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Books > History > World history > From 1900 > First World War
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When the United States entered World War I, parts of the country
had developed industries, urban cultures, and democratic political
systems, but the South lagged behind, remaining an impoverished,
agriculture region. Despite New South boosterism, the culture of
the early twentieth-century South was comparatively artistically
arid. Yet, southern writers dominated the literary marketplace by
the 1920s and 1930s. World War I brought southerners into contact
with modernity before the South fully modernized. This shortfall
created an inherent tension between the region's existing
agricultural social structure and the processes of modernization,
leading to distal modernism, a form of writing that combines
elements of modernism to depict non-modern social structures.
Critics have struggled to formulate explanations for the eruption
of modern southern literature, sometimes called the Southern
Renaissance. ,br> Pinpointing World War I as the catalyst, David
A. Davis argues southern modernism was not a self-generating
outburst of writing, but a response to the disruptions modernity
generated in the region. In World War I and Southern Modernism,
Davis examines dozens of works of literature by writers, including
William Faulkner, Ellen Glasgow, and Claude McKay, that depict the
South during the war. Topics explored in the book include contact
between the North and the South, southerners who served in combat,
and the developing southern economy. Davis also provides a new lens
for this argument, taking a closer look at African Americans in the
military and changing gender roles.
Warren Harding fell in love with his beautiful neighbor, Carrie
Phillips, in the summer of 1905, almost a decade before he was
elected a United States Senator and fifteen years before he became
the 29th President of the United States. When the two lovers
started their long-term and torrid affair, neither of them could
have foreseen that their relationship would play out against one of
the greatest wars in world history--the First World War. Harding
would become a Senator with the power to vote for war; Mrs.
Phillips and her daughter would become German agents, spying on a
U. S. training camp on Long Island in the hopes of gauging for the
Germans the pace of mobilization of the U. S. Army for entry into
the battlefields in France. Based on over 800 pages of
correspondence discovered in the 1960s but under seal ever since in
the Library of Congress, "The Harding Affair" will tell the unknown
stories of Harding as a powerful Senator and his personal and
political life, including his complicated romance with Mrs.
Phillips. The book will also explore the reasons for the entry of
the United States into the European conflict and explain why so
many Americans at the time supported Germany, even after the U. S.
became involved in the spring of 1917. James David Robenalt's
comprehensive study of the letters is set in a narrative that
weaves in a real-life spy story with the story of Harding's not
accidental rise to the presidency.
The passage of time has not slowed the production of books and
articles about World War I. This volume provides a guide to the
historiography and bibliography of the Dardanelles Campaign,
including the Gallipoli invasion. It focuses on military history
but also provides information on political histories that give
significant attention to the handling of the Dardanelles Campaign.
The opening section of the book provides background information
about the campaign, discusses the major sources of information, and
lays out the major interpretative disputes. A comprehensive
annotated bibliography follows. This book nicely complements the
two earlier volumes on World War I battles--The Battle of Jutland
by Eugene Rasor and The Battles of the Somme by Fred R. van
Hartesveldt.
Recent scholarship has broadened definitions of war and shifted
from the narrow focus on battles and power struggles to include
narratives of the homefront and private sphere. To expand
scholarship on textual representations of war means to shed light
on the multiple theaters of war, and on the many voices who
contributed to, were affected by, and/or critiqued German war
efforts. Engaged women writers and artists commented on their
nations' imperial and colonial ambitions and the events of the
tumultuous beginning of the twentieth century. In an
interdisciplinary investigation, this volume explores select
female-authored, German-language texts focusing on German colonial
wars and World War I and the discourses that promoted or critiqued
their premises. They examine how colonial conflicts contributed to
a persistent atmosphere of Kriegsbegeisterung (war enthusiasm) that
eventually culminated in the outbreak of World War I, or a
Kriegskritik (criticism of war) that resisted it. The span from
German colonialism to World War I brings these explosive periods
into relief and challenges readers to think about the intersection
of nationalism, violence and gender and about the historical
continuities and disruptions that shape such events.
This book presents for the first time the collected editorials
Taft produced under contract for the "Philadelphia Public Ledger"
from November 1, 1917 through July 5, 1921. These syndicated
editorials contain his reactions to U.S. participation and policy
during World War I, the Paris peace settlement, the League of
Nations controversy, and the national elections of 1918 and
1920.
The work is first and foremost a resource and reference
compilation. The collection assumes, and the introduction strongly
suggests, that the material represents poorly recognized
information that is yet to be properly and fully integrated into
the historical accounts and interpretations, and that Taft's career
beckons closer examination. The work implicitly casts Taft in a new
and more active light than previously depicted. This book will be a
valuable addition to any research library, and it should appeal to
scholars engaged in research in Taft, and in American political
history.
WE ALL MADE HISTORY is a collection of personal stories from people
who were in the military. Many military have put their lives on the
line for you to be free. The real Heroes never returned. When you
see a veteran, shake their hand and thank them for their service.
This study is among the first works in English to comprehensively
address the Scandinavian First World War experience in the larger
international context of the war. It surveys the complex
relationship between the belligerent great powers and Northern
Europe's neutral small states in times of crisis and war. The
book's overreaching rationale draws upon three underlying
conceptual fields: neutrality and international law, hegemony and
great power politics as well as diplomacy and policy-making of
small states in the international arena. From a variety of angles,
it examines the question of how neutrality was understood and
perceived, negotiated and dealt with both among the Scandinavian
states and the belligerent major powers, especially Britain,
Germany and Russia. For a long time, the experience of neutral
countries during the First World War was seen as marginal, and was
overshadowed by the experiences of occupation and collaboration
brought about by the Second World War. In this book, Jonas
demonstrates how this perception has changed, with neutrality
becoming an integral part of the multiple narratives of the First
World War. It is an important contribution to the international
history of the First World War, cultural-historically influenced
approaches to diplomatic history and the growing area of neutrality
studies.
