One of the central events of modern history, World War I has been poorly presented in English language films. Torn between the powerful isolationist movement in the U.S. and a growing hatred of the "Hun", contemporary films were mainly propaganda calling citizens to arms. Spurred partly by a patriotism, the American film industry used the outbreak of the war and the government's interest in promoting patriotic sacrifice as a means to expand and take the lead in the film industry worldwide. More a business model than an art form, these early efforts claimed a place of respectability for film among the arts. Twenty years later, though films produced about the war were few, they were technically superior and generally carried conflicting messages about the war's mission and value, while focusing more on storyline than history. This study of English Language World War I films examines nearly 350 films from 1914 to 2014. Descriptions and critiques of each of the films are included, with stories and details about the actors and directors.

This book analyzes the development of the Lost Generation narrative following the First World War. The author examines narratives that illustrate the fracture of upper-class identity, including well-known examples of the Lost Generation-Robert Graves, Siegfried Sassoon, and Vera Brittain-as well as other less typical cases-George Mallory and JRR Tolkien-to demonstrate the effects of the First World War on British society, culture, and politics.

This book looks at the representations of modern war by analysing texts and examining the ways in which authors relate to the atrocious horrors of war. Rejecting the assumption that violence is simply a denial of reason or, at best, a pathological form of collective sadism, this book considers it 'a cultural act' that needs to be understood as underpinned by a series of shared and accepted norms and values stemming from a society at a given moment of its history and shaped by its language. Traditional vocabulary and language seem inadequate to describe soldiers' experience of modern warfare. The problem for writers is to depict and render intelligible a dramatically unprecedented reality through recourse to something familiar. For some historians and literary critics, the absurdity of the First World War has shaped our ironic and disenchanted reading of the entire twentieth century. Yet these ways of coping with the urge to communicate inexpressible feelings and emotions in most cases are not sufficient to overcome the incoherence of the sentiments felt and the events witnessed. The contributors attempt to address the questions and issues that are posed by the highly ambiguous views, texts, and representations examined in this volume. This book was originally published as a special issue of the journal European Review of History: Revue Europeenne d'Histoire.

Although the United States did not enter the First World War until April 1917, Canada enlisted the moment Great Britain engaged in the conflict in August 1914. The Canadian contribution was great, as more than 600,000 men and women served in the war effort 400,000 of them overseas out of a population of 8 million. More than 150,000 were wounded and nearly 67,000 gave their lives. The war was a pivotal turning point in the history of the modern world, and its mindless slaughter shattered a generation and destroyed seemingly secure values. The literature that the First World War generated, and continues to generate so many years later, is enormous and addresses a multitude of cultural and social matters in the history of Canada and the war itself. Although many scholars have brilliantly analyzed the literature of the war, little has been done to catalog the writings of ordinary participants: men and women who served in the war and wrote about it but are not included among well-known poets, novelists, and memoirists. Indeed, we don t even know how many titles these people published, nor do we know how many more titles were added later by relatives who considered the recollections or collected letters worthy of publication. Brian Douglas Tennyson s The Canadian Experience of the Great War: A Guide to Memoirs is the first attempt to identify all of the published accounts of First World War experiences by Canadian veterans."

