How the Great War came to the cinema screen
Everyone familiar with motion picture footage of the First World War on the Western Front will certainly have witnessed the talent, daring, uniquely invaluable and enduring work of the author of this book, Geoffrey Malins. Malins was one of two 'Official War Office Kinematographers' authorised to film the allied armies in action in France. There have been comments detrimental to Malins' character, he might have been guilty of embellishment as regards his own actions (no strange phenomenon in a military memoir) and he certainly downplayed the role of his colleague J. B. McDowell to the point of invisibility, but it is pointless to concentrate on the imperfections of the man when balanced against his indisputable achievements. One thing is certain, our knowledge of the Great War would be poorer without Malins. Here was a 'movie man' prepared to go into the danger zone to record the reality of the war of wire, the blood and trenches the ordinary 'Tommy' knew, while dragging around the most cumbersome equipment. His most famous film, 'The Battle of the Somme, ' filmed in 1916 and considered to be excessively graphic by many at the time, was viewed by over 20 million people and is shown on television to the present day. Despite producing some now well known fake 'over the top' sequences, Malins was responsible for the iconic footage of the blowing of the Hawthorn Crater and anyone interested in the Great War and the earliest days of war cinematography will be fascinated to read the story of how it came about. The exploits of Malins and his colleagues make no less gripping reading.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

• Designed to be concise yet comprehensive with the undergraduate student in mind • Will serve as a companion to many secondary and primary sources on Wilson • Contains primary source documents to help bring the subject to life

Russia's invasion of Ukraine is the latest chapter in a series of events that have their origins in World War One. The difficult existential questions that emerged before and during this conflict still remain unresolved. Contrary to the claim that wars are not supposed to happen in Europe or that we live in the era of the End of History, the experience of Ukraine highlights the salience of the spell of the past. The failure of the West to take its past seriously has left it confused and unprepared to deal with the current crisis. Unexpectedly fashionable claims about the irrelevance of borders and of nation states have been exposed as shallow myths. The author argues that the West's self-inflicted condition of historical amnesia has encouraged it to disregard the salience of geo-political realities. Suddenly the once fashionable claims that made up the virtues of globalisation appear threadbare. This problem, which was already evident during the global Covid pandemic has reached a crisis point in the battlefield of Ukraine. History has had its revenge on a culture that believes that what happened in the past no longer matters. The Road To Ukraine: How the West Lost Its Way argues that overcoming the state of historical amnesia is the precondition for the restoration of global solidarity.

Historians have long argued that the Great War eradicated German culture from American soil. Degrees of Allegiance examines the experiences of German-Americans living in Missouri during the First World War, evaluating the personal relationships at the local level that shaped their lives and the way that they were affected by national war effort guidelines. Spared from widespread hate crimes, German-Americans in Missouri did not have the same bleak experiences as other German-Americans in the Midwest or across America. But they were still subject to regular charges of disloyalty, sometimes because of conflicts within the German-American community itself.
"Degrees of Allegiance" updates traditional thinking about the German-American experience during the Great War, taking into account not just the war years but also the history of German settlement and the war's impact on German-American culture.

This is the first ever major study examining of the views of the Conservative Party towards the key aspects of Anglo-German relations from 1905 to 1914. Drawing on a wide variety of original sources, it examines the Conservative response to the German threat, and argues that the response of the Conservative Party towards Germany showed a marked absence of open hostility towards Germany. Overall, this important new study provides a powerful and overdue corrective to the traditional depiction of the Conservative Party in opposition as 'Scaremongers' and the chief source of Germanophobic views among the British political parties.

Habsburg Sons describes Jewish participation in the Habsburg Army, 1788-1918, concentrating on their role in World War I. Approximately 300,000-350,000 Jews fought in the Austro-Hungarian Armies on all fronts. Of these, 30,000-40,000 died of wounds or illness, approximately 25,000 were officers. At least 17% were taken prisoner in camps all over Russia and Central Asia. Many soldiers were Orthodox Ostjuden, and soldiers came into regular contact with Jewish civilians. Over 130 Feldrabbiner (chaplains) served mainly on Eastern and Italian Fronts. Antisemitism was present but generally not overt. The book uses personal diaries and newspaper articles (most available in English for the first time) to describe their experiences. The comparative experiences of Jews in German, Russian, Italian Armies is also summarized.

