Once assumed to be a driver or even cause of conflict, commemoration during Ireland's Decade of Centenaries came to occupy a central place in peacebuilding efforts. The inclusive and cross-communal reorientation of commemoration, particularly of the First World War, has been widely heralded as signifying new forms of reconciliation and a greater "maturity" in relationships between Ireland and the UK and between Unionists and Nationalists in Northern Ireland. In this study, Jonathan Evershed interrogates the particular and implicitly political claims about the nature of history, memory, and commemoration that define and sustain these assertions, and explores some of the hidden and countervailing transcripts that underwrite and disrupt them. Drawing on two years of ethnographic fieldwork conducted in Belfast, Evershed explores Ulster Loyalist commemoration of the Battle of the Somme, its conflicted politics, and its confrontation with official commemorative discourse and practice during the Decade of Centenaries. He investigates how and why the myriad social, political, cultural, and economic changes that have defined postconflict Northern Ireland have been experienced by Loyalists as a culture war, and how commemoration is the means by which they confront and challenge the perceived erosion of their identity. He reveals the ways in which this brings Loyalists into conflict not only with the politics of Irish Nationalism, but with the "peacebuilding" state and, crucially, with each other. He demonstrates how commemoration works to reproduce the intracommunal conflicts that it claims to have overcome and interrogates its nuanced (and perhaps counterintuitive) function in conflict transformation.

World War I has come down to us in indelible images--those of airplane bombers, bleak-eyed soldiers, stern-faced commanders, and the ruins of countless villages. But soldiers themselves also took photographs on the battlefield, and many of their striking images were transformed into postcards that were sent home to family and friends or collected as war mementos. "Postcards from the Trenches" gathers a number of these postcards to create a striking visual history of World War I.
The cards in this compelling volume were created not only by soldiers, but also by embedded journalists from France, Belgium, Austria, Germany, and Britain. The images capture scenes both humorous and poignant, including soldiers having a mock party with little food to eat, wounded soldiers smiling for the camera, a makeshift trench hospital, the bloody aftermath of a battle, and a huddle of men taking what they know could be their last communion before marching onto the battlefield. Other cards document the mundane duties that dominated wartime life, including men digging trenches, troops marching to new trenches and battlefields, and or soldiers nearly comatose with boredom while waiting for the fight to begin. This stunning visual narrative opens a new window into one of the most analyzed events in history, as the postcards' images testify to the resilience and bravery of soldiers in the most trying circumstances.
A fascinating and unprecedented historical document, "Postcards from the Trenches" draws back the curtain to unflinchingly show the daily horror and humanity that define life in war.

Drawing from newspapers, journals, government reports, and archival records, Terry Copp - one of Canada's leading military historians - tells the story of how citizens in Canada's largest city responded to the challenges of the First World War. Montreal at War addresses responses to the outbreak of war in Europe and the process of raising an army for service overseas. It details the shock of intense combat and heavy casualties, studies the mobilization of volunteers, and follows the experience of battalions from Montreal to the Battle of Vimy Ridge. Challenging long-held assumptions, Montreal at War aims to understand the war experience as it unfolded, approaching history from the perspective of those who lived through it.

This edited volume examines the experience of World War I of small nations, defined here in terms of their relative weakness vis-a-vis the major actors in European diplomacy, and colonial peripheries, encompassing areas that were subject to colonial rule by European empires and thus located far from the heartland of these empires. The chapters address subject nations within Europe, such as Ireland and Poland; neutral states, such as Sweden and Spain; and overseas colonies like Tunisia, Algeria and German East Africa. By combining analyses of both European and extra-European experiences of war, this collection of essays provides a unique comparative perspective on World War I and points the way towards an integrated history of small nations and colonial peripheries. Contributors are Steven Balbirnie, Gearoid Barry, Jens Boysen, Ingrid Bruhwiler, William Buck, AUde Chanson, Enrico Dal Lago, Matias Gardin, Richard Gow, Florian Grafl, Donal Hassett, Guido Hausmann, Roisin Healy, Conor Morrissey, Michael Neiberg, David Noack, Chris Rominger, Danielle Ross and Christine Strotmann.

The Great and Holy War offers the first look at how religion created and prolonged the First World War. At the one-hundredth anniversary of the outbreak of the war, historian Philip Jenkins reveals the powerful religious dimensions of this modern-day crusade, a period that marked a traumatic crisis for Western civilization, with effects that echoed throughout the rest of the twentieth century.

The war was fought by the world's leading Christian nations, who presented the conflict as a holy war. Thanks to the emergence of modern media, a steady stream of patriotic and militaristic rhetoric was given to an unprecedented audience, using language that spoke of holy war and crusade, of apocalypse and Armageddon. But this rhetoric was not mere state propaganda. Jenkins reveals how the widespread belief in angels and apparitions, visions and the supernatural was a driving force throughout the war and shaped all three of the major religions--Christianity, Judaism and Islam--paving the way for modern views of religion and violence. The disappointed hopes and moral compromises that followed the war also shaped the political climate of the rest of the century, giving rise to such phenomena as Nazism, totalitarianism, and communism.

Connecting numerous remarkable incidents and characters--from Karl Barth to Carl Jung, the Christmas Truce to the Armenian Genocide--Jenkins creates a powerful and persuasive narrative that brings together global politics, history, and spiritual crisis as never before and shows how religion informed and motivated circumstances on all sides of the war.