Merry Hell is the only complete history of the 25th Canadian infantry battalion, which was recruited in the autumn and winter of 1914-15 and served overseas from spring 1915 until spring 1919. Author Robert N Clements, who served in the battalion throughout that period and rose from private to captain, wrote the story many years after the war, based on his personal memories and experiences. As such, his story reflects two unique perspectives on Canadian military history - the remarkably fresh recollections and anecdotes of a veteran, and the outlook of a man eager to share what his generation contributed to the nation's history, character, and identity.

Professional military historian Brian Douglas Tennyson buttresses Clements's story with a valuable critical apparatus, including an analytical introduction that contextualizes the history and notes that explain unfamiliar points and people. Merry Hell is a captivating tale for those who enjoy stories of war and battle, and one that will entertain readers with Clements's richly colourful anecdotes and witty poems, none of which have been published before.

In the search for the deeper causes of the 'War to end all wars' the reading public has been presented with countless titles by military, diplomatic and intellectual historians. Some of these have, however, been motivated by a desire to show how their authors would have preferred the past events to have been, so as to promote some present-day agenda. This is the fallacy of 'presentism'. John Moses was trained at the Universities of Munich and Erlangen by professors committed to the Rankean tradition of showing 'how it actually was', as far as humanly possible, based on diligent archival research and with the strictest objectivity and emotional detachment. Consequently, both Moses and Overlack have been at pains to identify the essential peculiarity of the Kaiser's Germany and have focused sharply on the question of how its war planning impinged on Australasia.

In central Brussels stands a statue of a young woman. Built in 1923, it is the first monument to a working-class woman in European history. Her name was Gabrielle Petit. History has forgotten Petit, an ambitious and patriotic Belgian, executed by firing squad in 1916 for her role as an intelligence agent for the British Army. After the First World War she was celebrated as an example of stern endeavour, but a hundred years later her memory has faded. In the first part of this historical biography Sophie De Schaepdrijver uses Petit's life to explore gender, class and heroism in the context of occupied Europe. Petit's experiences reveal the reality of civilian engagement under military occupation and the emergence of modern espionage. The second part of the book focuses on the legacy and cultural memory of Petit and the First World War. By analysing Petit's representation in ceremony, discourse and popular culture De Schaepdrijver expands our understanding of remembrance across the 20th century.

The First World War at sea by Americans who fought in it
It's easy to understand why this book was originally published under the jingoistic title of 'Over the Seas for Uncle Sam'-perhaps edited by rather than 'written' by Elaine Sterne-for when it was written the subject was nothing less than reportage. The passage of time provides new perspectives on works such as this, and for that reason we have changed the title to alert readers to the unique nature of the content. Sterne's book contains fifteen first hand accounts by those serving in the United States Navy in the first American conflict of the modern age on a global stage. The United States entry into the First World War in April, 1917, (particularly in terms of it's immediately engaged naval contribution) was pivotal, if not essential. The Allied war effort was being strangled for want of materials as a result of the German U-Boat successes against merchant shipping, especially in the Atlantic Ocean. These accounts by serving men and women in the U. S Navy-including contributions by marines-are mainly from the enlisted ranks, with a few from officers. They are told in 'their own words, ' and enable the modern student of the period to read of the experiences of those service men and women whose voices-in the absence of a work such as this-would have been forever lost to posterity.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

What did war look like in the cultural imagination of 1914? Why did men in Scotland sign up to fight in unprecedented numbers? What were the martial myths shaping Scottish identity from the aftermath of Bannockburn to the close of the nineteenth century, and what did the Scottish soldiers of the First World War think they were fighting for? Scotland and the First World War: Myth, Memory and the Legacy of Bannockburn is a collection of new interdisciplinary essays interrogating the trans-historical myths of nation, belonging and martial identity that shaped Scotland's encounter with the First World War. In a series of thematically linked essays, experts from the fields of literature, history and cultural studies examine how Scotland remembers war, and how remembering war has shaped Scotland.

