Merry Hell is the only complete history of the 25th Canadian infantry battalion, which was recruited in the autumn and winter of 1914-15 and served overseas from spring 1915 until spring 1919. Author Robert N Clements, who served in the battalion throughout that period and rose from private to captain, wrote the story many years after the war, based on his personal memories and experiences. As such, his story reflects two unique perspectives on Canadian military history - the remarkably fresh recollections and anecdotes of a veteran, and the outlook of a man eager to share what his generation contributed to the nation's history, character, and identity. Professional military historian Brian Douglas Tennyson buttresses Clements's story with a valuable critical apparatus, including an analytical introduction that contextualizes the history and notes that explain unfamiliar points and people. Merry Hell is a captivating tale for those who enjoy stories of war and battle, and one that will entertain readers with Clements's richly colourful anecdotes and witty poems, none of which have been published before.

Between 1918 and 1933 the German interwar avant-garde was a primary force driving European cultural innovation and modernism. These innovations continue to influence artistic practice, theory, and arts education today, thus making a comprehensive study of the relationship between individual war experience and the immediate response of avant-garde architects after the war all the more important. The Break with the Past pursues several important, interrelated questions. What were the disparate war experiences of German architects, and did they have different effects on Weimar cultural production? Did political orientation play a part in support for the war? In aesthetic choices? What changes occurred in avant-garde architectural practice after 1918? How do they compare with pre-war positions and practices, and expectations for post-war outcomes? In order to address these questions, the book uses individual case studies of four leading architects: Bruno Taut, Walter Gropius, Erich Mendelsohn, and Hans Scharoun. This is a valuable resource for academics and students in the areas of Art and Architecture History, German history and Cultural Studies, European Culture and Modernism.

The war was fought by the world's leading Christian nations, who presented the conflict as a holy war. A steady stream of patriotic and militaristic rhetoric was served to an unprecedented audience, using language that spoke of holy war and crusade, of apocalypse and Armageddon. But this rhetoric was not mere state propaganda. Philip Jenkins reveals how the widespread belief in angels, apparitions, and the supernatural, was a driving force throughout the war and shaped all three of the Abrahamic religions - Christianity, Judaism, and Islam - paving the way for modern views of religion and violence. The disappointed hopes and moral compromises that followed the war also shaped the political climate of the rest of the century, giving rise to such phenomena as Nazism, totalitarianism, and communism. Connecting remarkable incidents and characters - from Karl Barth to Carl Jung, the Christmas Truce to the Armenian Genocide - Jenkins creates a powerful and persuasive narrative that brings together global politics, history, and spiritual crisis. We cannot understand our present religious, political, and cultural climate without understanding the dramatic changes initiated by the First World War. The war created the world's religious map as we know it today.

This volume recounts India's contribution to World War I. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka

During the First World War it was the task of the U.S. Department of Justice, using the newly passed Espionage Act and its later Sedition Act amendment, to prosecute and convict those who opposed America's entry into the conflict. In "Unsafe for Democracy," historian William H. Thomas Jr. shows that the Justice Department did not stop at this official charge but went much further--paying cautionary visits to suspected dissenters, pressuring them to express support of the war effort, or intimidating them into silence. At times going undercover, investigators tried to elicit the unguarded comments of individuals believed to be a threat to the prevailing social order. In this massive yet largely secret campaign, agents cast their net wide, targeting isolationists, pacifists, immigrants, socialists, labor organizers, African Americans, and clergymen. The unemployed, the mentally ill, college students, schoolteachers, even schoolchildren, all might come under scrutiny, often in the context of the most trivial and benign activities of daily life. Delving into numerous reports by Justice Department detectives, Thomas documents how, in case after case, they used threats and warnings to frighten war critics and silence dissent. This early government crusade for wartime ideological conformity, Thomas argues, marks one of the more dubious achievements of the Progressive Era--and a development that resonates in the present day.
Best Books for Special Interests, selected by the American Association of School Librarians
"Recommended for all libraries."--Frederic Krome, "Library Journal"

The Great War and the Moving Image focuses upon the Allied war effort on the Western Front and in the Mediterranean. In doing so, the book addresses topics ranging from how carefully selected images projected a positive portrayal of ambulance trains, through film's instructional role promoting self-sufficiency on the home front, to the vital role of makeshift YMCA cinemas both sides of the Channel. With editors and contributors who are authorities on cinema in wartime Britain and on the British response to the challenge of 'total war', the volume highlights the power that the moving image had during the Great War. In the introduction, the editors consider why the First World War can be seen as the first uniquely cinematic conflict. Later, historians from Britain, Australia, and America go on to explore film's pioneering role as a powerful vehicle for propaganda at home and abroad, and its contribution to maintaining morale among soldiers on the front line as well as across civilian audiences back home. The book concludes by considering the representation of trench warfare in today's hi-tech computer games. This book was originally published as a special issue of the Historical Journal of Film, Radio and Television.

