This book is based on original research into intimidation and violence directed at civilians by combatants during the revolutionary period in Ireland, considering this from the perspectives of the British, the Free State and the IRA. The book combines qualitative and quantitative approaches, and focusses on County Kerry, which saw high levels of violence. It demonstrates that violence and intimidation against civilians was more common than clashes between combatants and that the upsurge in violence in 1920 was a result of the deployment of the Black and Tans and Auxiliaries, particularly in the autumn and winter of that year. Despite the limited threat posed by the IRA, the British forces engaged in unprecedented and unprovoked violence against civilians. This study stresses the increasing brutality of the subsequent violence by both sides. The book shows how the British had similar methods and views as contemporary counter-revolutionary groups in Europe. IRA violence, however, was, in part, an attempt to impose homogeneity as, beneath the Irish republican narrative of popular approval, there lay a recognition that universal backing was never in fact present. The book is important reading for students and scholars of the Irish revolution, the social history of Ireland and inter-war European violence.

Imprisoned in a remote Turkish POW camp during the First World War, two British officers, Harry Jones and Cedric Hill, cunningly join forces. To stave off boredom, Jones makes a handmade Ouija board and holds fake seances for fellow prisoners. One day, an Ottoman official approaches him with a query: could Jones contact the spirits to find a vast treasure rumoured to be buried nearby? Jones, a lawyer, and Hill, a magician, use the Ouija board - and their keen understanding of the psychology of deception-to build a trap for their captors that will lead them to freedom. The Confidence Men is a nonfiction thriller featuring strategy, mortal danger and even high farce - and chronicles a profound but unlikely friendship.

Museums, Modernity and Conflict examines the history of the relationship between museums, collections and war, revealing how museums have responded to and been shaped by war and conflicts of various sorts. Written by a mixture of museum professionals and academics and ranging across Europe, North America and the Middle East, this book examines the many ways in which museums were affected by major conflicts such as the World Wars, considers how and why they attempted to contribute to the war effort, analyses how wartime collecting shaped the nature of the objects held by a variety of museums, and demonstrates how museums of war and of the military came into existence during this period. Closely focused around conflicts which had the most wide-ranging impact on museums, this collection includes reflections on museums such as the Louvre, the Stedelijk in the Netherlands, the Canadian War Museum and the State Art Collections Dresden. Museums, Modernity and Conflict will be of interest to academics and students worldwide, particularly those engaged in the study of museums, war and history. Showing how the past continues to shape contemporary museum work in a variety of different and sometimes unexpected ways, the book will also be of interest to museum practitioners.

First published in 1914, this is a systematic treatment of the people whose contribution to civilization of the Nile Valley was for so long a source of controversy.

The Great War set in motion all of the subsequent violence of the twentieth century. The war took millions of lives, led to the fall of four empires, established new nations, and negatively affected others. During and after the war, individuals and communities struggled to find expression for their wartime encounters and communal as well as individual mourning. Throughout this time of enormous upheaval, many artists redefined their role in society, among them writers, performers, painters, and composers. Some sought to renew or re-establish their place in the postwar climate, while others longed for an irretrievable past, and still others tried to break with the past entirely. This volume offers a significant interdisciplinary contribution to the study of modern war, exploring the ways that artists contributed to wartime culture - both representing and shaping it - as well as the ways in which wartime culture influenced artistic expressions. Artists' places within and against reconstruction efforts illuminate the struggles of the day. The essays included represent a transnational perspective and seek to examine how artists dealt with the experience of conflict and mourning and their role in (re-)establishing creative practices in the changing climate of the interwar years.

The Remembered Dead explores the ways poets of the First World War - and later poets writing in the memory of that war - address the difficult question of how to remember, and commemorate, those killed in conflict. It looks closely at the way poets struggled to meaningfully represent dying, death, and the trauma of witness, while responding to the pressing need for commemoration. The authors pay close attention to specific poems while maintaining a strong awareness of literary and philosophical contexts. The poems are discussed in relation to modernism and myth, other forms of commemoration (such as photographs and memorials), and theories of cultural memory. There is fresh analysis of canonical poets which, at the same time, challenges the confines of the canon by integrating discussion of lesser-known figures, including non-combatants and poets of later decades. The final chapter reaches beyond the war's centenary in a discussion of one remarkable commemoration of Wilfred Owen.

After the Second World War, war crimes prosecutors charged two of King George VI's closest German relatives with 'crimes against humanity'. American soldiers discovered top-secret documents at Marburg Castle that exposed treacherous family double-dealing inside the Royal Family. Two of the King's brothers had flirted dangerously with the Nazi regime in duplicitous games of secret diplomacy. To avert a potential public relations catastrophe, George VI hid incriminating papers and, with Winston Churchill and President Roosevelt's help, whitewashed history to protect his family. Three of Philip Mountbatten's sisters were banned from Westminster Abbey and the wedding of their brother to Princess Elizabeth because their husbands were senior Nazi officers. This dilemma was Queen Victoria's fatal legacy: she had hoped to secure peace in Europe through a network of royal marriages, but her plan backfired with two world wars. Tea With Hitler is a family saga of duty, courage, wilful blindness and criminality, revealing the tragic fate of a Saxe-Coburg princess murdered as part of the Nazi euthanasia programme and the story of Queen Victoria's Jewish great-grand-daughter, rescued by her British relatives.

