Have you ever gathered around a cowboy's campfire on a pitch black night, and felt like someone was standing beside you in the dark? Have you ever heard scratching on the side of your tent, and hoped it was only a tumbleweed? There are TWO ways to have fun with Creepers Mysteries. Enjoy reading the BOOK (in the front). Star in your own Movie for the Ear using the SCRIPT (in the back). You'll have a blast Harry, Gillian and Arvin visit Smokey Joe's Ranch and go on an authentic cattle drive. They find out just how authentic when they land in the middle of a century-old mystery between a bandit and a bounty hunter from the Old West.

Welcome ladies gentlemen and fellow aficionados to what we lovingly call the fine arts. Presented to you in this book are four plays about Texans, written for Texans, by a fellow Texan, Edwin C. De La Rosa. Please excuse the overuse of the words us and we in this introduction for it is not delusions of grandeur; but it is a small sign that none of these four plays come from one simple mind, for you see each of these plays were formed from a collection of many minds. Likewise this collection of plays is written to the best of our abilities to appeal in an entertaining way to this great melting pot we call America. The mere word play has a meaning of an activity people engage in for mere entertainment or enjoyment. Therefore as a playwright, we feel that it is our duty to create a piece of literature in which the dialogue and the actions of our characters entertain and bring joy to the audience. Much like a book, a play also has a beginning, a middle, and an end. Fortunately, for us playwrights unlike a book a play is much open to interpretation. Be it by the demands of an artistic director or the performance of a truly gifted thespian a play maybe actually given new life and new meaning. To aid a little in a closer interpretation of these plays we have included a small preface to each story.

Four Screenplays by Don Haderlein includes the full length screenplays: Together We Stand, Brothers, Moonbeams and The Compassion of Jesus.

This is the second part; to the story call the twins; it seems that as the boys; lost all hope; the next door; neighbors decides to help them; in their time of need.

Here are three screenplays collected in print for the first time, from the prolific bizarro genius Tom Bradley. Each screenplay is adapted from a novel of the same name. LEMUR - damnation and salvation in the food services industry. VITAL FLUID - rival hypnotists stage a bizarre series of showdowns. BOMB BABY - a manhunt through Hiroshima's lightless crannies. ' . . . brilliant, evocative writing. Bizarre imagination set free. An enviable skill.' -Consuelo Boland

In this original screenplay, Sgt. Janet Lacey is a tall, tough uniformed sheriff's deputy with a reputation for being a regular Dirty Harriet. Herb Robbins is a short, bleeding heart liberal, assistant district attorney, who's just dismissed one of her cases because she didn't have a valid search warrant. And, tonight, she's stuck with him as her ride along. When a serial killer that Lacey has captured is gunned down while in her custody, her conduct becomes suspect. Later, when the dead man's mother is found murdered, a large amount of cash found on Lacey and a big drug stash discovered in her apartment, a warrant is issued for the officer's arrest. Robbins is the only one who believes that she's innocent, but can he help her?

Made in 1959, North by Northwest is one of Alfred Hitchcock's most beloved thrillers, an enticing cocktail of suspense, comedy, eroticism, and danger. Cary Grant is a suave but stiff-necked executive who finds himself mistaken for a United States intelligence agent and, as a result, is forced into a series of life-threatening encounters with the villainous James Mason. Grant's consolation is that he also becomes involved with the elegant female spy played by Eva Marie Saint. But the game of international intrigue is played for high stakes—and in high style: in the film's classic sequences, Grant is chased across cornfields by a crop-dusting plane and, later, forced to climb the slopes of Mount Rushmore's National Memorial to escape his pursuers.

The screenplay is the work of one of the most versatile and successful American screenwriters, Ernest Lehman, who begins this volume an Introduction that fully explores the process of collaborating with Hitchcock on the film. Also the author of the screenplays for such diverse films as Sweet Smell of Success and The Sound of Music, Lehman managed in this work to combine witty wordplay and thoughtful suspense in such a way that North by Northwest stands as the epitome of Hitchcock's elegant and entertaining thrillers.

