The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume VIII covers the war against German ally Turkey and the war in the Balkans and Greece, from August 1914 to October 1918. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

The end of a dynasty
It is likely that few of those who contributed to the outbreak of the First World War would have imagined its consequences or predicted which nations would prevail, which would fall in defeat and which would all but cease to exist. Very few would have foreseen the fall of so many of the royal houses of Europe and yet this came to pass; most prominent among them were the Romanovs of Russia. It was almost inconceivable that the Tsar, who ruled over a vast territory and many millions of subjects, would be murdered (or executed, according to one's sensibility) with all of his immediate family such a short time from when the power and influence of the Romanovs had seemed immutable. But this was an age of global warfare on an industrial scale, and of revolution and political change that would affect the nature of war and peace for a century to come. This highly regarded book considers in detail the downfall of the Russian Imperial family, and the authors have drawn upon eyewitness testimony of those who were close to these historic events. The narrative follows the Romanovs to their deaths, ordered by Lenin, in a Yekaterinburg cellar, so preventing the Tsar becoming a figure for the White Russians to rally around. An essential and recommended work for any student of the fall of monarchy, Russian involvement in the Great War and the rise of Bolshevism.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume IX covers the war in Italy and the war at sea, including submarine warfare, from August 1914 through November 1918. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume VII focuses on Russia during the war years, from her early victories and defeats through the Revolution of 1919. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

The last great war of the horse
The role of the 'war horse' particularly during its twilight years during the First World War has recently become the focus of much interest. All armies have used horses in wartime as cavalry and mounted infantry, as officers chargers, for artillery or for transport and supply. Some large nations, because the horse formed a central role in its domestic life, became more associated with horses and horsemanship in the period when mechanised transport was making its first halting appearance onto the field of conflict. Russia was famous for its Cossacks and among the countries of the British Empire and Commonwealth the accomplished riders of Australia, New Zealand and, especially noteworthy, Canada-the home of the author of this book. Naturally, the author is concerned with the activities of the Canadian Cavalry Brigade, but his book examines in detail the role of horses in every aspect of the Great War. He was not oblivious to the suffering of horses in war though, he clearly demonstrates a great affection for them in their military role. The book concludes with pictures and vignettes of individual horses of renown in the Canadian Army and a short piece on the service of dogs.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The First World War marked a key turning point in America's involvement on the global stage. Isolationism fell, and America joined the ranks of the Great Powers. Civil-Military relations would face new challenges as a result. Ford examines the multitude of changes that stemmed from America's first major overseas coalition war, including the new selective service process; mass mobilization of public opinion; training diverse soldiers; civil liberties, anti-war sentiment and conscientious objectors; segregation and warfare; Americans under British or French command. Post war issues of significance, such as the Red Scare and retraining during demobilization are also covered. Both the federal government and the military were expanding rapidly both in terms of size and in terms of power during this time. The new group of citizen-soldiers, diverse in terms of class, religion, ethnicity, regional identity, education, and ideology, would provide training challenges. New government-military-business relationships would experience failures and successes. Delicate relationships with allies would translate into diplomatic considerations and battlefield command concerns.

The current dogma concerning the origins of the First World War supports the militarist myth that wars are caused by stupid, evil, aggressive nations on the other side of the world who refuse to get along with the intelligent, good, peaceful people on this side.

This book attempts to understand the real causes of war and to dissociate propaganda from historical fact. By reviewing the events of the pre-1914 period, the responsibility of Germany for the outbreak of the war is reconsidered.

It begins with a short account of the situation after the Franco-Prussian War, when France was isolated and Germany secure in the friendship of all the other Great Powers, and proceeds to describe how France created an anti-German coalition. The account of the estrangement of England from Germany attempts to correct the usual pro-British prejudice and to explain the real causes of this development. The centrepiece of the work is the creation of the Triple Entente.

This book is unique in its positive approach to the German Empire of 1871-1918.

A pilot's account of the war in the air
Books on the war in the air above the fields, broken landscapes and trenches of France and Belgium in the First World War are not numerous. Those written by pilots who experienced war in the air during the infancy of aviation are fewer still. In the early years of the 20th century the first clumsy attempts at mastering the skies was followed quickly by the necessity, on the part of armies and navies, to find individuals with the ability to learn the skills and tactics of fighting in three dimensions. Those whose learning failed them paid a price rarely expected of young students. This book was written by a young American volunteer during wartime. He informs his readers from the outset that he has a poor opinion of his own abilities and of the contribution he believes he can make, though this is difficult to understand for those who have never taken the air to fight in a primitive flying machine-without a parachute. Molter was one of those remarkable young men, irrespective of his own opinion of himself, who elected to volunteer to fight for France before America had entered the war. He gives us an insightful account of flying combat missions from the sharp end and no one who has an interest in the subject will be disappointed with his story.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume VI covers March 1918 through September 1918, from the last battles on the Western Front through the Paris peace conference and revolution in Germany. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

Dissects the politics of commemoration of soldiers, veterans, and relatives from WWI The United States lost thousands of troops during World War I, and the government gave next-of-kin a choice about what to do with their fallen loved ones: ship them home for burial or leave them permanently in Europe, in makeshift graves that would be eventually transformed into cemeteries in France, Belgium, and England. World War I marked the first war in which the United States government and military took full responsibility for the identification, burial, and memorialization of those killed in battle, and as a result, the process of burying and remembering the dead became intensely political. The government and military attempted to create a patriotic consensus on the historical memory of World War I in which war dead were not only honored but used as a symbol to legitimize America's participation in a war not fully supported by all citizens. The saga of American soldiers killed in World War I and the efforts of the living to honor them is a neglected component of United States military history, and in this fascinating yet often macabre account, Lisa M. Budreau unpacks the politics and processes of the competing interest groups involved in the three core components of commemoration: repatriation, remembrance, and return. She also describes how relatives of the fallen made pilgrimages to French battlefields, attended largely by American Legionnaires and the Gold Star Mothers, a group formed by mothers of sons killed in World War I, which exists to this day. Throughout, and with sensitivity to issues of race and gender, Bodies of War emphasizes the inherent tensions in the politics of memorialization and explores how those interests often conflicted with the needs of veterans and relatives.