karnig Panian was only five years old, living among his fellow Armenians in the Anatolian village of Gurin. Four years later, American aid workers found him at an orphanage in Antoura, Lebanon. He was among nearly 1,000 Armenian and 400 Kurdish children who had been abandoned by the Turkish administrators, left to survive at the orphanage without adult care. This memoir offers the extraordinary story of what he endured in those years-as his people were deported from their Armenian community, as his family died in a refugee camp in the deserts of Syria, as he survived hunger and mistreatment in the orphanage. The Antoura orphanage was another project of the Armenian genocide: its administrators, some benign and some cruel, sought to transform the children into Turks by changing their Armenian names, forcing them to speak Turkish, and erasing their history. Panian's memoir is a full-throated story of loss, resistance, and survival, but told without bitterness or sentimentality. His story shows us how even young children recognize injustice and can organize against it, how they can form a sense of identity that they will fight to maintain. He paints a painfully rich and detailed picture of the lives and agency of Armenian orphans during the darkest days of World War I. Ultimately, Karnig Panian survived the Armenian genocide and the deprivations that followed. Goodbye, Antoura assures us of how humanity, once denied, can be again reclaimed.

William Heath Robinson remains one of Britain's best-loved illustrators and has embedded himself into English vernacular, inspiring the phrase 'it's all a bit Heath Robinson' to describe any precarious or unnecessarily complex contraption. Born in London, he originally had ambitions to be a landscape painter, but would establish his artistic reputation as a book illustrator during the genre's so-called golden age. It was his association with weekly illustrated magazine The Sketch that was to launch and cement his legacy as a humorous artist. Combining a distinctive draughtsmanship with a curious and ingenious mind, the advent of the First World War inspired Heath Robinson to dream up a series of increasingly outlandish and bizarre military inventions with which the opposing armies would try to outwit each other. From the kaiser's campaigning car or a suggestion for an armoured bayonet curler, to post-war 'unbullying' of beef, his cartoons are a fantastically absurd take on wartime technology and home-front life. Sadly, his inventions were rejected by a (fictitious) 'Inventions Board', but the charm and eccentricity of his ideas was loved by the public and he remains to this day one of the finest exponents of humorous British art.

A gripping chronicle of the personal and political rivalries from the birth of Queen Victoria to the unification of Germany during the decades leading up to WW1 from Pulitzer Prize winner Robert K. Massie 2018 marks the centenary of the end of the First World War. How did it all begin? With the biographer's rare genius for expressing the essence of extraordinary lives, Massie brings to life a crowd of glittering figures: the young, ambitious Winston Churchill; the ruthless, sycophantic Chancellor Bernhard von Bulow; Britain's greatest twentieth-century Foreign Secretary, Sir Edward Grey; and Jacky Fisher, the eccentric admiral who revolutionised the British Navy and brought forth the battleship, H.M.S. Dreadnought. Their story, and the story of the era, filled with misunderstanding and tensions, missed opportunities, and events leading to unintended conclusions, unfolds like a Greek tragedy in this powerful narrative. Intimately human and dramatic, Dreadnought is history at its most riveting. 'History at its best, a fantastic mix of anecdote, observation and intelligent thinking' Dan Snow, Daily Express

The Citizen Soldiers explores the military reform movement that took its name from the famous Business Men's Military Training Camps at Plattsburg, New York. It also illuminates the story of two exceptional men: General Leonard Wood, the rambunctious and controversial former Rough Rider who galvanized the Plattsburg Idea with his magnetic personality; and Grenville Clark, a young Wall Street lawyer.

The Plattsburg camps strove to advertise the lack of military preparation in the United States and stressed the military obligation every man owed to his country. Publicized by individuals who voluntarily underwent military training, the preparedness movement rapidly took shape in the years prior to America's entry into the First World War. Far from being war hawks, the Plattsburg men emphasized the need for a "citizen army" rather than a large professional establishment. Although they failed in their major objective -- universal military training -- their vision of a citizen army was largely realized in the National Defense Act of 1920, and their efforts helped to establish selective service as the United States' preferred recruitment method in World War I, World War II, the Korean War, and the Vietnam War.

