COLONIAL SETTLERS, ASKARIS AND MASAI SCOUTS. AMBUSH AND BATTLE AMONG WILD ANIMALS AS DANGEROUS AS THE ENEMY ITSELF. Colonial neighbours in British & German East Africa fought their war far from the Western front across country familiar today as the great game reserves. The East African Mounted Rifles were six squadrons amalgamated from hastily formed volunteer units such as Bowkers Horse and the Legion of Frontiersmen. Encounters with enraged lions, horses camouflaged as zebras, a brief period as marines all form part of this most unusual account of a most unusual campaign.

From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India's struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.

An incredible adventure from the Great War
This is a unique and riveting book. The steamer Tara and her crew spent the early part of WW1 patrolling the Northern Channel between England and Ireland before a transfer to coastal duties off Egypt and Libya. There she was torpedoed and sunk by a German U-Boat operating from a secret base on the Libyan coast. To ensure no intelligence of it's presence leaked to the British, the Germans towed the survivors-including this book's author, the Tara's captain, into captivity at the hands of the Senussi-religious zealots in league with the Ottoman Turkish forces. Then began a tortuous ordeal for the crew who suffered abuse, starvation and in some cases death at the hands of their gaolers. Abortive escape attempts across the relentless 'Red Desert' followed before rescue finally came in the form of a dramatic hunt and final assault by the forty armoured cars of the Duke of Westminster's squadron. An absolutely essential and gripping read which will be a delight to all those interested in the fortunes of British seamen, the war in the Middle East and well told accounts of true adventure.

Wallach provides a pioneering study of coalition warfare. Using World War I as a case study, Wallach examines such important aspects as Allied pre-war planning; the particularistic interests of coalition partners; human relations; the framework for coordination mechanisms within coalitions; the application of such concepts as a general reserve, unified command, and amalgamation of forces; logistical problems; war finance; and the transition from war to peace.

In the process, Wallach shows that coalition warfare is among the most difficult forms to develop and maintain successfully. Unfortunately, as recent post-Cold War experiences illustrate, coalition warfare is an ongoing military issue. As such, this book will be of great interest to military planners as well as students of the history of World War I.

Between 1917 and 1919 women enlisted in the Women's Land Army, a national organisation with the task of increasing domestic food production. Behind the scenes organisers laboured to not only recruit an army of women workers, but to also dispel public fears that Britain's Land Girls would be defeminized and devalued by their wartime experiences.

A literary account of the author's experience in World War I. Hell on Earth is the second book written by Avigdor Hameiri (born Feuerstein, 1890-1970) about his experiences as a Russian prisoner of war during the second half of World War I. Translator Peter C. Appelbaum first became interested in Hameiri's story after learning that one quarter of the Austro-Hungarian army was captured and imprisoned, and that the horrific events that took place at this time throughout Russia and central Asia are rarely discussed in scholarly texts. Available for the first time to an English-speaking audience, this reality-driven novel is comparable to classics like All Quiet on the Western Front and The Gulag Archipelago. The text is deeply tragic, while allowing some humor to shine through in the darkest hour. The reader is introduced to a procession of complex characters with whom Hamieri comes into contact during his imprisonment. The narrator watches his friends die one by one until he is released in 1917 with the help of Russian Zionist colleagues. He then immigrates to Israel in 1921. Hameiri's perspective on the things surrounding him-the Austro-Hungarian Army, the Russian people and countryside, the geography of Siberia, the nascent Zionist movement, the Russian Revolution and its immediate aftermath-offers a distinct personal view of a moment in time that is often overshadowed by the horrors of the Holocaust. In his preface, Appelbaum argues that World War I was the original sin of the twentieth century-without it, the unthinkable acts of World War II would not have come to fruition. Hell on Earth is a fascinating, albeit gruesome, account of life in prison camps at the end of the First World War. Fans of historical fiction and war memoirs will appreciate the historic value in this piece of literature.

