What did war look like in the cultural imagination of 1914? Why did men in Scotland sign up to fight in unprecedented numbers? What were the martial myths shaping Scottish identity from the aftermath of Bannockburn to the close of the nineteenth century, and what did the Scottish soldiers of the First World War think they were fighting for? Scotland and the First World War: Myth, Memory and the Legacy of Bannockburn is a collection of new interdisciplinary essays interrogating the trans-historical myths of nation, belonging and martial identity that shaped Scotland's encounter with the First World War. In a series of thematically linked essays, experts from the fields of literature, history and cultural studies examine how Scotland remembers war, and how remembering war has shaped Scotland.

The First World War at sea by Americans who fought in it
It's easy to understand why this book was originally published under the jingoistic title of 'Over the Seas for Uncle Sam'-perhaps edited by rather than 'written' by Elaine Sterne-for when it was written the subject was nothing less than reportage. The passage of time provides new perspectives on works such as this, and for that reason we have changed the title to alert readers to the unique nature of the content. Sterne's book contains fifteen first hand accounts by those serving in the United States Navy in the first American conflict of the modern age on a global stage. The United States entry into the First World War in April, 1917, (particularly in terms of it's immediately engaged naval contribution) was pivotal, if not essential. The Allied war effort was being strangled for want of materials as a result of the German U-Boat successes against merchant shipping, especially in the Atlantic Ocean. These accounts by serving men and women in the U. S Navy-including contributions by marines-are mainly from the enlisted ranks, with a few from officers. They are told in 'their own words, ' and enable the modern student of the period to read of the experiences of those service men and women whose voices-in the absence of a work such as this-would have been forever lost to posterity.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The conquest of the air-and beyond
This interesting book, which includes photographs and diagrams, describes the early years of man's attempts to gain mastery of the air. It chronicles the first, rudimentary attempts at flight in balloons to their ultimate development including their use during the Great War. Next came the age of the dirigible including, of course, the mighty Zeppelin. Allied dirigibles of the First World War are also considered. Most significant, however, was the development of powered, heavier than air, winged, machines and in this account they are described from their genesis with the Wright brothers to their use in the first great conflict which led to the creation of the air forces of the world. German and Allied aircraft are discussed, together with their various uses, applications and the deeds of the intrepid young men who flew them. There are not many accounts of the early days of aviation in peace and war so any addition to their number is welcome. This book was written before the potential of the aircraft had been fully realised and is an interesting perspective on how the first pilots, aircraft designers, manufacturers and visionaries saw them and their future in the opening decades of the twentieth century. An essential addition to any library of early aviation, this book is recommended.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The Women of the Great War
It has been a salient feature of twentieth century warfare that the industrial nature of conflict, combined with the huge number of men required and the numerous machines and armaments involved, has meant that industry has-of necessity-had to increase its capacity to keep the fighting forces constantly and consistently supplied. Yet each conflict has inevitably drained the places of industry of the very workforce it required to function effectively. The solution in both World Wars has been for women to step forward to fill the roles formally undertaken by men who were by then enlisted into the armed services. Of course, women invariably proved themselves to be equal to the tasks assigned to them and indeed without them wartime industrial production would inevitably have been compromised to the point of peril for the military outcome. The work was invariably hard and often dangerous, but women on the home front have long been regarded as the essential, if largely unsung, heroines of the war effort. The principal benefit of this book is that it not only describes the activities of women in the workplace, but that it includes many photographs of women at work, demonstrating the multitude of weapons, armaments, equipment and vehicles they manufactured during the First World War. This concise Leonaur edition includes two books-that were originally so short as to not have seen re-publication in modern times-for good value.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