This lyrical memoir offers a fresh look inside the trauma of war and captivity during the First World War, with resonance for today's world.Georges Connes was a young literature graduate when he was drafted and served in the infamous and bloody battle of Verdun. A survivor, he was captured by the Germans in June 1916 and became a prisoner of war until his repatriation in January 1919. In the Second World War, he was active in the French Resistance, was arrested and detained, and ultimately went into hiding. After the war, he served as the interim mayor of Dijon before returning to his academic life as a professor of British and American literature.Connes referred to his time as a POW as 'The Other Ordeal', recognizing that the most important suffering continued for those who had to endure the 'firing, blood and mud' of war. Connes focuses on the human aspects of war, which are all too easy to forget in the age of mass media. He passionately argues against the predominant black and white view of 'us versus them' to unearth the complexities of war. Rather than demonizing his German captors, for example, he describes individual examples of gratuitous acts of kindness.Connes offers a pacifist, internationalist perspective on war. A survivor of two of the greatest conflicts in modern history, Connes remained optimistic about humanity. This voice of hope provides insight not only into the First World War but into the contemporary world.

November 1917. The American troops were poorly trained, deficient in military equipment and doctrine, not remotely ready for armed conflict on a large scale-and they'd arrived on the Western front to help the French push back the Germans. The story of what happened next-the American Expeditionary Force's trial by fire on the brutal battlefields of France-is told in full for the first time in Thunder and Flames. Where history has given us some perspective on the individual battles of the period-at Cantigny, Chateau Thierry, Belleau Wood, the Marne River, Soissons, and little-known Fismette-they appear here as part of a larger series of interconnected operations, all conducted by Americans new to the lethal killing fields of World War I and guided by the battle-tested French. Following the AEF from their initial landing to their emergence as an independent army in late September 1918, this book presents a complex picture of how, learning warfare on the fly, sometimes with devastating consequences, the American force played a critical role in blunting and then rolling back the German army's drive toward Paris. The picture that emerges is at once sweeping in scope and rich in detail, with firsthand testimony conjuring the real mud and blood of the combat that Edward Lengel so vividly describes. Official reports and documents provide the strategic and historical context for these ground-level accounts, from the perspective of the Germans as well as the Americans and French. Battle by battle, Thunder and Flames reveals the cost of the inadequacies in U.S. training, equipment, logistics, intelligence, and command, along with the rifts in the Franco-American military marriage. But it also shows how, by trial and error, through luck and ingenuity, the AEF swiftly became the independent fighting force of General John "Blackjack" Pershing's long-held dream-its divisions ultimately among the most combat-effective military forces to see the war through.

The conquest of the air-and beyond
This interesting book, which includes photographs and diagrams, describes the early years of man's attempts to gain mastery of the air. It chronicles the first, rudimentary attempts at flight in balloons to their ultimate development including their use during the Great War. Next came the age of the dirigible including, of course, the mighty Zeppelin. Allied dirigibles of the First World War are also considered. Most significant, however, was the development of powered, heavier than air, winged, machines and in this account they are described from their genesis with the Wright brothers to their use in the first great conflict which led to the creation of the air forces of the world. German and Allied aircraft are discussed, together with their various uses, applications and the deeds of the intrepid young men who flew them. There are not many accounts of the early days of aviation in peace and war so any addition to their number is welcome. This book was written before the potential of the aircraft had been fully realised and is an interesting perspective on how the first pilots, aircraft designers, manufacturers and visionaries saw them and their future in the opening decades of the twentieth century. An essential addition to any library of early aviation, this book is recommended.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The Women of the Great War
It has been a salient feature of twentieth century warfare that the industrial nature of conflict, combined with the huge number of men required and the numerous machines and armaments involved, has meant that industry has-of necessity-had to increase its capacity to keep the fighting forces constantly and consistently supplied. Yet each conflict has inevitably drained the places of industry of the very workforce it required to function effectively. The solution in both World Wars has been for women to step forward to fill the roles formally undertaken by men who were by then enlisted into the armed services. Of course, women invariably proved themselves to be equal to the tasks assigned to them and indeed without them wartime industrial production would inevitably have been compromised to the point of peril for the military outcome. The work was invariably hard and often dangerous, but women on the home front have long been regarded as the essential, if largely unsung, heroines of the war effort. The principal benefit of this book is that it not only describes the activities of women in the workplace, but that it includes many photographs of women at work, demonstrating the multitude of weapons, armaments, equipment and vehicles they manufactured during the First World War. This concise Leonaur edition includes two books-that were originally so short as to not have seen re-publication in modern times-for good value.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

