This is the first book to bring together an interdisciplinary, theoretically engaged and global perspective on the First World War through the lens of historical and cultural geography. Reflecting the centennial interest in the conflict, the collection explores the relationships between warfare and space, and pays particular attention to how commemoration is connected to spatial elements of national identity, and processes of heritage and belonging. Venturing beyond military history and memory studies, contributors explore conceptual contributions of geography to analyse the First World War, as well as reflecting upon the imperative for an academic discussion on the War's centenary. This book explores the War's impact in more unexpected theatres, blurring the boundary between home and fighting fronts, investigating the experiences of the war amongst civilians and often overlooked combatants. It also critically examines the politics of hindsight in the post-war period, and offers an historical geographical account of how the First World War has been memorialised within 'official' spaces, in addition to those overlooked and often undervalued 'alternative spaces' of commemoration. This innovative and timely text will be key reading for students and scholars of the First World War, and more broadly in historical and cultural geography, social and cultural history, European history, Heritage Studies, military history and memory studies.

The Great War and the Moving Image focuses upon the Allied war effort on the Western Front and in the Mediterranean. In doing so, the book addresses topics ranging from how carefully selected images projected a positive portrayal of ambulance trains, through film's instructional role promoting self-sufficiency on the home front, to the vital role of makeshift YMCA cinemas both sides of the Channel. With editors and contributors who are authorities on cinema in wartime Britain and on the British response to the challenge of 'total war', the volume highlights the power that the moving image had during the Great War. In the introduction, the editors consider why the First World War can be seen as the first uniquely cinematic conflict. Later, historians from Britain, Australia, and America go on to explore film's pioneering role as a powerful vehicle for propaganda at home and abroad, and its contribution to maintaining morale among soldiers on the front line as well as across civilian audiences back home. The book concludes by considering the representation of trench warfare in today's hi-tech computer games. This book was originally published as a special issue of the Historical Journal of Film, Radio and Television.

This volume synthesises the latest scholarship on First World War veterans in post-war Britain and Ireland, investigating the topic through its political, social and cultural dynamics. It examines the post-war experiences of those men and women who served and illuminates the nature of the post-war society for which service had been given. Complicating the homogenising tendency in existing scholarship it offers comparison of the experiences of veterans in different regions of Britain, including perspectives drawn from Ireland. Further nuance is offered by the assessment of the experiences of ex-servicewomen alongside those of ex-servicemen, such focus deeping understanding into the gendered specificities of post-war veteran activities and experiences. Moreover, case studies of specific cohorts of veterans are offered, including focus on disabled veterans and ex-prisoners of war. In these regards the collection offers vital updates to existing scholarship while bringing important new departures and challenges to the current interpretive frameworks of veteran experiences in post-war Britain and Ireland.

'Teutonic Titans: Hindenburg, Ludendorff, and the Kaiser's Military Elite' covers the era 1847-1955-heavily illustrated with over 500 images of German Emperor Wilhelm II's First World War marshals and generals, emphasizing their lives, careers, battles, and campaigns. The book covers both Western and Eastern Fronts, as well as the Balkans, Baltics, Middle, and Far East. It is also heavily detailed with maps, cartoons, graphics, and photographs, plus descriptions of strategies, tactics, weapons, statistics on all losses, and results. Period cartoons add to the vast array of photographic sources worldwide: United States National Archives and Library of Congress, Washington and College Park, Maryland; Imperial War Museum London: Bundesarchiv, Bonn, and also His Majesty's own albums at Doorn House, Holland, many of them previously unpublished. German Crown Prince Wilhelm and Bavarian Crown Prince Rupprecht, all German Chiefs of General Staff and War Ministers are detailed as well, plus all top Allied leaders and commanders: Woodrow Wilson, John J. Pershing; David Lloyd George, King George V, Sir Douglas Haig, and Sir John French among them; Tsar Nicholas II, Grand Duke Michael, and more; Frenchmen Henri Petain, Joffre, Foch, and Weygand; as well as those of Serbia, Italy, Greece, Rumania, and Bulgaria.

