A fine author's view of the Great Somme Offensive
For many years there were few more highly regarded histories of the momentous Battle of the Somme, 1916, than that written by John Buchan, the renowned author of 'The Thirty Nine Steps, ' 'Greenmantle, ' 'Huntingtower' and many others. In both his fiction and non-fiction Buchan had the ability to craft a fine narrative in an easy going, economic style. Today Buchan is far less well-known for his non-fiction than for his fiction and that, perhaps, is inevitable. Nevertheless, he was responsible for a very substantial multi-volume history of the First World War which his consummate skill as a writer has ensured remains readable, often quoted and relevant. There were several versions of Buchan's 'Battle of the Somme' published during and soon after the First World War, sometimes in several volumes each dealing with different phases of the battle. This unique, never before in print, Leonaur Original, brings together all the text and all the illustrations and photographs from those various editions to create, what we believe to be the definitive version of the book. Fought over a period of nearly five months, between July and November of 1916, the Battle of the Somme became one of the defining battles, both of world history and the First World War. Over 1,000,000 men were killed or wounded in the course of the fighting which has made it, because of its inconclusive outcome, emblematic of the lives wasted during the war and of the implied incompetence of military commanders throughout the conflict.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

"It is impossible to reproduce the state of mind of the men who waged war in 1917 and 1918," Edward Coffman wrote in "The War to End All Wars." In "Doughboys on the Great War" the voices of thousands of servicemen say otherwise. The majority of soldiers from the American Expeditionary Forces returned from Europe in 1919. Where many were simply asked for basic data, veterans from four states--Utah, Minnesota, Connecticut, and Virginia--were given questionnaires soliciting additional information and "remarks." Drawing on these questionnaires, completed while memories were still fresh, this book presents a chorus of soldiers' voices speaking directly of the expectations, motivations, and experiences as infantrymen on the Western Front in World War I.

What was it like to kill or maim German soldiers? To see friends killed or maimed by the enemy? To return home after experiencing such violence? Again and again, soldiers wrestle with questions like these, putting into words what only they can tell. They also reflect on why they volunteered, why they fought, what their training was, and how ill-prepared they were for what they found overseas. They describe how they interacted with the civilian populations in England and France, how they saw the rewards and frustrations of occupation duty when they desperately wanted to go home, and--perhaps most significantly--what it all added up to in the end. Together their responses create a vivid and nuanced group portrait of the soldiers who fought with the American Expeditionary Forces on the battlefields of Aisne-Marne, Argonne Forest, Belleau Wood, Chateau-Thierry, the Marne, Metz, Meuse-Argonne, St. Mihiel, Sedan, and Verdun during the First World War.

The picture that emerges is often at odds with the popular notion of the disillusioned doughboy. Though hardened and harrowed by combat, the veteran heard here is for the most part proud of his service, service undertaken for duty, honor, and country. In short, a hundred years later, the doughboy once more speaks in his own true voice.

This eye-opening study gives a nuanced, provocative account of how German soldiers in the Great War experienced and enacted masculinity. Drawing on an array of relevant narratives and media, it explores the ways that both heterosexual and homosexual soldiers expressed emotion, understood romantic ideals, and approached intimacy and sexuality.

Russia's invasion of Ukraine is the latest chapter in a series of events that have their origins in World War One. The difficult existential questions that emerged before and during this conflict still remain unresolved. Contrary to the claim that wars are not supposed to happen in Europe or that we live in the era of the End of History, the experience of Ukraine highlights the salience of the spell of the past. The failure of the West to take its past seriously has left it confused and unprepared to deal with the current crisis. Unexpectedly fashionable claims about the irrelevance of borders and of nation states have been exposed as shallow myths. The author argues that the West's self-inflicted condition of historical amnesia has encouraged it to disregard the salience of geo-political realities. Suddenly the once fashionable claims that made up the virtues of globalisation appear threadbare. This problem, which was already evident during the global Covid pandemic has reached a crisis point in the battlefield of Ukraine. History has had its revenge on a culture that believes that what happened in the past no longer matters. The Road To Ukraine: How the West Lost Its Way argues that overcoming the state of historical amnesia is the precondition for the restoration of global solidarity.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

In central Brussels stands a statue of a young woman. Built in 1923, it is the first monument to a working-class woman in European history. Her name was Gabrielle Petit. History has forgotten Petit, an ambitious and patriotic Belgian, executed by firing squad in 1916 for her role as an intelligence agent for the British Army. After the First World War she was celebrated as an example of stern endeavour, but a hundred years later her memory has faded. In the first part of this historical biography Sophie De Schaepdrijver uses Petit's life to explore gender, class and heroism in the context of occupied Europe. Petit's experiences reveal the reality of civilian engagement under military occupation and the emergence of modern espionage. The second part of the book focuses on the legacy and cultural memory of Petit and the First World War. By analysing Petit's representation in ceremony, discourse and popular culture De Schaepdrijver expands our understanding of remembrance across the 20th century.

