Three accounts of the brave women volunteers of the V.A.Ds during the Great War
Although the wars of the later 19th century, such as the American Civil War and the Franco-Prussian War, offered insights into what warfare would become as the industrial age developed, nothing could prepare anyone for the global conflict that became the First World War. Here was a lethal combination of warring nations, whose troops were armed with the most sophisticated weapons that technology could devise, each with the means of mass production to manufacture and deliver them. For the first time it was possible to wage war on a grand scale on land, in the air and beneath and upon the oceans. This was a war where millions of men took part in battle and, in consequence, stripped the production and support services workforces from their home countries. Women, already impatient for political reform, stepped forward to make a vital contribution to the war effort and in so doing changed their status in western society forever. There were many volunteer organisations who were relied upon to support the fighting troops, including the Scottish Women's Hospitals, the F.A.N.Ys, the Y.M.C.A and those who are the subject of this book-the V.A.Ds-the Voluntary Aid Detachments. Three quarters of V.A.Ds were women and girls and they became ambulance drivers, mechanics, cooks, clerks and learned trades which were normally the province of men. But it is in their role as nurses during the conflict for which they are especially remembered. The V.A.Ds included both trained and untrained nurses who worked principally under the direction of the Red Cross and the Order of St. John. This special Leonaur book about the V.A.Ds, published to commemorate the centenary of the outbreak of the First World War, contains three essential and riveting first-hand acounts by those who served, and provides invaluable insights into the developing role of women during those years of crisis. Recommended.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

During the First World War approximately 210,000 Irish men and a much smaller, but significant, number of Irish women served in the British armed forces. All were volunteers and a very high proportion were from Catholic and Nationalist communities. This book is the first comprehensive analysis of Irish recruitment between 1914 and 1918 for the island of Ireland as a whole. It makes extensive use of previously neglected internal British army recruiting returns held at The National Archives, Kew, along with other valuable archival and newspaper sources. There has been a tendency to discount the importance of political factors in Irish recruitment, but this book demonstrates that recruitment campaigns organised under the auspices of the Irish National Volunteers and Ulster Volunteer Force were the earliest and some of the most effective campaigns run throughout the war. The British government conspicuously failed to create an effective recruiting organisation or to mobilise civic society in Ireland. While the military mobilisation which occurred between 1914 and 1918 was the largest in Irish history, British officials persistently characterised it as inadequate, threatening to introduce conscription in 1918. This book also reflects on the disparity of sacrifice between North-East Ulster and the rest of Ireland, urban and rural Ireland, and Ireland and Great Britain.

Chasseur of 1914 - The first months of war through the eyes of a French regular cavalry officer. This is a fascinating and unusual book. Written in the early years of the Great War in Europe by a young professional officer of Chasseurs a Cheval, this is a lyrical work full of enthusiasm, idealism and conviction in the spirit of the Light Cavalry. In places the reader can easily imagine it is the account of a Napoleonic or 2nd Empire cavalryman - so similar are the scenes of campaigning against the common Prussian enemy. Dupont's regiment is brigaded with the Chasseurs de Afrique engaged in mounted warfare at the Battle of the Marne and after. As 1915 approaches they are dismounted to fight as infantry in Belgium where Dupont takes part in the Battle of the Yser. This book offers a 'snapshot' in time - a view of war in which the writer still dreams of Lasalle and Murat untarnished by the war of attrition to come. .

During the twilight years of the Ottoman Empire, the ethnic tensions between the minority populations within the empire led to the administration carrying out a systematic destruction of the Armenian people. This not only brought two thousand years of Armenian civilisation within Anatolia to an end but was accompanied by the mass murder of Syriac and Greek Orthodox Christians. Containing a selection of papers presented at "The Genocide of the Christian Populations of the Ottoman Empire and its Aftermath (1908-1923)" international conference, hosted by the Chair for Pontic Studies at the Aristotle University of Thessaloniki, this book draws on unpublished archival material and an innovative historiographical approach to analyze events and their legacy in comparative perspective. In order to understand the historical context of the Ottoman Genocide, it is important to study, apart from the Armenian case, the fate of the Greek and Assyrian peoples, providing a more comprehensive understanding of the complexity of the situation. This volume is primarily a research contribution but should also be valued as a supplementary text that would provide secondary reading for undergraduates and postgraduate students.