Oswald Boelcke was Germanys first ace in World War One with a total of forty victories. His character, inspirational leadership, organisational genius, development of air-to-air tactics and impact on aerial doctrine are all reasons why Boelcke remains an important figure in the history of air warfare. Paving the way for modern air forces across the world with his pioneering tactics, Boelcke had a dramatic effect on his contemporaries. The fact that he was the Red Barons mentor, instructor, squadron commander and friend demonstrates the influence he had upon the German air force. He was one of the first pilots to be awarded the famous Pour le Merite commonly recognised as the Blue Max. All of this was achieved after overcoming medical obstacles in his childhood and later life with a willpower and determination. Boelcke even gained the admiration of his enemies. After his tragic death in a midair collision, the Royal Flying Corps dropped a wreath on his funeral, and several of his victims sent another wreath from their German prison camp. His name and legacy of leadership and inspiration live on, as seen in the Luftwaffes designation of the Tactical Air Force Wing 31 Boelcke. In this definitive biography RG Head explores why Oswald Boelcke deserves consideration as the most important fighter pilot of the 20th century and beyond; but also for setting the standard in military aviation flying. This book will appeal to enthusiasts of the German air force, military aviation in general and World War One in particular.

This is the first ever major study examining of the views of the Conservative Party towards the key aspects of Anglo-German relations from 1905 to 1914. Drawing on a wide variety of original sources, it examines the Conservative response to the German threat, and argues that the response of the Conservative Party towards Germany showed a marked absence of open hostility towards Germany. Overall, this important new study provides a powerful and overdue corrective to the traditional depiction of the Conservative Party in opposition as 'Scaremongers' and the chief source of Germanophobic views among the British political parties.

The Forgotten Appeasement of 1920 examines a turning point in East European history: the summer of 1920, when Lenin's Soviet Russia decided to challenge the Versailles system and launch a military attack on the continent. The outcome of this attack might have been the occupation of all of Poland and East Central Europe, and a Red Army sweep further west. This book probes the British-Soviet negotiations and diplomatic operations behind the scenes. Professor Nowak uses hitherto unexamined documents from Russian and British archives to show how (and why) top British politicians were ready to accept a new Russian imperial control over the whole of Eastern Europe. Nowak unravels this previously untold story of that first and forgotten appeasement, stopped only by the Polish military victory over the Red Army. His excellent historical craftsmanship and new sources contribute to the book's quality, filling up a lacuna in contemporary historiography. This book will appeal to researchers of geopolitical affairs and the Great Powers, the history of Poland, and the political mentality of Western elites. It will also be of interest to university students and tutors, scholars of history and international relations and - thanks to the book's brisk and fascinating narrative - amateur historians and history aficionados.

The war of the French volunteers
This book does not concern the Battle of Verdun in 1916--widely considered to be the largest battle in world history, rather it positions the action geographically for the reader. Written during wartime this account concerns the personal experiences of a young officer of the French infantry from the earliest days of the Great War through a period of comparative fluidity of movement before the stalemate of trench warfare. The fighting concerns the actions about the Meuse and the Marne in the first year of the war from a French perspective and concludes as the 'armies go to earth' in the early part of 1915. Genevoix takes the reader into the heart of his enthusiastic young group of comrades and soldiers on campaign to provide valuable insights into the opening phases of the great conflict the French infantry knew. Available in soft cover and hard cover with dust jacket.

This book juxtaposes national anthems of thirteen countries from central Europe, with the aim of initiating a dialogue among the peoples of East-Central Europe. We tend to perceive a national anthem as a particular mirror, involuntarily reflecting an image of nation and homeland; but how does it represent the community for whom it sounds? To answer this question, the book deploys a comparative approach - anthems are presented in the light of those of neighbouring countries, with the conviction that one of the key features of true Europeanness is good relations between neighbours. The development trajectory of the modern nation is the context in which the book examines the history of such national symbols, alongside the symbolic content of poetry, images of the homeland and nation depicted in the anthems, as well as the sometimes longer processes which led to the adoption and legal codification of current state symbols. The Anthems of East-Central Europe will be a great resource for researchers, journalists, college and university students, politicians trying to impact emigrees from this region and emigrees themselves.