The Great War was a turning point of the twentieth century, giving birth to a new, modern, and industrial approach to warfare that changed the world forever. The remembrance, awareness, and knowledge of the conflict and, most importantly, of those who participated and were affected by it, altered from country to country, and in some cases has been almost entirely forgotten. New research strategies have emerged to help broaden our understanding of the First World War. Multidisciplinary approaches have been applied to material culture and conflict landscapes, from archive sources analysis and aerial photography to remote sensing, GIS and field research. Working within the context of a material and archival understanding of war, this book combines papers from different study fields that present interdisciplinary and multidisciplinary approaches towards researching the First World War and its legacies, with particular concentration on the central and eastern European theatres of war.

Much has been written on the centenary of the First World War. However, no book has yet explored the tragedy of the conflict from a theological perspective. Life after Tragedy fills that gap. Taking their cue from the famous British army chaplain Geoffrey Studdert Kennedy, seven central essays, all by authors associated with the cathedral where Studdert Kennedy first preached to troops, examine aspects of faith that featured in the war, such as the notion of 'home', poetry, theological doctrine, preaching, social reform, humanitarianism, and remembrance. Each essay applies its reflections to the life of faith today, thus representing a highly original contribution to the history of the First World War in general and the work of Studdert Kennedy in particular. They provide wider theological insight into how, in the contemporary world, 'life' and tragedy, likewise God and suffering, can be integrated.This book will accordingly be of considerable interest to historians, both of the war and of the church; to communities commemorating the war; and to all those who wrestle with current challenges to faith.

Between 1918 and 1933 the German interwar avant-garde was a primary force driving European cultural innovation and modernism. These innovations continue to influence artistic practice, theory, and arts education today, thus making a comprehensive study of the relationship between individual war experience and the immediate response of avant-garde architects after the war all the more important. The Break with the Past pursues several important, interrelated questions. What were the disparate war experiences of German architects, and did they have different effects on Weimar cultural production? Did political orientation play a part in support for the war? In aesthetic choices? What changes occurred in avant-garde architectural practice after 1918? How do they compare with pre-war positions and practices, and expectations for post-war outcomes? In order to address these questions, the book uses individual case studies of four leading architects: Bruno Taut, Walter Gropius, Erich Mendelsohn, and Hans Scharoun. This is a valuable resource for academics and students in the areas of Art and Architecture History, German history and Cultural Studies, European Culture and Modernism.

In the First World War, civilian life played a fundamental part in the war effort; and music was no exception. Performing Propaganda looks at musical life in Paris during the First World War. This conflict was one in which civilian life played a fundamental part in the war effort; and music was no exception. The book examines how Western art music became a central part of the home-front war effort, employed by both musicians and government as a powerful tool of propaganda. It situates French art music of the First World War within its social, cultural and political context, and within the wider temporal framework of the Franco-Prussian and Second World Wars. Drawing on a diverse range of archival material, including concert and operatic programmes, the musical and daily press, documents detailing government involvement in musical activity, and police records, it explores how various facets of French musical life served, in very different ways, as propaganda. In short, it explores why music mattered during a period of prolonged conflict, whether as emotional catalyst, weapon, or tool. This book will be of interest to musicologists, to cultural historians working on early twentieth-century France, and to scholars of the First World War,as well as to a more general readership with an interest in music during times of adversity. RACHEL MOORE is a Leverhulme Early Career Fellow in Music, University of Oxford.

Originally published in 1920. The 231st Infantry Brigade, with which this diary is chiefly concerned, came into extence in January 1917, at a time when its compoent parts were engaged in the campaign against the Senussi, distributed in the Western Desert of Egypt and the Oases, from Sollum to Dakhala. The diary opens on October 1st 1917, when the preparations for the simultaneous attacks on Beersheba and Gaza were nearing completion.

