This book juxtaposes national anthems of thirteen countries from central Europe, with the aim of initiating a dialogue among the peoples of East-Central Europe. We tend to perceive a national anthem as a particular mirror, involuntarily reflecting an image of nation and homeland; but how does it represent the community for whom it sounds? To answer this question, the book deploys a comparative approach - anthems are presented in the light of those of neighbouring countries, with the conviction that one of the key features of true Europeanness is good relations between neighbours. The development trajectory of the modern nation is the context in which the book examines the history of such national symbols, alongside the symbolic content of poetry, images of the homeland and nation depicted in the anthems, as well as the sometimes longer processes which led to the adoption and legal codification of current state symbols. The Anthems of East-Central Europe will be a great resource for researchers, journalists, college and university students, politicians trying to impact emigrees from this region and emigrees themselves.

Australia, Wilkommen (1990) documents the rich and varying contribution made by Germans in Australia. Originally welcomed as hardy pioneers, German settlers were responsible for discovering and opening up vast tracts of land. German scientists and entrepreneurs played a large role in the Australian economy. But as the German empire expanded into the Pacific, and Britain and Australia were drawn into two world wars, perceptions of Germany and its people changed and immigrants were caught in the crossfire between the old and new worlds. This book examines these issues surrounding German immigration into Australia, and the shifting perceptions of both the immigrants and the nation itself.

On a summer's day on the Somme in 1916, one brave battalion lost half its men to enemy fire in an hour. What went wrong? Martha Kearey dressed in black for the rest of her life in memory of the four sons she lost on that day in the First World War, proudly wearing each of their medals in turn on Sundays. Nearly a century on, her grandson Terence has set out to do justice to the memory of his uncles and their colleagues with a full account of the role of their Battalion, the Kensingtons, on the Somme in the summer of 1916. The Kensingtons, guardians of the right flank on the battlefront at Gommecourt, were ordered to march on the enemy without proper preparation in a move later condemned as foolhardy and suicidal. That summer's day, cut to pieces by enemy artillery, they lost half their men in less than an hour. Kearey sets out a candid account of the action, examining why this tragic and unnecessary slaughter was allowed to happen.

A fresh, nuanced look at an extraordinary woman and her lifelong fight for justice. Defying the constraints of her gender and class, Emily Hobhouse travelled across continents and spoke out against oppression. A passionate pacifist and a feminist, she opposed both the 1899-1902 Anglo-Boer War and World War One, leading to accusations of treason. Elsabe Brits travelled in her footsteps to bring to life a colourful story of war, heroism and passion, spanning three continents.

The outbreak of the First World War saw an upsurge of patriotism. The Church generally saw the war as justified, and many clergy encouraged the men in their congregations to join the army. There was, however, already a strong strand of anti-war sentiment, opposed to the dominant theology of the Establishment. This was partly based on traditional Christian pacifism, but included other religious, social and political influences. Campaigners and conscientious objectors voiced a growing concern about the huge human cost of a conflict seemingly endlessly bogged down in the mud of the Flanders poppy fields. 'Subversive Peacemakers' recounts the stories of a strong and increasingly organised opposition to war, from peace groups to poets, from preachers to politicians, from women to working men, all of whom struggled to secure peace in a militarised and fragmenting society. Clive Barrett demonstrates that the Church of England provided an unlikely setting for much of this war resistance. Barrett masterfully narrates the story of the peace movement, bringing together stories of war-resistance until now lost, disregarded or undervalued. The people involved, as well as the dramatic events of the conflict themselves, are seen in a new light.

For centuries, battleships provided overwhelming firepower at sea. They were not only a major instrument of warfare, but a visible emblem of a nation's power, wealth and pride. The rise of the aircraft carrier following the Japanese aerial strike on Pearl Harbor in 1941 highlighted the vulnerabilities of the battleship, bringing about its demise as a dominant class of warship. This book offers a detailed guide to the major types of battleships to fight in the two World Wars. Explore HMS Dreadnought, the first of a class of fast, big-gun battleships to be developed at the beginning of the 20th century; see the great capital ships that exchanged salvos at the battle of Jutland, including the German battlecruiser Derfflinger, which sank the British battleship Queen Mary; find out about the destruction of HMS Hood, which exploded after exchanging fire with the Bismarck, which itself was sunk after a trans-Atlantic chase by a combination of battery fire and aircraft-launched torpedoes; and be amazed at the 'super-battleship' Yamato, which despite its size and firepower, made minimal contribution to Japan's war effort and was sunk by air attack during the defence of Okinawa. Illustrated with more than 120 vivid artworks and photographs, Technical Guide: Battleships of World War I and World War II is an essential reference guide for modellers and naval warfare enthusiasts.

