From its origins to its terrible legacy, the tortuous course of the Great War is vividly set out in a series of 174 fascinating maps. Together the maps form a comprehensive and compelling picture of the war that shattered Europe, and illustrate its military, social, political and economic aspects. Beginning with the tensions that already existed, the atlas covers:

• the early months of the war: from the fall of Belgium to the fierce fighting at Ypres and Tannenberg:
• the developing war in Europe: from Gallipoli to the horrors of the Somme and Verdun
• life at the front: from living underground, the trench system and the mud of Passchendaele to the war graves
• technology and the new horrors: from phosgene gas attacks to submarines, tanks and mines
• the home fronts: from German food riots to the air defence of Britain, the Russian Revolution and the collapse of Austria-Hungary
• the aftermath: from war debts and war deaths to the new map of Europe.

This third edition contains an entirely new section depicting the visual remembrance of the war; a fascinating visitors' guide to the memorials that commemorate the tragedy of the Somme.

In the First World War, civilian life played a fundamental part in the war effort; and music was no exception. Performing Propaganda looks at musical life in Paris during the First World War. This conflict was one in which civilian life played a fundamental part in the war effort; and music was no exception. The book examines how Western art music became a central part of the home-front war effort, employed by both musicians and government as a powerful tool of propaganda. It situates French art music of the First World War within its social, cultural and political context, and within the wider temporal framework of the Franco-Prussian and Second World Wars. Drawing on a diverse range of archival material, including concert and operatic programmes, the musical and daily press, documents detailing government involvement in musical activity, and police records, it explores how various facets of French musical life served, in very different ways, as propaganda. In short, it explores why music mattered during a period of prolonged conflict, whether as emotional catalyst, weapon, or tool. This book will be of interest to musicologists, to cultural historians working on early twentieth-century France, and to scholars of the First World War,as well as to a more general readership with an interest in music during times of adversity. RACHEL MOORE is a Leverhulme Early Career Fellow in Music, University of Oxford.

When HMS Laurentic sank in 1917, few knew what cargo she was carrying, and the Admiralty wanted to keep it that way. After all, broadcasting that there were 44 tons of gold off the coast of Ireland in the middle of a vicious and bloody war was not the best strategic move. But Britain desperately needed that gold. Lieutenant Commander Guybon Damant was an expert diver and helped discover how to prevent decompression sickness ('the bends'). With a then world record dive of 210ft under his belt and a proven history of military determination, Damant was the perfect man for a job that required the utmost secrecy and skill. What followed next was a tale of incredible feats, set against a backdrop of war and treacherous storms. Based on thousands of Admiralty pages, interviews with Damant's family and the unpublished memoirs of the man himself, The Sunken Gold is a story of war, treasure - and one man's obsession to find it.

The First World War continues to fascinate. Its profound effect on politics and society is still felt today. Yet it remains a greatly misunderstood conflict, shrouded in myths and misperceptions. In The Palgrave Concise Historical Atlas of the First World War Philpott and Hughes, leading young historians of the conflict, draw on recent scholarship to present a clear introduction to the war. In fifty maps, accompanied by supporting text and statistical tables, they survey the main battles and political features of the war. This concise volume will give students and general readers important insights into the nature and effects of world war.

Tigers on the Western Front
The 5th Leicestershire Regiment rallied to the colours almost to a man as so many Territorial units did at the outbreak of the First World War. It served on the Western Front as part of the 46th (North Midland) Division which consisted of the Leicestershire, Nottinghamshire, Derbyshire, Lincolnshire and Staffordshire brigades. The Leicestershire's were in the 138th Brigade commanded initially by General A. Taylor and subsequently by General R. Clifford. In the pages of this book Actions are described on the Salient, on Vimy Ridge, at Gommecort, Monchy, Lens, Hill 65, St. Elie, Pontruet, Fresnoy, Riquerval Woods and many other engagements where the men with the tiger cap badge distinguished themselves. This history of the regiment was written by a serving officer who has produced a thorough and engaging account of the regiment's time during the Great War which will be of interest both to students of the British infantry at war and those who wish to trace their ancestors to those momentous days in world history. The book includes honour and roster rolls of especial interest to genealogists. Available in softcover and hardcover with dustjacket for collectors.

In this collection of essays of incomparable scholarship, Stephen Badsey explores in individual detail how the British Army fought in the First World War, how politics and strategy affected its battles and the decisions of senior commanders such as Douglas Haig, and how these issues were intimately intertwined with the mass media portrayal of the Army to itself and to the British people. Informative, provocative, and often entertaining, based on more than a quarter-century of research, these essays on the British Army in the First World War range through topics from a trench raid to modern television comedy. As a contribution to progressive military history, "The British Army in Battle and Its Image 1914-1918" proves that the way the British Army fought and its portrayal through the media cannot be separated. It is one of a growing number of studies which show that, far from being in opposition to each other, cultural history and the history of battle must be combined for the First World War to be properly understood. For more information visit Stephen Badsey's website www.stephenbadsey.com

Habsburg Sons describes Jewish participation in the Habsburg Army, 1788-1918, concentrating on their role in World War I. Approximately 300,000-350,000 Jews fought in the Austro-Hungarian Armies on all fronts. Of these, 30,000-40,000 died of wounds or illness, approximately 25,000 were officers. At least 17% were taken prisoner in camps all over Russia and Central Asia. Many soldiers were Orthodox Ostjuden, and soldiers came into regular contact with Jewish civilians. Over 130 Feldrabbiner (chaplains) served mainly on Eastern and Italian Fronts. Antisemitism was present but generally not overt. The book uses personal diaries and newspaper articles (most available in English for the first time) to describe their experiences. The comparative experiences of Jews in German, Russian, Italian Armies is also summarized.

