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Books > History > World history > From 1900 > First World War
Possibly THE book of the tank during the Great War
The 'Normans' during the Great War in Europe
While we were still in Paris, I felt, and have felt increasingly ever since, that you accepted my guidance and direction on questions with regard to which I had to instruct you only with increasing reluctance.. ..". I must say that it would relieve me of embarrassment, Mr. Secretary, the embarrassment of feeling your reluctance and divergence of judgment, if you would give your present office up and afford me an opportunity to select some one whose mind would more willingly go along with mine." These words are taken from the letter which President Wilson wrote to me on February 11, 1920. On the following day I tendered my resignation as Secretary of State by a letter, in which I said:
The Royal Navy strikes back
World War I was a global war originating in Europe that lasted from 1914 to 1918. Contemporaneously known as the Great War or "the war to end all wars", it led to the mobilisation of more than 70 million military personnel, including 60 million Europeans, making it one of the largest wars in history. This series of Eight volumes provides year by year analysis of the war that resulted in the death of more than 17 million deaths worldwide.
The American drive towards victory on the Western Front
This book deals with an aspect of the Great War that has been largely overlooked: the war reportage written based on British and American authors' experiences at the Western Front. It focuses on how the liminal experience of the First World War was portrayed in a series of works of literary journalism at different stages of the conflict, from the summer of 1914 to the Armistice in November 1918. Sara Prieto explores a number of representative texts written by a series of civilian eyewitness who have been passed over in earlier studies of literature and journalism in the Great War. The texts under discussion are situated in the 'liminal zone', as they were written in the middle of a transitional period, half-way between two radically different literary styles: the romantic and idealising ante bellum tradition, and the cynical and disillusioned modernist school of writing. They are also the product of the various stages of a physical and moral journey which took several authors into the fantastic albeit nightmarish world of the Western Front, where their understanding of reality was transformed beyond anything they could have anticipated.
Routledge Library Editions: Germans in Australia comprises three previously out-of-print books by Jurgen Tampke and examines the experiences of Germans in Australia, as explorers, migrants and enemies. Germans made up the second-largest immigrant group in Australia, and these books look at their roles in exploring the country, helping develop the economy and society, and as the enemy in the First World War.
Italy and the Cultural Politics of World War I dialogues with the variety of texts recently published to commemorate the Great War. It explores Italian socialist pacifism, the role of women during the conflict and a dominant cultural movement, Futurism, whose leader, Filippo Tommaso Marinetti, glorified war and enlisted in the fight. Other soldiers created documents about the war that differ from the heroic and virile endeavor that Marinetti placed at the center of his works on war. Italy and the Cultural Politics of World War I pays attention to the representations of the soldiers through an analysis of their letters, dominated by descriptions of the terrible hunger they suffered. In contrast, popular film absorbed the cultural lessons in Marinetti's writings and represented soldiers as modernist heroes in comedies and dramas. However, film did not shy away from representing cowards who could only be baffoons and fools in propaganda films. In another medium, the concern was to publish texts that would serve the fighting soldier and inform readers about ideological and historical motivations for the conflict. The publishing industry supported national propaganda efforts. Only socialism could endanger anti-war publication, but after its initial opposition to the conflict, socialists occupied a neutral position. Italian socialism still remained the only European socialist party that did not renege its pacifism in order to embrace nationalism and the war, but it was also not in favor of actions that would sabotage in the Italian war industry. ltalian socialism is only one feature of Italian culture that was dramatically changed during the war. WWI impacted every aspect of Italian and of European cultures. For instance, as an essay in Italy and the Cultural Politics of World War I explores, the war industry needed workers. The solution was to bring Chinese men France to contribute in the war effort. After the war, they moved to other countries and in Milan, Italy, they founded one of the oldest Chinatowns in Europe, dramatically changing the human landscape of Italy as they later moved to other Italian cities. Italy and the Cultural Politics of World War I supplies essential research articles to the construction of an inclusive portrayal of WWI and Italian culture by deepening our understanding of the transformative role it played in 20th century Italy and Europe.