This is the first book to study the cultural impact of the Armistice of 11 November 1918. It contains 14 new essays from scholars working in literature, music, art history and military history. The Armistice brought hopes for a better future, as well as sadness, disappointment and rage. Many people in all the combatant nations asked hard questions about the purpose of the war. These questions are explored in complex and nuanced ways in the literature, music and art of the period. This book revisits the silence of the Armistice and asks how its effect was to echo into the following decades. The essays are genuinely interdisciplinary and are written in a clear, accessible style. -- .

Author Dr. Dennis Showalter is the winner of the 2018 Pritzker Military Lifetime Achievement Award! If wars were wagered on like pro sports or horse races, the Germany military in August 1914 would have been a clear front-runner, with a century-long record of impressive victories and a general staff the envy of its rivals. Germany's overall failure in the first year of World War I was surprising and remains a frequent subject of analysis, mostly focused on deficiencies in strategy and policy. But there were institutional weaknesses as well. This book examines the structural failures that frustrated the Germans in the war's crucial initial campaign, the invasion of Belgium. Too much routine in planning, command and execution led to groupthink, inflexibility and to an overconfident belief that nothing could go too terribly wrong. As a result, decisive operation became dicey, with consequences that Germany's military could not overcome in four long years.

After the World War ended, the families of the American war dead were faced with a difficult choice. Political leaders like former President Theodore Roosevelt were encouraging families to leave the dead with their comrades in European cemeteries to create stronger political ties between the United States and Europe. Grieving families found that their decision on where to bury the dead had become a political choice. How did families advocate for their own views? How were disputes within families resolved? And how did families make their final decisions about where the dead should be buried? Through an in-depth examination of the correspondence between the United States government and the families of the dead, this book will examine how families fought to ensure that the government gave them what they needed. As the months stretched into years before the war dead were given final burials, the families of the dead demanded that the government give them the respect and honor they felt they deserved as the next of kin of those who had given their lives for the nation. The practices and traditions that the government developed in response to these demands set patterns that still guide the way that the military treats the families of the war dead today.

The Great War was a turning point of the twentieth century, giving birth to a new, modern, and industrial approach to warfare that changed the world forever. The remembrance, awareness, and knowledge of the conflict and, most importantly, of those who participated and were affected by it, altered from country to country, and in some cases has been almost entirely forgotten. New research strategies have emerged to help broaden our understanding of the First World War. Multidisciplinary approaches have been applied to material culture and conflict landscapes, from archive sources analysis and aerial photography to remote sensing, GIS and field research. Working within the context of a material and archival understanding of war, this book combines papers from different study fields that present interdisciplinary and multidisciplinary approaches towards researching the First World War and its legacies, with particular concentration on the central and eastern European theatres of war.

This volume synthesises the latest scholarship on First World War veterans in post-war Britain and Ireland, investigating the topic through its political, social and cultural dynamics. It examines the post-war experiences of those men and women who served and illuminates the nature of the post-war society for which service had been given. Complicating the homogenising tendency in existing scholarship it offers comparison of the experiences of veterans in different regions of Britain, including perspectives drawn from Ireland. Further nuance is offered by the assessment of the experiences of ex-servicewomen alongside those of ex-servicemen, such focus deeping understanding into the gendered specificities of post-war veteran activities and experiences. Moreover, case studies of specific cohorts of veterans are offered, including focus on disabled veterans and ex-prisoners of war. In these regards the collection offers vital updates to existing scholarship while bringing important new departures and challenges to the current interpretive frameworks of veteran experiences in post-war Britain and Ireland.

This two-volume series serves as a unique window to view the U.S. Army's entry onto the world stage. Faced with entry into the "Great War," the country called upon its military leaders to prepare the Army for combat. What follows is the in-depth story of how the American military and civilian leadership created and trained the Doughboys. In less than eighteen months, America's Army would grow from its humble beginning to fielding over a million soldiers in the Meuse-Argonne campaign. Training and leading this force into battle against the Imperial German Army were some of the great names in American military history, including such stalwarts as John J. Pershing, George Marshall, and Leonard Wood. Here is the story of their perseverance and courage that ultimately defeated the enemy and helped to win the war.