Everything you'll ever need to know about spec screenplay formatting is found here. Learn about the Seven Screenplay Elements and what they do. Discover writing tips to help enliven your Dialogue and Direction. Recognize what to capitalize and when. Learn to format common screenplay techniques such as telephone conversation, foreign language dialogue, flashbacks, montages, talking animals, and much, much more This truly is the last book on spec screenplay formatting you'll ever need to own
"Your CUT TO: Is Showing is a valuable and exhaustive new book, loaded with practical examples, that deserves to be on the shelf of aspiring (and professional) writer everywhere."
-Ben Cahan, co-creator of Final Draft and founder of Talentville.com
"This is without a doubt the BEST script format guide I've ever come across-and believe me, I've read 'em all. . . . Your CUT TO: Is Showing is an absolute must-have and must-read. I'm serious, get this book."
-Jim Vines, screenwriter and author of Q & A: The Working Screenwriter
" Your CUT TO: Is Showing "is the most comprehensive, inclusive and up-to-date book on screenwriting I have ever read."
-Robert Joseph, screenwriter of Divine Love

Perhaps you've encountered that strange, unsettled feeling of familiarity - haven't you been here before? Hasn't this experience already happened in exactly the same way? What if that wasn't you. What if that was your duplicate, the result of an atomic experiment that has taken an unexpected turn, creating a process that can replicate and manipulate living matter - with untold potential, but terrifying consequences.

Jason had it all until his addiction finally caught up with him. After being court ordered to serve 28 days in a substance abuse facility, he loses it all. Jason learns to change his selfishness into charity for others as he bonds and forms a family with fellow addicts. This inspires him to develop the 28 Tee-Shirts Calendar Method.

4 ORIGINAL SCREENPLAYS By James Dean Claitor "Operator" "Southern Stories" "T is for Terrible" "Winner" 4 Original Screenplays All screenplays were optioned, but none have been produced yet. All rights available now. Script coverage provided by The Black List. OPERATOR Era: 1986 Locations: Texas, Europe Budget: Medium Genre: Romance, Romantic Drama Pages: 110 Logline: To prevent her son-in-law from putting her into a home, a sassy widower takes a job as a telephone operator and finally realizes her greatest dreams. SOUTHERN STORIES Era: Present/1860s/1970s Locations: Deep South, New Orleans, Los Angeles, Southern Plantation/Mansion, Battlefield, Woods, Elementary School Budget: Medium Genre: Horror, Gothic Horror Pages: 90 Logline: An anthology of Southern Gothic horror stories involving freed slaves returning to the haunted plantation of their former slave master, a young boy with enough rage to manifest a horrifying and uncontrollable monster, and a record executive whose search for an elusive phenom sends him deep into the haunted history of 'Nawlins. T IS FOR TERRIBLE Era: Modern Locations: Iraq, Texas, Mexico Budget: Medium Genre: Action, Drama, Thriller Pages: 89 Logline: T, a combat veteran in Iraq, returns home to fight a different kind of war. WINNER Era: Modern Locations: Various Suburban Budget: Low Genre: Comedy, Heist/Caper Comedy Pages: 117 Logline: Meek bookkeeper Percy finds a complex embezzlement scam that quite literally has his name on it, despite him knowing nothing of it. He's set to go on the run when he wins a $300 million lottery and suddenly becomes the most famous and popular man in town. Copyright 2013 James Dean Claitor James Dean Claitor http: //jamesdeanclaitor.com

Think giving birth is just one day so your birth choices don't matter? Think again. Playwright Karen Brody interviewed over one hundred low-risk, educated mothers about their birth experiences and turned what she discovered into a critically acclaimed play "Birth." Today the play is part of BOLD, a global movement to improve childbirth choices for mothers. If you want to understand childbirth today then this is a must-read (and see ) play. The themes in "Birth" are universally found in most industrialized countries today: a surprisingly large number of pregnant women do not know their birth options and the risks of medical interventions; pregnant women are being physically and verbally coerced; power - and pleasure - are available to women who give birth; and that inside all pregnant moms there is a knowing that their bodies rock. "Birth" has been performed to sold-out audiences throughout the world as part of the BOLD movement, raising money for projects that educate pregnant mothers and expand their childbirth choices. This book includes the complete second edition of "Birth," a foreword by bestselling women's health author Dr. Christiane Northrup, and Karen Brody's reflections on childbirth today and how pregnant mothers can have an empowering birth.

ALEC MYERS is smart, good looking, rich ... and dead. After an accident, he winds up on "the other side," where he must face some unpleasant truths about himself. Just as he's about to get a second chance, his ex-wife donates his heart for transplant, complicating his return to life, his search for a lost romance, and his redemption in a daring act of courage.

This book is a combination how-to for screenwriters and a memoir of a woman's journey to becoming a working writer in Hollywood. It is vital instruction for writers of all genres who want to learn to get to story fast. Filled with stories from the show biz trenches, it educates as well as entertains.

Grandpa sees monsters everywhere. Are they real? This creepy one act play for four actors can be performed, royalty free by educational institutes and non-profit theaters.