The East African Campaign through a British Army Doctor's eyes The author of this book-a practicing doctor in the British Army-had already served on the Western Front in the early months of the Great War and had actually become a P. O. W. at the hands of the German enemy. Now in the East African Campaign he explains-in writings originally intended for his own family-every aspect of war in this little reported theatre. We learn about the movements of troops and battle actions, but also of the character of troops from many countries and of the African tribes who fought for each side. We hear of the trials of the motor transport men-dodging ambush and wild animals equally-and of the adventures of the "behind the lines" intelligence gatherers living thrilling and dangerous lives in the bush. Finally we are shown the difficulties of keeping men healthy and the problems of saving lives under the most arduous conditions. This is an unusual and interesting perspective on war from a medical man in Africa.

Nets, mines and bullets
Very rarely, as we warm our hands by a coal fire or eat our fish supper, do we think about what it took to heat our rooms or fill our plates. We may feel grateful that the task was fortunately undertaken by others-that it is something we would not wish to do ourselves-but nothing more. The life of the fishermen of Northern waters is, and always has been, a perilous one, many brave sailors have drowned in pursuit of food for our nation. When war came the fishing fleet, aware of its duty, did not dry dock and hang its nets until peace returned. It still set out to fish, aware that the perils of its trade would be worsened by the presence of an enemy that knows that a hungry nation will be subdued more quickly. It would have been enough if that was all British fishermen had done, but they also gathered intelligence, cleared mines, fought actions from armed fishing vessels and many other incredible acts of courage and devotion. These were not men whose achievements were seen as glamorous, but they were nonetheless brave, unsung heroes in war as well as in peace. This book details the actions of British Fishermen in Northern waters during the First World War; it is, of course, an account so full of action and incident that it is essential reading for those interested in the study of maritime warfare.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The dramatic story of the turbulent birth of modern Turkey, which rose out of the ashes of the Ottoman Empire to fight off Allied occupiers, Greek invaders, and internal ethnic groups to proclaim a new republic under Mustafa Kemal (Ataturk). It is exceedingly rare to run across a major historical event that has no comprehensive English-language history, but such was the case until The Turkish War of Independence brought together all the main strands of the story, including the chaotic ending of World War I in Asia Minor and the numerous military fronts on which the Turks defied odds, fighting off several armies to create their own state from the defeated ashes of the Ottoman Empire. This important book culminates Erickson's three-part series on the early 20th-century military history of the Ottomans and Turkey. Making wide use of specialized, hard-to-find Western and Turkish memoirs and military sources, it presents a narrative of the fighting, which eventually brought the Turkish Nationalist armies to victory. Often termed the "Greco-Turkish War," an incomplete description that misses its geographic and multinational scope, this war pitted Greek, Armenian, French, British, Italian, and insurgent forces against the Nationalists; the narrative shows these conflicts to have been distinct and separate to Turkey's opponents, while the Turkish side saw them as an interconnected whole. Completes a trilogy of books by Edward J. Erickson on the conventional wars of the Ottoman and Turkish armies in the early 20th century, the first two of which are Defeat in Detail: The Ottoman Army in the Balkans, 1912-1913 (2003) and Ordered to Die: A History of the Ottoman Army in the First World War (2001). With no comprehensive English-language military history available, fills a massive gap in our understanding of this important war and Turkey's founding on the centenary of Turkey's birth Contains the first reconciliation of combatant estimates of military and civilian casualties in the Turkish War of Independence Analyzes the Turkish War of Independence as an early example of modern "hybrid-war" (combination of differing types of wars-in this case, simultaneously conventional, unconventional, counterinsurgency, and political-economic-information warfare)

World War I was a global war originating in Europe that lasted from 1914 to 1918. Contemporaneously known as the Great War or "the war to end all wars", it led to the mobilisation of more than 70 million military personnel, including 60 million Europeans, making it one of the largest wars in history. This series of Eight volumes provides year by year analysis of the war that resulted in the death of more than 17 million deaths worldwide.

World War I was a global war originating in Europe that lasted from 1914 to 1918. Contemporaneously known as the Great War or "the war to end all wars", it led to the mobilisation of more than 70 million military personnel, including 60 million Europeans, making it one of the largest wars in history. This series of Eight volumes provides year by year analysis of the war that resulted in the death of more than 17 million deaths worldwide.