Our view of the First World War is dominated by the twin images of the fronts and the home fronts, yet the war also generated a third type of 'front', that of military occupation. Vast areas of Europe experienced the war under a military regime and this book deals with the occupations by the German and Austro-Hungarian empires. Their conquests ranged from Lille in the West to the Don River in the East, and from Courland in the north to Friuli and Montenegro in the south. They encompassed capital cities such as Brussels, Warsaw, Belgrade and Bukarest, as well as areas of crucial economic importance. Millions of people experienced military occupation and, even though they were civilians, the war had a deep impact on their lives. Conversely, occupied territories influenced the states that had conquered them and the way these states waged war. The chapters in this book analyze military occupation in 1914-1918 both from the point of view of the occupied and from the point of view of the occupier. They study counter-insurgency warfare, forced labour, food regimes, underground patriotism, and cultural policies. They demonstrate that military occupation was an essential dimension of the Great War. This book was originally published as a special issue of First World War Studies.

This is a compelling account of the First World War. It offers clear analysis of the war on land, sea, and air, and considers the impact of the war on Europe's civilian population. Issues addressed include the relationship between war and industrialisation, trench warfare, the long term effects of the war on changing social structures, and economic and demographic consequences. The main text is supplemented by a rich selection of primary source material (from songs, soldiers' slang, to diary accounts).

In a 1934 speech, marking the Twenty-fifth Reunion of his high school class, Martin Heidegger spoke eloquently of classmates killed in the Great War and called on his audience to recognize that the national rebirth now occuring in Hitler's Germany must continue to draw inspiration from the war dead. In this process, he refers to the war of 1914-1918 as "the First World War." Since the condition for the possibility of "the First" is a Second World War, Martin Heidegger and the First World War raises the question: how could Heidegger have already known in 1934 that another war was coming? The answer is to be found by reading Being and Time (1927) as a funeral oration for the warriors of the Great War, a reading that validates Heidegger's paradoxical claim that the genuinely historical must emerge from the future. By using Lincoln's "Gettysburg Address" as an archetype of the genre, William H. F. Altman shows that Heidegger's concept of temporality in Being and Time replicates the way past, present, and future interweave in the classic funeral oration and argues that if there is a visible path connecting Being and Time to its author's subsequent decision for National Socialism, it runs through the trenches of the Great War and its author's successful attempt to evade them. The analysis and conclusions in this book will be of great value to students and scholars interested in philosophy, history, intellectual history, German studies, and political science.

The mainly forgotten story of the British and Australian tunnellers and their work on the Belgian Coast during the Great War. Based on historical documents, military archives, regimental records, testimonies and more than 350 photographs and pictures, the book covers the fighting around the Belgian coastal town of Nieuwpoort. Kristof Jacobs explores the presence of British and Australian soldiers at the Ijzer estuary in the build up to Third Ypres and highlights the work in the dunes including that of the Royal Engineers, the Dorset Regiment, the 135th Siege Battery, 2nd Australian Tunnelling Company and Operation Hush and the diary of Major W. E. Buckingham. First-hand accounts are included throughout and complimented with the story of eighteen-year old Bert Fearns (1898-1997) a veteran from the 2nd/6th Bn Lancashire Fusiliers who ended up in Nieuwpoort in 1917. It was his story that first inspired the research for this book by Jacobs.

A gripping portrait of life in Britain in a year that shook Europe to its foundations

1914 dawned with Britain at peace, albeit troubled by faultlines within and threats without: Ireland trembled on the brink of civil war; suffragette agitation was assuming an ever more violent hue; and suspicions of Germany's ambitions bred a paranoia expressed in a rash of "invasion scare" literature. Then when shots rang out in Sarajevo on June 28th, they set in motion a tumble of diplomatic dominos that led to Britain declaring war on Germany. Nigel Jones depicts every facet of a year that changed Britain for ever. From gun-running in Ulster to an attack by suffragettes on a Velasquez painting in the National Gallery; from the launch of HMHS "Britannic" to cricketer J.T. Hearne's 3,000th first-class wicket; from the opening of London's first nightclub to the embarking for Belgium of the BEF, he traces the events of a momentous year, its benign domestic beginnings to its descent into the nightmare of European war.

