The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume III covers July 1915 through May 1917 on the Western Front, from the first major Allied offensive to the German assault on Verdun and the Allied drive on the Somme. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

The Shelf2Life WWI Memoirs Collection is an engaging set of pre-1923 materials that describe life during the Great War through memoirs, letters and diaries. Poignant personal narratives from soldiers, doctors and nurses on the front lines to munitions workers and land girls on the home front, offer invaluable insight into the sacrifices men and women made for their country. Photographs and illustrations intensify stories of struggle and survival from the trenches, hospitals, prison camps and battlefields. The WWI Memoirs Collection captures the pride and fear of the war as experienced by combatants and non-combatants alike and provides historians, researchers and students extensive perspective on individual emotional responses to the war.

World War I was a global war originating in Europe that lasted from 1914 to 1918. Contemporaneously known as the Great War or "the war to end all wars", it led to the mobilisation of more than 70 million military personnel, including 60 million Europeans, making it one of the largest wars in history. This series of Eight volumes provides year by year analysis of the war that resulted in the death of more than 17 million deaths worldwide.

The Finnish Civil War 1918 offers a rich account of the history and memory of the short conflict between socialist Reds and non-socialist Whites in the winter and spring of 1918. It also traces the legacy of the bloody war in Finnish society until today. The volume brings together established scholarship of political and social history with newer approaches stemming from the cultural history of war, memory studies, gender studies, history of emotions, psychohistory and oral history. The contributors provide readers with a solid discussion of the Civil War within its international and national frameworks. Among themes discussed are violence and terror, enemy images, Finnish irredentist campaigns in Soviet Karelia and the complex memory of the conflict. Besides a historical narrative, the volume discusses the current state of historiography of the Finnish Civil War. Contributors are Anders Ahlback, Pertti Haapala, Marianne Junila, Tiina Kinnunen, Tiina Lintunen, Aapo Roselius, Tauno Saarela, Juha Siltala, Tuomas Tepora and Marko Tikka.

Other Fronts, Other Wars? goes beyond the Western Front geographically and delves behind the trenches focusing on the social and cultural history of the First World War: it covers front experiences in the Ottoman and Russian Armies, captivity in Japan and Turkey, occupation at the Eastern war theatre, medical history (epidemics in Serbia, medical treatment in Germany) and war relief (disabled soldiers in Austria). It studies the home front from the aspect of gender (loosing manliness), transnational comparisons (provincial border towns) and culture (home front entertainments in European metropoles) and gives insight on how attitudes were shaped through intellectual wars of scientists and through commemoration in Serbia. Thus the volume offers a wide range of new approaches to the history of the First World War. Contributors are Kate Arrioti, Altai Atli, Gunda Barth-Scalmani, Joachim Burgschwentner, Wolfram Dornik, Indira Durakovic, Matthias Egger, Maciej Gorny, Andrea Griffante, Ke-chin Hsia, Rudolf Kucera, Eva Krivanec, Stephan Lehnstaedt, Bernhard Liemann, Tilman Ludke, Andrea McKenzie, Mahon Murphy, Nicolas Patin, Livia Prull, Philipp Rauh, Paul Simmons, Christian Steppan and Katarina Todic.

A young British soldier who went to war on two wheels
When the Great War broke out, the author of this book decided to leave his university studies and join the struggle. What attracted him immediately was the potential to combine his military service with his love of motorcycles and so it was that he found himself one of a select group of motorcycle despatch riders within the 5th Division of the 'Contemptible Little Army' that went to France and Belgium to halt the overwhelming numerical superiority of the advancing German Army. This book, an account of his experiences in the early months of the war, tells the story of a conflict of fluid manoeuvre and dogged retreat. Together with congested roads filled with military traffic and refugees, the ever present threat of artillery barrage and changing front lines the author had to constantly be aware of the presence of the deadly Uhlans-mounted German Lancers-who were always ready to pitch horseflesh against horsepower.

With an Introduction by Angus Calder. As Angus Calder states in his introduction to this edition, 'Seven Pillars of Wisdom is one of the major statements about the fighting experience of the First World War'. Lawrence's younger brothers, Frank and Will, had been killed on the Western Front in 1915. Seven Pillars of Wisdom, written between 1919 and 1926, tells of the vastly different campaign against the Turks in the Middle East - one which encompasses gross acts of cruelty and revenge and ends in a welter of stink and corpses in the disgusting 'hospital' in Damascus. Seven Pillars of Wisdom is no Boys Own Paper tale of Imperial triumph, but a complex work of high literary aspiration which stands in the tradition of Melville and Dostoevsky, and alongside the writings of Yeats, Eliot and Joyce.