During World War I, French citizens accepted national union on the
home front as a necessary act of self-defence, but not without a
considerable degree of ambivalence. At the political level, the
union altered the balance of forces by improving the position of
the Right, destroying the identity of the Radical party and
creating the means by which the Socialist party first had access to
power. However, what makes this collection of articles important is
that they illustrate the social and political impact of French
citizens' acceptance of a national union during World War I as well
as dealing with the industrial aspects of French wartime history.
The Great War toppled four empires, cost the world 24 million dead,
and sowed the seeds of another worldwide conflict 20 years later.
This is the only book in the English language to offer
comprehensive coverage of how Germany and Austria-Hungary, two of
the key belligerents, conducted the war and what defeat meant to
them. This new edition has been thoroughly updated throughout,
including new developments in the historiography and, in
particular, addressing new work on the cultural history of the war.
This edition also includes: - New material on the domestic front,
covering Austria-Hungary's internal political frictions and ethnic
fissures - More on Austria-Hungary and Germany's position within
the wider geopolitical framework - Increased coverage of the
Eastern front "The First World War: Germany and Austria-Hungary,
1914-1918" offers an authoritative and well-researched survey of
the role of the Central powers that will be an invaluable text for
all those studying the First World War and the development of
modern warfare.
This is the most comprehensive chronology ever provided on the
First World War and how it transformed the world politically,
economically, socially, technologically, and culturally. Gerald
Herman outlines the military actions and events of the Great War in
chronological order, depicting the actions of the belligerents on
the Western, Eastern, and Southern Fronts, in the colonies, on sea,
and in the air, in the order in which they entered the war. His
chronology juxtaposes these military events alongside international
actions, showing how the events of the war led to treaties and
declarations, conferences and meetings, and various kinds of
informal contacts and results. He goes on to outline domestic
events in terms of political, economic, social, cultural, and
technological activities. A full index is also provided.
The chronology will be of great use to all libraries,
institutions, and individuals seriously concerned with military
history and modern world history.
World War I was a global war originating in Europe that lasted from
1914 to 1918. Contemporaneously known as the Great War or "the war
to end all wars", it led to the mobilisation of more than 70
million military personnel, including 60 million Europeans, making
it one of the largest wars in history. This series of Eight volumes
provides year by year analysis of the war that resulted in the
death of more than 17 million deaths worldwide.
With the end of the First World War, the centuries-old social
fabric of the Ottoman world an entangled space of religious
co-existence throughout the Balkans and the Middle East came to its
definitive end. In this new study, Hans-Lukas Kieser argues that
while the Ottoman Empire officially ended in 1922, when the Turkish
nationalists in Ankara abolished the Sultanate, the essence of its
imperial character was destroyed in 1915 when the Young Turk regime
eradicated the Armenians from Asia Minor. This book analyses the
dynamics and processes that led to genocide and left behind today s
crisis-ridden post-Ottoman Middle East. Going beyond Istanbul, the
book also studies three different but entangled late Ottoman areas:
Palestine, the largely Kurdo-Armenian eastern provinces and the
Aegean shores; all of which were confronted with new claims from
national movements that questioned the Ottoman state. All would
remain regions of conflict up to the present day.Using new primary
material, World War I and the End of the Ottoman World brings
together analysis of the key forces which undermined an empire, and
marks an important new contribution to the study of the Ottoman
world and the Middle East. "
Taking as its focus memorials of the First World War in Britain,
this book brings a fresh approach to the study of public symbols by
exploring how different motives for commemorating the dead were
reconciled through the processes of local politics to create a
widely valued form of collective expression. It examines how the
memorials were produced, what was said about them, how support for
them was mobilized and behaviour around them regulated. These
memorials were the sites of contested, multiple and ambiguous
meanings, yet out of them a united public observance was created.
The author argues that this was possible because the interpretation
of them as symbols was part of a creative process in which new
meanings for traditional forms of memorial were established and
circulated. The memorials not only symbolized emotional responses
to the war, but also ambitions for the post-war era. Contemporaries
adopted new ways of thinking about largely traditional forms of
memorial to fit the uncertain social and political climate of the
inter-war years.
This book represents a significant contribution to the study of
material culture and memory, as well as to the social and cultural
history of modern warfare.
The happy warriors in the green hats
This is the story of the Nigerian Regiment-an imperial regiment led
by British officers and manned principally by Hausa tribesmen who
formed part of the force that fought the Germans in East Africa
during the First World War. The account, written by one of those
British officers, describes the earliest activities of the regiment
in West Africa before travelling with them, across the continent,
to new challenges. The author's affection and pride in these troops
shines through every page and they were in his estimation some of
the finest troops the British Empire had to offer. The reader is
shown their perpetual good humour and outstanding courage and skill
as soldiers in the field. Distinguished by their green headdress
and machete they became a force with whom the enemy admitted 'they
would take no liberties.' Their East African allies good humouredly
hailed them with the call 'Yum Yum'-so convinced were they that
they were cannibals The pivotal battles of the campaign are
described in detail together with many personable anecdotes making
this an original and different view of the Great War.
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