This edited collection presents new research on how the Great War and its aftermath shaped political thought in the interwar period across Europe. Assessing the major players of the war as well as more peripheral cases, the contributors challenge previous interpretations of the relationship between veterans and fascism, and provide new perspectives on how veterans tried to promote a new political and social order. Those who had frontline experience of the First World War committed themselves to constructing a new political and social order in war-torn Europe, shaped by their experience of the war and its aftermath. A number of them gave voice to the need for a world order free from political and social conflict, and all over Europe veterans imagined a third way between capitalist liberalism and state-controlled socialism. By doing so, many of them moved towards emerging fascist movements and became, in some case unwillingly, the heralds of totalitarian dictatorships.

The First World War cannot be sufficiently documented and understood without considering the analytical category of gender. This exciting volume examines key issues in this area, including the 'home front' and battlefront, violence, pacifism, citizenship - and emphasizes the relevance of gender within the expanding field of First World War Studies. By addressing such a broad range of topics through case studies and chapters on British and French heroines, Austro-Hungarian war nurses, gendered representations of bereavement and modern war technology, this volume provides a transnational and comparative approach to the subject, integrating research on Western and Central Europe with that on marginalized regions in Italy, Austria-Hungary, Slovenia, and Lithuania.

The first of four volumes that together provide a comprehensive account of World War I, this book unravels the complicated and tragic events of the war's Eastern Front. In particular, this book details the history of conflict between Germany and Russia, which proved disastrous for the Russian forces and would ultimately pave the way for the Bolshevik seizure of power in 1917.

In France the decade preceding the outbreak of the First World War was characterized by a revival of nationalism and militarism. Wesseling analyzes the ideas current in France in this period about the use, value, and beauty of war, the army, and army life. In examining the French army of the period, Wesseling found that at the same time that new forms were sought, old values were being emphasized. Attempts at reforms were most frequent in those areas where antimilitarist writers had concentrated their criticism. Next to this there also was a new glorification of traditional military virtues: disinterestedness, submission, and discipline.

In conceptualizing war, as Wesseling shows, a distinction can be made between speculations on war as a concrete phenomenon and as an abstract notion. During the period, war was looked upon as a factor of renewal and regeneration. The years from 1905 to 1914 were of great importance for the history of the military problem in France. A new appreciation of the ideals that were preached in the army came into being. Though this did not lead to militarism in the sense that the military determined politics, as Wesseling illustrates, it did lead to a militarist attitude.

During the Great War, books and stories for young men were frequently used as unofficial propaganda for recruitment and to sell the war to British youth as a moral crusade. Until now, this literature has been neglected by academics, but the image of the war these fictions created was remarkably enduring and, despite the appearance of post-war literature of disillusioned veterans, continued to shape the attitudes of the young well into the 1930s. This is the first detailed account of how adventure fiction represented the Great War for British boys between 1914 and the end of the war. Paris examines how such literature explained the causes of the war to boys and girls and how it encouraged young men to participate in the noble crusade on the Western Front and in other theaters. He explores the imagery of the trenches, the war in the air, and the nature of war in the Middle East and Africa. He also details the links between popular writers and the official literary propaganda campaign. The study concludes by looking at how these heroic images remained in print, enduring well into the inter-war years.

A gripping chronicle of the personal and political rivalries from the birth of Queen Victoria to the unification of Germany during the decades leading up to WW1 from Pulitzer Prize winner Robert K. Massie 2018 marks the centenary of the end of the First World War. How did it all begin? With the biographer's rare genius for expressing the essence of extraordinary lives, Massie brings to life a crowd of glittering figures: the young, ambitious Winston Churchill; the ruthless, sycophantic Chancellor Bernhard von Bulow; Britain's greatest twentieth-century Foreign Secretary, Sir Edward Grey; and Jacky Fisher, the eccentric admiral who revolutionised the British Navy and brought forth the battleship, H.M.S. Dreadnought. Their story, and the story of the era, filled with misunderstanding and tensions, missed opportunities, and events leading to unintended conclusions, unfolds like a Greek tragedy in this powerful narrative. Intimately human and dramatic, Dreadnought is history at its most riveting. 'History at its best, a fantastic mix of anecdote, observation and intelligent thinking' Dan Snow, Daily Express

This work shows the importance of analyzing the "low" politics of areas that have traditionally been dominated by "high" politics. The role of bodies such as the Liberal Summer School and the Women's Liberal Federation are examined, along with the work of thinkers such as JM Keynes and Ramsay Muir. The text should make two major contributions to our knowledge of the role of international relations in British politics in the inter-war years. First, by analysing the Liberal Party's principles and policies on international relations, it offers a perspective on British Liberalism. Second, by exploring the Liberal Party's alternative to the Baldwin-Chamberlain policy of appeasement, it enters the historical debate on the options open to Britain in the 1930s, and shows that there was a Liberal alternative to appeasement.