Featuring a new preface by the author, this new edition of a seminal study will hit shelves just in time for the World War I Centennial.

December 1905: Foreign Minister Edward Grey enters into secret talks with the French about sending British forces to their aid in the event of a German attack. The details were only revealed to the Cabinet and Prime Minister in 1911, by which point the 'hidden perspective' was firmly entrenched, and Britain all but obliged to stand by France in the event of a war. Yet dissenting voices remained, and diplomatic missions to Germany were still underway as late as August 1914. In this scholarly and eloquent work, former Foreign Secretary David Owen argues that the outbreak of war in 1914 was far from inevitable, instead representing eight years of failed diplomacy. The importance of transparent government is particularly relevant in a year in which Sir John Chilcot's Iraq Inquiry is published.

The First World War constitutes a point in the history of New York when its character and identity were challenged, recast and reinforced. Due to its pre-eminent position as a financial and trading centre, its role in the conflict was realised far sooner than elsewhere in the United States. This book uses city, state and federal archives, newspaper reports, publications, leaflets and the well-established ethnic press in the city at the turn of the century to explore how the city and its citizens responded to their role in the First World War, from the outbreak in August 1914, through the official entry of the United States in to the war in 1917, and after the cessation of hostilities in the memorials and monuments to the conflict. The war and its aftermath forever altered politics, economics and social identities within the city, but its import is largely obscured in the history of the twentieth century. This book therefore fills an important gap in the histories of New York and the First World War.

The previously untold story of an extraordinary man and a great war photographer.Cameras were banned at the Western Front when the Anzacs arrived in 1916, prompting correspondent Charles Bean to argue continually for Australia to have a dedicated photographer. He was eventually assigned an enigmatic polar explorer - George Hubert Wilkins.Within weeks of arriving at the front, Wilkins' exploits were legendary. He did what no photographer had previously dared to do. He went 'over the top' with the troops and ran forward to photograph the actual fighting. He led soldiers into battle, captured German prisoners, was wounded repeatedly, and was twice awarded the Military Cross - all while he refused to carry a gun and armed himself only with a bulky glass-plate camera.Wilkins ultimately produced the most detailed and accurate collection of World War I photographs in the world, which is now held at the Australian War Memorial. After the war, Wilkins returned to exploring and, during the next 40 years, his life became shrouded in secrecy. His work at the Western Front was forgotten, and others claimed credit for his photographs.Throughout his life, Wilkins wrote detailed diaries and letters, but when he died in 1958 these documents were locked away. Jeff Maynard follows a trail of myth and misinformation to locate Wilkins' lost records and to reveal the remarkable, true story of Australia's greatest war photographer.

