This transnational, interdisciplinary study argues for the use of comics as a primary source. In recuperating currently unknown or neglected strips the authors demonstrate that these examples, produced during the World Wars, act as an important cultural record, providing, amongst other information, a barometer for contemporary popular thinking.

The New Nationalism and the First World War is an edited volume dedicated to a transnational study of the features of the turn-of-the-century nationalism, its manifestations in social and political arenas and the arts, and its influence on the development of the global-scale conflict that was the First World War.

Cautious Crusade explores how Americans viewed Nazi Germany during World War II, the extent to which the public opposed the president's vision for planning both Germany's defeat and future, and how opinion and policy interacted as the Roosevelt administration grappled with various aspects of the German problem during this period.

The American, his motor car and the cavalry in its last great conflict
This essential Leonaur Original, combines two works by American author Frederic Coleman, and has been published to coincide with the centenary of the outbreak of the First World War in 1914. Coleman, an American member of the Royal Automobile Club, together with a number of like minded volunteers, offered his own motor vehicle and services as a driver to the war effort. In 1914 they and their collection of superior cars arrived at the Western Front to be used as chauffeurs and couriers by staff and regimental officers of division and brigade. For many the Great War means massive armies locked in a war of attrition fought over a ' No Man's Land ' fringed with barbed wire behind which helmeted soldiers cowered in squalid trenches. For much of the war that image is accurate, but it was not always so. In the early stages infantry marched, cavalry charged and artillery was pulled into action by horsepower, just as it had been for hundreds of years. The invading Imperial German Army, superior in numbers and equipment of every kind, swept through Belgium and France as the allied armies fought and retired before its might. Coleman was allocated to the 2nd Cavalry Brigade of De Lisle as part of Allenby's First Cavalry Division. He kept a meticulous diary that enabled him to write these well crafted and detailed books full of anecdote, narrative and action. 'President' Coleman (as he was christened by the cavalry) was an eyewitness in the very heart of the conflict and in the company of the officers and men of the British Army's cavalry regiments he takes the reader from the campaigns of 1914 and the retreat from Mons to the war of stalemate of 1915. His descriptions of cavalry in action on the field of battle are riveting. Aside from his fascinating insights into some of the last campaigns of mounted soldiers, Coleman also provides the reader with a thrilling account of his own adventures with his trusty and almost indestructible motor car.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Provides an account of war veterans and their associations which spanned French politics. Their work is distinguished from other European veterans' organizations by their commitment to civic rather than military virtues. The author has prepared a new introduction for this English edition."

This is the first full scholarly history of the French Foreign Ministry - the Quai d'Orsay - in the years between the Fashoda Crisis and the First World War. In this intensively researched study, M. B. Hayne examines the bureaucratic machinery of the Quai d'Orsay, its policies, and its personnel. He explores the ideas and influence of leading diplomats and administrators, their prejudices, and their aims; and traces the often complex relationships between successive Foreign Ministers and the functionaries of the Quai d'Orsay. Dr Hayne's analysis throws much light on French policy and actions during the July Crisis, and makes a significant contribution to the debate over the origins of the First World War.

How does a democratic government conscript citizens, turn them into soldiers who can fight effectively against a highly trained enemy, and then somehow reward these troops for their service? In "Doughboys, the Great War, and the Remaking of America, " Jennifer D. Keene argues that the doughboy experience in 1917-18 forged the U.S. Army of the twentieth century and ultimately led to the most sweeping piece of social-welfare legislation in the nation's history--the G.I. Bill.

Keene shows how citizen-soldiers established standards of discipline that the army in a sense had to adopt. Even after these troops had returned to civilian life, lessons learned by the army during its first experience with a mass conscripted force continued to influence the military as an institution. The experience of going into uniform and fighting abroad politicized citizen-soldiers, Keene finally argues, in ways she asks us to ponder. She finds that the country and the conscripts--in their view--entered into a certain social compact, one that assured veterans that the federal government owed conscripted soldiers of the twentieth century debts far in excess of the pensions the Grand Army of the Republic had claimed in the late nineteenth century.

Ranging from soldiers reading newspapers at the front to authors' responses to the war, this book sheds new light on the reading habits and preferences of men and women, combatants and civilians, during the First World War. This is the first study of the conflict from the perspective of readers.