All the guns examined in this new paperback edition of Machine Guns of World War 1 belong to the class known as "automatic" and seven classic World War 1 weapons are illustrated in some 250 color photographs. Detailed sequences shows them in close-up: during step-by-step field stripping, and during handling, loading and live firing trials with ball ammunition, by gunners wearing period uniforms to put these historic guns in their visual context. These fascinating photographs are accompanied by concise, illustrated accounts of each weapon's historical and technical background. The reader will learn exactly what it looked like, sounded like and felt like to crew the German, British and French machine guns which dominated the battlefields of the Western Front in 1914-18, and which changed infantry tactics forever.

America's Arab Nationalists focuses in on the relationship between Arab nationalists and Americans in the struggle for independence in an era when idealistic Americans could see the Arab nationalist struggle as an expression of their own values. In the first three decades of the twentieth century (from the 1908 Ottoman revolution to the rise of Hitler), important and influential Americans, including members of the small Arab-American community, intellectually, politically and financially participated in the construction of Arab nationalism. This book tells the story of a diverse group of people whose contributions are largely unknown to the American public. The role Americans played in the development of Arab nationalism has been largely unexplored by historians, making this an important and original contribution to scholarship. This volume is of great interest to students and academics in the field, though the narrative style is accessible to anoyone interested in Arab nationalism, the conflict between Zionists and Palestinians, and the United States' relationship with the Arab world.

This volume deals with the multiple impacts of the First World War on societies from South Europe, Latin America, Asia and Africa, usually largely overlooked by the historiography on the conflict. Due to the lesser intensity of their military involvement in the war (neutrals or latecomers), these countries or regions were considered "peripheral" as a topic of research. However, in the last two decades, the advances of global history recovered their importance as active wartime actors and that of their experiences. This book will reconstruct some experiences and representations of the war that these societies built during and after the conflict from the prism of mediators between the war fought in the battlefields and their homes, as well as the local appropriations and resignifications of their experiences and testimonies.

The global impact of the First World War dominated the history of the first half of the twentieth century. This major reassessment of the origins of the war, based on extensive original research in several countries, is the first full analysis of the politics of armaments in pre-1914 Europe. David Stevenson directs attention away from the Anglo-German naval race towards the competition on land between the continental armies. He analyses the defence policies of the Powers, and the interaction between the growth of military preparedness and the diplomatic crises in the Mediterranean and the Balkans that culminated in the events of July-August 1914. Drawing on insights from political science, the book offers a fresh conceptual framework for the origins of the First World War, and provides a thought-provoking case-study of the broader relationships between armaments and international conflict.

The literary canon of World War I - celebrated for realizing the experience of an entire generation - ignores writing by women. The war brought home to women the sorrow of the loss of husbands, lovers and relatives as well as more revolutionary knowledge gained through the experience of working in munitions factories and as ambulance drivers, police, nurses and spies. During all this time women wrote - letters, poetry, novels, short stories and memoirs. This volume of mutually reflective essays brings writing from Britain, America, France, Germany, Australia and Russia into literary focus.

Writers at War addresses the most immediate representations of the First World War in the prose of Ford Madox Ford, May Sinclair, Siegfried Sassoon and Mary Borden; it interrogates the various ways in which these writers contended with conveying their war experience from the temporal and spatial proximity of the warzone and investigates the multifarious impact of the war on the (re)development of their aesthetics. It also interrogates to what extent these texts aligned with or challenged existing social, cultural, philosophical and aesthetic norms. While this book is concerned with literary technique, the rich existing scholarship on questions of gender, trauma and cultural studies on World War I literature serves as a foundation. This book does not oppose these perspectives but offers a complementary approach based on close critical reading. The distinctiveness of this study stems from its focus on the question of representation and form and on the specific role of the war in the four authors' literary careers. This is the first scholarly work concerned exclusively with theorising prose written from the immediacy of the war. This book is intended for academics, researchers, PhD candidates, postgraduates and anyone interested in war literature.