The Western Front evokes images of mud-spattered men in waterlogged trenches, shielded from artillery blasts and machine-gun fire by a few feet of dirt. This iconic setting was the most critical arena of the Great War, a 400-mile combat zone stretching from Belgium to Switzerland where more than three million Allied and German soldiers struggled during four years of almost continuous combat. It has persisted in our collective memory as a tragic waste of human life and a symbol of the horrors of industrialized warfare. In this epic narrative history, the first volume in a groundbreaking trilogy on the Great War, acclaimed military historian Nick Lloyd captures the horrific fighting on the Western Front beginning with the surprise German invasion of Belgium in August 1914 and taking us to the Armistice of November 1918. Drawing on French, British, German, and American sources, Lloyd weaves a kaleidoscopic chronicle of the Marne, Passchendaele, the Meuse-Argonne, and other critical battles, which reverberated across Europe and the wider war. From the trenches where men as young as 17 suffered and died, to the headquarters behind the lines where Generals Haig, Joffre, Hindenburg, and Pershing developed their plans for battle, Lloyd gives us a view of the war both intimate and strategic, putting us amid the mud and smoke while at the same time depicting the larger stakes of every encounter. He shows us a dejected Kaiser Wilhelm II-soon to be eclipsed in power by his own generals-lamenting the botched Schlieffen Plan; French soldiers piling atop one another in the trenches of Verdun; British infantryman wandering through the frozen wilderness in the days after the Battle of the Somme; and General Erich Ludendorff pursuing a ruthless policy of total war, leading an eleventh-hour attack on Reims even as his men succumbed to the Spanish Flu. As Lloyd reveals, far from a site of attrition and stalemate, the Western Front was a simmering, dynamic "cauldron of war" defined by extraordinary scientific and tactical innovation. It was on the Western Front that the modern technologies-machine guns, mortars, grenades, and howitzers-were refined and developed into effective killing machines. It was on the Western Front that chemical warfare, in the form of poison gas, was first unleashed. And it was on the Western Front that tanks and aircraft were introduced, causing a dramatic shift away from nineteenth-century bayonet tactics toward modern combined arms, reinforced by heavy artillery, that forever changed the face of war. Brimming with vivid detail and insight, The Western Front is a work in the tradition of Barbara Tuchman and John Keegan, Rick Atkinson and Antony Beevor: an authoritative portrait of modern warfare and its far-reaching human and historical consequences.

The World Crisis is considered by many to be Winston S. Churchill's literary masterpiece. Published across five volumes between 1923 and 1931, Churchill here tells the story of The Great War, from its origins to the long shadow it cast on the following decades. At once a history and a first-hand account of Churchill's own involvement in the war, The World Crisis remains a compelling account of the conflict and its importance.

'Profound [and] compelling' Spectator 'Vivid' Observer 'A noble endeavour' New Statesman ***A WATERSTONES BEST BOOKS OF 2022 PICK*** 'The Western Front Way, an idea that waited 100 years for its moment, is the simplest and fittest memorial yet to the agony of the Great War. Anthony Seldon's account of how he walked it, and what it means to all of us, will be an inspiration to younger generations.' Sebastian Faulks 'A deeply informed meditation on the First World War, an exploration of walking's healing power, a formidable physical achievement... and above all a moving enactment of a modern pilgrimage.' Rory Stewart 'A journey of self-discovery and a pilgrimage of peace... A remarkable book by a remarkable man.' Michael Morpurgo 'An incredible journey that will move and inspire.' Bear Grylls ____________________________________________ Without a permanent home, a wife or a job, and with no clear sense of where his life was going, Anthony Seldon set out on a 35-day pilgrimage from the French-Swiss border to the English Channel. The route of his 1,000 kilometre journey was inspired by a young British soldier of the First World War, Alexander Douglas Gillespie, who dreamed of creating a 'Via Sacra' that the men, women and children of Europe could walk to honour the fallen. Tragically, Gillespie was killed in action, his vision forgotten for a hundred years, until a chance discovery in the archive of one of England's oldest schools galvanised Anthony into seeing the Via Sacra permanently established. Tracing the historic route of the Western Front, he traversed some of Europe's most beautiful and evocative scenery, from the Vosges, Argonne and Champagne to the haunting trenches of Arras, the Somme and Ypres. Along the way, he wrestled heat exhaustion, dog bites and blisters as well as a deeper search for inner peace and renewed purpose. Touching on grief, loss and the legacy of war, The Path of Peace is the extraordinary story of Anthony's epic walk, an unforgettable act of remembrance and a triumphant rediscovery of what matters most in life. ____________________________________________ 'Timely, poignant and passionate. Seldon skillfully weaves the personal with the historical.' Katya Adler 'A timely, eloquent and convincing reminder that to forget the carnage of the past is to open the door to it happening again.' George Alagiah 'A haunting, intense, enjoyable and memorable book.' Tristan Gooley 'A dazzling journey... The Path of Peace is a beautiful and generous gift.' Olivette Otele