This landmark publication commemorates the centenary of the Great War's Gallipoli campaign, 25 April 1915 to 9 January 1916. ANZAC Treasures approaches the subject of Gallipoli not only from a military perspective but also in terms of its social impact and its role in commemoration and nation building. It does so through the Memorial's immensely rich and varied National Collection, which provides a tangible link to ANZAC and gives an unparalleled insight into its many facets. The legend and reality of ANZAC are encapsulated within the relics, photographs, artworks, documentary records, personal diaries and letters that are displayed to dramatic and moving effect in a beautifully designed and produced commemorative volume.

The two-volume Life of Gregory Zilboorg is a meticulously researched biography of the Russian-American psychoanalyst Gregory Zilboorg and chronicles the period from his birth as a Jew in Tsarist Russia to his prominence as a New York psychoanalyst on the eve of the Second World War. Drawing on previously unpublished sources, including family papers and archival material, this biography offers a dramatic narrative that will appeal to general readers as well as scholars interested in the First World War, the Russian revolution, the Jewish diaspora, and the history of psychoanalysis.

Women 'kept the home fires burning' while their men went off to war. This is the usual image of the part played by women in the First World War, reinforced through countless posters, government exhortations and even popular songs. It is very far from the truth. As this remarkable book shows, originally published in 1987, the truth was that women showed themselves capable of undertaking many roles hitherto the sole prerogative of men, a position accepted during the emergency of war but quickly 'righted' once peace was restored: the women who had helped to win the war were displaced by the returning heroes from the Front. Diana Condell and Jean Liddiard selected more than 150 superb contemporary photographs, and these unique pictures, with extended captions and accompanying text, illustrate the many and varied roles played by women in the First World War. Many of the photographs had never been published before and they reveal dramatically the extent to which women took over the day-to-day running of society during the war. Fulfilling these roles helped to change women's perceptions of themselves and their place in the social fabric: the photographs are arranged thematically to reveal this and how society's own view of women was altered as a result. The book also tells the story of the war from the female viewpoint, assessing its effect on the women involved. It focuses in a neglected but vital part of the history of the emancipation of women and also raises questions about what sort of victory they had worked for. In quality and range this was a pioneering study. More than that, through the haunting quality of its images it creates a pathway into the mind and world of the past.

Lieutenant-Colonel Alexander Daniel Reid was killed on the first day of the Battle of Passchendaele in 1917. His body was never recovered; however, there is nothing singular about that. What is remarkable is that his eloquent journal has survived untouched for 100 years. The context for Alexander Daniel Reid's contemporary account of the Great War are provided partly by the memoirs of his brother, Harry, who was the transport officer in the same battalion, and partly from historical research. Although it is essentially a biography of two Scottish-born brothers in an Irish battalion on the Western Front, Harvest of Battle: Brother Officers of the 7th Royal Inniskilling Fusiliers in the First World War is unique in that it reaches to the corners of the Empire and tells of conflicts from German South-West Africa to the Rand Rebellion of 1922. Alexander Daniel Reid was a professional soldier and served with the Indian Army before migrating to Canada. Harry began a career working for one of the wealthiest mining magnates in Johannesburg. Both knew that their chances of survival in the 'Fighting Seventh' Royal Inniskilling Fusiliers were slim. Theirs is a narrative common enough to serve as a general introduction to the First World War for a new generation of readers, yet it contains valuable new material to add to the historical record in this Centenary year of the outbreak of war.

Our view of the First World War is dominated by the twin images of the fronts and the home fronts, yet the war also generated a third type of 'front', that of military occupation. Vast areas of Europe experienced the war under a military regime and this book deals with the occupations by the German and Austro-Hungarian empires. Their conquests ranged from Lille in the West to the Don River in the East, and from Courland in the north to Friuli and Montenegro in the south. They encompassed capital cities such as Brussels, Warsaw, Belgrade and Bukarest, as well as areas of crucial economic importance. Millions of people experienced military occupation and, even though they were civilians, the war had a deep impact on their lives. Conversely, occupied territories influenced the states that had conquered them and the way these states waged war. The chapters in this book analyze military occupation in 1914-1918 both from the point of view of the occupied and from the point of view of the occupier. They study counter-insurgency warfare, forced labour, food regimes, underground patriotism, and cultural policies. They demonstrate that military occupation was an essential dimension of the Great War. This book was originally published as a special issue of First World War Studies.