This book examines the pictorial representation of women in Great Britain both before and during the First World War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the war, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and constructs as objects contained within, both literal and metaphorical. In this way visual genealogical threads including the female figure as an ideal and William Hogarth's 'line of beauty' are explored, and their legacies assessed and followed through into the twenty-first century. Georgina Williams contributes to debates surrounding the deliberate and inadvertent dismissal of women's roles throughout history, through literature and imagery. This book also considers how absence of a pictorial manifestation of the female form in visual culture can be as important as her presence.

This book charts ideas European intellectuals (mostly from Great Britain, France, Germany and Italy) put forward to solve the problem of war during the first half of the twentieth century: a period that began with the Anglo-Boer war and that ended with the explosion of the atomic bombs on Hiroshima and Nagasaki. Such ideas do not belong to a homogeneous tradition of thought, but can be understood as a unique discourse that takes different characteristics according to the point of view of each author and of the specific historical situation.

This book is an international comparative study of the British, German and French military chaplains during the First World War. It describes their role, position and daily work within the army and how the often conflicting expectations of the church, the state, the military and the soldiers effected these. This study seeks to explain similarities and differences between the chaplaincies by looking at how the pre-war relations between church, state and society influenced the work of these army chaplains.

This book provides an overview of the history of allied medicine in the Great War. Based on both primary research and secondary literature, it offers a clear and concise account of medical treatment during the Great War, exploring the advancements of the period and the human experience of the medical war.As well as covering European medical work, the book draws on a range of American primary sources and texts in order to address the American medical experience of the First World War, an area that has been neglected by the existing literature. This is an accessible exploration of the medical war, the people involved, and its impact. It is an essential text for undergraduate and postgraduate students of history taking courses on medicine in war, the history of medicine or the Great War.

Lieutenant-Colonel Alexander Daniel Reid was killed on the first day of the Battle of Passchendaele in 1917. His body was never recovered; however, there is nothing singular about that. What is remarkable is that his eloquent journal has survived untouched for 100 years. The context for Alexander Daniel Reid's contemporary account of the Great War are provided partly by the memoirs of his brother, Harry, who was the transport officer in the same battalion, and partly from historical research. Although it is essentially a biography of two Scottish-born brothers in an Irish battalion on the Western Front, Harvest of Battle: Brother Officers of the 7th Royal Inniskilling Fusiliers in the First World War is unique in that it reaches to the corners of the Empire and tells of conflicts from German South-West Africa to the Rand Rebellion of 1922. Alexander Daniel Reid was a professional soldier and served with the Indian Army before migrating to Canada. Harry began a career working for one of the wealthiest mining magnates in Johannesburg. Both knew that their chances of survival in the 'Fighting Seventh' Royal Inniskilling Fusiliers were slim. Theirs is a narrative common enough to serve as a general introduction to the First World War for a new generation of readers, yet it contains valuable new material to add to the historical record in this Centenary year of the outbreak of war.

Canada's Great War, 1914-1918: How Canada Helped Save the British Empire and Became a North American Nation describes the major role that Canada played in helping the British Empire win the greatest war in history-and, somewhat surprisingly, resulted in Canada's closer integration not with the British Empire but with its continental neighbor, the United States. When Britain declared war against Germany and Austria-Hungary in August 1914, Canada was automatically committed as well because of its status as a Dominion in the British Empire. Despite not having a say in the matter, most Canadians enthusiastically embraced the war effort in order to defend the Empire and its values. In Canada's Great War, 1914-1918, historian Brian Douglas Tennyson argues that Canada's participation in the war weakened its relationship with Britain by stimulating a greater sense of Canadian identity, while at the same time bringing it much closer to the United States, especially after the latter entered the war. Their wartime cooperation strengthened their relationship, which had been delicate and often strained in the nineteenth century. This was reflected in the greater integration of their economies and the greater acceptance in Canada of American cultural products such as books, magazines, radio broadcasting and movies, and was symbolized by the astonishing American response to the Halifax explosion in December 1917. By the end of the war, Canadians were emerging as a North American people, no longer fearing close ties to the United States, even as they maintained their ties to the British Commonwealth. Canada's Great War, 1914-1918 will interest not only Canadians unaware of how greatly their nation's participation in the First World War reshaped its relationship with Britain and the United States, but also Americans unacquainted with the magnitude of Canada's involvement in the war and how that contribution drew the two nations closer together.