In World War I and the Origins of U.S. Military Intelligence, military historian James L. Gilbert provides an authoritative overview of the birth of modern Army intelligence. Following the natural division of the intelligence war, which was fought on both the home front and overseas, Gilbert traces the development and use of intelligence and counterintelligence through the eyes of their principal architects: General Dennis E. Nolan and Colonel Ralph Van Deman. Gilbert explores how on the home front, US Army counterintelligence faced both internal and external threats that began with the Army's growing concerns over the loyalty of resident aliens who were being drafted into the ranks and soon evolved into the rooting out of enemy saboteurs and spies intent on doing great harm to America's war effort. To achieve their goals, counterintelligence personnel relied upon major strides in the areas of code breaking and detection of secret inks. Overseas, the intelligence effort proved far more extensive in terms of resources and missions, even reaching into nearby neutral countries. Intelligence within the American Expeditionary Forces was heavily indebted to its Allied counterparts who not only provided an organizational blueprint but also veteran instructors and equipment needed to train newly arriving intelligence specialists. Rapid advances by American intelligence were also made possible by the appointment of competent leaders and the recruitment of highly motivated and skilled personnel; likewise, the Army's decision to assign the bulk of its linguists to support intelligence proved critical. World War I would witness the linkage between intelligence and emerging technologies-from the use of cameras in aircraft to the intercept of enemy radio transmissions. Equally significant was the introduction of new intelligence disciplines-from exploitation of captured equipment to the translation of enemy documents. These and other functions that emerged from World War I would continue to the present to provide military intelligence with the essential tools necessary to support the Army and the nation. World War I and the Origins of U.S. Military Intelligence is ideal not only for students and scholars of military history and World War I, but will also appeal to any reader interested in how modern intelligence operations first evolved.

This book explores how print journalism was a powerful and persistent influence on public attitudes to, and memories of, the First World War in a range of participant nations, including Britain, France, Germany, Ireland, the United States and Australia. With contributions from an international group of history, journalism and literary studies scholars, the book identifies and analyses five distinct roles played by the print media: producing and narrating histories of the war or its constituent episodes; serialising and reviewing memoirs or fictional accounts written by participants; reporting and framing the rituals and ceremonies of local and national commemoration; providing a platform for various war-related advocacy groups or campaigns, from veterans' associations to early Civil Rights movements; and using the war as a lens through which to interpret future conflicts. This innovative collection demonstrates the significance of journalism in shaping the public understanding of the First World War after 1918, and shows how the representations and narratives of the conflict reflected the political and social changes of the post-war decades. This book was originally published as a special issue of Journalism Studies.

The British army was almost unique among the European armies of the Great War in that it did not suffer from a serious breakdown of discipline or collapse of morale. It did, however, inevitably suffer from disciplinary problems. While attention has hitherto focused on the 312 notorious 'shot at dawn' cases, many thousands of British soldiers were tried by court martial during the Great War. This book provides the first comprehensive study of discipline and morale in the British Army during the Great War by using a case study of the Irish regular and Special Reserve batallions. In doing so, Timothy Bowman demonstrates that breaches of discipline did occur in the Irish regiments but in most cases these were of a minor nature. Controversially, he suggests that where executions did take place, they were militarily necessary and served the purpose of restoring discipline in failing units. Bowman also shows that there was very little support for the emerging Sinn Fein movement within the Irish regiments. This book will be essential reading for military and Irish historians and their students, and will interest any general reader concerned with how units maintain discipline and morale under the most trying conditions. -- .

The First World War has been described as the "primordial catastrophe of the twentieth century." Arguably, Italian Fascism, German National Socialism and Soviet Leninism and Stalinism would not have emerged without the cultural and political shock of World War I. The question why this catastrophe happened therefore preoccupies historians to this day. The focus of this volume is not on the consequences, but rather on the connection between the Great War and the long 19th century, the short- and long-term causes of World War I. This approach results in the questioning of many received ideas about the war's causes, especially the notion of "inevitability."

The shipwrecks of WWI constitute a vast, dispersed and distinctive underwater legacy. This insightful book addresses the need to rethink how they can be protected, through an examination of both private and public international law and the conventions governing them. The recent centenary of WWI has prompted a shift in the way attention is focused on legacy wrecks. In this timely book, Craig Forrest considers both the development and current state of the laws that apply to these wrecks, as well as the issues that surround them, such as regulated and unregulated salvage and the potentially hazardous nature of wrecks left in situ. The author then deftly analyses the adequacy of the existing legal framework, in particular the Convention on the Protection of Underwater Cultural Heritage, to fulfill its promise of protecting legacy wrecks for future generations as historical and archaeological resources, memorials and, more importantly, as maritime war graves. This incisive book will prove necessary reading for all with an interest in underwater cultural heritage and its protection, including academics, practitioners and managers, government officials and policymakers. Underwater archaeologists and others interested in maritime law and naval history more broadly will also find its unique analysis useful.

