The growing military, political and socio-economic costs for all belligerents as the Great War entered its fourth year were increasingly evident, liberal democracies and authoritarian states alike having to remobilise public opinion for yet greater sacrifices. While the Western Front was facing these challenges, 1917 was also marked by the collapse of Tsarist Russia and by food riots resuting both from the Entente's blockade of Central Europe and the revival of unrestricted submarine warfare by the Central Powers. Ottoman Turkey was feeling the strain of war as well, as British forces advanced in both Palestine and Mesopotamia. For states as yet uncommitted to war, such as the United States and China, 1917 was a year of decision. This volume amply illustrates the significance of this crucial year in the global conflict. Contributors are Lawrence Sondhaus, Eric Grove, Keith Grieves, Matthew Hughes, Kaushik Roy, Vanda Wilcox, Laura Rowe, and Nick Hewitt.

Prior to World War I, Britain was at the center of global relations, utilizing tactics of diplomacy as it broke through the old alliances of European states. Historians have regularly interpreted these efforts as a reaction to the aggressive foreign policy of the German Empire. However, as Between Empire and Continent demonstrates, British foreign policy was in fact driven by a nexus of intra-British, continental and imperial motivations. Recreating the often heated public sphere of London at the turn of the twentieth century, this groundbreaking study carefully tracks the alliances, conflicts, and political maneuvering from which British foreign and security policy were born.

The true and extraordinary story of the satirical newspaper created in the mud and mayhem of the Somme, interspersed with comic sketches and spoofs from the vivid imagination of those on the front line. In a bombed out building during the First World War in the French town of Ypres (mispronounced Wipers by British soldiers), two officers discover a printing press and create a newspaper for the troops. Far from being a sombre journal about life in the trenches, they produced a resolutely cheerful, subversive and very funny newspaper designed to lift the spirits of the men on the front line.

Three hundred and fifty-one men were executed by British Army firing-squads between September 1914 and November 1920. By far the greatest number were shot for desertion in the face of the enemy. Controversial even at the time, these executions of soldiers amid the horrors of the Western Front continue to haunt the history of war. This book provides a critical analysis of military law in the British army and other major armies during the First World War, with particular reference to the use of the death penalty. This study establishes a full cultural and legal framework for military discipline and compares British military law with French and German military law. It includes case studies of British troops on the Frontline.

What did British combatants wear on the western front in the First World War? From the idealized recruitment images to the coarse trousers and ill-fitting tunics, Jane Tynan retraces wartime culture through images and experiences of khaki. Photographs, newspapers, memoirs, war office documents and tailoring ephemera reveal the impact of the war on the tailoring trade. But the story of uniform also involves the wartime knitting projects, the issue of 'Kitchener Blue', Sikhs wearing khaki on the western front, and the punishments given to COs. Military uniforms were designed to make soldiers of civilian men and to rank them according to race and class, but Tynan argues that neat images of men in khaki concealed the reality that clothing an ever-expanding army involved compromise, resistance and improvisation. Uniforms transformed men and war changed British society. This book tells the story of British army clothing during wartime and offers insights into why khaki has endured as the symbol of modern militarism.

The past is brought to life in this historical epic about a South African family whose lives collided with the biggest event in history: The First World War. The central theme is the largely forgotten east Africa campaign, but by definition a world war has a wide reach. Five members of one family with deep roots in all four corners of the country, served in three different theatres of war. Their lives on active service are all interwoven and inseparable from the home front. Global events are juxtaposed with everyday life on a farm in the eastern Orange Free State. Appropriately, the author constructs linkages that span generations, uncovering individual experiences of an earlier conflict which had engulfed South Africa barely a decade before the eruption of the 1914-18 war. As the sons of early pioneers, this generation witnessed history in the making before writing their own. Riding into action on horseback or in a flying machine, their paths led from the south west African desert, through disease-infested jungles in east Africa to some of the great battles on the western front. Only one of the five came home unscathed although he crash-landed his aircraft behind enemy lines and only made it back through his audacity and brute strength. Another, an intellectual priest, was left for dead at Delville Wood, and his brother was wounded on Messines Ridge. The remaining two suffered from debilitating tropical illnesses. Hazard and hardship lingered on in the form of Spanish in influenza, mining strikes and the Great Depression. The war cast a long shadow. Between them, these consciously literate men left substantial documentary legacies. Using extracts of their letters from the front, the story is to a large extent told in the words of those who were there. Context is provided by referencing existing literature, unpublished memoirs and archival material. It could be called a military history or a social history, but it is a truly South African story which contains much new material for historians, while for the general reader it offers an accessible insight into an unparalleled period of history.

