How much can you really find out about the Weapons of the First World War in five minutes? This handy little history book will surpass all your expectations and leave you well versed on all you wish to know, and maybe even a little bit more... What was the deadliest weapon? Why did officers refuse to carry pistols? How was gas fired at the enemy? And how successful was it? How did tanks get their name? Jam-packed with facts and first-hand accounts of the action, all woven together in an accessible way by an expert in the field, this 5 Minute History is a valuable addition to anyone's bookshelf, ready to be delved into at a moment's notice.

The literary canon of World War I - celebrated for realizing the experience of an entire generation - ignores writing by women. The war brought home to women the sorrow of the loss of husbands, lovers and relatives as well as more revolutionary knowledge gained through the experience of working in munitions factories and as ambulance drivers, police, nurses and spies. During all this time women wrote - letters, poetry, novels, short stories and memoirs. This volume of mutually reflective essays brings writing from Britain, America, France, Germany, Australia and Russia into literary focus.

The literary canon of World War I - celebrated for realizing the experience of an entire generation - ignores writing by women. The war brought home to women the sorrow of the loss of husbands, lovers and relatives as well as more revolutionary knowledge gained through the experience of working in munitions factories and as ambulance drivers, police, nurses and spies. During all this time women wrote - letters, poetry, novels, short stories and memoirs. This volume of mutually reflective essays brings writing from Britain, America, France, Germany, Australia and Russia into literary focus.

This volume aims to provide a wider view of First World War experience through focusing on landscapes less commonly considered in historiography, and on voices that have remained on the margins of popular understanding of the war. The landscape of the western front was captured during the conflict in many different ways: in photographs, paintings and print. The most commonly replicated voicing of contemporary attitudes towards the war is that of initial enthusiasm giving way to disillusionment and a sense of overwhelming futility. Investigations of the many components of war experience drawn from social and cultural history have looked to landscapes and voices beyond the frontline as a means of foregrounding different perspectives on the war. Not all of the voices presented here opposed the war, and not all of the landscapes were comprised of trenches or flanked by barbed wire. Collectively, they combine to offer further fresh insights into the multiplicity of war experience, an alternate space to the familiar tropes of mud and mayhem.

In August 1914, Berlin, Ontario, settled largely by people of German origin, was a thriving, peaceful city. By the spring of 1915 it was a city torn apart by the tensions of war. By September 1916, Berlin had become Kitchener. It began with the need to raise a battalion of 1,100 men to support the British war effort.

Meeting with resistance from a peace-loving community and spurred on by the jingoistic nationalism that demanded troops to fight the hated "Hun," frustrated soldiers began assaulting citizens in the streets and, on one infamous occasion, a Lutheran clergyman in his parsonage. Out of this turmoil arose a movement to rid the city of its German name, and this campaign, together with the recruiting efforts, made 1916 the most turbulent year in Kitchener's history.

This is the story of the men and women involved in these battles, the soldiers, the civic officials, the business leaders, and the innocent bystanders, and how they behaved in the face of conditions they had never before experienced.

This book shows the strong influence of judgements made of Wilson by the British diplomatists during the early years of his national prominence (1912-1914) on the way the British dealt with Wilson at the Paris Peace Conference. It also shows the strong effect which practitioners of the so-called "Old Diplomacy" had on Lloyd George on this key issue of wartime and peace diplomacy. It shows that the British diplomatists viewed Wilson as a very successful American politician, but not as a prophet, or saviour. The religious imagery used by certain historians and more junior British diplomats, such as Harold Nicolson and John Maynard Keynes does not reflect the views of their more senior colleagues.

How did women contribute to the French Army in the World Wars? Drawing on myriad sources, historian Andrew Orr examines the roles and value of the many French women who have been overlooked by historians-those who worked as civilians supporting the military. During the First World War, most officers expected that the end of the war would see a return to prewar conditions, so they tolerated women in supporting roles. But soon after the November 1918 armistice, the French Army fired more than half its female employees. Demobilization created unexpected administrative demands that led to the next rehiring of many women. The army's female workforce grew slowly and unevenly until 1938 when preparations for war led to another hiring wave; however, officers resisted all efforts to allow women to enlist as soldiers and alternately opposed and ignored proposals to recognize them as long-term employees. Orr's work offers a critical look at the indispensable wartime roles filled by women behind the lines.

