" Provides a day-by-day account of the action on all fronts and of the events surrounding the conflict, from the guns of August 1914 to the November 1918 Armistice and its troubled aftermath. Daily entries, topical descriptions, biographical sketches, maps, and illustrations combine to give a ready and succinct account of what was happening in each of the principal theaters of war.

The Great War and the Moving Image focuses upon the Allied war effort on the Western Front and in the Mediterranean. In doing so, the book addresses topics ranging from how carefully selected images projected a positive portrayal of ambulance trains, through film's instructional role promoting self-sufficiency on the home front, to the vital role of makeshift YMCA cinemas both sides of the Channel. With editors and contributors who are authorities on cinema in wartime Britain and on the British response to the challenge of 'total war', the volume highlights the power that the moving image had during the Great War. In the introduction, the editors consider why the First World War can be seen as the first uniquely cinematic conflict. Later, historians from Britain, Australia, and America go on to explore film's pioneering role as a powerful vehicle for propaganda at home and abroad, and its contribution to maintaining morale among soldiers on the front line as well as across civilian audiences back home. The book concludes by considering the representation of trench warfare in today's hi-tech computer games. This book was originally published as a special issue of the Historical Journal of Film, Radio and Television.

Much has been written on the centenary of the First World War. However, no book has yet explored the tragedy of the conflict from a theological perspective. Life after Tragedy fills that gap. Taking their cue from the famous British army chaplain Geoffrey Studdert Kennedy, seven central essays, all by authors associated with the cathedral where Studdert Kennedy first preached to troops, examine aspects of faith that featured in the war, such as the notion of 'home', poetry, theological doctrine, preaching, social reform, humanitarianism, and remembrance. Each essay applies its reflections to the life of faith today, thus representing a highly original contribution to the history of the First World War in general and the work of Studdert Kennedy in particular. They provide wider theological insight into how, in the contemporary world, 'life' and tragedy, likewise God and suffering, can be integrated.This book will accordingly be of considerable interest to historians, both of the war and of the church; to communities commemorating the war; and to all those who wrestle with current challenges to faith.

"Riveting . . . Krass weaves a fascinating story of the first official attempt by the Army to capture the essence of war through the eyes and pencils of eight top American artists who were sent to the Western Front in France. A marvelous eyewitness story of the 'Big War.'"
--Col. H. A. Chenoweth, USMCR Ret., Korean War veteran, Vietnam and Gulf War combat artist, and author of "Art of War A Searing Account of World War I as Seen by the Artist"

Eighty-five years before there were embedded journalists with American armed forces in Iraq, eight brave artist-soldiers risked their lives in the trenches and battlefields to bring the reality of World War I back home.

In "Portrait of War," Peter Krass shares the heroic adventures of these men as they witnessed, explored, and depicted the trials and triumphs of the American soldier and the tragedy of war. Written with the intensity of a novel, this compelling narrative follows the artists as they marched shoulder to shoulder with the doughboys, sketching while under fire and doing their best to stay alive. Studded with examples of their remarkable work and excerpts from the artists' journals, this thrilling account places us at the front lines as surely as our television cameras do today.

Canada's Great War, 1914-1918: How Canada Helped Save the British Empire and Became a North American Nation describes the major role that Canada played in helping the British Empire win the greatest war in history-and, somewhat surprisingly, resulted in Canada's closer integration not with the British Empire but with its continental neighbor, the United States. When Britain declared war against Germany and Austria-Hungary in August 1914, Canada was automatically committed as well because of its status as a Dominion in the British Empire. Despite not having a say in the matter, most Canadians enthusiastically embraced the war effort in order to defend the Empire and its values. In Canada's Great War, 1914-1918, historian Brian Douglas Tennyson argues that Canada's participation in the war weakened its relationship with Britain by stimulating a greater sense of Canadian identity, while at the same time bringing it much closer to the United States, especially after the latter entered the war. Their wartime cooperation strengthened their relationship, which had been delicate and often strained in the nineteenth century. This was reflected in the greater integration of their economies and the greater acceptance in Canada of American cultural products such as books, magazines, radio broadcasting and movies, and was symbolized by the astonishing American response to the Halifax explosion in December 1917. By the end of the war, Canadians were emerging as a North American people, no longer fearing close ties to the United States, even as they maintained their ties to the British Commonwealth. Canada's Great War, 1914-1918 will interest not only Canadians unaware of how greatly their nation's participation in the First World War reshaped its relationship with Britain and the United States, but also Americans unacquainted with the magnitude of Canada's involvement in the war and how that contribution drew the two nations closer together.

This book provides an overview of the history of allied medicine in the Great War. Based on both primary research and secondary literature, it offers a clear and concise account of medical treatment during the Great War, exploring the advancements of the period and the human experience of the medical war.As well as covering European medical work, the book draws on a range of American primary sources and texts in order to address the American medical experience of the First World War, an area that has been neglected by the existing literature. This is an accessible exploration of the medical war, the people involved, and its impact. It is an essential text for undergraduate and postgraduate students of history taking courses on medicine in war, the history of medicine or the Great War.

