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Books > Language & Literature > Literature: texts > Drama texts, plays > From 1900
"The Thriller: Scripting Seat-Gripping Suspense" plumbs nine-score thrillers for recurring features that build nape-prickling, heart-pounding suspense. Fodder for analysis embraces domestic and foreign fare, classic and contemporary, ranging from "Ghost, Speed, Seven, Psycho, " and "The Silence of the Lambs" to "La Femme Nikita" and "Yogen Premonition]." Text eschews a connecting-the-dots, painting-by-numbers approach, in belief that formulas drain the lifeblood of creativity and inevitably spawn a ho-hum product. That said, the eight factors culled from the covered films constitute useful tools in the screenwriter's arsenal. Perhaps the best groundwork for a thriller is infiltrating the ATF/FBI/IRA, or a brigade of arms-running mercenaries. Short of that, watching films and reading scripts will work wonders. In that spirit, the book debuts three feature-film scripts for critical scrutiny: mystery thriller "Stateline"; police thriller "Cashing Out"; supernatural thriller "Birthmarks."
1912. Poet, novelist, dramatist and journalist, Masefield's literary career was a varied one. He went to sea as a youth and his first volumes of poems earned him the title of Poet of the Sea. He was a prolific writer, publishing poetry and novels as well as taking on editorial tasks. In 1930 he became Poet Laureate, a post he retained until his death 37 years later. His plays, were written in both verse and prose. This volume contains: The Tragedy of Nan; The Campden Wonder; and Mrs. Harrison. See other titles by this author available from Kessinger Publishing.
Unlike every Easter-Passover-Resurrection documentary, play of movie ever produced this book incorporates every text, every movement and every conceivable thought found within "the Bible." It is truly The Ultimate Harmony of the Gospels for Jesus' last days on Earth. Working from numerous harmonies of the Gospel, Dr. Russell Earl Kelly has merged the four biblical accounts from Christ's arrest in the Garden of Gethsemane to His ascension into one continuous smooth story line. The many so-called discrepancies and contradictions melt away in these five acts written in conversational style. Although some events are fictional they reflect what probably occurred between the lines of God's Word. Kelly has attempted to honestly portray the feelings behind the words that lead up to the gospel presentation when Jesus reveals Himself in the upper room. The final act suggests that a modern video presentation be used to dramatically portray both the ascension and return of Jesus in glory. Russell Earl Kelly is also the author of "Should the Church Teach Tithing? A Theologian's Conclusions about a Taboo Doctrine" and "Exposing Seventh-day Adventism." His research and resources was reflected in "the Wall Street Journal" article, "The Backlash against Tithing" in November 2007.
Macbethis a Tragedy written by English playwright William Shakespeare, who is widely considered to be the greatest writer of the English language. Macbeth is a play about the struggle of the Macbeths and Macduffs to gain power, and the madness that plagues the Macbeths caused by their decision to commit murder in order to get control of the throne. Macbeth is an important work of William Shakespeares, and is highly recommended for fans of his works as well as those discovering his plays for the first time.
Two major new screenplays by the award-winning Stephen Poliakoff made for the BBC and HBO Films and due to be broadcast in November 2007. A stellar cast led by Michael Gambon and Dame Maggie Smith feature in these exquisite, major new films that are linked by a grand house and memories of the past. In Joe's Palace, the first of two screenplays, Stephen Poliakoff explores the relationship between a reclusive billionaire (played by Michael Gambon), and the teenage boy he employs to take care of a grand house. This is a lavishly shot contemporary film about loneliness and loss. In Capturing Mary, the companion film for BBC2 set in the same exquisite empty house, Poliakoff takes his characters into a dark and terrifying exploration of the past and its power to capture and destroy a person's life. Dame Maggie Smith plays the lead role. Included also is A Real Summer, a glorious companion drama to Capturing Mary charting the development of an unexpected friendship between a young aristocratic woman and Mary before she enters the dangerous world of Mr Graham's house.
For the first time, the American Revolution is presented as a feature drama with all the excitement of the stirring events that gave birth to a nation. It is not a docudrama or documentary, but is historically authentic with much of the original dialog as it was recorded. This exciting volume presents the whole story in 12 hour-long television episodes.