The poetry of the Great War is among the most powerful ever written in the English language. Unique for its immediacy and searing honesty, it has made a fundamental contribution to our understanding of and response to war and the suffering it creates. Widely acclaimed as an indispensable guide to the Great War poets and their work, Out of Battle explores in depth the variety of responses from Rupert Brook, Ford Madox Ford, Siegfried Sassoon, Wilfred Owen, Issac Rosenberg and Edward Thomas to the events they witnessed. Other poets discussed are Hardy, Kipling, Charles Sorely, Ivor Gurney, Herbert Read, Richard Aldington and David Jones. For the second edition of Out of Battle , a substantial new preface has been added together with an appendix on the unresolved problems concerning the Owen manuscripts. An updated bibliography provides useful guidance for further reading.
The Gallipoli expedition was the bold and audacious plan of Winston Churchill, amongst others, to force the Dardanelles narrows, by sea and by land, to capture Constantinople from the Turks and to open the Black Sea to ships taking supplies and arms for the Russians on their immense German front. The campaign failed with catastrophic loss of life on all sides, but again and again, unbeknown to the Allies, they came close to achieving a goal that might have led to victory overall. This book, first published in 1956, is still regarded as the best and definitive account of the campaign. It won the Sunday Times Best Book of the Year Award as well as the inaugural Duff Cooper prize when the winner could choose who would present the award. Appropriately enough, Moorehead chose Churchill to make the presentation because the book demonstrated that the faults were not in the conception of the plan. Indeed, long after Churchill had resigned in disgrace, a new fleet was being assembled to again attempt to force the Dardanelles in 1919, which was cancelled when the war ceased and the Armistice was signed. Seen in the new light that Moorehead revealed, the Gallipoli campaign was no longer regarded as a blunder or a reckless gamble; it was the most imaginative conception of the war, and its potentialities were almost beyond reckoning. Certainly in its strictly military aspect its influence was enormous. It was the greatest amphibious operation which mankind had known up till then, and it took place in circumstances in which nearly everything was experimental: in the use of submarines and aircraft, in the trial of modern naval guns against artillery on the shore, in the manoeuvre of landing armies in small boats on a hostile coast, in the use of radio, or the aerial bomb, the landmine, and many other novel devices. These things lead on through Dunkirk and the Mediterranean landings to the invasion of Normandy in the Second World War. In 1940 there was very little the Allied commanders could learn from the long struggle against the Kaiser's armies in the trenches in France. But Gallipoli was a mine of information about the complexities of the modern war of manoeuvre, of the combined operation by land and sea and sky; and the correction of the errors made then was the basis of the victory of 1945. "the story of one of the great military tragedies of the twentieth century, which no writer has described better than Alan Moorehead." Sir Max Hastings.
World War I utterly transformed the lives of Jews around the world: it allowed them to display their patriotism, to dispel antisemitic myths about Jewish cowardice, and to fight for Jewish rights. Yet Jews also suffered as refugees and deportees, at times catastrophically. And in the aftermath of the war, the replacement of the Habsburg Monarchy and the Russian and Ottoman Empires with a system of nation-states confronted Jews with a new set of challenges. This book provides a fascinating survey of the ways in which Jewish communities participated in and were changed by the Great War, focusing on the dramatic circumstances they faced in Europe, North America, and the Middle East during and after the conflict.
The Shelf2Life WWI Memoirs Collection is an engaging set of pre-1923 materials that describe life during the Great War through memoirs, letters and diaries. Poignant personal narratives from soldiers, doctors and nurses on the front lines to munitions workers and land girls on the home front, offer invaluable insight into the sacrifices men and women made for their country. Photographs and illustrations intensify stories of struggle and survival from the trenches, hospitals, prison camps and battlefields. The WWI Memoirs Collection captures the pride and fear of the war as experienced by combatants and non-combatants alike and provides historians, researchers and students extensive perspective on individual emotional responses to the war.
