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Books > History > World history > From 1900 > First World War
While we were still in Paris, I felt, and have felt increasingly ever since, that you accepted my guidance and direction on questions with regard to which I had to instruct you only with increasing reluctance.. ..". I must say that it would relieve me of embarrassment, Mr. Secretary, the embarrassment of feeling your reluctance and divergence of judgment, if you would give your present office up and afford me an opportunity to select some one whose mind would more willingly go along with mine." These words are taken from the letter which President Wilson wrote to me on February 11, 1920. On the following day I tendered my resignation as Secretary of State by a letter, in which I said:
World War I was a global war originating in Europe that lasted from 1914 to 1918. Contemporaneously known as the Great War or "the war to end all wars", it led to the mobilisation of more than 70 million military personnel, including 60 million Europeans, making it one of the largest wars in history. This series of Eight volumes provides year by year analysis of the war that resulted in the death of more than 17 million deaths worldwide.
The American drive towards victory on the Western Front
Italy and the Cultural Politics of World War I dialogues with the variety of texts recently published to commemorate the Great War. It explores Italian socialist pacifism, the role of women during the conflict and a dominant cultural movement, Futurism, whose leader, Filippo Tommaso Marinetti, glorified war and enlisted in the fight. Other soldiers created documents about the war that differ from the heroic and virile endeavor that Marinetti placed at the center of his works on war. Italy and the Cultural Politics of World War I pays attention to the representations of the soldiers through an analysis of their letters, dominated by descriptions of the terrible hunger they suffered. In contrast, popular film absorbed the cultural lessons in Marinetti's writings and represented soldiers as modernist heroes in comedies and dramas. However, film did not shy away from representing cowards who could only be baffoons and fools in propaganda films. In another medium, the concern was to publish texts that would serve the fighting soldier and inform readers about ideological and historical motivations for the conflict. The publishing industry supported national propaganda efforts. Only socialism could endanger anti-war publication, but after its initial opposition to the conflict, socialists occupied a neutral position. Italian socialism still remained the only European socialist party that did not renege its pacifism in order to embrace nationalism and the war, but it was also not in favor of actions that would sabotage in the Italian war industry. ltalian socialism is only one feature of Italian culture that was dramatically changed during the war. WWI impacted every aspect of Italian and of European cultures. For instance, as an essay in Italy and the Cultural Politics of World War I explores, the war industry needed workers. The solution was to bring Chinese men France to contribute in the war effort. After the war, they moved to other countries and in Milan, Italy, they founded one of the oldest Chinatowns in Europe, dramatically changing the human landscape of Italy as they later moved to other Italian cities. Italy and the Cultural Politics of World War I supplies essential research articles to the construction of an inclusive portrayal of WWI and Italian culture by deepening our understanding of the transformative role it played in 20th century Italy and Europe.
Routledge Library Editions: Germans in Australia comprises three previously out-of-print books by Jurgen Tampke and examines the experiences of Germans in Australia, as explorers, migrants and enemies. Germans made up the second-largest immigrant group in Australia, and these books look at their roles in exploring the country, helping develop the economy and society, and as the enemy in the First World War.
World War I was a global war originating in Europe that lasted from 1914 to 1918. Contemporaneously known as the Great War or "the war to end all wars", it led to the mobilisation of more than 70 million military personnel, including 60 million Europeans, making it one of the largest wars in history. This series of Eight volumes provides year by year analysis of the war that resulted in the death of more than 17 million deaths worldwide.
World War I utterly transformed the lives of Jews around the world: it allowed them to display their patriotism, to dispel antisemitic myths about Jewish cowardice, and to fight for Jewish rights. Yet Jews also suffered as refugees and deportees, at times catastrophically. And in the aftermath of the war, the replacement of the Habsburg Monarchy and the Russian and Ottoman Empires with a system of nation-states confronted Jews with a new set of challenges. This book provides a fascinating survey of the ways in which Jewish communities participated in and were changed by the Great War, focusing on the dramatic circumstances they faced in Europe, North America, and the Middle East during and after the conflict.
The Gallipoli expedition was the bold and audacious plan of Winston Churchill, amongst others, to force the Dardanelles narrows, by sea and by land, to capture Constantinople from the Turks and to open the Black Sea to ships taking supplies and arms for the Russians on their immense German front. The campaign failed with catastrophic loss of life on all sides, but again and again, unbeknown to the Allies, they came close to achieving a goal that might have led to victory overall. This book, first published in 1956, is still regarded as the best and definitive account of the campaign. It won the Sunday Times Best Book of the Year Award as well as the inaugural Duff Cooper prize when the winner could choose who would present the award. Appropriately enough, Moorehead chose Churchill to make the presentation because the book demonstrated that the faults were not in the conception of the plan. Indeed, long after Churchill had resigned in disgrace, a new fleet was being assembled to again attempt to force the Dardanelles in 1919, which was cancelled when the war ceased and the Armistice was signed. Seen in the new light that Moorehead revealed, the Gallipoli campaign was no longer regarded as a blunder or a reckless gamble; it was the most imaginative conception of the war, and its potentialities were almost beyond reckoning. Certainly in its strictly military aspect its influence was enormous. It was the greatest amphibious operation which mankind had known up till then, and it took place in circumstances in which nearly everything was experimental: in the use of submarines and aircraft, in the trial of modern naval guns against artillery on the shore, in the manoeuvre of landing armies in small boats on a hostile coast, in the use of radio, or the aerial bomb, the landmine, and many other novel devices. These things lead on through Dunkirk and the Mediterranean landings to the invasion of Normandy in the Second World War. In 1940 there was very little the Allied commanders could learn from the long struggle against the Kaiser's armies in the trenches in France. But Gallipoli was a mine of information about the complexities of the modern war of manoeuvre, of the combined operation by land and sea and sky; and the correction of the errors made then was the basis of the victory of 1945. "the story of one of the great military tragedies of the twentieth century, which no writer has described better than Alan Moorehead." Sir Max Hastings.