During the twilight years of the Ottoman Empire, the ethnic tensions between the minority populations within the empire led to the administration carrying out a systematic destruction of the Armenian people. This not only brought two thousand years of Armenian civilisation within Anatolia to an end but was accompanied by the mass murder of Syriac and Greek Orthodox Christians. Containing a selection of papers presented at "The Genocide of the Christian Populations of the Ottoman Empire and its Aftermath (1908-1923)" international conference, hosted by the Chair for Pontic Studies at the Aristotle University of Thessaloniki, this book draws on unpublished archival material and an innovative historiographical approach to analyze events and their legacy in comparative perspective. In order to understand the historical context of the Ottoman Genocide, it is important to study, apart from the Armenian case, the fate of the Greek and Assyrian peoples, providing a more comprehensive understanding of the complexity of the situation. This volume is primarily a research contribution but should also be valued as a supplementary text that would provide secondary reading for undergraduates and postgraduate students.

Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians' war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience. -- .

How did German intelligence agents in the First World War use dead fish to pass on vital information to their operatives? What did an advertisement for a dog in The Times have to do with the movement of British troops into Egypt? And why did British personnel become suspicious about the trousers hanging on a Belgian woman's washing line? During the First World War, spymasters and their networks of secret agents developed many ingenious - and occasionally hilarious - methods of communication. Puffs of smoke from a chimney, stacks of bread in a bakery window, even knitted woollen jumpers were all used to convey secret messages decipherable only by well-trained eyes. Melanie King retells the astonishing story of these and many other tricks of the espionage trade, now long forgotten, through the memoirs of eight spies. Among them are British intelligence officers working undercover in France and Germany, including a former officer from the Metropolitan Police who once hunted Jack the Ripper. There is also the German Secret Service officer, codenamed Agricola, who spied on the Eastern Front, an American newspaperman and an Austrian agent who disguised himself as everything from a Jewish pedlar to a Russian officer. Drawing on the words of many of the spies themselves, Secrets in a Dead Fish is a fascinating compendium of clever and original ruses that casts new light into the murky world of espionage during the First World War.

First World War-based ex-servicemen's organisations found themselves facing an existential crisis with the onset of the Second World War. This book examines how two such groups, the British and American Legions, adapted cognitively to the emergence of yet another world war and its veterans in the years 1938 through 1946. With collective identities and socio-political programmes based in First World War memory, both Legions renegotiated existing narratives of that war and the lessons they derived from those narratives as they responded to the unfolding Second World War in real time. Using the previous war as a "learning experience" for the new one privileged certain understandings of that conflict over others, inflecting its meaning for each Legion moving forward. Breaking the Second World War down into its constituent events to trace the evolution of First World War memory through everyday invocations, this unprecedented comparison of the British and American Legions illuminates the ways in which differing international, national, and organisational contexts intersected to shape this process as well as the common factors affecting it in both groups. The book will appeal most to researchers of the ex-service movement, First World War memory, and the cultural history of the Second World War.

A war in the skies above the waves
As early as 1908 the Royal Navy understood the potential for the use of aircraft in naval warfare. By 1914 the Royal Naval Air Service consisted of 93 aircraft, 6 airships, 2 balloons and 727 personnel. By 1918 when the RNAS was combined with the RAF it had nearly 3,000 aircraft and more than 55,000 personnel. Aircraft working in concert with the Royal Navy and against enemy shipping and coastal installations had come to stay. This interesting book looks at the RNAS from a much more personal perspective-that of one young navy pilot, Harold Rosher. The book tells the story of Rosher's war, based around Dover and engaged in patrolling over and across the English Channel and attacking enemy held coastal defences such as Zeebrugge, principally through letters to his family and provides vital insights into the First World War in the air as experienced by an early naval pilot. Available in softcover and hardcover with dust jacket