After the first few months of World War I, the Western Front consisted of a relatively static line of trench systems which stretched from the coast of the North Sea southwards to the Swiss border. To try to break through the opposing lines of trenches and barbed wire entanglements, both sides employed huge artillery bombardments followed by attacks by tens of thousands of soldiers. Battles could last for months and led to casualties measured in hundreds of thousands for attacker and defender alike. After most of these attacks, only a short section of the front would have moved and only by a kilometer or two. After Gallipoli, Australians were moved to fight in France on the western Front, in battles including the Battle of the Somme. On the first day of the 1916 Battle of the Somme, 60,000 Allies were casualties, including 20,000 deaths. The principal adversaries on the Western Front, who fielded armies of millions of men, were Germany to the East against a western alliance to the West consisting of France and the United Kingdom with sizable contingents from the British Empire, especially the Dominions. The United States entered the war in 1917 and by the summer of 1918 had an army of around half a million men which rose to a million by the time the Armistice was signed on November 11, 1918. For most of World War I, Allied Forces, predominantly those of France and the British Empire, were stalled at trenches on the Western Front. With the last few men who served in World War I now dying out, and the 90th anniversary of the Armistice coming in November 2008, there is no better time to reevaluate this controversial war and shed fresh light on the conflict. With the aid of numerous black and white and color photographs, many previously unpublished, the World War I series recreates the battles and campaigns that raged across the surface of the globe, on land, at sea and in the air. The text is complemented by full-color maps that guide the reader through specific actions and campaigns.

Gas! GAS! Quick, boys! reveals for the first time the true extent of how chemistry rather than military strategy determined the shape, duration and outcome of the First World War. Chemistry was not only a destructive instrument of war but also protected troops, and healed the sick and wounded. From bombs to bullets, poison gas to anaesthetics, khaki to cordite, chemistry was truly the alchemy of the First World War. Michael Freemantle explores its dangers and its healing potential, revealing how the arms race was also a race for chemistry to the extent that Germany's thirst for the chemicals needed to make explosives deprived the nation of fertilizers and nearly starved the nation. He answers question such as: What is guncotton? What is lyddite? What is mustard gas? What is phosgene? What is gunmetal? This is a true picture of the horrors of the 'Chemists' War'.

The burden of the Great War was not shouldered by soldiers alone: the tasks, the camaraderie, the day-to-day life and the devastation were all shared with the animals that accompanied the forces abroad. The horses that took part in the last cavalry charges or hauled heavy guns are the most famous examples, but were far from alone: pigeons carried vital messages, dogs sniffed out wounded soldiers, camels were used as beasts of burden in the desert, and even ships' cats and baby orang-utans had their parts to play. From noted historian Neil R. Storey, this book looks at all the practical ways in which animals were essential to the war effort, but is equally interested in their roles as companions, mascots and morale boosters - on land, in the air and at sea. Neil R. Storey is a social and military historian specialising in the impact of war on society. He has written over twenty-five books, countless articles and has given lectures across the UK, including at the Imperial War Museum. He has acted as a consultant on a number of television documentaries and dramas.

NOW A MAJOR MOTION PICTURE With an introduction by her biographer, Mark Bostridge. 'Remains one of the most powerful and widely read war memoirs of all time' GUARDIAN 'Vera Brittain's heart-rending account of the way her generation's lives changed is still as shocking and moving as ever' STELLA MAGAZINE, SUNDAY TELEGRAPH 'A heartbreaking account of the impact of the First World War on a stout-hearted, high-minded young woman' SUNDAY TIMES In 1914, Vera Brittain was eighteen and as war was declared, she was preparing to study at Oxford. Four years later her life and the life of her whole generation had changed in a way that was unimaginable in the tranquil pre-war era. Testament of Youth, one of the most famous autobiographies of the First World War, is Brittain's account of how she survived the period; how she lost the man she loved; how she nursed the wounded and how she emerged into an altered world. A passionate record of a lost generation, it made Vera Brittain one of the best-loved writers of her time.