"Riveting . . . There is a wealth of new information here that adds considerable texture and nuance to his story and helps to set Russia apart from previous works."-The Wall Street Journal An epic new account of the conflict that reshaped Eastern Europe and set the stage for the rest of the twentieth century. Between 1917 and 1921 a devastating struggle took place in Russia following the collapse of the Tsarist empire. The doomed White alliance of moderate socialists and reactionary monarchists stood little chance against Trotsky's Red Army and the single-minded Communist dictatorship under Lenin. In the savage civil war that followed, terror begat terror, which in turn led to ever greater cruelty with man's inhumanity to man, woman and child. The struggle became a world war by proxy as Churchill deployed weaponry and troops from the British empire, while contingents from the United States, France, Italy, Japan, Poland, and Czechoslovakia played rival parts. Using the most up to date scholarship and archival research, Antony Beevor assembles the complete picture in a gripping narrative that conveys the conflict through the eyes of everyone from the worker on the streets of Petrograd to the cavalry officer on the battlefield and the doctor in an improvised hospital.

The war of the French volunteers
This book does not concern the Battle of Verdun in 1916--widely considered to be the largest battle in world history, rather it positions the action geographically for the reader. Written during wartime this account concerns the personal experiences of a young officer of the French infantry from the earliest days of the Great War through a period of comparative fluidity of movement before the stalemate of trench warfare. The fighting concerns the actions about the Meuse and the Marne in the first year of the war from a French perspective and concludes as the 'armies go to earth' in the early part of 1915. Genevoix takes the reader into the heart of his enthusiastic young group of comrades and soldiers on campaign to provide valuable insights into the opening phases of the great conflict the French infantry knew. Available in soft cover and hard cover with dust jacket.

The Remembered Dead explores the ways poets of the First World War - and later poets writing in the memory of that war - address the difficult question of how to remember, and commemorate, those killed in conflict. It looks closely at the way poets struggled to meaningfully represent dying, death, and the trauma of witness, while responding to the pressing need for commemoration. The authors pay close attention to specific poems while maintaining a strong awareness of literary and philosophical contexts. The poems are discussed in relation to modernism and myth, other forms of commemoration (such as photographs and memorials), and theories of cultural memory. There is fresh analysis of canonical poets which, at the same time, challenges the confines of the canon by integrating discussion of lesser-known figures, including non-combatants and poets of later decades. The final chapter reaches beyond the war's centenary in a discussion of one remarkable commemoration of Wilfred Owen.

Habsburg Sons describes Jewish participation in the Habsburg Army, 1788-1918, concentrating on their role in World War I. Approximately 300,000-350,000 Jews fought in the Austro-Hungarian Armies on all fronts. Of these, 30,000-40,000 died of wounds or illness, approximately 25,000 were officers. At least 17% were taken prisoner in camps all over Russia and Central Asia. Many soldiers were Orthodox Ostjuden, and soldiers came into regular contact with Jewish civilians. Over 130 Feldrabbiner (chaplains) served mainly on Eastern and Italian Fronts. Antisemitism was present but generally not overt. The book uses personal diaries and newspaper articles (most available in English for the first time) to describe their experiences. The comparative experiences of Jews in German, Russian, Italian Armies is also summarized.

On April 25th 1915, during the First World War, the famous Anzacs landed ashore at Gallipoli. At the exact same moment, leading figures of Armenian life in the Ottoman Empire were being arrested in vast numbers. That dark day marks the simultaneous birth of a national story - and the beginning of a genocide. When We Dead Awaken - the first narrative history of the Armenian Genocide in decades - draws these two landmark historical events together. James Robins explores the accounts of Anzac Prisoners of War who witnessed the genocide, the experiences of soldiers who risked their lives to defend refugees, and Australia and New Zealand's participation in the enormous post-war Armenian relief movement. By exploring the vital political implications of this unexplored history, When We Dead Awaken questions the national folklore of Australia, New Zealand, and Turkey - and the mythology of Anzac Day itself.

This is the compelling story of West Belfast's involvement fighting on the Western Front throughout the First World War. This is the story of men from either side of West Belfast's sectarian divide during the Great War. This dramatic book tells the story of the volunteers of the 36th and 16th divisions who fought on the Somme and side-by-side at Messines. Grayson also brings in forgotten West Belfast men from throughout the armed forces, from the retreat at Mons to the defeat of Germany and life post-war. In so doing, he tells a new story which challenges popular perceptions of the war and explains why remembrance remains so controversial in Belfast today.