Museums, Modernity and Conflict examines the history of the relationship between museums, collections and war, revealing how museums have responded to and been shaped by war and conflicts of various sorts. Written by a mixture of museum professionals and academics and ranging across Europe, North America and the Middle East, this book examines the many ways in which museums were affected by major conflicts such as the World Wars, considers how and why they attempted to contribute to the war effort, analyses how wartime collecting shaped the nature of the objects held by a variety of museums, and demonstrates how museums of war and of the military came into existence during this period. Closely focused around conflicts which had the most wide-ranging impact on museums, this collection includes reflections on museums such as the Louvre, the Stedelijk in the Netherlands, the Canadian War Museum and the State Art Collections Dresden. Museums, Modernity and Conflict will be of interest to academics and students worldwide, particularly those engaged in the study of museums, war and history. Showing how the past continues to shape contemporary museum work in a variety of different and sometimes unexpected ways, the book will also be of interest to museum practitioners.

This book tackles cultural mobilization in the First World War as a plural process of identity formation and de-formation. It explores eight different settings in which individuals, communities and conceptual paradigms were mobilized. Taking an interdisciplinary approach, it interrogates one of the most challenging facets of the history of the Great War, one that keeps raising key questions on the way cultures respond to times of crisis. Mobilization during the First World War was a major process of material and imaginative engagement unfolding on a military, economic, political and cultural level, and existing identities were dramatically challenged and questioned by the whirl of discourses and representations involved.

Tense Future falls into two parts. The first develops a critical account of total war discourse and addresses the resistant potential of acts, including acts of writing, before a future that looks barred or predetermined by war. Part two shifts the focus to long interwar narratives that pit both their scale and their formal turbulence against total war's portrait of the social totality, producing both ripostes and alternatives to that portrait in the practice of literary encyclopedism. The book's introduction grounds both parts in the claim that industrialized warfare, particularly the aerial bombing of cities, intensifies an under-examined form of collective traumatization: a pretraumatic syndrome in which the anticipation of future-conditional violence induces psychic wounds. Situating this claim in relation to other scholarship on "critical futurities," Saint-Amour discusses its ramifications for trauma studies, historical narratives generally, and the historiography of the interwar period in particular. The introduction ends with an account of the weak theory of modernism now structuring the field of modernist studies, and of weak theory's special suitability for opposing total war, that strongest of strong theories.

On April 25th 1915, during the First World War, the famous Anzacs landed ashore at Gallipoli. At the exact same moment, leading figures of Armenian life in the Ottoman Empire were being arrested in vast numbers. That dark day marks the simultaneous birth of a national story - and the beginning of a genocide. When We Dead Awaken - the first narrative history of the Armenian Genocide in decades - draws these two landmark historical events together. James Robins explores the accounts of Anzac Prisoners of War who witnessed the genocide, the experiences of soldiers who risked their lives to defend refugees, and Australia and New Zealand's participation in the enormous post-war Armenian relief movement. By exploring the vital political implications of this unexplored history, When We Dead Awaken questions the national folklore of Australia, New Zealand, and Turkey - and the mythology of Anzac Day itself.

This book is based on original research into intimidation and violence directed at civilians by combatants during the revolutionary period in Ireland, considering this from the perspectives of the British, the Free State and the IRA. The book combines qualitative and quantitative approaches, and focusses on County Kerry, which saw high levels of violence. It demonstrates that violence and intimidation against civilians was more common than clashes between combatants and that the upsurge in violence in 1920 was a result of the deployment of the Black and Tans and Auxiliaries, particularly in the autumn and winter of that year. Despite the limited threat posed by the IRA, the British forces engaged in unprecedented and unprovoked violence against civilians. This study stresses the increasing brutality of the subsequent violence by both sides. The book shows how the British had similar methods and views as contemporary counter-revolutionary groups in Europe. IRA violence, however, was, in part, an attempt to impose homogeneity as, beneath the Irish republican narrative of popular approval, there lay a recognition that universal backing was never in fact present. The book is important reading for students and scholars of the Irish revolution, the social history of Ireland and inter-war European violence.