The front-line soldiers of the First World War endured appalling conditions in the trenches and suffered unprecedented slaughter in battle. Their morale, as much as the strategy of their commanders, played the crucial part in determining the outcome of `the war to end all wars'. J. G. Fuller examines the experience of the soldiers of the British and Dominion armies. How did the troops regard their plight? What did they think they were fighting for? Dr Fuller draws on a variety of contemporary sources, including over a hundred magazines produced by the soldiers themselves. This is the first scholarly analysis of the trench journalism which played an important role in the lives of the ordinary soldiers. Other themes explored include the nature of patriotism, discipline, living conditions, and leisure activities such as sport, concert parties, and the music hall. Dr Fuller's vivid and detailed study throws new light on the question of warfare, and in particular how the British and Dominion armies differed from those of their allies and opponents, which were wracked by mutiny or defeat as the war went on.

The commander of the BEF's view of the Great War
This book, written by Sir John French, concerns his period of command during the first period of the Great War. Predictably, as in many commander's memoirs it displays much partiality as to his own actions and those of others. This is particularly noteworthy since the consensus view of the history of the time does not judge-with much justification-French kindly. At the outbreak of the war French was the obvious choice for command and his views accorded with the government establishment if not with more forward thinking military men under his command. Fast moving German offensives revealed French's military strategy with its faith in inflexible defensive strongpoints to be hopelessly out of date. Events overtook him and were it not for Smith-Dorrien's aggressive action during the First Battle of Mons-for which seemingly French never forgave him-the BEF could easily have been overwhelmed. French became increasing out of touch and indecisive and was replaced in 1915 by Haig. This book is far from a balanced history, but is an important account of how a nineteenth century soldier saw his twentieth century war. It also contains much factual information on the dispositions of troops and actions in what was a fluid stage of the conflict.

An insightful account of the devastating impact of the Great War, upon the already fragile British colonial African state of Northern Rhodesia. Deploying extensive archival and rare evidence from surviving African veterans, it investigates African resistance at this time.

The Avant-Garde in Interwar England addresses modernism's ties to tradition, commerce, nationalism, and spirituality through an analysis of the assimilation of visual modernism in England between 1910 and 1939. During this period, a debate raged across the nation concerning the purpose of art in society. On one side were the aesthetic formalists, led by members of London's Bloomsbury Group, who thought art was autonomous from everyday life. On the other were England's so-called medieval modernists, many of them from the provincial North, who maintained that art had direct social functions and moral consequences. As Michael T. Saler demonstrates in this fascinating volume, the heated exchange between these two camps would ultimately set the terms for how modern art was perceived by the British public.
Histories of English modernism have usually emphasized the seminal role played by the Bloomsbury Group in introducing, celebrating, and defining modernism, but Saler's study instead argues that, during the watershed years between the World Wars, modern art was most often understood in the terms laid out by the medieval modernists. As the name implies, these artists and intellectuals closely associated modernism with the art of the Middle Ages, building on the ideas of John Ruskin, William Morris, and other nineteenth-century romantic medievalists. In their view, modernism was a spiritual, national, and economic movement, a new and different artistic sensibility that was destined to revitalize England's culture as well as its commercial exports when applied to advertising and industrial design.
This book, then, concerns the busy intersection of art, trade, and national identity in the early decades of twentieth-century England. Specifically, it explores the life and work of Frank Pick, managing director of the London Underground, whose famous patronage of modern artists, architects, and designers was guided by a desire to unite nineteenth-century arts and crafts with twentieth-century industry and mass culture. As one of the foremost adherents of medieval modernism, Pick converted London's primary public transportation system into the culminating project of the arts and crafts movement. But how should today's readers regard Pick's achievement? What can we say of the legacy of this visionary patron who sought to transform the whole of sprawling London into a post-impressionist work of art? And was medieval modernism itself a movement of pioneers or dreamers? In its bold engagement with such questions, The Avant-Garde in Interwar England will surely appeal to students of modernism, twentieth-century art, the cultural history of England, and urban history.