Piero Gobetti was an astonishing figure. A radical liberal and fierce critic of Italian politics in the years after World War I, he was fascinated by the workers' struggles in his native Turin and by Gramsci's vision of a factory-based democracy. Gobetti proposed liberalism as an emancipatory theory grounded in social conflicts. "Revolutionary liberalism," as he called it, guided his opposition to Fascism and, following his untimely death at twenty-five, inspired key figures in the Italian Resistance. Accessible but critical, this volume is the first English-language study of Gobetti's political ideas and offers a balanced assessment of his enduring significance.

With the Middlesex Regiment against the Bolsheviks 1918-19
This unusual book from the First World War period. It tells of the attempts of the British-in company with European and American allies and the Japanese-to stem the red tide of Bolshevism in Russia by providing military aid to the White Russian forces. These are the experiences of the men of Middlesex Regiment-'B-oners'-already worn out in other theatres of war and hoping their days of campaigning were about to be over-as they rose to an extraordinary challenge in the harshest of environments in the Siberian winter. This is a fascinating book for those interested in the sideshows of the Great War in which the typically stolid 'Tommy' served-here portrayed in the most affectionate terms by the author-who was also their Colonel. It is also a vital work for those interested in the Russian Revolution, the Civil War and the policies and attitudes of the involved nations as they created the conditions for another World War and helped establish the international balance of power for three quarters of a century.

This book presents a unique insight into an extraordinary period of European history that had far-reaching significance for British cinema and for the way history itself is represented. The work collected in this volume draws from the best knowledge, enthusiasm and critical insight of leading scholars, archivists and historians specialising in British cinema. The editors are experts in the field of British silent cinema; in particular, its complex relationship to the Great War and its afterimage in popular culture. As the Great War continues to fade from living memory, it is a significant task to look back at how the cinema industry responded to that conflict as it unfolded, and how it shaped the war's memory through the 1910s and 1920s.

The twelve essays in this book explore in depth for the first time the publishing and reading practices which were formed and changed by the First World War. Ranging from an exploration of British and Australian trench journals and the reading practices of Indian soldiers to the impact of war on the literary figures of the home front in Britain, these essays provide crucial new historical information about the production, circulation and reception of reading matter during a period of international crisis.

Far from the battlefront, hundreds of thousands of workers toiled in Bohemian factories over the course of World War I, and their lives were inescapably shaped by the conflict. In particular, they faced new and dramatic forms of material hardship that strained social ties and placed in sharp relief the most mundane aspects of daily life, such as when, what, and with whom to eat. This study reconstructs the experience of the Bohemian working class during the Great War through explorations of four basic spheres-food, labor, gender, and protest-that comprise a fascinating case study in early twentieth-century social history.

The experiences of American soldiers in World War I differed enormously from those of European combatants. With the U. S. emerging from its previous isolation, soldiers arrived in the European theater late, fought briefly, and soon found themselves among the victors. Exposed for the first time to a foreign culture and bombarded by the messages of America's first concerted propaganda campaign, doughboys and other American participants struggled to make sense of their role and participation in the war.

Mark Meigs here juxtaposes more official views--as expressed in speeches and in The Stars and Stripes, army handbooks, and unit histories--with informal, widely disseminated sources, such as popular songs, jokes, and postwar fiction, together with the soldiers' own letters and journals. Optimism at Armageddon begins with an exploration of how Americans rationalized their involvement and goes on to examine the effects of veterans' experiences during the war, focusing on combat, cultural and sexual contact with their European hosts, and death and concludes with the doughboys' account of their return to American society.

The Sunday Times bestselling author of Dresden on the most important city of the 20th century.

An almighty storm hit Berlin in the last days of April 1945. Enveloped by the unstoppable force of East and West, explosive shells pounded buildings while the inhabitants of a once glorious city sheltered in dark cellars - just like their Fuhrer in his bunker. The Battle of Berlin was a key moment in history; marking the end of a deathly regime, the defeated city was ripped in two by the competing superpowers of the Cold War.

In Berlin, bestselling historian Sinclair McKay draws on never-before-seen first-person accounts to paint a picture of a city ravaged by ideology, war and grief. Yet to fully grasp the fall of Berlin, it is crucial to also explore in detail the years beforehand and to trace the city being rebuilt, as two cities, in the aftermath. From the passionate and austere Communists of 1919 to the sleek and serious industrialists of 1949, and from the glitter of innovation from artists such as George Grosz to the desperate border crossings for three decades from 1961, this is a story of a city that shaped an entire century, as seen through the eyes not of its rulers, but of those who walked its streets.

A comprehensive reference work containing all the essential facts and figures for anyone needing a quick, easy to use guide to the First World War.

The Great War traumatized a generation and shaped the whole of the twentieth century. This book covers all aspects of the First World War from its origins and the course of the war, to the peace settlements and the crises it generated. Alongside the political events, Colin Nicolson also considers the social, cultural, and economic consequences of the war. He explores the battle fronts as well as the home fronts, emergent nations, and the settlement & costs of the conflicts. He has also included a section of biographical sketches of key protagonists and participants.