Two accounts of men of the Legion during the First World War
When on May 15, 1918 a French lieutenant warned Henry Johnson of the 369th to move back because of a possible enemy raid, Johnson reportedly replied: "I'm an American, and I never retreat." The story, even if apocryphal, captures the mythic status of the Harlem Rattlers, the African-American combat unit that grew out of the 15th New York National Guard, who were said to have never lost a man to capture or a foot of ground that had been taken. It also, in its insistence on American identity, points to a truth at the heart of this book--more than fighting to make the world safe for democracy, the black men of the 369th fought to convince America to live up to its democratic promise. It is this aspect of the storied regiment's history--its place within the larger movement of African Americans for full citizenship in the face of virulent racism--that "Harlem's Rattlers and the Great War" brings to the fore. With sweeping vision, historical precision, and unparalleled research, this book will stand as the definitive study of the 369th. Though discussed in numerous histories and featured in popular culture (most famously the film "Stormy Weather" and the novel "Jazz"), the 369th has become more a matter of mythology than grounded, factually accurate history--a situation that authors Jeffrey T. Sammons and John H. Morrow, Jr. set out to right. Their book--which eschews the regiment's famous nickname, the "Harlem Hellfighters," a name never embraced by the unit itself--tells the full story of the self-proclaimed Harlem Rattlers. Combining the "fighting focus" of military history with the insights of social commentary, "Harlem's Rattlers and the Great War" reveals the centrality of military service and war to the quest for equality as it details the origins, evolution, combat exploits, and postwar struggles of the 369th. The authors take up the internal dynamics of the regiment as well as external pressures, paying particular attention to the environment created by the presence of both black and white officers in the unit. They also explore the role of women--in particular, the Women's Auxiliary of the 369th--as partners in the struggle for full citizenship. From its beginnings in the 15th New York National Guard through its training in the explosive atmosphere in the South, its singular performance in the French army during World War I, and the pathos of postwar adjustment--this book reveals as never before the details of the Harlem Rattlers' experience, the poignant history of some of its heroes, its place in the story of both World War I and the African American campaign for equality--and its full importance in our understanding of American history.
On His Majesty's Secret Service
This volume contains Kipling's collected of essays, poems, theories, and reminisciences on sea warfare, from submarines to destroyers, with the personal and philosophical touches that mark all of his best works. Includes "The Fringes of the Fleet," "Tales of 'the Trade'," and "Destroyers at Jutland."
Mersey to mud - war and Liverpool men Like many large cities, Liverpool raised a number of battalions in the Great War. Notable among them were the Pals, the Liverpool Irish and Scottish, but this book concerns the wartime history of the 9th Battalion - The Kings. Originally formed in 1859 for volunteers from the Liverpool newspaper and print industries, it was, by the outbreak of World War 1, an experienced part of the Territorial Force, but no previous experience could prepare the battalion for war on the Western Front. Once in the line, the exacting toll of modern warfare caused immediate casualties, including the commanding officer invalided home and another quickly killed in action. The King's endured gruelling life and death in the trenches to the full measure. In the course of the war the battalion fought at Aubers Ridge, Loos, the Somme, Third Ypres, Cambrai and Arras. This moving history of the battalion is essential reading for military students and genealogists since it includes a substantial Decoration Roll.
Far from the battlefront, hundreds of thousands of workers toiled in Bohemian factories over the course of World War I, and their lives were inescapably shaped by the conflict. In particular, they faced new and dramatic forms of material hardship that strained social ties and placed in sharp relief the most mundane aspects of daily life, such as when, what, and with whom to eat. This study reconstructs the experience of the Bohemian working class during the Great War through explorations of four basic spheres-food, labor, gender, and protest-that comprise a fascinating case study in early twentieth-century social history.
By the end of the First World War the combat formations of the Australian Imperial Force (AIF) in both France and the Middle East were considered among the British Empire's most effective troops. While sometimes a source of pride and not a little boasting, how the force came to be so was not due to any inherent national prowess or trait. Instead it was the culmination of years of training, organisational change, battlefield experimentation and hard-won experience-a process that included not just the Australians, but the wider British imperial armies as well. This book brings together some of Australia's foremost military historians to outline how the military neophytes that left Australia's shores in 1914 became the battle winning troops of 1918. It will trace the evolution of several of the key arms of the AIF, including the infantry, the light horse, the artillery, and the flying corps, and also consider how the various arms worked together alongside other troops of the British Empire to achieve a remarkably high level of battlefield effectiveness.
A remarkable man's view of three military disasters
The first year of war on the Western Front
From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India's struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.
When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. ,br> Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles. |
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