Origins of the First World War summarizes the policies, issues and crises that brought Europe to war in 1914. Examining the strategic and political problems that confronted each of the great powers and the way in which social and economic factors influenced the decision-making process, Martel discusses the position of each power and their place in the system of alliances which dominated international politics. The fourth edition has been revised and updated throughout to incorporate the body of new scholarship that has appeared since the hundredth anniversary of the outbreak of war. In a clear and accessible manner, it explains: how and why the alliance system was created how alliances led to a network of complicated strategic commitments how an escalating series of international crises from the turn of the century fuelled preparations for war why the peculiarities of the Balkan situation are essential in understanding the outbreak of war in 1914. This book also includes an updated Guide to Further Reading, Who's Who of important figures and Glossary of key terms, and the selection of documents has been expanded to include the key treaties as well as evidence of popular militarism and nationalism. Concise, accessible and analytical, it is essential introductory reading for all students interested in the origins of the First World War.

The Great War is a collection of seven original essays and three critical comments by senior scholars dealing with the greatest conflict in modern history to its time - the 1914-18 World War. The Great War is edited by the distinguished historian of the First World War, R.J.Q.Adams.

" Provides a day-by-day account of the action on all fronts and of the events surrounding the conflict, from the guns of August 1914 to the November 1918 Armistice and its troubled aftermath. Daily entries, topical descriptions, biographical sketches, maps, and illustrations combine to give a ready and succinct account of what was happening in each of the principal theaters of war.

When the First World War broke out, Morris Meredith Williams was living in Edinburgh with his wife Alice, a sculptor, and earning his living from book illustration and teaching. A short man, his attempt to join the army in 1914 failed, but six months later he was accepted by the 17th Battalion, The Welsh Regiment, the first Bantam battalion to be raised in Wales. From June 1916, he spent ten months in and out of the trenches of the Western Front near Loos, Arras and the Somme, later mapping enemy positions from aerial reconnaissance shots with the Heavy Artillery. In 1918 he joined the Royal Engineers' camouflage unit at Wimereux. After the peace, he was among a handful of artists kept back to make paintings for the official record and toured the shattered landscape in an old ambulance car. Never without a sketchbook and pencils in his pocket, he drew at every opportunity, producing an extraordinary record of his surroundings. After the war some of the sketches became oil paintings while others inspired a series of war memorials in bronze, stone, wood and stained glass, most notably for the Scottish National War Memorial, on which he and Alice worked together. In this stunning book, the Meredith Williams's art is displayed in fine style, ranging from the touching and heartfelt to the most brutal, stark images of the waste and loss of war.

The Diary of Lt.Col. allen Whitty Worcestershire Regiment 1914-1919

It was close to the small southern Belgian town of Mons that the shooting war began or the British Expeditionary Force in August 1914. It was close to the same town that it ended for them over fifteen hundred days later. Neither the BEF nor the German Army planned or foresaw that first confrontation at Mons. It came about through blind chance and a series of miscalculations, born of ignorance on both sides, of precisely where and how strong their adversaries were. Although the Battle of Mons showed the BEF to be more than a match for the Germans, it was forced into the long Retreat from Mons as the growing German preponderance became apparent. Mons only briefly played host to the BEF in August 1914. Nevertheless the town acquired a special place in the hearts and minds of the BEF and the British people, enhanced for many by the enduring stories of the Angel of Mons. Although the Western Front became mired in static trench warfare many miles from Mons, there was always a resolve on the part of the BEF that one day they would fight their way back there and liberate the town. This was finally achieved on the last night of the war, only hours before the Armistice ended it. The year 2008 sees the 90th anniversary of the liberation of Mons. To mark this milestone the book describes the arrival of the BEF in Mons in 1914, the Battle of Mons itself, the Retreat from Mons, the Battle of Le Cateau, and the background to the Angel of Mons stories. It also describes events on the Western Front through to the German spring offensives of 1918. During more than four years of German occupation the people of Mons suffered privation, near starvation, deportations and executions. These are described, drawing heavily on unpublished local sources. The Allied 100 Days Campaign is then outlined culminating in the liberation of the town. The last chapter brings the story of Mons and of the main wartime players up to date. Finally two appendices describe the military and political developments which brought the BEF to Mons on that fateful weekend in August 1914.

This book is based on the public career of a highly controversial Canadian, Sam Hughes 1885-1916. He is one of the most colourful, even bizarre, figures in Canadian history.

Though he died in 1921, his name can still conjure up controversy and not a little misunderstanding. His long career--in so many respects the quintessential story of a poor backwoods Ontario farm boy who made good by his own efforts--continues to exert a fascination that few other Canadian political figures could duplicate.