From the late imperial period until 1922, the British and French made private and government loans to Russia, making it the foremost international debtor country in pre-World War I Europe. To finance the modernization of industry, the construction of public works projects, railroad construction, and the development and adventures of the military-industrial complex, Russia's ministers of finance, municipal leaders, and nascent manufacturing class turned, time and time again, to foreign capital. From the forging of the Franco-Russian alliance onwards, Russia's needs were met, first and foremost, its allies and diplomatic partners in the developing Triple Entente. In the case of Russia's relationships with both France and Great Britain, an open pocketbook primed the pump, facilitating the good spirits that fostered agreement. Russia's continued access to those ready lenders ensured that the empire of the Tsars would not be tempted away from its alliance and entente partners. This web of financial and political interdependence affected both foreign policy and domestic society in all three countries. The Russian state was so heavily indebted to its western creditors, rendering those western economies almost prisoners to this debt, that the debtor nation in many ways had the upper hand; the Russian government at times was actually able to dictate policy to its French and British counterparts. Those nations' investing classes-which, in France in particular, spanned not only the upper classes but the middle, rentier class, as well-had such a vast proportion of their savings wrapped up in Russian bonds that any default would have been catastrophic for their own economies. That default came not long after the Bolshevik Revolution brought to power a government who felt no responsibility whatsoever for the debts accrued by the tsars for the purpose of oppressing Russia's workers and peasants. The ensuing effect on allied morale, the French and British economies and, ultimately, on the Anglo-French relationship, was grim and far-reaching. This book will contribute to understandings of the ways that non-governmental and sometimes transnational actors were able to influence both British and French foreign policy and Russian foreign and domestic policy. It will address the role of individual financiers and policy makers-men like Lord Revelstoke, chairman of Baring Brothers, the British and French Rothschild cousins, Edouard Noetzlin of the Banque de Paris et de Pays Bas, and Sergei Witte, Russia's authoritative finance minister during much of this age of expansion; the importance of foreign capital in late imperial Russian policy; and the particular role of British capital and financial investment in the construction and strengthening of the Anglo-Russo-French entente. It will illustrate the interrelationship of political and economic decision-making with the ideas and beliefs that inform security policy. Drawing upon both the traditional archival sources for diplomatic history-the government holdings of Great Britain, France, and Russia-and the non-governmental archival holdings of international finance-this project looks beyond the realm of high politics and state-centered decision making in the formation of foreign policy, offering insights into the forms and functions of diplomatic alliances while elucidating the connections between finance and foreign policy. It is a classic tale of money and power in the modern era-an age of economic interconnectivity and great power interdependency.

The First World War (1914-1918) marked a turning point in modern history and culture and its literary legacy is vast: poetry, fiction and memoirs abound. But the drama of the period is rarely recognised, with only a handful of plays commonly associated with the war."First World War Plays" draws together canonical and lesser-known plays from the First World War to the end of the twentieth century, tracing the ways in which dramatists have engaged with and resisted World War I in their works. Spanning almost a century of conflict, this anthology explores the changing cultural attitudes to warfare, including the significance of the war over time, interwar pacifism, and historical revisionism. The collection includes writing by combatants, as well as playwrights addressing historical events and national memory, by both men and women, and by writers from Great Britain and the United States.Plays from the period, like "Night Watches" by Allan Monkhouse (1916), "Mine Eyes Have Seen" by Alice Dunbar-Nelson (1918) and "Tunnel Trench" by Hubert Griffith (1924), are joined with reflections on the war in "Post Mortem" by Noel Coward (1930, performed 1944) and "Oh What A Lovely War" by Joan Littlewood's Theatre Workshop (1963) as well as later works "The Accrington Pals" by Peter Whelan (1982) and "Sea and Land and Sky "by Abigail Docherty (2010).Accompanied by a general introduction by editor, Dr Mark Rawlinson.

War in the East African bush
The First World War was inevitably a global conflict because the rush by the principal powers of Europe to establish trading bases and colonies, principally during the 19th century, guaranteed it would be so. In Africa, German and British settlers were close neighbours and at the outbreak of hostilities were ready for immediate confrontation. National and imperial forces were dispatched to augment local military operations. This book concerns the struggle for East Africa. It was written, drawing on memory and diary entries, by a British senior staff officer, a brigadier-general, who was central to the organisation of the British campaign and who has left posterity a concise, thorough and detailed historical overview of it from the British perspective. This book qualifies as a campaign history rather than a first hand account and is recommended to readers seeking that perspective on this interesting 'sideshow' theatre of the war.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

A great war correspondent reports from the Great War
Richard Harding Davis is well regarded as a writer of fiction, but it is for his work and writings as a journalist-particularly when covering the battle front-that posterity has awarded him the accolade 'the first famous American war correspondent.' Davis' first experience as a war correspondent was during the Spanish-American War and he later covered the Boer War in South Africa. The outbreak of the Great War saw him travelling to Europe and once there his pursuit of the story and vital information propelled him through many theatres of the conflict. The passage of time filters away those who have experienced momentous events until the few who are remembered are those who have left a written record. Each account is beyond value when their number is finite, but occasionally we are blessed not only with an invaluable account but also a fine author to convey it. By this time Davis had perfected his craft and these two books brought together by Leonaur for good value demonstrate that perfectly. They are augmented here with some of Davis' letters sent during the Great War. This was to be Davis' last campaign on returning home to New York he fell ill and died suddenly in 1916 aged just 52 years old. Available in softcover and hardback with dust jacket for collectors.