Hustlers on the Rocks New Comedic Screenplay Entertains with Absurd World of Cons and Detectives NEW YORK Lawrence J. Corneck has high-jacked readers and lovingly pick-pocketed them once again in his new hilarious screenplay, FAT FAT Snitch (published by AuthorHouse), a dark comedy with unusual heroes, filled with bumbling parole officers and inept con artists. Companion to his previous books, this time he tells the absurd and entertaining story of Floyd Gibbons, a sleazy, now-retired detective who must give chase to two con artists, Margo and Frank, in order to secure a prestigious position on the parole board. Wolf Blitzker, the head of the parole office and Gibbons boss, calls the two con artists, a thorn in the side of this department for a long time. As Gibbons pursues them, Margo and Frank are each involved in their own nefarious pursuits. Margo, a lesbian who happens to be dating a beautiful blond secretary in the parole office, is adding hotdog buns at Moishes Gourmet Hotdog Emporium in order to double charge people for each hotdog sold. Frank, a man who is also a lesbian, is pocketing money for each drink he sells instead of ringing them into The Kon Ticki Lounges register. One morning, however, Gibbons eavesdrops on the con duos conversation. Confusing the words buns for guns and drinks for chinks, he immediately begins a fruitless investigation into an Asian arms operation. After a series of hysterical escapades, including the former investigators inability to sit after a posterior injury, Gibbons comes incredibly close to achieving his goal, but unfortunately, is foiled by the one from above, who watches out for Margo and Frank at every turn for a very unusual reason. WillGibbons ever succeed in catching Margo and Frank? Will the dynamic con duo continue down the path of mischief and crooked dealings until their luck runs short? Find out in the hilarious conclusion of FAT FAT Snitch. Born and raised in New York, Corneck continues to love living in the Big Apple. His first book, Existential Hell: A Screenplay Trilogy (also available through AuthorHouse), a companion to Big Cigar, small d**k, was published in 2005. More screenplays based upon earlier characters, including Bald Lubavitcher, Mimes the Word and Bubble Catcher will soon be available through AuthorHouse. Geezer Pleaser, an edgy romance, has an expected publication date of September 2007. According to Corneck, each of his screenplays will be written in a different genre: cat and mouse, domestic drama, high adventure, coming of age, comedy, romance, horror, tear-jerker and show biz. For more information on Corneck and his books, please visit www.LawrenceJCorneck.com. AuthorHouse is the premier publishing house for emerging authors and new voices in literature. For a complimentary copy of this book for review, members of the media can contact the AuthorHouse Promotional Services Department by calling 888-728-8467 or emailing [email protected]. (When requesting a review copy, please provide a street address.)
"The Savvy Screenwriter "demystifies the film industry and reveals what aspiring screenwriters really want and need to know. From finding and working with agents, to insights about story analysts and movie executives, to understanding option agreements, to providing samples for queries, synopses, treatments, loglines, and outlines, to pitching, Susan Kouguell knows what works and what doesn't, and gives practical advice on getting your screenplay sold.
"There's just one hunk of funny anecdote after another, quotes from
everyone who ever mattered in the movie biz, and the thing is
jam-packed with screenwriterly advice. Plus it's hilariously funny,
ribald, sexy and brilliant."--Liz Smith
Action, action, yet more action. No action film worthy of genre would be caught dead without its fair share of red-hot lead and no-holds-barred fisticuffs, high-octane pursuits and gravity-defying gymnastics. Then again, nonstop action soon wears thin absent a rooting interest in Last Man Standing. First Woman to Cross Finish Line. Rooting interest inheres not in overt action, no matter how artfully choreographed or breathtakingly executed. Rather, rooting interest comes from empathy for the protagonist and, more precisely, from the dramatic action embodied by the protagonist's struggle to accomplish a worthy goal opposed by a formidable foe. Action is a double-edged blade, overt action being a necessary but insufficient condition to sustain viewer interest, which soars and ebbs to extent that dramatic action intersects with-injects meaningfulness into-gunplay and fistfest, acrobatics and pyrotechnics. Lights Camera Action spotlights the essential elements of action comedy, action romance, and action adventure. which a screenwriter must weave together in order for an action script to hum and shimmer, pulsate and zing.
