A fine author's view of the Great Somme Offensive
For many years there were few more highly regarded histories of the momentous Battle of the Somme, 1916, than that written by John Buchan, the renowned author of 'The Thirty Nine Steps, ' 'Greenmantle, ' 'Huntingtower' and many others. In both his fiction and non-fiction Buchan had the ability to craft a fine narrative in an easy going, economic style. Today Buchan is far less well-known for his non-fiction than for his fiction and that, perhaps, is inevitable. Nevertheless, he was responsible for a very substantial multi-volume history of the First World War which his consummate skill as a writer has ensured remains readable, often quoted and relevant. There were several versions of Buchan's 'Battle of the Somme' published during and soon after the First World War, sometimes in several volumes each dealing with different phases of the battle. This unique, never before in print, Leonaur Original, brings together all the text and all the illustrations and photographs from those various editions to create, what we believe to be the definitive version of the book. Fought over a period of nearly five months, between July and November of 1916, the Battle of the Somme became one of the defining battles, both of world history and the First World War. Over 1,000,000 men were killed or wounded in the course of the fighting which has made it, because of its inconclusive outcome, emblematic of the lives wasted during the war and of the implied incompetence of military commanders throughout the conflict.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

In A World At War, 1911-1949, leading and emerging scholars of the cultural history of the two world wars begin to break down the traditional barriers between the historiographies of the two conflicts, identifying commonalities as well as casting new light on each as part of a broader mission, in honour of Professor John Horne, to expand the boundaries of academic exploration of warfare in the 20th century. Utilizing techniques and approaches developed by cultural historians of the First World War, this volume showcases and explores four crucial themes relating to the socio-cultural attributes and representation of war that cut across both the First and Second World Wars: cultural mobilization, the nature and depiction of combat, the experience of civilians under fire, and the different meanings of victory and defeat. Contributors are: Annette Becker, Robert Dale, Alex Dowdall, Robert Gerwarth, John Horne, Tomas Irish, Heather Jones, Alan Kramer, Edward Madigan, Anthony McElligott, Michael S. Neiberg, John Paul Newman, Catriona Pennell, Filipe Ribeiro de Meneses, Daniel Todman, and Jay Winter. See inside the book.

The war for colonial Africa
This very substantial book, written by the two South African official correspondents on the campaign, narrates the expedition in 1914-15 which led to the conquest of German South-West Africa (the region now known as Namibia). One author accompanied the Northern Army and the other, the Southern Army. During the 19th century the great powers of Europe raced to establish themselves in all corners of the globe for colonisation, trade and political influence. In the 'great scramble for Africa, ' the British and German empires had established themselves, by degrees, in the east and west of the continent. In the years before the outbreak of the First World War these colonies existed, more or less, in harmony but once hostilities erupted German and British settlers found themselves living in very close proximity to hostile forces. The British had the advantage of numbers since colonisation had long been a policy, though the Germans compensated for this measure with the abilities of their military commanders and the expertise and quality of their European and locally raised troops. (South Africa itself entered the fray, its forces led by commanders who a little over a decade earlier had led the Boer burghers in their attempts to form a nation independent of the British Empire.) This campaign of mobility was fought in the searing heat of a desert region and was often a 'tip and run affair' as mounted troops traversed huge tracts of inhospitable terrain. Those interested in the First World War often find it's 'side-show' theatres fascinating because they differed so completely from the war of stalemate and attrition on the Western Front. This is a very thorough and comprehensive book written by competent authors who experienced the campaign at first hand and were well qualified to record both their personal impressions and an informed overview of the events they witnessed. This edition of the text is liberally enhanced by the inclusion of many photographs taken on the campaign.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

This eye-opening study gives a nuanced, provocative account of how German soldiers in the Great War experienced and enacted masculinity. Drawing on an array of relevant narratives and media, it explores the ways that both heterosexual and homosexual soldiers expressed emotion, understood romantic ideals, and approached intimacy and sexuality.

In Italy in the Era of the Great War, Vanda Wilcox brings together nineteen Italian and international scholars to analyse the political, military, social and cultural history of Italy in the country's decade of conflict from 1911 to 1922. Starting with the invasion of Libya in 1911 and concluding with the rise of post-war social and political unrest, the volume traces domestic and foreign policy, the economics of the war effort, the history of military innovation, and social changes including the war's impact on religion and women, along with major cultural and artistic developments of the period. Each chapter provides a concise and effective overview of the field as it currently stands as well as introducing readers to the latest research. Contributors are Giulia Albanese, Claudia Baldoli, Allison Scardino Belzer, Francesco Caccamo, Filippo Cappellano, Selena Daly, Fabio Degli Esposti, Spencer Di Scala, Douglas J. Forsyth, Irene Guerrini, Oliver Janz, Irene Lottini, Stefano Marcuzzi, Valerie McGuire, Marco Pluviano, Paul O'Brien, Carlo Stiaccini, Andrea Ungari, and Bruce Vandervort. See inside the book.

In central Brussels stands a statue of a young woman. Built in 1923, it is the first monument to a working-class woman in European history. Her name was Gabrielle Petit. History has forgotten Petit, an ambitious and patriotic Belgian, executed by firing squad in 1916 for her role as an intelligence agent for the British Army. After the First World War she was celebrated as an example of stern endeavour, but a hundred years later her memory has faded. In the first part of this historical biography Sophie De Schaepdrijver uses Petit's life to explore gender, class and heroism in the context of occupied Europe. Petit's experiences reveal the reality of civilian engagement under military occupation and the emergence of modern espionage. The second part of the book focuses on the legacy and cultural memory of Petit and the First World War. By analysing Petit's representation in ceremony, discourse and popular culture De Schaepdrijver expands our understanding of remembrance across the 20th century.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

In the search for the deeper causes of the 'War to end all wars' the reading public has been presented with countless titles by military, diplomatic and intellectual historians. Some of these have, however, been motivated by a desire to show how their authors would have preferred the past events to have been, so as to promote some present-day agenda. This is the fallacy of 'presentism'. John Moses was trained at the Universities of Munich and Erlangen by professors committed to the Rankean tradition of showing 'how it actually was', as far as humanly possible, based on diligent archival research and with the strictest objectivity and emotional detachment. Consequently, both Moses and Overlack have been at pains to identify the essential peculiarity of the Kaiser's Germany and have focused sharply on the question of how its war planning impinged on Australasia.