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The civilian police during the First World War in Great Britain were central to the control of the population at home. This book will show the detail and challenges of police work during the First World War and how this impacted on ordinary people's daily lives. The aim is to tell the story of the police as they saw themselves through the pages of their best-known journal, The Police Review and Parade Gossip, in addition to a wide range of other published, archival and private sources.

Between 1918 and 1933 the German interwar avant-garde was a primary force driving European cultural innovation and modernism. These innovations continue to influence artistic practice, theory, and arts education today, thus making a comprehensive study of the relationship between individual war experience and the immediate response of avant-garde architects after the war all the more important. The Break with the Past pursues several important, interrelated questions. What were the disparate war experiences of German architects, and did they have different effects on Weimar cultural production? Did political orientation play a part in support for the war? In aesthetic choices? What changes occurred in avant-garde architectural practice after 1918? How do they compare with pre-war positions and practices, and expectations for post-war outcomes? In order to address these questions, the book uses individual case studies of four leading architects: Bruno Taut, Walter Gropius, Erich Mendelsohn, and Hans Scharoun. This is a valuable resource for academics and students in the areas of Art and Architecture History, German history and Cultural Studies, European Culture and Modernism.

A fascinating look at the British naval intervention in the Baltic in 1918-20, and at the British, Soviet and Baltic nationalist fleets that fought. Following the Russian Revolution of October 1917, the Baltic states became a battleground between Russian Reds and Whites, German troops and emerging Baltic independence forces. In November 1918, the British government decided to intervene, to protect British interests and to support the emerging Baltic states. This initial small force of cruisers and destroyers was eventually augmented by other British warships, including aircraft carriers, a monitor, as well as a handful of submarines and torpedo boats. Opposing them was the far more powerful Russian Baltic Fleet, now controlled by the Bolsheviks. The campaign that followed involved naval clashes between the two sides, the most spectacular of which was an attack on the Soviet naval base of Kronstadt in June 1919 by a force of small British torpedo boats. They torpedoed and sunk the Russian cruiser Oleg, an action which effectively bottled the Baltic fleet up in port for the remainder of the campaign. Finally, in early 1920, the British squadron was withdrawn, following Soviet recognition of Estonia, Latvia and Lithuania. This New Vanguard title explores the naval side of this little-known but strategically crucial campaign fought by the war-weary navies of Britain and Russia and by warships of the emerging Baltic states. Describing the political background to the conflict, and the key points of the naval campaign as well as the warships involved, this is a concise and fascinating account of an overlooked naval campaign that helped reshape the map of Europe.

By August 1918, the outcome of the Great War was not in doubt: the Allies would win. But what was unclear was how this defeat would play out - would the Germans hold on, prolonging the fighting deep into 1919, with the loss of hundreds of thousands more young lives, or could the war be won in 1918? In The Last Battle, Peter Hart, author of Gallipoli and The Great War, and oral historian at the Imperial War Museum, brings to life the dramatic final weeks of the war, as men fought to secure victory, with survival seemingly only days, or hours away.

Drawing on the experience of both generals and ordinary soldiers, and dwelling with equal weight on strategy, tactics and individual experience, this is a powerful and detailed account of history's greatest endgame.

Our view of the First World War is dominated by the twin images of the fronts and the home fronts, yet the war also generated a third type of 'front', that of military occupation. Vast areas of Europe experienced the war under a military regime and this book deals with the occupations by the German and Austro-Hungarian empires. Their conquests ranged from Lille in the West to the Don River in the East, and from Courland in the north to Friuli and Montenegro in the south. They encompassed capital cities such as Brussels, Warsaw, Belgrade and Bukarest, as well as areas of crucial economic importance. Millions of people experienced military occupation and, even though they were civilians, the war had a deep impact on their lives. Conversely, occupied territories influenced the states that had conquered them and the way these states waged war. The chapters in this book analyze military occupation in 1914-1918 both from the point of view of the occupied and from the point of view of the occupier. They study counter-insurgency warfare, forced labour, food regimes, underground patriotism, and cultural policies. They demonstrate that military occupation was an essential dimension of the Great War. This book was originally published as a special issue of First World War Studies.

This is a compelling account of the First World War. It offers clear analysis of the war on land, sea, and air, and considers the impact of the war on Europe's civilian population. Issues addressed include the relationship between war and industrialisation, trench warfare, the long term effects of the war on changing social structures, and economic and demographic consequences. The main text is supplemented by a rich selection of primary source material (from songs, soldiers' slang, to diary accounts).

This book charts ideas European intellectuals (mostly from Great Britain, France, Germany and Italy) put forward to solve the problem of war during the first half of the twentieth century: a period that began with the Anglo-Boer war and that ended with the explosion of the atomic bombs on Hiroshima and Nagasaki. Such ideas do not belong to a homogeneous tradition of thought, but can be understood as a unique discourse that takes different characteristics according to the point of view of each author and of the specific historical situation.

This book is an international comparative study of the British, German and French military chaplains during the First World War. It describes their role, position and daily work within the army and how the often conflicting expectations of the church, the state, the military and the soldiers effected these. This study seeks to explain similarities and differences between the chaplaincies by looking at how the pre-war relations between church, state and society influenced the work of these army chaplains.