What did war look like in the cultural imagination of 1914? Why did men in Scotland sign up to fight in unprecedented numbers? What were the martial myths shaping Scottish identity from the aftermath of Bannockburn to the close of the nineteenth century, and what did the Scottish soldiers of the First World War think they were fighting for? Scotland and the First World War: Myth, Memory and the Legacy of Bannockburn is a collection of new interdisciplinary essays interrogating the trans-historical myths of nation, belonging and martial identity that shaped Scotland's encounter with the First World War. In a series of thematically linked essays, experts from the fields of literature, history and cultural studies examine how Scotland remembers war, and how remembering war has shaped Scotland.

Even Mississippi textbooks rarely mention the part Mississippi men and women played in World War I. Mississippians in the Great War presents in their own words the story of Mississippians and their roles. This body of work divides into five sections, each associated with crucial dates of American action. Comments relating to various military actions are interspersed throughout to give the reader a context of the wide variety of experiences. Additionally, where possible, Anne L. Webster provides information on the soldier or sailor to show what became of him after his service. Webster examined newspapers from all corners of the state for ""letters home,"" most appearing in newspapers from Natchez, Greenville, and Pontotoc. The authors of the letters gathered here are from soldiers, aviators, sailors, and relief workers engaged in the service of their country. Letter writing skills varied from citizens of minimal literacy to those who would later become published authors and journalists. These letters reflect the experiences of green, young Mississippians as they endured training camp, voyaged across the Atlantic to France, and participated in horrific battles leaving some scarred for life. To round out the picture, Webster includes correspondence from nurses and YMCA workers who describe drills, uniforms, parades, and celebrations.

The extraordinary story of Captain Llewellyn Wynne Jones' 1918 service in East Africa told through his personal military campaign diary and photograph albums. Llewellyn's granddaughter, born some 36 years after his death, researches his military life and family history to uncover the fascinating, courageous and ultimately tragic story of his life. The book is beautifully illustrated with original photographs from Llewellyn's campaign albums and from a rich family photographic archive. It includes family artefacts, letters, newspaper reports and interviews which combine to bring this exceptional young man's few years to life once more 100 years on.

In the search for the deeper causes of the 'War to end all wars' the reading public has been presented with countless titles by military, diplomatic and intellectual historians. Some of these have, however, been motivated by a desire to show how their authors would have preferred the past events to have been, so as to promote some present-day agenda. This is the fallacy of 'presentism'. John Moses was trained at the Universities of Munich and Erlangen by professors committed to the Rankean tradition of showing 'how it actually was', as far as humanly possible, based on diligent archival research and with the strictest objectivity and emotional detachment. Consequently, both Moses and Overlack have been at pains to identify the essential peculiarity of the Kaiser's Germany and have focused sharply on the question of how its war planning impinged on Australasia.

The First World War at sea by Americans who fought in it
It's easy to understand why this book was originally published under the jingoistic title of 'Over the Seas for Uncle Sam'-perhaps edited by rather than 'written' by Elaine Sterne-for when it was written the subject was nothing less than reportage. The passage of time provides new perspectives on works such as this, and for that reason we have changed the title to alert readers to the unique nature of the content. Sterne's book contains fifteen first hand accounts by those serving in the United States Navy in the first American conflict of the modern age on a global stage. The United States entry into the First World War in April, 1917, (particularly in terms of it's immediately engaged naval contribution) was pivotal, if not essential. The Allied war effort was being strangled for want of materials as a result of the German U-Boat successes against merchant shipping, especially in the Atlantic Ocean. These accounts by serving men and women in the U. S Navy-including contributions by marines-are mainly from the enlisted ranks, with a few from officers. They are told in 'their own words, ' and enable the modern student of the period to read of the experiences of those service men and women whose voices-in the absence of a work such as this-would have been forever lost to posterity.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.