In the horrific conflict of 1914-1918 known first as "The Great War" and later as World War I, Latin American nations were peripheral players. Only after the U.S. entered the fighting in 1917 did eight of the twenty republics declare war. Five others broke diplomatic relations with Germany, while seven maintained strict neutrality. These diplomatic stances, even those of the two actual belligerents-Brazil and Cuba-did little to tip the balance of victory in favor of the allies, and perhaps that explains why historians have paid scant attention to events in Latin America related to the war. Nevertheless, it is still remarkable that Percy Alvin Martin's classic account, Latin American and the War, first published in 1925, remains the standard text on the topic. This book attempts to redress this gap by taking a fresh look at developments between 1914 and 1921 in one of the neutral nations-Colombia. This period, which coincides with the presidency of Jose Vicente Concha (1914-1918) and his successor, Marco Fidel Suarez (1918-1921), is filled with momentous developments not only in foreign policy, when Colombian diplomats pressured by German, British and U.S. propaganda struggled to maintain strict neutrality, but also on the domestic scene as the newly installed Conservative regime faced political and economic crises that sparked numerous and violent protests. Rausch's examination of the administrations of Concha and Suarez supports Martin's assertion that even those countries neutral in the Great War were not immune from its effects.

More than 16,000 Canadian soldiers suffered from shell shock during the Great War of 1914 to 1918. Despite significant interest from historians, we still know relatively little about how it was experienced, diagnosed, treated, and managed in the frontline trenches in the Canadian and British forces. How did soldiers relate to suffering comrades? Did large numbers of shell shock cases affect the outcome of important battles? Was frontline psychiatric treatment as effective as many experts claimed after the war? Were Canadians treated any differently than other Commonwealth soldiers? A Weary Road is the first comprehensive study to address these important questions. Author Mark Osborne Humphries uses research from Canadian, British, and Australian archives, including hundreds of newly available hospital records and patient medical files, to provide a history of war trauma as it was experienced, treated, and managed by ordinary soldiers.

This two volume series serves as a unique window to view the U.S. Army's entry onto the world stage. Faced with entry into the "Great War," the country called upon its military leaders to prepare the Army for combat. What follows is the in-depth story of how the American military and civilian leadership created and trained the Doughboys. In less than eighteen months, America's Army would grow from its humble beginning to fielding over a million soldiers in the Meuse-Argonne campaign. Training and leading this force into battle against the Imperial German Army were some of the great names in American military history, including such stalwarts as John J. Pershing, George Marshall, and Leonard Wood. Here is the story of their perseverance and courage that ultimately defeated the enemy and helped to win the war.

Italy and the Cultural Politics of World War I dialogues with the variety of texts recently published to commemorate the Great War. It explores Italian socialist pacifism, the role of women during the conflict and a dominant cultural movement, Futurism, whose leader, Filippo Tommaso Marinetti, glorified war and enlisted in the fight. Other soldiers created documents about the war that differ from the heroic and virile endeavor that Marinetti placed at the center of his works on war. Italy and the Cultural Politics of World War I pays attention to the representations of the soldiers through an analysis of their letters, dominated by descriptions of the terrible hunger they suffered. In contrast, popular film absorbed the cultural lessons in Marinetti's writings and represented soldiers as modernist heroes in comedies and dramas. However, film did not shy away from representing cowards who could only be baffoons and fools in propaganda films. In another medium, the concern was to publish texts that would serve the fighting soldier and inform readers about ideological and historical motivations for the conflict. The publishing industry supported national propaganda efforts. Only socialism could endanger anti-war publication, but after its initial opposition to the conflict, socialists occupied a neutral position. Italian socialism still remained the only European socialist party that did not renege its pacifism in order to embrace nationalism and the war, but it was also not in favor of actions that would sabotage in the Italian war industry. ltalian socialism is only one feature of Italian culture that was dramatically changed during the war. WWI impacted every aspect of Italian and of European cultures. For instance, as an essay in Italy and the Cultural Politics of World War I explores, the war industry needed workers. The solution was to bring Chinese men France to contribute in the war effort. After the war, they moved to other countries and in Milan, Italy, they founded one of the oldest Chinatowns in Europe, dramatically changing the human landscape of Italy as they later moved to other Italian cities. Italy and the Cultural Politics of World War I supplies essential research articles to the construction of an inclusive portrayal of WWI and Italian culture by deepening our understanding of the transformative role it played in 20th century Italy and Europe.