This book carries you into a deep human spirit into one human soul. It gives you a deep look at human life; in its past, present, and future. This book is a good screenplay. It helps you to find yourself, in life, and to let you know who you are as a human soul. The Eighth Heaven will demonstrate that to you, the book will also tell you that the aliens have a great power of energy and a great sense of direction; in the human soul, as well as life and it demonstrates which way the worlds should go in the human deepest soul. It tells you how the heart can take on an evil soul; how your good soul can change into evil. The beast, called Eve, a.k.a. Lucifer is an evil spirit. We all have some Eve in us, but if we let evil spirits turn our hearts, minds, and souls into animals, then we have lost our human soul. This book also talks about how the land lords and the masters come down on Earth from the eighth heaven to help Adam kill Eve. After six thousand years, and after the death of Christ, Adam is to build up good human souls on Earth. We all have some animal instinct. Sometimes, that instinct can take over our entire bodies, including our minds and souls. If we do not learn how to control that animal within us, the animal will be in control. We will no longer have control over our souls, minds, or bodies. The book also talks about how the god's angel is in control in the eighth heaven. The gods have the power to change our souls back to good. The god's angels, masters, and lords have a duty to carry out with their power, whether it is earth, wind, fire, or water. They have that power in God's world today.
The first step toward having your script succeed in Hollywood is by having a correctly formatted screenplay. Quite simply, "Formatting Your Screenplay" is the one book you need for learning this vital skill. In this unique manual, author and screenwriting teacher Rick Reichman walks you through all the major elements of an authentic author's script and gives you strategies for using each element to maximum effect. He also packs sound advice on: .Rewriting the Script .Differences between an "Author's Script" and a "Production Script" .How to cover, bind, and mail off a finished script .Writing for both film and television Buy this book, use this book, and reference this book often. Over 13,000 people have done that already, and now it's your turn to learn just what separates the "it's okay" script from the "we have a deal" screenplay.
Not everyone enjoys a globe-hopping lifestyle a la Indiana Jones and 007, or endures the emotional peaks and valleys of a Scarlett O'Hara or Blanche Dubois. But most of us do come of age sooner or later, which makes it easy to relate to the pivotal events involved in growing up. First crush. Dawn of sex drive. Loss of virginity. Breakup with sweetheart. Senior prom. Graduation day. Going off to college. In like vein, we're all familiar with the issues confronting adolescents. Forging an identity. Fitting in. Handling peer pressure. Bonds/bounds of friendship. Erosion of childhood illusions. Bridging the generation gap. Leaving the nest. "Threshold: Scripting a Coming-of-Age" offers film buffs and prospective screenwriters insights into the essential elements. Chapter 1 develops the four cornerstones of all scripts irrespective of genre. Chapter 2 covers the genre's distinctive features. Chapter 3 analyzes one classic coming-of-age in depth: "River's Edge." Inspired by actual events, the 1987 film confronts its seventeen-year-old protagonist with a daunting threshold rarely encountered by mature adults. The book debuts three feature-film screenplays: "Homies"; "What Up Dawg"; "What Are Brothers For?" The respective protagonists--13, 19, 21--face age-appropriate challenges involving peer pressure, authority figures, and post-graduation blues.
The new film from Oscar(R)-nominated writer/director Todd Field
("In the Bedroom"), based on the acclaimed novel by Tom Perrotta,
starring Kate Winslet, Jennifer Connelly, and Patrick Wilson.
"Contemporizing the Classics: Poe, Shakespeare, Doyle" is a how-to on the art and craft of transforming a classic into a feature-film screenplay with a modern storyline. The introduction probes an issue that weaves throughout: role of artistic license in balancing fidelity to the original versus dramatic needs of the script. Contemporization of a classic being the most flagrant form of dramatic license, the introduction presents three guidelines for a considered exercise thereof. Each part debuts a feature-film script that resets a classic work(s) in the present. Part One offers a contemporary visualization of Macbeth, in the process turning an Elizabethan tragedy into a dramatic comedy. Part Two applies the guidelines to several renowned works by Edgar Allan Poe. Arthur Conan Doyle's "The Hound of the Baskervilles" having frequently screened as a period piece, Part Three gives the hound a twenty-first century twist.