The diary of an officer in the 6th Royal Dublin Fusiliers covering 1914-19 and four theatres of war. Noel Drury (1884-1975) was from a middle-class Dublin Protestant family and served most of the First World War as an officer in the 6th Royal Dublin Fusiliers in the 10th (Irish) Division. The division was the first of Ireland's wartime volunteer formations to be posted overseas, arriving at Gallipoli in August 1915 in the Suvla Bay landings. Drury and his battalion experienced several key phases of the Gallipoli campaign before being redeployed to Salonika in October 1915. Drury was away from his battalion for a year in 1916-17 suffering from malaria, but rejoined in Palestine towards the end of 1917. From there his battalion was sent to the Western Front in the summer of 1918 to take part in the Hundred Days Offensive. Drury's diaries describe training, daily life, contrasting theatres of the war, and show what it meant to be an Irish officer in the British army.

A decisive account of the dramatic Gallipoli campaign of World War I, with a devastating assessment of its pointless losses The Gallipoli campaign of 1915-16 was an ill-fated Allied attempt to shorten the war by eliminating Turkey, creating a Balkan alliance against the Central Powers, and securing a sea route to Russia. A failure in all respects, the operation ended in disaster, and the Allied forces suffered some 390,000 casualties. This conclusive book assesses the many myths that have emerged about Gallipoli and provides definitive answers to questions that have lingered about the operation. Robin Prior, a renowned military historian, proceeds step by step through the campaign, dealing with naval, military, and political matters and surveying the operations of all the armies involved: British, Anzac, French, Indian, and Turkish. Relying substantially on original documents, including neglected war diaries and technical military sources, Prior evaluates the strategy, the commanders, and the performance of soldiers on the ground. His conclusions are powerful and unsettling: the naval campaign was not "almost" won, and the land action was not bedeviled by "minor misfortunes." Instead, the badly conceived Gallipoli campaign was doomed from the start. And even had it been successful, the operation would not have shortened the war by a single day. Despite their bravery, the Allied troops who fell at Gallipoli died in vain.

This is the remarkable story of the American First World War serviceman Arthur Clifford Kimber. When his country entered the Great War in 1917, Kimber left Stanford University to carry the first official American flag to the Western Front. Fired by idealism for the French cause, the young student initially acted as a volunteer ambulance driver, before training as a pilot and taking part in dogfights against 'the Boche'. His letters home give a vivid picture of what Kimber witnessed on his journey from Palo Alto, California to the front in France: keen-eyed descriptions of New York as it prepared for the forthcoming conflict, the privations of wartime Britain and France, and encounters with former president Theodore Roosevelt and Hollywood actress Lillian Gish. Kimber details his exhilaration, his everyday concerns and his horror as he adapts to an active wartime role. Arthur Clifford Kimber was one of the first Americans on the front line after the entry of the US into the war and, tragically, also one of the last to be buried there - killed in action just a few weeks before the end of the war. Here, his frank letters to his mother and brothers, compiled, edited and put in context by Patrick Gregory and Elizabeth Nurser, are published for the first time.

When modern readers think of Hermann Goring, what probably comes to mind is the overweight drug addict and convicted war criminal who cheated the hangman's noose at Nuremberg by committing suicide just hours before he was due to be hanged. Next up might be the image of his powerful German air force in the Second World War---the Luftwaffe---bombing defenseless European cities and towns in the early part of the war, until it was defeated by the British Royal Air Force in the epic Battle of Britain in 1940. Next might come Goring the debauched art collector who pirated captured collections all over Nazi Europe during the Occupation years. All of these images are correct, but here we see another Hermann Goring: the slim, dashing fighter pilot and combat ace of an earlier struggle, the Great War, or World War I of 1914-18, which he began as an infantry officer fighting the French Army in the 1914 Battle of the Frontiers. During a hospitalization, his friend Bruno Lorzer convinced him to become an aerial observer-photographer, photographing the mighty French fortress of Verdun. He did, and began these never-before-seen personal photo albums of men and aircraft at war: up close.