Even though there has never been a major scholarly study of Sam Hughes, historians and other writers have developed definite opinions about him, and they are held nearly as vigorously as those of his contemporaries. These vary from insisting that Hughes was mentally unbalanced to proclaiming him a genius. Hughes' defenders have rarely been professional historians. Neither side have not produced an extensive or definitive literature on Hughes in proportion to other figures of a similar public stature.

Whatever side the studies have taken, the assessments are still incomplete because they have not examined the entirety of Sam Hughes' public life. To a large extent these limitations have allowed the folk image of him to persist. But Hughes had fibre and substance beyond this. Since historical figures must be explained in terms of their environment, this study tries to redress the previous imbalances by examining Hughes' public career. It is the only way his historical significance can be explained and reasonable judgments made.

Although he died at the age of thirty-two, Randolph Bourne (1886-1918) left a body of writing on politics, culture, and literature that made him one of the most influential American public intellectuals of the twentieth century and a hero of the American left. The twenty-eight essays in this volume -- among them, 'War and the Intellectuals', the analysis of the warfare state that made Bourne the foremost critic of American entry into World War I, and 'Trans-National America', his manifesto for cultural pluralism in America -- show Bourne at his most passionate and incisive as they trace his search for the true wellsprings of nationalism and American culture.

This title features a directory of over 70 aircraft with 330 identification photographs. It includes Shipborne fighters, bombers, flying boats and naval planes, including the Curtiss Helldiver, Mitsubishi Zero-Sen, Supermarine Seafire, Fairey Swordfish, Grumman F6F Hellcat, Mitsubishi Zero and Vought F4U Corsair. It examines the history and evolution of naval aircraft, from the first flights launched from ships and their pioneering role in World War I to the rise of naval airpower during World War II, with special reference to Pearl Harbor, the Doolittle Raid and the Battle of Midway. Naval aircraft - planes that are able to launch from and land on ships - have played an ever-increasing role in wartime conflicts. This fully illustrated reference book charts the early history of naval aviation, from the pioneering days when biplanes were catapulted from converted destroyers through to the 'ace-making' aircraft of World War II. An A-Z directory of over 70 aircraft describes the main characteristics of each plane, with details about its country of origin, first flight, power, armament, size, weight and performance. The book provides enthusiasts with a fascinating portrayal of the naval aircraft of this significant period in history.

Reassesses the role of the British Naval Staff during the First World War, challenging many widely-held views, and casting much new light on controversial issues and individuals. Winner of the Society for Nautical Research's prestigious Anderson Medal, 2010. Nicholas Black examines the role of the Naval Staff of the Admiralty in the 1914-18 war, reassessing both the calibre of the Staff and the function and structure of the Staff. He challenges historians such as Arthur Marder and naval figures such as Captains Herbert Richmond and Kenneth Dewar who were influential in creating the largely bad press that the Staff has receivedsubsequently, showing that their influence has, at times, been both unhealthy and misinformed. The way in which the Staff developed during the war from a small, overstretched and often manipulated body, to a much more highly specialised and successful one is also examined, reassessing the roles of key individuals such as Jellicoe and Geddes, and suggesting that the structure of the Staff has been misunderstood and that it was a rather more sophisticated body than historians have traditionally appreciated. Black also looks at how the Staff performed in various major naval issues of the war: the role of the Grand Fleet, the war against the U-boat, the Dardanelles Operation and the implementation of the economic blockade against Germany. Overall, the book complements, and at times challenges, both operational histories of the war and biographies of the leading individuals involved. NICHOLAS BLACK is Head of History at Dulwich College.

World War I directly and indirectly caused events and social and political trends which defined the history of the world for the rest of the century, including the Russian Revolution and the rise of communism to the Great Crash of 1929 which lead to the Great Depression and the rise of Hitler and Nazi Germany. It marked a turning point in world history as the end of the historical era of European dominance and the ushering in of a period which accelerated demands for freedom and autonomy in colonial settings. India played a significant role in the war and in the Allied victory on the battlefield. This book explores India's involvement in the Great War and the way the war impacted upon the country from a variety of different viewpoints including case studies focusing on key individuals who played vital roles in the war. The long and short term impacts of the war on different locations in India are also explored in the chapters which offer an analysis of the importance of the war on India while commemorating the sacrifices which were made. A new, innovative and multidisciplinary examination of India and World War I, this book presents a select number of case studies showing the intimate relationship of the global war and its social, political and economic impacts on the Indian subcontinent. It will be of interest to academics in the field of War Studies, Colonial and Imperial History and South Asian and Modern Indian History.