On a typical suburban street in a typical suburban town, there is an ordinary family living the American dream. But look closer. Lester Burnham's wife, Carolyn, regards him with contempt, his daughter, Jane, thinks he's a loser, and his boss is positioning him for the ax. Captivated by Jane's sultry high school friend Angela, Lester decides to make a few changes in his mere existence--changes that are less mid-life crisis than a life reclaimed.The freer he gets, the happier he gets, which is even more maddening to his wife and daughter. Complicating matters, Lester finds an unexpected ally in Ricky, the teenage son of the new next-door neighbors, who sees life through a camera lens that has lately focused on Jane Burnham. In pursuit of his new vision of the American dream, Lester is about to learn that the ultimate freedom comes at the ultimate price. The 1999 winner of five Academy Awards(R), including Best Picture and Best Original Screenplay, American Beauty boasts an accomplished cast led by two-time Academy Award(R) Best Actor winner Kevin Spacey (The Usual Suspects) and Oscar(R) nominee Annette Bening (The Grifters).The ensemble cast also includes Thora Birch (Ghost World), Wes Bentley (The Claim), Mena Suvari (American Pie), Peter Gallagher (Mr. Deeds), Allison Janney (NBC's The West Wing), Scott Bakula (NBC's Quantum Leap), Sam Robards (A.I.: Artificial Intelligence), and Chris Cooper (Adaptation). American Beauty marks the feature film directorial debut of award-winning theater director Sam Mendes (The Blue Room, Cabaret). The film is produced by Dan Jinks (Nothing to Lose) and Bruce Cohen (The Flintstones in Viva Rock Vegas) from an original screenplay by Alan Ball (HBO's Six Feet Under). Stan Wlodkowski (One Hour Photo) and Alan Ball are the co-producers.
They're everywhere. Their name is like a talisman that opens all doors and bends all wills. The man who can pronounce that name is master everywhere -- Gentlemen of the night In 1830 London, the Marquis de Rio Santo, leader of the criminal empire known as the Gentlemen of the Night, schemes to free Ireland by plunging England into chaos. Our soldiers believe in the existence of a supernatural being, a fantastic cavalier, dressed in the uniform of a French dragoon, who hides his face behind a black mask. In Spain during the Peninsular War of 1808, Don Cesar de Cabanil becomes the mysterious Captain Phantom to fight for justice and protect the innocents in his war-torn country. Paul Feval's greatest claim to fame is, undoubtedly, having been one of the founding fathers of modern heroic fiction. He developed the concepts of criminal masterminds in The Black Coats and its predecessor, Gentlemen of the Night (1843) and anticipated masked swashbucklers like Zorro with The White Wolf and Captain Phantom (1862).
Loaded with extras, the official screenplay book tie-in to the
uproarious American hit comedy from Fox Searchlight--a family on
the verge of a breakdown.
A screenplay is a Work of Art. As such, it is subject to artistic manipulation in form and content to achieve an artistic reaction. The essence of Screenplay Writing is Compression. It tries to "Say the Most" with the "Least." It does not have the luxury of novelistic grandiosity in its ability to explore "Mind Set"; nor does it have the luxury of stage play verbosity in its ability to explore the beauty of language. But it can, and should, deal in eternal truths and yet also "Tickle" the Imagination. So this Trilogy is presented, in effect, as a Screenplay Novel. As with all literary art, the goal is a Compelling Story, Beautifully told. The Writer is a grateful native of, and a practicing attorney in, New York City.
The War of Heru and Set: The Struggle of Good and Evil for Control of the World and The Human Soul This volume contains a novelized version of the Asarian Resurrection myth that is based on the actual scriptures presented in the Book Asarian Religion (old name -Resurrecting Osiris). This volume is prepared in the form of a screenplay and can be easily adapted to be used as a stage play. Spiritual seeking is a mythic journey that has many emotional highs and lows, ecstasies and depressions, victories and frustrations. This is the War of Life that is played out in the myth as the struggle of Heru and Set and those are mythic characters that represent the human Higher and Lower self. How to understand the war and emerge victorious in the journey o life? The ultimate victory and fulfillment can be experienced, which is not changeable or lost in time. The purpose of myth is to convey the wisdom of life through the story of divinities who show the way to overcome the challenges and foibles of life. In this volume the feelings and emotions of the characters of the myth have been highlighted to show the deeply rich texture of the Ancient Egyptian myth. This myth contains deep spiritual teachings and insights into the nature of self, of God and the mysteries of life and the means to discover the true meaning of life and thereby achieve the true purpose of life. To become victorious in the battle of life means to become the King (or Queen) of Egypt.Have you seen movies like The Lion King, Hamlet, The Odyssey, or The Little Buddha? These have been some of the most popular movies in modern times. The Sema Institute of Yoga is dedicated to researching and presenting the wisdom and culture of ancientAfrica. The Script is designed to be produced as a motion picture but may be addapted for the theater as well. |
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