In 1916 a group of German saboteurs blew up Black Tom Island, a spit of land in New York Harbour. The brazen attack destroyed the harbour and the ammunition housed there - and the subsequent hail of missiles and gunpowder devastated much of lower Manhattan. The attack - so massive that as far away as Maryland people could feel the ground shake - had been shockingly easy. America was littered with networks of German agents plotting further, more deadly, attacks. Twenty years later the German government had still managed to evade responsibility for the crime - and probably would have continued to, were it not for the determination of three lawyers named McCloy, Peaslee, and Martin. These men made it their mission to solve a mystery that began during the first World War and barely ended before the second. They were litigators, spies, historians and, ultimately, defenders of the truth. THE DETONATORS is a fascinating portrait of these men and their time; the dramatic love story of John and Ellen McCloy; and the first full accounting of a crime and a cover-up that resonates strongly in a post-9/11 America.

How did WWI affect the love lives of ordinary citizens and their interactions as couples? This book focuses on how dramatic changes in living conditions affected key parts of the life course of ordinary citizens: marriage and divorce. Innovative in bringing together demographic and gender perspectives, contributions in this comparative volume draw on newly available micro-level data, as well as qualitative sources such as war diaries. In a first exploration intended to incite further research, it asks how patterns of marriage and divorce were affected by the war across Europe, and what the role of enduring change - or lack thereof - in gender relations was in shaping these patterns.

Over the last 30 years, hydrographical marine surveys in the English Channel helped uncover the potential wreck sites of German submarines, or U-boats, sunk during the conflicts of World War I and World War II. Through a series of systemic dives, nautical archaeologist and historian Innes McCartney surveyed and recorded these wrecks, discovering that the distribution and number of wrecks conflicted with the published histories of U-boat losses. Of all the U-boat war losses in the Channel, McCartney found that some 41% were heretofore unaccounted for in the historical literature of World War I and World War II. This book reconciles these inaccuracies with the archaeological record by presenting case studies of a number of dives conducted in the English Channel. Using empirical evidence, this book investigates possible reasons historical inconsistencies persist and what Allied operational and intelligence-based processes caused them to occur in the first place. This book will be of interest to scholars and researchers in the fields of nautical archaeology and naval history, as well as wreck explorers.

An advertisement in the sheet music of the song "Goodbye Broadway, Hello France" (1917) announces: "Music will help win the war!" This ad hits upon an American sentiment expressed not just in advertising, but heard from other sectors of society during the American engagement in the First World War. It was an idea both imagined and practiced, from military culture to sheet music writers, about the power of music to help create a strong military and national community in the face of the conflict; it appears straightforward. Nevertheless, the published sheet music, in addition to discourse about gender, soldiering and music, evince a more complex picture of society. This book presents a study of sheet music and military singing practices in America during the First World War that critically situates them in the social discourses, including issues of segregation and suffrage, and the historical context of the war. The transfer of musical styles between the civilian and military realm was fluid because so many men were enlisted from homes with the sheet music while they were also singing songs in their military training. Close musical analysis brings the meaningful musical and lyrical expressions of this time period to the forefront of our understanding of soldier and civilian music making at this time.

This volume will explore the specific role which war has played in the constitution of a modern mentality. It will be divided into three parts: one dealing with issues of conceptualizing war, violence, and modernity/ modernism, one devoted to issues of the First World War as an exemplary experience in the 20th century; and one concerned with issues of violence and its representation in the aftermath of the first modern war.

