Blacker's Boys tells the First World War history of the 9th (Service) Battalion, Princess Victoria's (Royal Irish Fusiliers) (County Armagh), one of thirteen infantry battalions raised in Ireland for 36th (Ulster) Division. It begins with the political context of the long-running Home Rule crisis and the formation of the Ulster Volunteer Force in 1912. It describes the raising of the Battalion in September 1914 from the men of the Ulster Volunteers of Counties Armagh, Cavan and Monaghan, their training, their move to France and early experiences in the trenches. There are detailed accounts of the actions of the Battalion in the Battles of the Somme, Third Ypres and Cambrai, during the German offensive in 1918 and in the Advance to Victory. The main text is supported by detailed appendices that commemorate those who served and include a Roll of Honour of those who died; the awards and decorations earned; biographical summaries of more than 250 officers and details of over 3,400 men who served in its ranks, and an examination of its excellent discipline record. They explain how this Battalion transitioned from comprising only Protestant volunteers from Ulster to one that was a mix of Protestant and Roman Catholic Irishmen, Englishmen from Yorkshire, Nottinghamshire and London, regular soldiers, war-time volunteers and conscripts. The text is supported by full colour maps and many unique photographs.

Foreword by Dan Snow. Ten holders of the Victoria Cross, the highest British military honour - for 'valour in the face of the enemy' - are associated with the Borough of Tunbridge Wells, Kent, UK. They include the very first VC to be awarded (in the Crimea, 1856).

The story of this tragic loss, New Zealand's worst military disaster, has not been told fully - until now In the annals of military history, the World War I battle of Passchendaele is recorded as New Zealand's worst military disaster. In just a few short hours on a miserable Belgian morning over 1000 New Zealand soldiers were killed and a further 2000 wounded in an attack on the Germanfront line. In Massacre at Passchendaele, Glyn Harper brings this ill-fated battle to life. The background to the situation facing the Allies in October 1917 is outlined, and the first assault on Passchendaele is described. This near-perfect military operation brought the New Zealand soldiers much acclaim; however, the second attack, on 12 October 1917, was anything but successful. The rationale of the strategists, the concern of some officers and the desperation of the fighting man are all recorded here. Judicious use of diary extracts and recorded interviews transport the reader to the centre of this harrowing event. An appendix lists the names and details of the New Zealand soldiers killed at Passchendaele, a tribute to their sacrifice. The military disaster of Passchendaele was a pivotal event in New Zealand's history, and a key influence on our attitudes to war in the following decades. This book will help ensure that it remains an untold story no longer.

The 9th Battalion The Sherwood Foresters (Notts and Derby) was part of Lord Kitchener's "New Army" made up initially of men from the north midlands This is their story complete with pictures of many of the men The 9th Battalion was not an elite force, but a group of ordinary working men who felt compelled to serve their country but found themselves in the most extra-ordinary military conflagration

In 1914, the Associated Newspapers sent correspondent Herbert Corey to Europe on the day Great Britain declared war on Germany. During the Great War that followed, Corey reported from France, Britain, and Germany, visiting the German lines on both the western and eastern fronts. He also reported from Greece, Italy, Switzerland, Holland, Belgium, and Serbia. When the Armistice was signed in November 1918, Corey defied the rules of the American Expeditionary Forces and crossed into Germany. He covered the Paris Peace Conference the following year. No other foreign correspondent matched the longevity of his reporting during World War I. Until recently, however, his unpublished memoir lay largely unnoticed among his papers in the Library of Congress. With publication of Herbert Corey's Great War, coeditors Peter Finn and John Maxwell Hamilton reestablish Corey's name in the annals of American war reporting. As a correspondent, he defies easy comparison. He approximates Ernie Pyle in his sympathetic interest in the American foot soldier, but he also told stories about troops on the other side and about noncombatants. He is especially illuminating on the obstacles reporters faced in conveying the story of the Great War to Americans. As his memoir makes clear, Corey didn't believe he was in Europe to serve the Allies. He viewed himself as an outsider, one who was deeply ambivalent about the entry of the United States into the war. His idiosyncratic, opinionated, and very American voice makes for compelling reading.

Von Moltke and 'quick victory': Jellicoe and the Battle of Jutland: Petain and the wave of mutinies: Ludendorff and the 1918 offensives. Four key men, four key moments in the Great War. Corelli Barnett, in his famous study, writes with brilliant insight about these flawed men grappling with events that were outside their comprehension. In his preface he writes thus: 'The Theme of this book is the decisive effect of individual human character on history. The background, in sharpest contrast, is a sudden and violent transition to mass collectivised life - to twentieth century industrial civilization. The principal actors are four national commanders-in-chief: two German, one Frenchman, one Englishman. Theirs was the novel task of directing these new and terrifying forces of mass powering battle. Each had been born and bred in the last century; each belonged to a highly conservative profession. Their abilities and defects reflected and illustrated those of their countries. For the historian, with the priceless gift of hindsight, it is moving and fascinating, therefore, to study these men locked in struggle with events greater than themselves; to see their moments of clarity and prophesy, of optimistic self-delusion, of uncertainty, of despair. Each in turn, as commander-in-chief, bore his nation's sword at a period when the course of the war pivoted on his judgement and will: four actors in a continental tragedy of death and re-birth.'