"The writing is witty and daring - this is the movie every zombie geek aspires to make..." - EyeCraveDVD.com

Wandering the zombie wasteland, Matool lives by his animal instinct - not to mention his hammer and giant nails. But when he's kidnapped by a mysterious couple, he must rely on an entirely different weapon to survive...

Read the original shooting script for THE STINK OF FLESH and see how a low-budget film translates from page to screen in the cult movie Lawrence Raffel of MonstersAtPlay.com called "A fantastic entry in the zombie sub-genre. Great characters, talented filmmaking, an inventive storyline... Definitely recommended and in my humble opinion, a far better film than 28 Days Later."

Written by Scott S. Phillips, screenwriter of the Martial Arts classic DRIVE (1997) and several episodes of the CW Network TV series KAMEN RIDER DRAGON KNIGHT, and author of the novels PETE, DRINKER OF BLOOD, FRIDAY THE 13th: CHURCH OF THE DIVINE PSYCHOPATH, and SQUIRREL EYES.

Also includes an appreciation of the movie by Cody Hamman of LifeBetweenFrames.com.

Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: "the mode of production," "ideology," and "mediation." In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory. Fight Club is an exceptionally useful text with which to explore these three concepts because it so vividly and pedagogically engages with economic relations, ideological distortion, and opportunities for transformation. At the same time, it is a very typical film in terms of the conditions of its production, its marketing, and its popularity. Adapted from a novel by Chuck Palahniuk, the film is a contemporary classic that has lent itself to significant re-interpretation with every shift in the political economic landscape since its debut. Marxist Film Theory and Fight Club models a detailed cinematic interpretation that students can practice with other films, and furnishes a set of ideas about cinema and society that can be carried into other kinds of study, giving students tools for analyzing culture broadly defined.

An historic forbidden romance of wild love, this story takes place during the Deerfield Massacre of 1704 in Massachusetts when Eunice Williams, daughter of the famous Reverend John Williams is captured by Mohawk Indians and taken away to Montreal. Will she escape or be freed? And who will capture her wild love?

In the 1980's there were only 4 Billionaires in the entire world. In 2014 there are 4,176 Billionaires worldwide. This story is inspired by the Tonk players, a group of billionaires, from the United States and from China who have fun using their combined resources to change the world.

This is the screen play about a yougn teenager name Jerry; who wants to get a record deal; as he works a nine-to-five job; until he gets the deal; he have to struggle.

Pygmalion is a play by George Bernard Shaw, named after a Greek mythological character. It was first presented on stage to the public in 1912. Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence.

A teenager desires to discover the solution to her family's secrets before she becomes another victim. A horror tale reveals the unspeakable-that not only women got raped during the slave trade. A former gang member joins a Christian mission to free trafficked women, but is captured herself. A reversal of fortune finally brings a rage-filled alcoholic her heart's true desire. An ex-offender and parole violator stops the Drug War. A restless crime lord shows his colleagues precisely how to control the solar energy industry. These twelve screen-ready tales of dark fantasy, horror, and adventure reflect possible rather than impossible worlds. Great stories for lovers of afro-futurism, speculative fiction. Plenty of monologues and dialogues for drama students and teachers, actors, screenwriters, producers, and directors.