The experiences of World War I touched the lives of a generation but memories of this momentous experience vary enormously throughout the world. In Britain, there was a strong reaction against militarism but in the Dominion powers of Canada, Australia and New Zealand the response was very different. For these former colonial powers, the experience of war was largely accepted as a national rite of passage and their pride and respect for their soldiers' sacrifices found its focus in a powerful nationalist drive. How did a single, supposedly shared experience provoke such contrasting reactions? What does it reveal about earlier, pre-existing ideas of national identity? And how did the memory of war influence later ideas of self-determination and nationhood?

"Altered Memories of the Great War" is the first book to compare the distinctive collective narratives that emerged within Britain and the Dominions in response to World War I. It powerfully illuminates the differences as well as the similarities between different memories of war and offers fascinating insights into what this reveals about developing concepts of national identity in the aftermath of World War I.

" ... the student of the Great War and gender is well served, and Braybon's introduction provides an excellent overview of the various historiographical themes, whilst her footnotes provide a useful guide to further reading."? - History "Readers will not be disappointed by this scholarly, yet accessible, collection of essays."? - Centre for First World War Studies In the English-speaking world the Great War maintains a tenacious grip on the public imagination, and also continues to draw historians to an event which has been interpreted variously as a symbol of modernity, the midwife to the twentieth century and an agent of social change. Although much 'common knowledge' about the war and its aftermath has included myth, simplification and generalisation, this has often been accepted uncritically by popular and academic writers alike. While Britain may have suffered a surfeit of war books, many telling much the same story, there is far less written about the impact of the Great War in other combatant nations. Its history was long suppressed in both fascist Italy and the communist Soviet Union: only recently have historians of Russia begun to examine a conflict which killed, maimed and displaced so many millions. Even in France and Germany the experience of 1914-18 has often been overshadowed by the Second World War. The war's social history is now ripe for reassessment and revision. The essays in this volume incorporate a European perspective, engage with the historiography of the war, and consider how the primary textural, oral and pictorial evidence has been used - or abused. Subjects include the politics of shellshock, the impact of war on women, the plight of refugees, food distribution in Berlin and portrait photography, all of which illuminate key debates in war history. Gail Braybon is an independent historian. She is the author of Women Workers in the First World War and also wrote, with Penny Summerfield, Out of the Cage: Women's Experiences in Two World Wars.

Adolf Hitler is the greatest mystery of the 20th century, and the mystery surrounding him consists of two unanswered questions that have baffled biographers and historians. First, how did he ever rise to power? Second, who was he really? Hitler had the power to mesmerize crowds as the most dynamic orator of the modern age. Yet, his power was not in his ideas, which he collected from the gutter sheets of Vienna, nor was it in his personality; his biographers describe him as an "unperson" and his character as a "void" and a "black hole." What, then, was the source of his power? Was he a medium or a magician with paranormal powers, as many contemporaries thought? Or did he have a secret or method that has not yet been revealed? Ben Novak spent fourteen years searching for the secret of Hitler's political success and his power as a speaker. Hitler's most astute contemporary observer, Konrad Heiden, who wrote the first objective books on Hitler warning that this man was "the greatest massdisturber in world history," suggested that Hitler's secret lay in his use of "eine eigentiimliche art von Logik,"or a "peculiar form of logic." Beginning with this clue, Novak finds that there is a new form of logic in accordance with Heiden's description and examples that can explain Hitler's phenomenal political success. This new form of logic, called "abduction," was discovered by an American philosopher, Charles Sanders Peirce (1839-1914), who is rapidly becoming America's most well-known philosopher and logician. Abduction is a third form of logic, in addition to deduction and induction. Unlike the other forms of logic, abduction is based on instinct and has a power over emotions. Novak argues that Hitler was the first politician to apply the logic of abduction to politics. This book provides the first coherent account of Hitler's youth that ties together all the known facts, clearly showing the genesis of the strangest and most terrible man of the twentieth century while identifying the power he discovered that allowed him to break out into the world in such a terrifying way.