This book examines the history of Herbert Hoover's Commission for Relief in Belgium, which supplied humanitarian aid to the millions of civilians trapped behind German lines in Belgium and Northern France during World War I. Here, Clotilde Druelle focuses on the little-known work of the CRB in Northern France, crossing continents and excavating neglected archives to tell the story of daily life under Allied blockade in the region. She shows how the survival of 2.3 million French civilians came to depend upon the transnational mobilization of a new sort of diplomatic actor-the non-governmental organization. Lacking formal authority, the leaders of the CRB claimed moral authority, introducing the concepts of a "humanitarian food emergency" and "humanitarian corridors" and ushering in a new age of international relations and American hegemony.

This book examines the particular experience of ethnic, religious and national minorities who participated in the First World War as members of the main belligerent powers: Britain, France, Germany and Russia. Individual chapters explore themes including contested loyalties, internment, refugees, racial violence, genocide and disputed memories from 1914 through into the interwar years to explore how minorities made the transition from war to peace at the end of the First World War. The first section discusses so-called 'friendly minorities', considering the way in which Jews, Muslims and refugees lived through the war and its aftermath. Section two looks at fears of 'enemy aliens', which prompted not only widespread internment, but also violence and genocide. The third section considers how the wartime experience of minorities played out in interwar Europe, exploring debates over political representation and remembrance. Bridging the gap between war and peace, this is the ideal book for all those interested in both First World War and minority histories.

Black Shame offers a detailed analysis of the recruitment and deployment of - and reactions to - African soldiers in the WWI European theatre of war. In so doing, the book paints a vivid picture of the wider debates of race and national identity provoked by the use of African troops within the main actors on the WWI scene: France, Britain, Germany and even the US. Drawing on war-time attitudes, Dick van Galen Last explores the reality and long-term consequences of the participation of African regiments in the post-war occupation of the German territories. Wide-ranging, both geographically and thematically, the first publication of its kind, Black Shame adds a fresh, truly comparative perspective to the scholarship in the fields of imperial and military history, as well as war studies and postcolonial studies, and will appeal to academics and postgraduate students alike.

Writers at War addresses the most immediate representations of the First World War in the prose of Ford Madox Ford, May Sinclair, Siegfried Sassoon and Mary Borden; it interrogates the various ways in which these writers contended with conveying their war experience from the temporal and spatial proximity of the warzone and investigates the multifarious impact of the war on the (re)development of their aesthetics. It also interrogates to what extent these texts aligned with or challenged existing social, cultural, philosophical and aesthetic norms. While this book is concerned with literary technique, the rich existing scholarship on questions of gender, trauma and cultural studies on World War I literature serves as a foundation. This book does not oppose these perspectives but offers a complementary approach based on close critical reading. The distinctiveness of this study stems from its focus on the question of representation and form and on the specific role of the war in the four authors' literary careers. This is the first scholarly work concerned exclusively with theorising prose written from the immediacy of the war. This book is intended for academics, researchers, PhD candidates, postgraduates and anyone interested in war literature.

WINNER of the International Affairs Book of the Year at the Political Book Awards 2014Longlisted for the Samuel Johnson Prize 2013 The First World War followed a period of sustained peace in Europe during which people talked with confidence of prosperity, progress and hope. But in 1914, Europe walked into a catastrophic conflict which killed millions of its men, bled its economies dry, shook empires and societies to pieces, and fatally undermined Europe's dominance of the world. It was a war which could have been avoided up to the last moment-so why did it happen? Beginning in the early nineteenth century, and ending with the assassination of Arch Duke Franz Ferdinand, award-winning historian Margaret MacMillan uncovers the huge political and technological changes, national decisions and -- just as important-the small moments of human muddle and weakness that led Europe from peace to disaster. This masterful exploration of how Europe chose its path towards war will change and enrich how we see this defining moment in our history.

A classic text that has been updated across the chapters, giving students a broad perspective on all the work done since the text was originally written, as well as the original perspective. A new introduction examines the topics and arguments that historians have raised since the original text was written, explaining what is new about them and their impact on the original text, giving students the tools to anaylse the context of the new material. Includes a new timeline, and fully updated further reading, providing extended context for students reading the text.