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Books > History > World history > From 1900 > First World War
This is a major new contribution to the historiography of the First
World War. It examines the lively battle of ideas which helped to
destroy Austria-Hungary. It also assesses, for the first time, the
weapon of 'front propaganda' as used by and against the Empire on
the Italian and Eastern Fronts. Based on material in eight
languages, the work challenges accepted views about Britain's
primacy in the field of propaganda, while casting fresh light on
the creation of Yugoslavia and the viability of the Habsburg Empire
in its last years.
Prior to World War I, Britain was at the center of global
relations, utilizing tactics of diplomacy as it broke through the
old alliances of European states. Historians have regularly
interpreted these efforts as a reaction to the aggressive foreign
policy of the German Empire. However, as Between Empire and
Continent demonstrates, British foreign policy was in fact driven
by a nexus of intra-British, continental and imperial motivations.
Recreating the often heated public sphere of London at the turn of
the twentieth century, this groundbreaking study carefully tracks
the alliances, conflicts, and political maneuvering from which
British foreign and security policy were born.
The 6th Battalion Lincolnshire Regiment was raised in August 1914
and sailed for Gallipoli in July 1915. Upon arrival, the Battalion
was almost immediately thrown into action at the Suvla Bay landings
on 6 August 1915. The 6th Lincolns continued to serve at Gallipoli
until the evacuation of Suvla. Following a period of respite in
Egypt, the Battalion was transferred to the Western Front where it
served until Armistice. Compiled from a previously unpublished
manuscript written in the 1920's, this book provides a unique and
colourful account of the Battalion's history throughout WW1, as
told by Colonel F.G. Spring who served with the Battalion in 1915.
The book also contains a Roll of Honour listing the names of all
those who died with the Battalion, as well as the citations for
those awarded medals for gallantry. Given that the Battalion War
Diary for Gallipoli was lost, this publication is represents the
most comprehensive account of the 6th Lincolns during the Great
War.
This book represents a first considered attempt to study the
factors that conditioned industrial chemistry for war in 1914-18.
Taking a comparative perspective, it reflects on the experience of
France, Germany, Austria, Russia, Britain, Italy and Russia, and
points to significant similarities and differences. It looks at
changing patterns in the organisation of industry, and at the
emerging symbiosis between science, industry and the military.
Episodes from the United States first war in the air
The United States of America joined the Allies in the First World
War in April of 1917. While the addition of its enormous resource
of men and military personnel was undoubtedly pivotal in a war that
had become one of attrition against a much war weakened enemy which
was struggling alone, it was inevitable that the history of the
American units engaged on land, sea or in the air would concern the
latter battles of the conflict. For the airmen themselves,
including those of the American 17th Aero Squadron whose exploits
this book details, that made far less difference than it would to
most military personnel. The air war was new, the flying machines
were flimsy and primitive and the business of fighting in the skies
was being defined by the young men who fought and died above the
surface of the earth. All knew that the life of a pilot was
perilous and likely to be short. This is an essential book for
those interested in the First World War in the skies over the
Western Front-and in the early days of what was to become one of
the greatest air forces in the world. Many of the activities of the
17th Aero Squadron were focussed on the Dunkirk front and in its
support of the British battle and advances during the fighting at
Cambrai. The book includes an interesting view of a low bombing and
machine gun attack on the Varssenaere Aerodrome. Also included are
many combat reports by the squadron's pilots and these make
fascinating reading. The appendices include useful statistical
information, an honour and casualty role and a list of those
officers and men who served in the squadron.
Leonaur editions are newly typeset and are not facsimiles; each
title is available in softcover and hardback with dustjacket; our
hardbacks are cloth bound and feature gold foil lettering on their
spines and fabric head and tail bands.
What did British combatants wear on the western front in the First
World War? From the idealized recruitment images to the coarse
trousers and ill-fitting tunics, Jane Tynan retraces wartime
culture through images and experiences of khaki. Photographs,
newspapers, memoirs, war office documents and tailoring ephemera
reveal the impact of the war on the tailoring trade. But the story
of uniform also involves the wartime knitting projects, the issue
of 'Kitchener Blue', Sikhs wearing khaki on the western front, and
the punishments given to COs. Military uniforms were designed to
make soldiers of civilian men and to rank them according to race
and class, but Tynan argues that neat images of men in khaki
concealed the reality that clothing an ever-expanding army involved
compromise, resistance and improvisation. Uniforms transformed men
and war changed British society. This book tells the story of
British army clothing during wartime and offers insights into why
khaki has endured as the symbol of modern militarism.
Nominated for the Longman History Today Book of the Year Prize,
1995The first full-scale study of the rituals with which the
British people commemorated three-quarters of a million war
dead.Explains both the origins of the two minutes silence and the
reasons for the success of the poppy appeal.This book examines how
the British people came to terms with the massive trauma of the
First World War. Although the literary memory of the war has often
been discussed, little has been written on the public ceremonies on
and around 11 November which dominated the public memory of the war
in the inter-war years. This book aims to remedy the deficiency by
showing the pre-eminence of Armistice Day, both in reflecting what
people felt about the war and in shaping their memories of it. It
shows that this memory was complex rather than simple and that it
was continually contested. Finally it seeks to examine the impact
of the Second World War on the memory of the First and to show how
difficult it is to recapture the idealistic assumptions of a world
that believed it had experienced 'the war to end all wars'.