The mainly forgotten story of the British and Australian tunnellers and their work on the Belgian Coast during the Great War. Based on historical documents, military archives, regimental records, testimonies and more than 350 photographs and pictures, the book covers the fighting around the Belgian coastal town of Nieuwpoort. Kristof Jacobs explores the presence of British and Australian soldiers at the Ijzer estuary in the build up to Third Ypres and highlights the work in the dunes including that of the Royal Engineers, the Dorset Regiment, the 135th Siege Battery, 2nd Australian Tunnelling Company and Operation Hush and the diary of Major W. E. Buckingham. First-hand accounts are included throughout and complimented with the story of eighteen-year old Bert Fearns (1898-1997) a veteran from the 2nd/6th Bn Lancashire Fusiliers who ended up in Nieuwpoort in 1917. It was his story that first inspired the research for this book by Jacobs.

A classic text that has been updated across the chapters, giving students a broad perspective on all the work done since the text was originally written, as well as the original perspective. A new introduction examines the topics and arguments that historians have raised since the original text was written, explaining what is new about them and their impact on the original text, giving students the tools to anaylse the context of the new material. Includes a new timeline, and fully updated further reading, providing extended context for students reading the text.

This book is an international comparative study of the British, German and French military chaplains during the First World War. It describes their role, position and daily work within the army and how the often conflicting expectations of the church, the state, the military and the soldiers effected these. This study seeks to explain similarities and differences between the chaplaincies by looking at how the pre-war relations between church, state and society influenced the work of these army chaplains.

This book charts ideas European intellectuals (mostly from Great Britain, France, Germany and Italy) put forward to solve the problem of war during the first half of the twentieth century: a period that began with the Anglo-Boer war and that ended with the explosion of the atomic bombs on Hiroshima and Nagasaki. Such ideas do not belong to a homogeneous tradition of thought, but can be understood as a unique discourse that takes different characteristics according to the point of view of each author and of the specific historical situation.

This two-volume series serves as a unique window to view the U.S. Army's entry onto the world stage. Faced with entry into the "Great War," the country called upon its military leaders to prepare the Army for combat. What follows is the in-depth story of how the American military and civilian leadership created and trained the Doughboys. In less than eighteen months, America's Army would grow from its humble beginning to fielding over a million soldiers in the Meuse-Argonne campaign. Training and leading this force into battle against the Imperial German Army were some of the great names in American military history, including such stalwarts as John J. Pershing, George Marshall, and Leonard Wood. Here is the story of their perseverance and courage that ultimately defeated the enemy and helped to win the war.

The British soldier of the Great War has been depicted in many books. Invariably, a pen picture paints him as stoic, joining the army in a wave of patriotic fervour, and destined to serve four years on the Western Front in some of the most costly battles in history. Yet often the picture is difficult to resolve for the reader. What was it like in the trenches? How did the soldier live, where did he sleep? What was it like to go over the top, and when he did, what did he carry with him? For many, the idea of trench life is hazy, and usually involves 'drowning in mud', in, as one writer put it, 'the pitiless misery' of Passchendaele. Recently, military historians have presented an alternative picture, a picture in which the hopelessness of the First World War is given new life and purpose. Remembering Tommy pays tribute to the real life British soldier of the Great War from the moment of joining up to their final homecoming. Using original artefacts in historic settings, the men and their words are brought to life. The uniforms they wore, the equipment they carried, the letters they wrote home, their personal possessions, mementos and photographs come together in a powerful tribute to the indomitable Tommy. Each one of these precious artefacts bears witness to the men who left them behind - allowing us to almost reach out and touch history.