German general Hermann Balck (1897--1982) was considered to be one of World War II's greatest battlefield commanders. His brilliantly fought battles were masterpieces of tactical agility, mobile counterattack, and the technique of Auftragstaktik, or "mission command." However, because he declined to participate in the U.S. Army's military history debriefing program, today he is known only to serious students of the war. Drawing heavily on his meticulously kept wartime journals, Balck discusses his childhood and his career through the First and Second World Wars. His memoir details the command decision-making process as well as operations on the ground during crucial battles, including the Battle of the Marne in World War I and his incredible victories against a larger and better-equipped Soviet army at the Chir River in World War II. Balck also offers observations on Germany's greatest generals, such as Erich Ludendorff and Heinz Guderian, and shares his thoughts on international relations, domestic politics, and Germany's place in history. Available in English for the first time in an expertly edited and annotated edition, this important book provides essential information about the German military during a critical era in modern history.
When on May 15, 1918 a French lieutenant warned Henry Johnson of the 369th to move back because of a possible enemy raid, Johnson reportedly replied: "I'm an American, and I never retreat." The story, even if apocryphal, captures the mythic status of the Harlem Rattlers, the African-American combat unit that grew out of the 15th New York National Guard, who were said to have never lost a man to capture or a foot of ground that had been taken. It also, in its insistence on American identity, points to a truth at the heart of this book--more than fighting to make the world safe for democracy, the black men of the 369th fought to convince America to live up to its democratic promise. It is this aspect of the storied regiment's history--its place within the larger movement of African Americans for full citizenship in the face of virulent racism--that "Harlem's Rattlers and the Great War" brings to the fore. With sweeping vision, historical precision, and unparalleled research, this book will stand as the definitive study of the 369th. Though discussed in numerous histories and featured in popular culture (most famously the film "Stormy Weather" and the novel "Jazz"), the 369th has become more a matter of mythology than grounded, factually accurate history--a situation that authors Jeffrey T. Sammons and John H. Morrow, Jr. set out to right. Their book--which eschews the regiment's famous nickname, the "Harlem Hellfighters," a name never embraced by the unit itself--tells the full story of the self-proclaimed Harlem Rattlers. Combining the "fighting focus" of military history with the insights of social commentary, "Harlem's Rattlers and the Great War" reveals the centrality of military service and war to the quest for equality as it details the origins, evolution, combat exploits, and postwar struggles of the 369th. The authors take up the internal dynamics of the regiment as well as external pressures, paying particular attention to the environment created by the presence of both black and white officers in the unit. They also explore the role of women--in particular, the Women's Auxiliary of the 369th--as partners in the struggle for full citizenship. From its beginnings in the 15th New York National Guard through its training in the explosive atmosphere in the South, its singular performance in the French army during World War I, and the pathos of postwar adjustment--this book reveals as never before the details of the Harlem Rattlers' experience, the poignant history of some of its heroes, its place in the story of both World War I and the African American campaign for equality--and its full importance in our understanding of American history.
This lyrical memoir offers a fresh look inside the trauma of war and captivity during the First World War, with resonance for today's world.Georges Connes was a young literature graduate when he was drafted and served in the infamous and bloody battle of Verdun. A survivor, he was captured by the Germans in June 1916 and became a prisoner of war until his repatriation in January 1919. In the Second World War, he was active in the French Resistance, was arrested and detained, and ultimately went into hiding. After the war, he served as the interim mayor of Dijon before returning to his academic life as a professor of British and American literature.Connes referred to his time as a POW as 'The Other Ordeal', recognizing that the most important suffering continued for those who had to endure the 'firing, blood and mud' of war. Connes focuses on the human aspects of war, which are all too easy to forget in the age of mass media. He passionately argues against the predominant black and white view of 'us versus them' to unearth the complexities of war. Rather than demonizing his German captors, for example, he describes individual examples of gratuitous acts of kindness.Connes offers a pacifist, internationalist perspective on war. A survivor of two of the greatest conflicts in modern history, Connes remained optimistic about humanity. This voice of hope provides insight not only into the First World War but into the contemporary world.
Two accounts of men of the Legion during the First World War |
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