Letters from under the Guns
Observation Posts, a special Leonaur book, brings together two books by Dawson concerning warfare as experienced by the men in the trenches during the First World War on the Western Front. 'Carry On' and its sequel 'Living Bayonets' are based on the author's time as an artillery officer and principally comprise his letters to his family. Dawson was an intelligent, thoughtful correspondent who in fine prose has left posterity an intimate 'gunner's' view of the Great War making this book an essential source work for students of the period. This good value 'two-in-one' Leonaur edition enables collectors to own these uncommon and related accounts in a single, value-for-money volume.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Despite acts of female heroism, popular memory, as well as official memorialization in monuments and historic sites, has ignored French women's role in the First World War. This book explores stories that were never told and why they were not. These include the experiences of French women in the war, the stories they themselves told about these experiences and how French society interpreted them.The author examines the ways French women served their country - from charity work, nursing and munitions manufacture to volunteering for military service and espionage. In tracing stories about war heroines, but also about villainesses like Mata Hari, this fascinating study shows what these stories reveal about French understanding of the war, their hopes and fears for the future. While the masculine war story was unitary and unchanging, the feminine story was multiple and shifting. Initially praised for their voluntary mobilization, women's claims of patriotism were undercut by criticisms as the war bogged down in the trenches. Were nurses giving solace or seeking romance? Were munitions workers patriots or profiteers? The prosecutions of Mata Hari for espionage and Hel'ne Brion for subversion show how attitudes to women's claim of patriotism changed. French women's relationship to the war called into question ideas about gender, definitions of citizenship and national identity.This book is the first study of women at war to treat both their experiences and its representations, which shaped nationalism, war and gender for the rest of the twentieth century. It makes an important contribution to the burgeoning history of collective memory and of the First World War.

In April 1917, the United States embarked on its first overseas war - with no history of conscription, an army smaller than Bulgaria's, just two hundred agents in its federal Bureau of Investigation, and a political culture that saw little role for the federal government other than delivering the mail. Uncle Sam Wants You tells the dramatic story of the mobilization of the American homefront in World War I. In the absence of a strong federal government, Americans mobilized the Progressive Era's vibrant civil society by drawing on a political culture that stressed duty, obligation, and responsibility over rights and freedoms. In clubs, schools, churches, and workplaces, Americans governed each other during the war. But the heated temper of war quickly unleashed coercion on an unprecedented scale, making wartime America the scene of some of American history's most drastic political violence. Solving this problem prompted Americans to turn over increasing amounts of power to the federal government, giving rise to the modern American state of the twentieth century. Whether they were some of the four million men drafted under the Selective Service Act or the tens of millions of homefront volunteers - or counted themselves among the thousand of conscientious objectors, anti-war radicals, or German enemy aliens, Americans of the World War I era created a new American state - and new ways of being American citizens. Based on a rich array of sources bringing together political leaders and ordinary Americans, Uncle Sam Wants You offers a vivid and provocative new interpretation of American policial history.

Kuhlman explores the reasons so many antiwar progressive reformers ended up forming the most vocal faction favoring U.S. intervention in World War I. She argues that conceptualizations of gender and their relations to militarism, democracy, and citizenship were central to creating support for war. U.S. intervention in World War I occurred in an historical context of widespread anxiety about masculine identity produced by the suffrage movement and highlighted by the election of suffragist Jeannette Rankin, the only woman present in Congress during the debate over President Wilson's War Message. The progressive peace movement-which had reached its zenith of popularity in the U.S. on the eve of intervention-experienced similar disruption as women formed their own pacifist organization. Kuhlman explores the reasons so many progressive lawmakers and pacifists ended up forming the most vocal faction in favor of war. Concepts of femininity and masculinity and their relations to militarism, democracy, and citizenship were central to creating support for war. Initially opposed to military intervention, most male progressive pacifists came to view war as an opportunity to reinvigorate the nation's sagging manhood and nationhood. Some suffragists supported war because they saw war relief work as a way to prove themselves manly enough to withstand the rigors of citizenship during war, and therefore worthy of the vote. After the U.S. declared war, however, New York City feminists' critique of militarism undermined the unity of the progressives' support for war. The New Yorkers' type of feminism, which was based on the linked oppressions of racism, class bias, and sexism, differed from other feminist arguments based on women's moral difference from men. An important study to scholars and researchers of American progressivism, pacifism, and feminism.

This work explores the reasons for the Allied intervention into Russia at the end of the Great War and examines the military, diplomatic and political chaos that resulted in the failure of the Allies and White Russians to defeat the Bolshevik Revolution.

This book discusses British cinema's representation of the Great War during the 1920s. It argues that popular cinematic representations of the war offered surviving audiences a language through which to interpret their recent experience, and traces the ways in which those interpretations changed during the decade.