The First World War has been described as the "primordial catastrophe of the twentieth century." Arguably, Italian Fascism, German National Socialism and Soviet Leninism and Stalinism would not have emerged without the cultural and political shock of World War I. The question why this catastrophe happened therefore preoccupies historians to this day. The focus of this volume is not on the consequences, but rather on the connection between the Great War and the long 19th century, the short- and long-term causes of World War I. This approach results in the questioning of many received ideas about the war's causes, especially the notion of "inevitability."

*Telling tales about men* explores some of the ways in which conscientious objectors to compulsory military service were viewed and treated in England during the First World War. In doing so it considers these men's experiences, their beliefs, perceptions and actions. This volume will be essential reading for scholars in the fields of the First World War, pacifism, militarism and gender. It is also aimed at those with a general interest in the Great War and the military as well as in peace movements and pacifism. -- .

Healing the nation is a study of caregiving during the Great War, exploring life behind the lines for ordinary British soldiers who served on the Western Front. Using a variety of literary, artistic, and architectural evidence, this study draws connections between the war machine and the wartime culture of caregiving: the product of medical knowledge and procedure, social relationships and health institutions that informed experiences of rest, recovery and rehabilitation in sites administered by military and voluntary-aid authorities. Rest huts, hospitals, and rehabilitation centres served not only as means to sustain manpower and support for the war but also as distinctive sites where soldiers, their caregivers and the public attempted to make sense of the conflict and the unprecedented change it wrought. Revealing aspects of wartime life that have received little attention, this study shows that Britain's 'generation of 1914' was a group bound as much by a comradeship of healing as by a comradeship of the trenches. The author has used an extensive collection of illustrations in his discussion, and the book will make fascinating reading for students and specialists in the history of war, medicine and gender studies. -- .

Virginia played an important role during World War I, supplying the Allied forces with food, horses and steel in 1915 and 1916. After America entered the war in 1917, Virginians served in numerous military and civilian roles-Red Cross nurses, sailors, shipbuilders, pilots, stenographers and domestic gardeners. More than 100,000 were drafted-more than 3600 lost their lives. Almost every city and county lost men and women to the war. The author details the state's manifold contributions to the war effort and presents a study of monuments erected after the war.

'Lloyd George at War, 1916-1918' provides a much needed re-evaluation of this charismatic prime minister's wartime leadership. Calling on a wide range of primary sources and focussing on Lloyd George's role in the war cabinet, Cassar compellingly argues that George's reputation as the "man who won the war" was wholly unmerited. Instead Cassar shows that Lloyd George's heavy handed leadership was often detrimental to the Allied cause. From his wholehearted support for the disastrous Nivelle offensive, to his pursuit of a peripheral strategy that diverted troops away from the critical theatre of war on the Western Front, Cassar shows that Lloyd George consistently bucked the advice of his generals in preference for ineffectual and dangerous military strategies. Cassar's approach also differs from that of other studies of Lloyd George by adopting a thematic approach in preference to a chronological narrative, thereby allowing a closer evaluation of Lloyd George's handling of complex issues.

"Strategy and Intelligence," which brings together original essays by a number of leading authorities on various aspects of the First World War, aims both to summarise the latest literature on Britain's participation in that war and also to open up new lines of investigation. These include the role of intelligence in land and air battles; Anglo-American financial relations; Anglo-Russian and Anglo-Irish relations; the British Labour movement in the war; and the final campaigns of 1918, which led to the Allied victory. These essays are written not only for the specialist but also to be accessible to students and to the general reader.

On 15th April 1915, British and Dominion troops landed on the Gallipoli Peninsula. The campaign which followed lasted over eight months and cost the terrible total of nearly half a million Allied and Turkish casualties. The eventual failure of the Gallipoli campaign, after heart-breaking opportunities had been missed, was a disastrous set-back to Allied hopes. It remains one of the most engrossing and poignant tragedies in British military history. In our new edition of this classic in military writing, Robert Rhodes James was one of the first historians to work from the official archives and makes brilliant use of diaries and letters of the men who fought there and the photographs they took. Gallipoli stands the test of time, bringing vividly to life the conditions and circumstances of a campaign which has never ceased to enthral the imagination.

The US invasion of Iraq in 2003 was done mainly, if one is to believe US policy at the time, to liberate the people of Iraq from an oppressive dictator. However, the many protests in London, New York, and other cities imply that the policy of "making the world safe for democracy" was not shared by millions of people in many Western countries. Thinking about this controversy inspired the present volume, which takes a closer look at how society responded to the outbreaks and conclusions of the First and Second World Wars. In order to examine this relationship between the conduct of wars and public opinion, leading scholars trace the moods and attitudes of the people of four Western countries (Great Britain, France, Germany and Italy) before, during and after the crucial moments of the two major conflicts of the twentieth century. Focusing less on politics and more on how people experienced the wars, this volume shows how the distinction between enthusiasm for war and concern about its consequences is rarely clear-cut.