During the last two centuries, ethnolinguistic nationalism has been the norm of nation building and state building in Central Europe. The number of recognized Slavic languages (in line with the normative political formula of language = nation = state) gradually tallied with the number of the Slavic nation-states, especially after the breakups of Czechoslovakia, the Soviet Union and Yugoslavia. But in the current age of borderless cyberspace, regional and minority Slavic languages are freely standardized and used, even when state authorities disapprove. As a result, since the turn of the 19th century, the number of Slavic languages has varied widely, from a single Slavic language to as many as 40. Through the story of Slavic languages, this timely book illustrates that decisions on what counts as a language are neither permanent nor stable, arguing that the politics of language is the politics in Central Europe. The monograph will prove to be an essential resource for scholars of linguistics and politics in Central Europe.

First World War-based ex-servicemen's organisations found themselves facing an existential crisis with the onset of the Second World War. This book examines how two such groups, the British and American Legions, adapted cognitively to the emergence of yet another world war and its veterans in the years 1938 through 1946. With collective identities and socio-political programmes based in First World War memory, both Legions renegotiated existing narratives of that war and the lessons they derived from those narratives as they responded to the unfolding Second World War in real time. Using the previous war as a "learning experience" for the new one privileged certain understandings of that conflict over others, inflecting its meaning for each Legion moving forward. Breaking the Second World War down into its constituent events to trace the evolution of First World War memory through everyday invocations, this unprecedented comparison of the British and American Legions illuminates the ways in which differing international, national, and organisational contexts intersected to shape this process as well as the common factors affecting it in both groups. The book will appeal most to researchers of the ex-service movement, First World War memory, and the cultural history of the Second World War.

A noted World War I scholar examines the critical decisions and events that led to Germany's defeat, arguing that the German loss was caused by collapse at home as well as on the front. Much has been written about the causes for the outbreak of World War I and the ways in which the war was fought, but few historians have tackled the reasons why the Germans, who appeared on the surface to be winning for most of the war, ultimately lost. This book, in contrast, presents an in-depth examination of the complex interplay of factors-social, cultural, military, economic, and diplomatic-that led to Germany's defeat. The highly readable work begins with an examination of the strengths and weaknesses of the two coalitions and points out how the balance of forces was clearly on the side of the Entente in a long and drawn-out war. The work then probes the German plan to win the war quickly and the resulting campaigns of August and September 1914 that culminated in the devastating defeat in the First Battle of the Marne. Subsequent chapters discuss the critical factors and decisions that led to Germany's loss, including the British naval blockade, the role of economic factors in maintaining a consensus for war, and the social impact of material deprivation. Starts a new and fuller discussion of Germany's defeat that goes beyond the battlefields of the Western Front Argues that Germany's defeat was caused by a complex interplay of domestic, social, and economic forces as well as by military and diplomatic factors Integrates the internal problems the German people experienced with Germany's defeats at sea and on land Highlights the critical role played by Britain and the United States in bringing about Germany's defeat Discusses the failures of German military planning and the failure of the nation's political leaders and military leaders to understand that war is the continuation of diplomacy by other means

Organised chronologically by type, German Aircraft of World War I offers a highly-illustrated guide to the main types of aircraft used by the German Air Force during World War I. The book offers a comprehensive survey of German aircraft, from the Albatros B.1 and Fokker E.II of the early years, to the more sophisticated Fokker D.VII and Junkers CL.1 of the final months of the war. All the major and many minor types are featured, including monoplanes, biplanes, single-seater fighters, two-seater fighters, bombers, ground attack aircraft, night bombers, giant bombers and floatplanes. This includes both well-known and lesser- known models, such as the LVG and Pfalz single-seater fighters, the Gotha and Zeppelin Staaken large bombers, AEG ground attack aircraft, and the Albatross, Halberstadt and Brandenburg two-seater biplanes. Each featured profile includes authentic markings and colour schemes, while every separate model is accompanied by exhaustive specifications. Packed with 110 full-colour artworks with detailed specifications, German Aircraft of World War I is a key reference guide for military modellers and World War I enthusiasts.