From the late imperial period until 1922, the British and French made private and government loans to Russia, making it the foremost international debtor country in pre-World War I Europe. To finance the modernization of industry, the construction of public works projects, railroad construction, and the development and adventures of the military-industrial complex, Russia's ministers of finance, municipal leaders, and nascent manufacturing class turned, time and time again, to foreign capital. From the forging of the Franco-Russian alliance onwards, Russia's needs were met, first and foremost, its allies and diplomatic partners in the developing Triple Entente. In the case of Russia's relationships with both France and Great Britain, an open pocketbook primed the pump, facilitating the good spirits that fostered agreement. Russia's continued access to those ready lenders ensured that the empire of the Tsars would not be tempted away from its alliance and entente partners. This web of financial and political interdependence affected both foreign policy and domestic society in all three countries. The Russian state was so heavily indebted to its western creditors, rendering those western economies almost prisoners to this debt, that the debtor nation in many ways had the upper hand; the Russian government at times was actually able to dictate policy to its French and British counterparts. Those nations' investing classes-which, in France in particular, spanned not only the upper classes but the middle, rentier class, as well-had such a vast proportion of their savings wrapped up in Russian bonds that any default would have been catastrophic for their own economies. That default came not long after the Bolshevik Revolution brought to power a government who felt no responsibility whatsoever for the debts accrued by the tsars for the purpose of oppressing Russia's workers and peasants. The ensuing effect on allied morale, the French and British economies and, ultimately, on the Anglo-French relationship, was grim and far-reaching. This book will contribute to understandings of the ways that non-governmental and sometimes transnational actors were able to influence both British and French foreign policy and Russian foreign and domestic policy. It will address the role of individual financiers and policy makers-men like Lord Revelstoke, chairman of Baring Brothers, the British and French Rothschild cousins, Edouard Noetzlin of the Banque de Paris et de Pays Bas, and Sergei Witte, Russia's authoritative finance minister during much of this age of expansion; the importance of foreign capital in late imperial Russian policy; and the particular role of British capital and financial investment in the construction and strengthening of the Anglo-Russo-French entente. It will illustrate the interrelationship of political and economic decision-making with the ideas and beliefs that inform security policy. Drawing upon both the traditional archival sources for diplomatic history-the government holdings of Great Britain, France, and Russia-and the non-governmental archival holdings of international finance-this project looks beyond the realm of high politics and state-centered decision making in the formation of foreign policy, offering insights into the forms and functions of diplomatic alliances while elucidating the connections between finance and foreign policy. It is a classic tale of money and power in the modern era-an age of economic interconnectivity and great power interdependency.

The fall of 2016 saw the release of the widely popular First World War video game Battlefield 1. Upon the game's initial announcement and following its subsequent release, Battlefield 1 became the target of an online racist backlash that targeted the game's inclusion of soldiers of color. Across social media and online communities, players loudly proclaimed the historical inaccuracy of black soldiers in the game and called for changes to be made that correct what they considered to be a mistake that was influenced by a supposed political agenda. Through the introduction of the theoretical framework of the 'White Mythic Space', this book seeks to investigate the reasons behind the racist rejection of soldiers of color by Battlefield 1 players in order to answer the question: Why do individuals reject the presence of people of African descent in popular representations of history?