In the summer of 1917 three Wisconsin National Guard companies came
together to form the 150th Machine Gun Battalion of the now famous
42nd "Rainbow" Division. As true comrades, they relied on one
another for support as they fought in every major battle of the
American Expeditionary Forces, including the landmark battle of
Chateau Thierry, which cost the unit dearly. As one of Wisconsin's
most celebrated units, a soldier coming from the battalion was
selected to represent the state at the unveiling of the Tomb of the
Unknown Soldier in Washington, D.C., in 1921. Today, the 150th is
all but forgotten, in part because their unit history was never
written. Through letters, diaries, and other recollections, Larson
tells us the story of these Guardsmen's experiences. He traces the
path of their wartime service and considers the impact of war's
trauma and tedium on their lives.
Three hundred and fifty-one men were executed by British Army firing-squads between September 1914 and November 1920. By far the greatest number were shot for desertion in the face of the enemy. Controversial even at the time, these executions of soldiers amid the horrors of the Western Front continue to haunt the history of war. This book provides a critical analysis of military law in the British army and other major armies during the First World War, with particular reference to the use of the death penalty. This study establishes a full cultural and legal framework for military discipline and compares British military law with French and German military law. It includes case studies of British troops on the Frontline.
'A groundbreaking and important book that will surely reframe our
understanding of the Great War' David Lammy'A genuinely
groundbreaking piece of research' BBC History 'Meticulously
researched and beautifully written' Military History Monthly In a
sweeping narrative, David Olusoga describes how Europe's Great War
became the World's War - a multi-racial, multi-national struggle,
fought in Africa and Asia as well as in Europe, which pulled in men
and resources from across the globe. Throughout, he exposes the
complex, shocking paraphernalia of the era's racial obsessions,
which dictated which men would serve, how they would serve, and to
what degree they would suffer. As vivid and moving as it is
revelatory and authoritative, The World's War explores the
experiences and sacrifices of four million non-European, non-white
people whose stories have remained too long in the shadows.
A woman in Iraq
This book of a woman's ordeal at the hands of Arabs in post First
World War Mesopotamia (now modern day Iraq) is such a riveting
account that to describe too much would be to spoil the experience
for the reader. The young wife and mother, Zetton Buchanan, had
joined her husband, Captain 'Billy' Buchanan of the RAF, on his
eastern posting with a degree of expectation and sense of impending
adventure. Nothing she could have imagined would have prepared her
for the events that followed. This is a touching and inspirational
first hand account of a young woman's ability to cope with tragedy
and overcome astonishing difficulties. Although the narrative takes
place in the 1920s there is much with the pages of Zetton
Buchanan's book that resonates with the experiences of many in this
still troubled land. A recommended read for those interested in
women's issues.
Leonaur editions are newly typeset and are not facsimiles; each
title is available in softcover and hardback with dustjacket; our
hardbacks are cloth bound and feature gold foil lettering on their
spines and fabric head and tail bands.
Piero Gobetti was an astonishing figure. A radical liberal and
fierce critic of Italian politics in the years after World War I,
he was fascinated by the workers' struggles in his native Turin and
by Gramsci's vision of a factory-based democracy. Gobetti proposed
liberalism as an emancipatory theory grounded in social conflicts.
"Revolutionary liberalism," as he called it, guided his opposition
to Fascism and, following his untimely death at twenty-five,
inspired key figures in the Italian Resistance. Accessible but
critical, this volume is the first English-language study of
Gobetti's political ideas and offers a balanced assessment of his
enduring significance.
Far from the battlefront, hundreds of thousands of workers toiled
in Bohemian factories over the course of World War I, and their
lives were inescapably shaped by the conflict. In particular, they
faced new and dramatic forms of material hardship that strained
social ties and placed in sharp relief the most mundane aspects of
daily life, such as when, what, and with whom to eat. This study
reconstructs the experience of the Bohemian working class during
the Great War through explorations of four basic spheres-food,
labor, gender, and protest-that comprise a fascinating case study
in early twentieth-century social history.
This book presents a unique insight into an extraordinary period of
European history that had far-reaching significance for British
cinema and for the way history itself is represented. The work
collected in this volume draws from the best knowledge, enthusiasm
and critical insight of leading scholars, archivists and historians
specialising in British cinema. The editors are experts in the
field of British silent cinema; in particular, its complex
relationship to the Great War and its afterimage in popular
culture. As the Great War continues to fade from living memory, it
is a significant task to look back at how the cinema industry
responded to that conflict as it unfolded, and how it shaped the
war's memory through the 1910s and 1920s.
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