Weston Birch (Bert) Hall carved out his place in history with an almost devilish delight. Much of what has been written about him, including his own two autobiographies, has proven over the years to be more fiction than reality. He was labelled numerous times in his career: rogue, scoundrel, card cheat, forger, human cannonball, World War 1 pilot, criminal, bigamist, deserter, filmmaker, author, soldier of fortune, hero, Chinese General, arms smuggler, Foreign Legionnaire, salesman, aerial racer, aviation pioneer, father, and entrepreneur. Oddly enough, these titles were all true. Bert Hall's fantastic life and status as the bad boy of the Lafayette Escadrille have often eclipsed the truth. Turning to primary sources in archives around the world, many that have been overlooked for decades, this book makes the first attempt to reconstruct the life of Bert Hall. For the first time aficionados of World War 1 aviation and aviation history will get a glimpse into the life of a man who lived in extraordinary times and took advantage of them. While Bert's autobiographies were penned mostly to create a myth around his life, they often were based on kernels of truth. This book finds those kernels and paints the real-life picture of an amazing man who lived in incredible times. As the elder man of the Lafayette Escadrille, Bert was basically run out of the squadron by his colleagues. That should have been the end of his story. In reality, it was just the beginning. In an age where the world was fascinated by aviators, Bert became a real-life comic book character - a mercenary of the skies! Within two years, the Lafayette Escadrille, a squadron or rogues, playboys and misfits has claimed an incredible 900 kills and produced 72 aces!

Five years in the making, RMS Mauretania and her sister the Lusitania represented a new era in British shipbuilding. Ostensibly built to compete against record-breaking German behemoths, the Mauretania was not only one of the first major ships to be turbine-driven or have four propellers - she was the largest moving structure ever to have been created by man at that time. And, soon enough, she would become the fastest as well. But the Mauretania wasn't just built for luxury. When war was declared in August 1914, she was pressed into service as a troop- and hospital ship. Where once she had carried society ladies, she now carried soldiers. Intensely researched and with over 100 photographs and illustrations, RMS Mauretania (1907): Queen of the Ocean is the definitive book on this most remarkable liner.

A NEW YORK TIMES BESTSELLER In 1919, the 369th infantry regiment - the Harlem Hellfighters as the Germans called them - marched home triumphantly from World War I. They had spent more time in combat than any other American unit, never losing a foot of ground to the enemy and winning countless decorations. Though they returned home from the trenches of France as heroes, this overlooked that the African American unit faced tremendous discrimination, even from their own government. Based on true events and featuring artwork from acclaimed illustrator Caanan White, The Harlem Hellfighters delivers an action-packed and powerful story of how a group of exceptional individuals showed extraordinary courage, honour and heart in the face of terrible prejudice and in the midst of the unprecedented horrors of the Great War.

Cheltenham in the Great War is the first book to portray the town, its people and the impact of the 'war to end all wars' from the declaration of war in 1914 to Armistice Day in 1918. Almost 1,000 Cheltenham women left by train every day for munitions work, hundreds made airplanes in the Winter Gardens, many were nurses and most former suffragettes joined the WVR. Why did two schools do double shifts and for what did the townspeople raise GBP186,000 in one week in 1918? How did Cheltenham cope with 7,250 soldiers billeted in the town and 'khaki fever'? This book gives an insight into the lives of different social classes in Cheltenham - including stories of remarkable women - and how their war was fought on the Home Front. The Great War story of Cheltenham is told through considerable new research and is vividly illustrated throughout with evocative, informative images, many of which have not been published previously.

Remembering the First World War brings together a group of international scholars to understand how and why the past quarter of a century has witnessed such an extraordinary increase in global popular and academic interest in the First World War, both as an event and in the ways it is remembered. The book discusses this phenomenon across three key areas. The first section looks at family history, genealogy and the First World War, seeking to understand the power of family history in shaping and reshaping remembrance of the War at the smallest levels, as well as popular media and the continuing role of the state and its agencies. The second part discusses practices of remembering and the more public forms of representation and negotiation through film, literature, museums, monuments and heritage sites, focusing on agency in representing and remembering war. The third section covers the return of the War and the increasing determination among individuals to acknowledge and participate in public rituals of remembrance with their own contemporary politics. What, for instance, does it mean to wear a poppy on armistice/remembrance day? How do symbols like this operate today? These chapters will investigate these aspects through a series of case studies. Placing remembrance of the First World War in its longer historical and broader transnational context and including illustrations and an afterword by Professor David Reynolds, this is the ideal book for all those interested in the history of the Great War and its aftermath.