A new interpretation of the Sarajevo assassination and the origins of World War I that places focus on the Balkans and the prewar period. The story has so often been told: Archduke Franz Ferdinand, heir to the throne of the Habsburg Empire, was shot dead on June 28, 1914, in the Bosnian capital of Sarajevo. Thirty days later, the Archduke's uncle, Emperor Franz Joseph, declared war on the Kingdom of Serbia, producing the chain reaction of European powers entering the First World War. In Misfire, Paul Miller-Melamed narrates the history of the Sarajevo assassination and the origins of World War I from the perspective of the Balkans. Rather than focusing on the bang of assassin Gavrilo Princip's gun or reinforcing the mythology that has arisen around this act, Miller-Melamed embeds the incident in the longer-term conditions of the Balkans that gave rise to the political murder. He thus illuminates the centrality of the Bosnian Crisis and the Balkan Wars of the early twentieth century to European power politics, while explaining how Serbs, Bosnians, and Habsburg leaders negotiated their positions in an increasingly dangerous geopolitical environment. Despite the absence of evidence tying official Serbia to the assassination conspiracy, Miller-Melamed shows how it spiraled into a diplomatic crisis that European statesmen proved unable to resolve peacefully. Contrasting the vast disproportionality between a single deadly act and an act of war that would leave ten million dead, Misfire contends that the real causes for the world war lie in "civilized" Europe rather than the endlessly discussed political murder.

In this book, seven internationally renowned experts on Japanese and Asian history have come together to investigate, with innovative methodological approaches, various aspects of the Japanese experience during and after the First World War.

Organised chronologically by type, German Aircraft of World War I offers a highly-illustrated guide to the main types of aircraft used by the German Air Force during World War I. The book offers a comprehensive survey of German aircraft, from the Albatros B.1 and Fokker E.II of the early years, to the more sophisticated Fokker D.VII and Junkers CL.1 of the final months of the war. All the major and many minor types are featured, including monoplanes, biplanes, single-seater fighters, two-seater fighters, bombers, ground attack aircraft, night bombers, giant bombers and floatplanes. This includes both well-known and lesser- known models, such as the LVG and Pfalz single-seater fighters, the Gotha and Zeppelin Staaken large bombers, AEG ground attack aircraft, and the Albatross, Halberstadt and Brandenburg two-seater biplanes. Each featured profile includes authentic markings and colour schemes, while every separate model is accompanied by exhaustive specifications. Packed with 110 full-colour artworks with detailed specifications, German Aircraft of World War I is a key reference guide for military modellers and World War I enthusiasts.

America's entry into World War One in April 1917 marked the end of one era in the nation's history and the start of another. As acclaimed historian Michael S. Neiberg reveals in his compelling new work, the Great War erupted in the midst of lively domestic debate as to what America's role should be in the global sphere. Whereas Woodrow Wilson was re-elected in 1916 by pledging to stay out of the conflict in Europe, former president Theodore Roosevelt was convinced that the war offered a means for the U.S. to become a dominant power and ensure national security. In The Road Over There, Neiberg follows American reactions to such events as the Lusitania, German espionage, and the Zimmermann telegram, shedding light on the dilemmas and crises that the country faced in the war years. In the summer of 1916, German agents detonated the Black Tom railroad terminal in Jersey City, New Jersey, leaving only fragments of piers (still visible today); it was the costliest act of domestic terrorism in American history before 9/11 and its effect was galvanizing. Neiberg's book will revive debates around America's entry into World War One, building to Wilson's declaration while examining the forces and shifts that made it all but inevitable. Neiberg establishes beyond question that World War One was not a parenthetical exception in American history but a moment of national and international self-identification, one whose effects still resonate today.

The Great War is still seen as a mostly European war. The Middle Eastern theater is, at best, considered a sideshow written from the western perspective. This book fills an important gap in the literature by giving an insight through annotated translations from five Ottoman memoirs, previously not available in English, of actors who witnessed the last few years of Turkish presence in the Arab lands. It provides the historical background to many of the crises in the Middle East today, such as the Arab-Israeli confrontation, the conflict-ridden emergence of Syria and Lebanon, the struggle over the holy places of Islam in the Hejaz, and the mutual prejudices of Arabs and Turks about each other.

This is the compelling story of West Belfast's involvement fighting on the Western Front throughout the First World War. This is the story of men from either side of West Belfast's sectarian divide during the Great War. This dramatic book tells the story of the volunteers of the 36th and 16th divisions who fought on the Somme and side-by-side at Messines. Grayson also brings in forgotten West Belfast men from throughout the armed forces, from the retreat at Mons to the defeat of Germany and life post-war. In so doing, he tells a new story which challenges popular perceptions of the war and explains why remembrance remains so controversial in Belfast today.

This book explores, from a transnational viewpoint, the historical relationship between war veterans and fascism in interwar Europe. Until now, historians have been roughly divided between those who assume that 'brutalization' (George L. Mosse) led veterans to join fascist movements and those who stress that most ex-soldiers of the Great War became committed pacifists and internationalists. Transcending the debates of the brutalization thesis and drawing upon a wide range of archival and published sources, this work focuses on the interrelated processes of transnationalization and the fascist permeation of veterans' politics in interwar Europe to offer a wider perspective on the history of both fascism and veterans' movements. A combination of mythical constructs, transfers, political communication, encounters and networks within a transnational space explain the relationship between veterans and fascism. Thus, this book offers new insights into the essential ties between fascism and war, and contributes to the theorization of transnational fascism.