An intimate portrait of war
There are books which report the experience of war and then there are a few that enable the reader to step into another's life to share war, both in the mind and the flesh. Red Dust is such a book. Written by a trooper of the Australian Light Horse on campaign in the Middle East during the Great War against the Ottoman Turkish empire it tells of 'mateship, ' hard campaigning and brutal conflict-often hand to hand and described in relentless detail. It also allows the reader to share the thoughts of this ordinary man-a man of his time and his country-as he struggles to rationalise the horror and futility of war, his feelings on the loss of comrades, the embryonic sense of otherness from the Imperial motherland and the loss of youth. The action takes place principally in the Jordon Valley in Palestine-a grinding stalemate of a phase in what was often one of fluid manoeuvre. Here the troops experienced fiercely hot days, freezing nights, scorpions and spiders and the ever present threat of the tenacious and respected enemy. Red Dust is a rare book in every sense and will be sure to reward all those interested in the First World War and fine writing.

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume I covers June through October 1914, from the causes of the war-including how the local matter of the assassination of Archduke Franz Ferdinand of Austria grew into a global conflagration and the various declarations of war among the world powers-through the early battles on the Western Front. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume II covers August 1914 through July 1915 on the Western Front, from the German advance on Paris to the first use of aeroplanes and zeppelins. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

The first two books in an excellent trilogy of the Great War in the Middle East
W. T Massey was the foremost accredited journalist reporting on behalf of the London newspapers covering the Great War in the Middle East as it was fought against the Ottoman Turkish Empire, its German ally and the tribes of the region who threw in their lot with them. He possessed a deeply held conviction that this theatre of operations was far more important than those who only concerned themselves with the conflict in Europe believed. He was particularly aware of the hardships suffered by British and Colonial troops serving in difficult climates and over unrelenting terrain and he became, through his long association with the entire campaign, a champion of those who fought in it. This volume in the two book Leonaur edition-which covers the complete conflict from the war in the Western Desert against the Senussi to the actions at Aleppo and beyond-begins appropriately with the first book, 'The Desert Campaigns' and follows with the campaign that culminated in Allenby's historic walk into Jerusalem in 'How Jerusalem was Won.' Part history, part first hand account this is a valuable history imbued with the insight of one who was there.

An 'Old Contemptible' recounts the campaign of 1914
At the outbreak of the First World War, units of the British regular army-the B. E. F-were despatched to the continent to assist the French in an attempt to stem the tide of the advancing Imperial German Army as it marched inexorably towards Paris. The enemy viewed the 'Tommies' as 'that contemptible little army.' In that way peculiar to the British the insult became a byword for courage and honour as the highly trained and motivated soldiers in khaki demonstrated just what a contemptible little army could do. However, this was a war of attrition and despite the 'contemptibles' magnificent performance the 'grey horde' could not initially be halted. What followed was the memorable retreat from Mons. The author of this book was a subaltern officer serving in one of the county regiments of the B. E. F and chose as his title for this book the proudly worn designation 'Contemptible.' Although the book was written under a pseudonym it is widely believed that the writer was Arnold Gyde who served with the South Staffordshire Regiment and was one of the first British soldiers to set foot on the continent. Although the account of this vital aspect of the opening months of the conflict is presented in a 'factional' style it is clearly based on the author's first hand experiences.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

World War I was a global war originating in Europe that lasted from 1914 to 1918. Contemporaneously known as the Great War or "the war to end all wars", it led to the mobilisation of more than 70 million military personnel, including 60 million Europeans, making it one of the largest wars in history. This series of Eight volumes provides year by year analysis of the war that resulted in the death of more than 17 million deaths worldwide.

"Lean men, brown men, men from overseas,
Men from all the outer world; shy and ill at ease
" There were Canadian Mounties, American cowboys, Arctic explorers, adventurers, rogues, big game hunters and sportsmen. There were famous men like Cherry Kearton, the naturalist and explorer and the grand old man of Africa-Frederick Selous himself. All these men had come together under the Union Flag to do battle against colonial Imperial Germany in East Africa. They came under the command of Driscoll of Driscoll's Scouts who performed with renown during the Boer War. These were the men of the 25th Royal Fusiliers-The Legion of Frontiersmen-and their battlegrounds were to be the great plains of Africa rich in wildlife and elemental danger. This is their story through the years of the Great War told by one of their own officers in vivid detail. It is a story of campaigns and hardship which would be equal to the best of them and lay many a 'lean, brown man' in a shallow grave in the red earth before it was concluded.