A unique Leonaur edition-never before available in this form
John Buchan was a popular author of historical and adventure fiction whose works remain in print to the present day. He also wrote important works of non-fiction that are less well remembered. Among these was a commissioned, multi-volume history of the First World War that was so well regarded that it became a source-work for other historians. This Leonaur Original, drawn from Buchan's history, and including many maps, battle plans, photographs and illustrations, has been published to mark the centenary of the outbreak of the First World War on the Western Front as overwhelming German forces swept through Belgium and France. This was a mobile war-much like the wars fought in Europe for hundreds of years-of marching infantry and cavalry armed with lances and swords. The battle at Mons, the dogged retreat of the 'Contemptible Little Army' of the B. E. F., the incredible resistance of the out-dated Belgian Forces, the battles of the Marne and Aisne as the tide turned, and the carnage of the First Battle of Ypres as the war became a stalemate of wire, mud and trenches at the close of the year, are all covered in Buchan's brilliant take on just six months of war in 1914.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

On April 25th 1915, during the First World War, the famous Anzacs landed ashore at Gallipoli. At the exact same moment, leading figures of Armenian life in the Ottoman Empire were being arrested in vast numbers. That dark day marks the simultaneous birth of a national story - and the beginning of a genocide. When We Dead Awaken - the first narrative history of the Armenian Genocide in decades - draws these two landmark historical events together. James Robins explores the accounts of Anzac Prisoners of War who witnessed the genocide, the experiences of soldiers who risked their lives to defend refugees, and Australia and New Zealand's participation in the enormous post-war Armenian relief movement. By exploring the vital political implications of this unexplored history, When We Dead Awaken questions the national folklore of Australia, New Zealand, and Turkey - and the mythology of Anzac Day itself.

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume X features personal sketches by war leaders, the formulation of postwar treaties, a chronology of the war, and the index for all 10 volumes. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

World War I was a global war originating in Europe that lasted from 1914 to 1918. Contemporaneously known as the Great War or "the war to end all wars", it led to the mobilisation of more than 70 million military personnel, including 60 million Europeans, making it one of the largest wars in history. This series of Eight volumes provides year by year analysis of the war that resulted in the death of more than 17 million deaths worldwide.

The 'Cockney Jocks' at war in Flanders and France
The wide distribution of Scots throughout Britain and the Empire led to the formation new 'Scottish' regiments and the London Scottish, formed in 1859 as a volunteer rifle corps and originally commanded by Lord Elcho, was a primary example. Elcho, anxious to embrace all the fighting men of Scotland into one brotherhood irrespective of their clan origins, uniquely clad the regiment in kilts of 'Hodden Grey, ' a traditional hard wearing Scottish homespun cloth devoid of the tartan check and, as he perceived, being a drab colour suited for life on military campaign in the most practical way. Pinkerton, the author of this book was a soldier among the ranks of the regiment who answered the nation's call to arms during the First World War. The regiment was mobilised at the outbreak of hostilities and the 1st battalion had the distinction of being the first Territorials to go into action during operations at Messines in October 1914. Pinkerton takes his readers to war with the London Scottish on the western front where it took part in all the major offensives of the conflict. Predictably this vital account is filled with immediate first hand account action and anecdotes and is essential reading for anyone interested in the war in the trenches the kilted infantry knew.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The extraordinary story of Captain Llewellyn Wynne Jones' 1918 service in East Africa told through his personal military campaign diary and photograph albums. Llewellyn's granddaughter, born some 36 years after his death, researches his military life and family history to uncover the fascinating, courageous and ultimately tragic story of his life. The book is beautifully illustrated with original photographs from Llewellyn's campaign albums and from a rich family photographic archive. It includes family artefacts, letters, newspaper reports and interviews which combine to bring this exceptional young man's few years to life once more 100 years on.

When a devastated Belgium emerged from World War I, some of its leaders had high hopes that the upcoming negotiations would enable achievement of a long-cherished goal; annexing parts of the Netherlands lost in the final 1839 settlement which had established the country. Belgium's strong historical and military arguments were bolstered by its courageous Great War image. Yet the Dutch proved ready and able to launch an energetic counterattack which ultimately stymied the Belgian campaign. This book explains why and how this happened, and demonstrates that small states are active participants in their own destinies, not just spectators or victims.

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume VIII covers the war against German ally Turkey and the war in the Balkans and Greece, from August 1914 to October 1918. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

The end of a dynasty
It is likely that few of those who contributed to the outbreak of the First World War would have imagined its consequences or predicted which nations would prevail, which would fall in defeat and which would all but cease to exist. Very few would have foreseen the fall of so many of the royal houses of Europe and yet this came to pass; most prominent among them were the Romanovs of Russia. It was almost inconceivable that the Tsar, who ruled over a vast territory and many millions of subjects, would be murdered (or executed, according to one's sensibility) with all of his immediate family such a short time from when the power and influence of the Romanovs had seemed immutable. But this was an age of global warfare on an industrial scale, and of revolution and political change that would affect the nature of war and peace for a century to come. This highly regarded book considers in detail the downfall of the Russian Imperial family, and the authors have drawn upon eyewitness testimony of those who were close to these historic events. The narrative follows the Romanovs to their deaths, ordered by Lenin, in a Yekaterinburg cellar, so preventing the Tsar becoming a figure for the White Russians to rally around. An essential and recommended work for any student of the fall of monarchy, Russian involvement in the Great War and the rise of Bolshevism.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume IX covers the war in Italy and the war at sea, including submarine warfare, from August 1914 through November 1918. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume VII focuses on Russia during the war years, from her early victories and defeats through the Revolution of 1919. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

The last great war of the horse
The role of the 'war horse' particularly during its twilight years during the First World War has recently become the focus of much interest. All armies have used horses in wartime as cavalry and mounted infantry, as officers chargers, for artillery or for transport and supply. Some large nations, because the horse formed a central role in its domestic life, became more associated with horses and horsemanship in the period when mechanised transport was making its first halting appearance onto the field of conflict. Russia was famous for its Cossacks and among the countries of the British Empire and Commonwealth the accomplished riders of Australia, New Zealand and, especially noteworthy, Canada-the home of the author of this book. Naturally, the author is concerned with the activities of the Canadian Cavalry Brigade, but his book examines in detail the role of horses in every aspect of the Great War. He was not oblivious to the suffering of horses in war though, he clearly demonstrates a great affection for them in their military role. The book concludes with pictures and vignettes of individual horses of renown in the Canadian Army and a short piece on the service of dogs.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.