"Whiz-Bangs and Woolly Bears" is a story about a soldier of the Great War and his experiences as an artillery gunner in France. I used to listen carefully to his stories while we worked on his farm in Carleton County, New Brunswick. He had kept a diary during the war, and I later had a chance to look at it.

The short entries did not begin to describe the horrors of the Western Front in 1917 and 1918. As I grew older, I began to write him to ask about the details. He responded to questions about major battles in this example: "Passchendaele was just one glorious mudhole. We were there 42 days. Kept 24 men on the guns and lost 42 in the time, an average of one a day." This is the essence of what "Whiz Bangs and Woolly Bears" is about. It is a running discourse between a grandfather, Walter Ray Estabrooks and his grandson Hal Skaarup, now in the army as well.

Although the story is essentially about Walter Estabrooks, his experiences during the Great War, it is also about the fact that he lived to tell the tale. So many did not.

This book provides a thought-provoking and wide-ranging history of the whole of Europe between 1900 and 1945. Featuring six lively and stimulating chapters that have been specifically written for this volume, Europe 1900-1945 focuses on the political, economic, social, and cultural aspects of this time period. It also examines the international relations within Europe and the wider world. Particular care is taken to integrate developments in southern and eastern Europe (including the USSR) into the more familiar story of what occurred in western and central Europe. A guide to further reading, a chronology, and an index allow readers to follow up on interest in particular countries.

Two battles of the first year of conflict
This concise book contains two accounts, by H. W. Carless-Davis, of the conflicts of the first year of the Great War, brought together in one value for money volume because the short length of each account means that it is improbable that either would be republished individually in modern times. Each account includes a campaign overview, illustrations and maps, dispatches and in some cases first hand accounts from those who fought. The first account concerns, 'the Great Retreat' which took place in the late summer of 1914 after the British Army had fought its holding action against the advance of the attacking Germans. This was a long, fighting withdrawal which might have spelled disaster at an early stage of the war but for the professionalism of the B. E. F and Smith-Dorrien's inspired command at Le Cateau. The second piece covers the Battle of Ypres-Armentieres fought in October of 1914. Available in softcover and hardcover with dustjacket.

The Irish Guards in the Great War - The 2nd Battalion of the Irish Guards - The entire First World War History.This, the second volume of Rudyard Kipling's history of the Irish Guards in the First World War, focuses attention on the activities of the Second Battalion and its total war service. This junior battalion first saw action in 1915 and it is in the first pages of the book that we read of the death of Kipling's son John. The battles of the Western Front are described in detail from the battalion's perspective and there is much within the narrative to remind us that this is the work of a master writer. This volume contains a comprehensive honour roll of the men of both 1st and 2nd Battalions and the Reserve Battalion of the Irish Guards who were killed in action or died of wounds or disease during the war; also included is a full list of those decorated - making this book an invaluable resource for genealogists.

James D. Startt previously explored Woodrow Wilson's relationship with the press during his rise to political prominence. Now, Startt returns to continue the story, picking up with the outbreak of World War I in 1914 and tracing history through the Senate's ultimate rejection in 1920 of the Treaty of Versailles and the League of Nations. Woodrow Wilson, the Great War, and the Fourth Estate delves deeply into the president's evolving relations with the press and its influence on and importance to the events of the time. Startt navigates the complicated relationship that existed between one of the country's most controversial leaders and its increasingly ruthless corps of journalists. The portrait of Wilson that emerges here is one of complexity-a skilled politician whose private nature and notorious grit often tarnished his rapport with the press, and an influential leader whose passionate vision just as often inspired journalists to his cause.

British children were mobilised for total war in 1914-18. War dominated their teaching and school experience, it was the focus of their extra curricular activities and they enjoyed it as a source of entertainment in literature and play. Children were not shielded from the war because it was believed their support was vital for Britain's present and future.
The study of children's lives provides a unique perspective on British society during the First World War. It lets us get to the very essence of how Britain's adults perceived the war and allows us to explore the methods society used to communicate with itself. Children's connection to the war, however, was personal. Millions had a relative in the army and those that did not had friends, neighbours and teachers involved in the fighting. Their participation, therefore, while shaped by adults, was motivated by a desire to remain in touch with their absent fathers and brothers.

Karen Shelby addresses the IJzertoren Memorial, which is dedicated to the Flemish dead of the Great War, and the role the monument has played in the discussions among the various political, social and cultural ideologies of the Flemish community.