On 15th April 1915, British and Dominion troops landed on the Gallipoli Peninsula. The campaign which followed lasted over eight months and cost the terrible total of nearly half a million Allied and Turkish casualties. The eventual failure of the Gallipoli campaign, after heart-breaking opportunities had been missed, was a disastrous set-back to Allied hopes. It remains one of the most engrossing and poignant tragedies in British military history. In our new edition of this classic in military writing, Robert Rhodes James was one of the first historians to work from the official archives and makes brilliant use of diaries and letters of the men who fought there and the photographs they took. Gallipoli stands the test of time, bringing vividly to life the conditions and circumstances of a campaign which has never ceased to enthral the imagination.

The final part of the Lion and the Rose trilogy detailing the TF battalions of the King's Own Royal Lancaster Regiment in the Great War. Established in August 1914, the 2/5th spent the next thirty months in England perfecting their ability to `form fours'; engaged in almost every sort of training other than that which they would need at the Front. When they deployed to France in February 1917, they were pitted against an aggressive and experienced foe. This book tells the story of their struggle to learn the skills necessary to survive in the pitiless arena of modern warfare and their progress to become the fighting equals of any by the end of the war. With no history written for either 57 Division or the 2/5th, this book-based on dozens of contemporary and unpublished sources, tells their story for the first time. The book contains sketch maps of the sectors the battalion fought in and accurate coordinates for all positions; previously unpublished photographs of men from the battalion; the most complete battalion roll yet compiled and narrates the individual parts played by 1,000 of the officers and men during the war.

A vivid account of the opening weeks of war by a volunteer despatch rider who may have prevented a swift German victory. Of Anglo-German stock, Roger West was conflicted when the war broke out but volunteered out of the strong sense of duty that was characteristic of his class. His linguistic skills led to his being commissioned into the Intelligence Corps but he was seconded as a despatch rider to the 19th Brigade, which bore a great brunt of the fighting in the first few weeks in 1914. West was in the thick of things despite being crippled with a badly-damaged foot, often riding round the clock, delivering despatches and directing and assisting soldiers separated from their units and disoriented stragglers. Discovering that a critical bridge had been left open to the German advance he volunteered to ride back and blow it up, preventing the retreating Fifth French Army from being taken in the flank, something that could have fulfilled the Schlieffen Plan's aims and won the war for Germany.

From the iconic to the intimate, each object is illustrated and accompanied by the story of its role within the war and its significance todayObjects allow us to reach out and touch the past and they play a living role in history today. Through them we can understand the experience of men and women during World War I. They bear witness to the stories of men whose only morning comfort in the trenches was the rum ration, children who grew up with only one photograph of the father that they would never get to know, and women who would sacrifice their girlhood in hospitals yards from the frontline, pinning a brooch on to remind themselves of a past life. Weapons like the machine gun and vehicles like the tank transformed the battlefield; planes with pilots that had just learned to fly them entangled in dogfights far above the barbed wire of the frontline; and German submarines stalked the seas. These incredible artifacts tell the story of the World War I in a whole new light, as do the Football of Loos, the Mk I tank, the German Pickelhaube, Canadian cap badges, the "Butcher" bayonet, a trench coat, a soldier's Christmas gift, a death card, and many more.

Over the past century, much attention has been paid to the literature written for adults in response to the First World War, but there has been comparatively little consideration of how the war influenced literature for young readers at the time. Based on extensive archival research, this study examines an array of wartime writing for young people and provides a new understanding of the complexities and nuances within children's literature of the period. In its discussion of nearly 150 primary sources from Britain, Canada, and the United States, this volume considers some well-known texts but also brings to light forgotten children's literature of the era, providing new insights into how WWI was presented to the young people whose lives were indelibly impacted by the crisis. Paying special attention to the varied ways in which child figures were depicted, it reflects on what these portrayals reveal about adult conceptualizations of youth, and it considers how these may have shaped young readers' own views of armed conflict, citizenship, and childhood. From the helpless victim to the heroic combatant, child figures appeared in many guises, exposing a range of adult concerns about nation, empire, and children's citizenship. Exploring everything from alphabet books for beginning readers, to recruitment materials for high school students, this book examines works from multiple genres and provides a uniquely comprehensive study of transatlantic children's literature produced during the first global war.