Why, despite the appalling conditions in the trenches of the Western Front, was the British army almost untouched by major mutiny during the First World War? Drawing upon an extensive range of sources, including much previously unpublished archival material, G. D. Sheffield seeks to answer this question by examining a crucial but previously neglected factor in the maintenance of the British army's morale in the First World War: the relationship between the regimental officer and the ordinary soldier.

Booth offers a complex portrait of the relation between British Great War culture and modernist writings. She notes that unlike civilians, modernist writers and combatants shared a concern with the divide between language and experience, and draws connections between the sensibility of the modernist writer and the soldier, particularly regarding efforts to describe dying and the dead. Her analysis extends to memorials, posters, and architecture of the Great War, though her emphasis is on literary works by Robert Graves, E.M. Forster, Vera Brittain, and others.

I cannot stop while there are lives to be saved
Edith Cavell
Nurse Edith Cavell was a British Nurse and humanitarian who became famous during the First World War for not only nursing and saving the lives of battle casualties with no regard for the nationality of the combatants, but also for her work in assisting some 200 Allied soldiers to escape incarceration by the victorious German Army in Belgium during the early stages of the conflict. This middle aged nurse was discovered by the Germans, who considered her actions treasonable, abetting the escape of troops who might return to the battle front. Cavell was subsequently tried by court marshal, sentenced to be executed and shot by firing squad in October 1915, aged 50 years. The event was widely reported by the world press and the effect on the public at large was electric providing a propaganda triumph for the Allied cause and an equal disaster for the German cause-although they considered their actions fair and reasonable by the rules of war. Cavell's influence on nursing in Belgium has been an enduring one. This book contains two accounts brought together by Leonaur for interest and good value. The first, The Martyrdom of Nurse Cavell by William Thomson Hill, provides an overview of the Cavell story whilst the second, With Edith Cavell in Belgium by Jacqueline Van Til, was written by a young nurse who worked closely with Cavell and who had inside knowledge and personal experience of the dramatic events as they unfolded. Available in softcover and hardcover with dust jacket.

The definitive history of the British soldiers executed by their own Army during the First World War. Three hundred and fifty-one men were executed by British Army firing squads between September 1914 and November 1920. By far the greatest number, 266 were shot for desertion in the face of the enemy. The executions continue to haunt the history of the war, with talk today of shell shock and posthumous pardons. Using new material released from the Public Records Office and other sources, the authors reveal what really happened and place the story of these executions firmly in the context of the military, social and medical context of the period.

More than 400 photographs detail the American military experience in World War I on the ground, in the air, and at sea, from recruitment to the Armistice. This is the premier visual history of the United States in the Great War to be published during these centennial years. * Features not only the infamous Doughboys and Devil Dogs, but also flying aces, doctors and nurses, seamen, and the German enemy * Color photos of weapons and equipment, uniforms, insignia, medals, and posters * Richly informative text and captions by an expert on World War I and battlefield interpretation.

The Great War set in motion all of the subsequent violence of the twentieth century. The war took millions of lives, led to the fall of four empires, established new nations, and negatively affected others. During and after the war, individuals and communities struggled to find expression for their wartime encounters and communal as well as individual mourning. Throughout this time of enormous upheaval, many artists redefined their role in society, among them writers, performers, painters, and composers. Some sought to renew or re-establish their place in the postwar climate, while others longed for an irretrievable past, and still others tried to break with the past entirely. This volume offers a significant interdisciplinary contribution to the study of modern war, exploring the ways that artists contributed to wartime culture - both representing and shaping it - as well as the ways in which wartime culture influenced artistic expressions. Artists' places within and against reconstruction efforts illuminate the struggles of the day. The essays included represent a transnational perspective and seek to examine how artists dealt with the experience of conflict and mourning and their role in (re-)establishing creative practices in the changing climate of the interwar years.

The Great War is still seen as a mostly European war. The Middle Eastern theater is, at best, considered a sideshow written from the western perspective. This book fills an important gap in the literature by giving an insight through annotated translations from five Ottoman memoirs, previously not available in English, of actors who witnessed the last few years of Turkish presence in the Arab lands. It provides the historical background to many of the crises in the Middle East today, such as the Arab-Israeli confrontation, the conflict-ridden emergence of Syria and Lebanon, the struggle over the holy places of Islam in the Hejaz, and the mutual prejudices of Arabs and Turks about each other.